• Tidak ada hasil yang ditemukan

DIALOG CANGIK DAN LIMBUK

N/A
N/A
Info
Unduh - Bebas
Protected

Academic year: 2017

Membagikan "DIALOG CANGIK DAN LIMBUK"

Copied!
1
0
0

Memuat.... (Lihat teks lengkap sekarang)

Unduh sekarang ( 1 Halaman )

Teks penuh

(1)

DIALOG CANGIK DAN LIMBUK

Kajian Feminisme

Ratna Asmarani

Jurusan Sastra Inggris, Fakutas Sastra Universitas Diponegoro Abstract

Ratna Asmarani.2004. The dialogues of Cangik and Limbuk: a Feminist Perspective. Kajian Sastra, 3 (XXVIII): 192-201. Cangik and Limbuk are additional figures in a leather puppet show and their dialogues do not belong to Pakem (the core story). The dialogues and the figures of Cangik and Limbuk are presented to entertain and to evoke laughter from the audience. The scene of Cangik and Limbuk, because it interests a large number of the audience, is often used to convey messages from the government or sponsors. This paper attempts to analyse Cangik and Limbuk using a feminist perspective. The reason for this are twofold. First of all the creator of Cangik and Limbuk are a group of dalangs (the persons who make the leather puppets alive). Secondly, dalangs function as the conveyor of the norm/values of the society in which they live, which are Javanese and patriarchal at the same time. Findings show that the dialogues and the figures of Cangik are used as a media to convey how society wants its women to behave. BY positioning the women as such in a Javanese-patriachal society can control the women. Indeed it is argued that this ensures that this ensures that order will be maintained and the power of Javanese-patriarchal society will not be questioned and will be accepted as status quo.

Referensi

Unduh sekarang ( PDF - 1 Halaman - 5.89 KB )

Dokumen terkait

POLYGAMY IN THE DUCHESS MOVIE DIRECTED BY SAUL DIBB (2008): Polygamy In The Duchess Movie Directed By Saul Dibb (2008): A Feminist Approach.

Second, in this movie Georgiana as the major character in this movie wants to say that women need to struggle in getting the rights in their life, and women rights are not given

T1 112008058 Full text

It portrays how the patriarchal practices work in Javanese society and the effort from a woman character, Ni, to fight for her rights as the reaction to the

STRUGGLE FOR WOMEN’S RIGHTS IN DANIELLE STEEL’S Struggle For Women’s Rights In Danielle Steel’s Answered Prayers: Feminist Approach.

The last, in this novel, Danielle Steel wants to assert that in order to get their rights, women should rebel against patriarchal society in the issue of women’s position,

The Representation Of Javanese Women In Damar Kurung Painting – Gresik

completed, proceed as the first step in the second field (bottom).. f) Describing the identity of women built by Javanese cul- ture through Damar Kurung painting.. The purpose of

View of THE RADICAL FEMINISM IN NO EXIT'S PLAY BY JEAN PAUL SARTRE

Thus, Sartre criticizes the lack of options for non-stereotypical women in French society, as well as the tendency to view these women as inherently "immoral." In comparison with the

Representing Multicultural Semarang through Gambang Semarang’s Narrative

Gambang Semarang dance itself is often considered as Semarang’s identity as the dance tries to embrace the multicultural society of Semarang which are Javanese, Chinese, and Arabs

Improved Ability to Deliver Negotiated Texts Through Articulation Learning Model

Comparison of Findings With Theory As previously explained, the results of this study indicate that 1 there is an increase in the ability to convey negotiating texts through the

Re-examining the Notion of Women's Weakness

The document is an evaluative essay on the article "Women are Weak" which discusses the reasons why society views women as