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Drama 2019 v1.1 Unit 1 sample assessment instrument

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Drama 2019 v1.1

Unit 1 sample assessment instrument

August 2018

Performance

This sample has been compiled by the QCAA to assist and support teachers in planning and developing assessment instruments for individual school settings.

Schools develop internal assessments for each senior subject, based on the learning described in Units 1 and 2 of the subject syllabus. Each unit objective must be assessed at least once.

Assessment objectives

This assessment instrument is used to determine student achievement in the following objectives:

1. demonstrate an understanding of the elements of drama in the chosen form/style 5. interpret purpose and context within the chosen text to communicate dramatic meaning 6. manipulate the elements of drama and conventions of a selected linear or non-linear

form/style to create dramatic action and meaning.

Note: Objectives 2, 3, 4, 7 and 8 are not assessed in this instrument.

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Drama 2019 v1.1

Unit 1 sample assessment instrument

Queensland Curriculum & Assessment Authority August 2018 Page 2 of 3

Subject Drama Technique Performance Unit 1: Share

Topic

Conditions

Duration 9–12 hours (rehearsal and presentation); this will involve class time and students’ own time.

Mode Length 3–5 minutes (all students must be

actively engaged on stage for a minimum of 3 minutes and no more than 5 minutes)

Individual/

group

Presented as a group

(recommendation 2–10 people) but assessed individually.

Other

Resources available

Fly-In Fly-Out script

Context

In this unit, you have explored a range of linear dramatic forms and non-linear dramatic forms to show how drama promotes shared understandings of the human experience.

You will perform an excerpt of a script from a chosen form with the purpose of informing an audience of your peers.

Task

Working as an actor within an ensemble, using the skills of acting and manipulating the dramatic

conventions of your chosen form/style, select an appropriate excerpt of Fly-In Fly-Out (Robert Kronk with Howard Cassidy) and create a polished performance for a chosen audience of your peers.

You will be assessed individually.

To complete this task, you must:

interpret purpose and context using the skills of acting (including movement, voice, working with stagecraft and working as an ensemble) to communicate dramatic meaning

manipulate the dramatic conventions of chosen form/style in relation to your selected text to create dramatic action and meaning

demonstrate an understanding of the connections between the elements of drama

• be filmed for evidence.

Stimulus

Fly-In Fly-Out script (Robert Kronk with Howard Cassidy)

Checkpoints

☐ 4 hours: Rehearsal, discussion and viewing, feedback provided

☐ 8 hours: Final rehearsal

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Drama 2019 v1.1

Unit 1 sample assessment instrument

Queensland Curriculum & Assessment Authority August 2018 Page 3 of 3

Feedback

Authentication strategies

• The teacher will provide class time for task completion.

• The teacher will conduct interviews or consultations with each student as they develop the response.

Scaffolding You should:

• consider the group size, roles and appropriate section of the Fly-In, Fly-Out script

• workshop the excerpt and interpret the script to

- decipher meaning and find the interrelationships between purpose, context and text in the dramatic action

- consider the use of dramatic languages (including conventions of fluid characterisation, breaking fourth wall, emotional authenticity, scene transitions, freeze frame, minimalism) to create dramatic action and communicate dramatic meaning

• reflect on the manipulation and demonstration of the dramatic languages and provide a text with your role highlighted and brief annotations about decisions regarding blocking, characterisation, voice and movement

• consider production requirements, e.g. props

• focus on the interpretation and development of character by learning lines and getting off-script

• refine the manipulation of the dramatic languages in relation to feedback (teacher, peer and self) when rehearsing and polishing performance.

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