CREATING TEXTURES IN PEN & INK WITH
WATERCOLOR BY CLAUDIA NICE
CREATING TEXTURES IN PEN & INK WITH WATERCOLOR
BY CLAUDIA NICE PDF
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About the Author
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CREATING TEXTURES IN PEN & INK WITH WATERCOLOR
BY CLAUDIA NICE PDF
Claudia Nice shows you how to turn ink and watercolors into the coarse-barked trunk of an oak, or the burnished smoothness of brass, or the verdant velvet of moss. Or any of many other things. She shows you how to use dots, fine lines, brushstrokes, black and white, color—a mixture of mediums and techniques—to suggest:
You'll learn how to use materials, from technical pens to paint brushes, colored inks to liquid acrylics. You'll discover ways to blot, spatter, stamp and otherwise alter and combine ink and watercolor for exciting texturing effects.
Claudia Nice is the author of 12 successful North Light books including Creating Textures in Pen and Ink with Watercolor, How to Keep a Sketchbook Journal, and Watercolor Made Simple with Claudia Nice. Well-known by both fine artists and decorative painters, her friendly voice and clear instruction reach many artists.
Most helpful customer reviews
It shows how to draw & paint metallic objects (gold, silver, iron, rust), baskets, pottery, brick, stone, marble, granite, textiles, clouds, weather, earth textures, rocks, wood, trees, leaves, foliage, flowers, fruit, & eggs. Another section includes instruction on drawing transparent objects such as glass, eyes and many varieties of water. There is also a section on animals covering butterflies, animal hair, scales & feathers.
31 of 31 people found the following review helpful. If You Are Into Detail and Realism, This Book is for You! By A Customer
I bought this book when I was just beginning watercolor. The book is awesome to look at, but a bit on the overwhelming side for someone just beginning watercolor. However, the contents of the book is well worth the investment.
I had experience in the distant past with pen & ink and was fascinated at the way that Mrs. Nice put the two mediums together for very realistic pictures.
There are pages with many illustrations of examples of textures in each medium, and many contrasting examples of textures using the same object so that you can easily compare the different effects of each technique. I find these pages invaluable and something that I refer to over and over. These reference pages are worth the price of the book.
However, once you get past these pages, there are breathtaking examples with many notes listing colors used and information useful for duplicating the same texture. The topics range from natural subjects, to man-made subjects, such as marbles, glass, rusted metal, and blue jeans!
Also of great interest to me is the small section of eyes from both man and animal.
This book is a treasure trove of information for anyone interested in capturing realistic textures of almost anything. It is a book that you will not only gaze at for fun, but also refer to again and again.
22 of 22 people found the following review helpful. I love this book.
By Joann Leonard
As a new botanical illustrator working in mostly in watercolor I have often found rendering realistic fine detail and texture a difficult and frustrating task. This marvelous book introduces the artist to a new approach that produces detail and textural effects that are both effective and fairly easy to achive.
The illustations are beautiful and the explanatory text is clear, to the point, and easy to follow. The book is well organized; starting with the various pen and ink methods and how they can be combined with watercolor techniques. This is followed by the demonstration of how these techniques can be applied to achive realistic rendering of multitudes of surface textures from apples to zebras and almost everything in between..
CREATING TEXTURES IN PEN & INK WITH WATERCOLOR
BY CLAUDIA NICE PDF
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About the Author
Claudia Nice is the author of 12 successful North Light books including Creating Textures in Pen and Ink with Watercolor, How to Keep a Sketchbook Journal, and Watercolor Made Simple with Claudia Nice. Well-known by both fine artists and decorative painters, her friendly voice and clear instruction reach many artists.