BEYOND THE WALL: ART AND ARTIFACTS
FROM THE GDR BY JUSTINIAN JAMPOL
BEYOND THE WALL: ART AND ARTIFACTS FROM THE
GDR BY JUSTINIAN JAMPOL PDF
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About the Author
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BEYOND THE WALL: ART AND ARTIFACTS FROM THE
GDR BY JUSTINIAN JAMPOL PDF
Life behind the Iron Curtain: The East German collection of the Wende Museum For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, and families, coworkers and compatriots.
The Wende Museum in Los Angeles, California, is named after the period of change following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world.
This encyclopedic volume features over 2500 items from its extraordinary collections. Never before has a book included this full a spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Packaged in a slick, portable box, the book also comes with a facsimile of a GDR family scrapbook, documenting real and imagined travels both within East Germany, and across the border.
Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping.
More than 900 pages, featuring over 2500 objects.
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Color-coded tabs for swift navigation throughout the eight main chapters.
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Most comprehensive overview of GDR visual and material culture to date.
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Several dozen images of everyday life and public events from the most famous GDR photographers.
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Bonus material inside the handy shipping box: 56-page facsimile of a GDR family scrapbook, documenting
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real and imagined travels both in East Germany, and across the border.
Enhanced, multimedia content, providing original videos and audio recordings from the GDR.
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Dimensions: 15.00" h x 3.50" w x 10.00" l, 6.61 pounds
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6 of 6 people found the following review helpful. Exquisite!
By A voracious reader
This book is absolutely a *treasure*! The extensive and gorgeous collection of pictures plus the write-up are absolutely *superb*. As an aside, I spent a lot of time in (thenEast) Germany and most of eastern Europe -during the Cold War era, and I've returned many times post-1989. This book therefore has particular significance and meaning for me, but I'm certain anyone who's interested in this topic and who loves an extensive/beautiful collection such as that shown in this book would be enthralled. The book is very heavy, but that means it's filled to the brim with treasures.
8 of 8 people found the following review helpful.
This is an absolutely amazing chronicle of life in the German Democratic Republic By David S.
This is an absolutely amazing chronicle of life in the German Democratic Republic, from its establishment in 1949 up through the fall of the Berlin Wall in 1989 and subsequent reunification of the two Germanys. LIfe in East Germany is completely and accurately summarized and represented: everything from menus in restaurants, to shopping, transportation, education, home life, the State Security Service (Stasi), etc. Even what was available to drink and smoke is described and illustrated. It's as if the Wende Museum - the book's publisher - has take the entire collection of its East German and Cold War archives and put it into a coffee table book. But be careful, you'll need a strong coffee table: this publication weighs over eleven pounds. If you're interested in German history, particularly of the Cold War years, this book is a must.
7 of 7 people found the following review helpful. GDR: THE BIG BOOK OF A COUNTRY By Robin
A quite remarkable book using 2500 images to reveal daily life in East Germany. The collection is from the Wende Museum in Los Angeles, established in 2002 to study visual and material culture in the country (what is in these pages is about one percent of the museum's collection). You might think how can a book sum up something as complex as a modern Nation. Fortunately the east part of the divided Germany only existed from 1949 to 1990 and I thought the book gave a very credible look back to these years. The eight chapters cover it all: Eat, drink and smoke; Home; Design and fashion; Entertainment and recreation; Travel and transportation; Labor and education; Political life (with 269 pages the longest section) Iconoclasm and counterculture.
Because the East was right next door to the West it developed a lifestyle for its citizens far better than other socialist bloc countries and certainly better than the USSR. The countries leaders convinced themselves that their Germany would eventually overtake the western part and just looking at the range of consumer products in the first four chapters it's easy to see how they fooled themselves. The chapters on Labor and Political life reveal why it all came unstuck: the inflexible central planning; a non-convertible currency; regular shortages; the ever present and pervasive state security departments (brilliantly summed up in the 2006 movie 'The lives of others').
in a carrying case, first class design, paper and printing. There is an additional sixty page book (9.5 by 8 inches) included, a pensioner's scrapbook from 1966 showing their travels around the resorts of East Germany (worth checking that it's included if you buy a non-new copy of the book).
I found this big book a wonderful visual survey of a gone country. See my comment below.
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About the Author
Justinian Jampol is Founder and Executive Director of the Wende Museum. His work focuses on visual cultural studies and the connection between contemporary art and Cold War iconography. Jampol studied at UCLA before earning his doctoral degree in Modern History from Oxford University. The curator of several exhibitions, Jampol has also produced two documentary films on the Cold War, as well as urban art programs including The Wall Project. His writing and work has been featured in The Atlantic, Frankfurter Allgemeine Zeitung, and The New York Times.
