• Tidak ada hasil yang ditemukan

Dada as a Response to the Horrors of War

N/A
N/A
Protected

Academic year: 2017

Membagikan "Dada as a Response to the Horrors of War"

Copied!
1
0
0

Teks penuh

(1)

Title:

Dada as a Response to the Horrors of War? Word Count:

631 Summary:

Dada was an Art movement with its peak in 1916-1920s. This movement was established as a position against the War, and particularly World War I.

Keywords:

Dada, art, painting, surrelaism, world war

Article Body:

Dada was an Art movement with its peak in 1916-1920s. This movement was established as a position against the War, and particularly World War I. They saw all the negativity of the war. They also were against the Art. It was a protest against beauty, because Art didn’t save civilization from wars.

The members of that movement organized demonstrations, propagandas, wrote brochures, manifestos against the cruelty of war using ideas of Arthur Rimbaund in poetry, and critical ideas of Max Jacob (who later died in the Nazi concentration camp) and Guillaume Apollinaire. They established the new Journal where they wrote anti-war and anti-terror articles sometimes by using satire. Also the group made different absurd theatrical performances highly criticizing the first World War in Cabaret Voltaire . Tzara, one of the leader, of that group, wrote a lot of articles to different European newspapers, trying to emphasize the whole horror of war.

As Dada movement Surrealism was also under against terror thoughts about World War I . This was one of the predominant facts for both movements to create something irrational and surreal. Surrealism inherited pessimistic and revolutionary mood because of Dada movement . Dada’s main artistic idea was to make various activities and theories, instead of producing actual representational art. The follower of Dada came up with the ideas of irrationality, accidentalness. The ˆLaw of Chances˜ created by both Jean Arp (he through the pieces of paper on the floor, and where the paper fell down, glue it to the background) and Marcel Duchamp . Dadaists made a lot of experiments by avoiding all kind of artistic laws and orders that were established by the masters in Art before them. Surrealism inherited ideas from Dada about anti-consciousness, anti-controlled way of thinking in the process of creating pictures. They preferred to use subconscious mind and feelings. They believed in the power of dreaming (Dali), in intuitive associations, and in the idea of chances (Ernst). Some Dadaists Surrealists used a lot of ideas of absurd and illogic.

One of the facts that Dada was a precursor of Surrealism is that some Dadaist artists and poets became Surrealists in their future artistic careers, such as a painter- Max Ernst, a photographer- May Ray, and the poet - Tristan Tzara.

ˆInvasion of the Night˜ is one of the most well- known picture by Roberto Matta. He was one of the members of Surrealist group. This pretty big (96.5 x 152.7 cm) oil painting was made in 1940, when the artist moved to New York from Paris. This work was made in biomorphic or abstract Surrealistic style. The use of organic shapes, absence of strong contrast lines, smooth color transitions, warm palette choice , defused forms, all make the illusion of dream, the impression of sleeping silence. The composition is very unique: it is visually reminding the chessboard. It is not made by lines, but by the smooth transitions of the main two yellow forms in background and two main blue- greenish forms, painted as chess squares. The painting makes me to feel the fear because of the luminous saffron color with white spots in between, it makes me feel as canvas has holes in it, and because of this strange use of half-divided horizon line. The tiny red objects all over the canvas transfers the feeling of anxiousness to me. But at the same time this masterpiece amazes me. I can’t stop gazing on the picture, because there are so many details are spread all around the canvas. My eyes jump from one object to another. My brain continues drawing patterns of these brown transparent lines all across the painting. I have and impression that this brown-greenish shape (in the upper left side of the work) that looks like a bird, will scream and interrupt this terrifying silence created by the invasion of night.

This is a demo version of txt2pdf v.10.1

Referensi

Dokumen terkait

CHILDREN AS VICTIMS OF WAR IN BAHMAN GHOBADI’S TURTLES CAN FLY MOVIE (2005): A SOCIOLOGICAL APPROACH. MUHAMMADIYAH UNIVERSITY

The Diminishing of Main Character’s Ethnocentrism as the Effect of Vietnam War as Seen in Vincent Lam’s The Headmaster’s Wager.. Yogyakarta: Department of English Letters,

Few then His followers; now, the wide world o'er. Behold them as the stars for multitude... A Fight to a Finish " and Other Songs of Peace... THE WAR

THE IMPLEMENTATION OF IRONY OF THE OLD MAN AS INDICATED ON LUIGI PIRANDELLO'S WAR by Putri Ayu Millenia, Nia Ayu Fitriani, Rindrah Kartiningsih, Rommel Utungga Pasopati Submission

Wright investigates the relationship between art and the tank in war, and provides stunning examples of art in support of the tank and art as subversion, if not social resistance to the

3: Official History of the Indian Armed Forces in the Second World War 1939- 45: East African Campaign 1940-41 New Delhi: Government of India, Ministry of Defence/Pentagon Press, 2012

SLAUGHTER IN THE NAME OF A DRUG WAR Pasuk Phongpaichit and Chris Baker New York Times, 24 May 2003 For the last three months, the Thai government has been engaged in a war on drugs,

In the book Memoirs of Alash published in 2020 Zhumagul, 2020 there are 54 entrees of female family members who wrote their memoirs in the form of books, articles and gave interviews...