AGAINST THE ORDER OF NAZI
IN BRIAN SINGER’S VALKYRIE MOVIE (2008): AN INDIVIDUAL PSYCHOLOGICAL APPROACH
Research Paper
Submitted as a Partial Fulfillment of the Requirement
for Getting the Bachelor Degree of Education
in English Department
by :
Nur Rhohmad Irsanianto A 320 060 094
SCHOOL OF TEACHER TRAINING AND EDUCATION
MUHAMMADIYAH UNIVERSITY OF SURAKARTA
TESTIMONY
I here with assert that there is no works have been submitted to get
bachelor degree in any University in this research paper and as far as I concern
there are no works or opinions have been written or published by someone else
except the written references which are referred in this paper and mentioned in
the bibliography.
If only there will be any incorrectness proved in the future in my statement
above, I will be fully responsible.
Surakarta, March 2012
The Writer
v MOTTO
The Day every soul will find what it has done of good present (before it) and
what it has done of evil, it will wish that between itself and that (evil) was a
great distance. And Allah warns you of Himself, and Allah is Kind to (His)
servants." (Ali ‘Imran, 3: 30)
Allah will rise up to suitable ranks and degrees of you who
believe and who have been granted mystic knowledge. And
Allah is well-acquainted with all you do.
(Q. S. Al Mujadilah: 11)
The biggest happiness in our lives is when we know if we are loved by
someone (Aditia Fatmawati)
Be your self, give the best effort and never give up
DEDICATION
This research paper is greatly dedicated to: Allah SWT
My beloved Parents
My beloved Brothers and Sister My all best friends
vii
ACKNOWLEDGMENT
Assalamu’alaikum Wr. Wb.
Alhamdulillahirobbil’alamin, praise and gratitude be only to Allah S.W.T, the Glorious, the Lord, All mighty, the Merciful, and the Compassionate who has
given bless and opportunity for the writer to accomplish this research paper
entitled Against The Order of Nazi in Brian Singer’s Valkyrie Movie (2008): An Individual Psychological Approach.
There are many people who have given their contribution to him.
Therefore, the writer would like to express his gratitude and appreciation to:
1. Drs. Sofyan Anif, M.Si., as the Dean of School of Teacher Training and Education, Muhammadiyah University of Surakarta.
2. Titis Setyabudi, S.S., as the head of English Department, who has given permission to the writer to make this research.
3. Dr. Phil. Dewi Candraningrum, M.Ed., as the first consultant who has guided and advised patiently during the arrangement of this research paper. 4. Nur Hidayat, S.Pd., as the second consultant who has improved the writing
in order to make this research paper more interesting to read in correct
sentences.
5. The Lecturers of English Department, Muhammadiyah University of
6. His beloved parents; his father Wahyoto and his mother Partini who have
given unlimited love, support and blessing to his.
7. His beloved brothers and sister; Tegar, Zulni and Ridhlo for giving spirit to
the daily life of the writer.
8. His beloved girlfriend Tia for giving loves, patients help, supports, spirits,
togetherness and he hopes someday being his wifes (AMIIEN).
9. His best friends; Dita and Nisa for being friends who love his and always
giving the help, supports and jokes.
10.His best friends at home; Hengky, Gasebo, Kempling, Gathul and Mas
Dany for all the jokes and supports, and Sapto and Randy for being his best friends and giving the help, support and motivation.
11.His best friend when High School until now; Putro, Fu, Nwen, Selly,
Brekele, Comil, Genthong and Hendro for the togetherness and jokes. 12.His best Friends in Campus; Widi, Syam, Ucil, Irwan, Ogy, Devi and
Monyot for giving the jokes, help and supports. 13.His best friends in PPL SMP N 2 Sawit 2009.
14.All friends in B and C classes English Dept of UMS 2006.
15.His motorcycle JUPI (AD 2763 CH) for always accompany in sadness and
happiness.
16.All the parties those are unable to be mentioned one by one for all their
ix
The writer realizes that this research paper is far from being perfect.
Therefore, suggestion and criticism are welcomed and accepted. He wishes that
this research paper would be valuable for the readers.
Wassalamu’alaikum Wr. Wb.
Surakarta, March 2012
The Writer
TABLE OF CONTENT
CHAPTER II: UNDERLYING THEORY ... 13
A. Notion of Individual Psychology ... 13
B. Basic Principles of Individual Psychology ... 15
xi
1. Narrative Elements of the Movie ... 22
2. Technical Elements of the Movie ... 26
D. Theoretical Application... 33
CHAPTER III: STRUCTURAL ANALYSIS ... 34
A. Structural Analysis of the Movie ... 34
1. Narrative Elements ... 34
a.Character and Characterization ... 34
1)Major Character... 34
1)Photographical Qualities of Shot... 67
2)Framing of Shot ... 67
3)Duration of Shot ... 70
c.Sound ... 70
d.Editing ... 72
B. Discussion ... 74
CHAPTER IV: INDIVIDUAL PSYCHOLOGICAL ANALYSIS ... 78
A. Individual Psychological Analysis of Valkyrie... 78
1. Inferiority Feeling ... 78
2. Fictional Finalism ... 81
4. Social Interest ... 85
5. Style of Life ... 86
6. Creative Self ... 88
B. Discussion ... 90
CHAPTER V: CONCLUSION AND SUGGESTION ... 93
A. Conclusion ... 93
B. Suggestion ... 94
xiii
LIST OF FIGURE
Figure 1 : Colonel Claus von Stauffenberg ... 34
Figure 2 : General Henning von Tresckow ... 36
Figure 3 : General Friedrich Olbricht... 37
Figure 4 : Nina Schenk von Stauffenberg ... 39
Figure 5 : Colonel General Ludwig Beck ... 40
Figure 6 : Dr. Carl Friedrich Goerdeler ... 41
Figure 7 : Colonel Albrecht Ritter von Quirnheim ... 43
Figure 8 : Colonel General Friedrich Fromm ... 44
Figure 9 : Adolf Hitler... 45
Figure 10 : Lieutenant Werner von Haeften ... 47
Figure 11 : Tunisia, South Africa ... 51
Figure 22 : Central Communication ... 55
Figure 23 : Wolf Liar Bunker... 55
Figure 24 : Deutschland Guard Battalion field ... 56
Figure 25 : Shot 1 ... 57
Figure 26 : Shot 2 ... 57
Figure 27 : Von Stauffenberg in thought ... 57
Figure 28 : Brandt and Tresckow in dialogue ... 58
xv
Figure 61 : Close Up ... 69
Figure 62 : Extreme Close Up ... 70
Figure 63 : Axis of Action ... 72
Figure 64 : Establishing Shot 1 ... 73
Figure 65 : Establishing Shot 2 ... 73
Figure 66 : Reverse Shot 1 ... 73
Figure 67 : Reverse Shot 2 ... 73
Figure 68 : Eyeline Match 1 ... 74
