PROCEEDING
TRANSDISCIPLINARY
FROM ASIA PACIFIC PERSPECTIVES
lopas
, 2015 The 3rd International Conference for Asia Pacific Arts Studies (iCAi \S) Graduate School of Indonesia Institute of the Arts YogyakartaF
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EI
ORAL PRESENTATION
I DaDang Bramasti
2 Sazkia Noor Anggrsini
3 Mita P|r$asari
4 Andrian Dektisa
5 Kurnlta Sadana Putra" S.Ds.,M.A
6 l-naPhu''udEnon
7 Sine€oart In€dpriwan
8 Thanom Chapakdeq Dr.
9 Donie Fadjar Kumiawan
10 Kiki Rahnatita
11 Pipin Gdibaldi
12 Oriann Tio Per6hita Ndnggolm
13 singgih S.njslt
14 connie Lim KehNie
15 Nattqol Win$ipat
16 Prot Dr. Poonpit Anattakul
l7 NachayaN&lchanawatul
l8 Jarupom Seemaung Assist. Prof, Ph.D
l9 lEgit Sito*ati
20 Assistant Prof€ssor Jarun
fh. ?t ktqtfri@ol cott{@e Jq Artr pclJh at6 st!.t6ltc pAsl
The Role ofPatronage in the Exislence ofThe Tdnpl l-10 ofcanjuran
NArrative Analysis ofNationalism on Usmar Ismail lltl Film Darah dan Doa (1950)
The Shifthg Ofvislal ADd Meming kr Ondel- 22-35 Ondel Pwpet As the Dllrallic Refl€ction olr
Befawi Cultur€
Parody Idioms in the Visual Charactqistics of 36-53 KNIL Andjing NICA Re€nactors
lndonesiah's convivial Society hoducb 5443
Video Aft: Psychological Stahs oforphsns from 64-76 the Uffest in the Tbrce Southem Thai Provinc€s
Cross-Cultural Study In Local-wisdom For 17-w Creative Food Packtge Developmer$ h S€condary
School
Art ofEngagemer$: Visual Art ofThailsnd in 9l-99 Global Cont€xts
Code Mixilg In Polish Language To Inalonesisr 100-122 language OfPoland Stude s As Foreign Speaker
R€quiem ofDajang Rindoe is a slnbol ofr€jeclion 123-137 ofl-amptmg peopies against power Palembang
Sultanate
Techdques Appli$rion To The Violin R€pertoirc | 38-l57 Ad The Way To Study h For tdonestun's
S[rderfs
DolaDan Anak Cublak-Cublak Suweng in The 158-166 Persp€ctivo
ofMusic Education
New Composition Concept ForKeroncong Music 167-179 Ii The Oboe Concarto With Keroncong And
Orchestr&
Altornative Conceptions ofModemity in fie 180-188 History oflban Populs Music
Relative Nature oflhei Tr"ditic'n6l Music thrcugh 189-199 iS Tming Systen
Ceihry ofthe Angklung Journey and Its 200-207 gstablishment in Thailand
Merykala: The Folk Music ofl-ower Northem 208t17 Region ofThailand
Se-Pha: Traditional Siamcs€ Vocal ExprEssiv€, 2lA-223 Nanative, Sto4,telling and Singing pattems
accompanied very fift hand clapp€r b€ats and Pipat ens€mble
cejog L€sung, th€ Pr€servatiotr o Ja\€nese Musical 224-238 Tradition by hculturation at The Chu'cb ofthe
Sacred Heart ofJesus at Gsduran
2 l
22
24
25
Kanchsnapradit
DaDiele Zappatore
Giailuca chelini
Chaluti Tasganawongwam
Lucr Pi€trosatrti
rfu ld kEtDotlonot co'\kE@ fu Ard Ao.ff. ArB 5rudl6 lrcaPAS) litersture for Mon-rcc€dt€d Thsi aaditional
RQ€rton€s
Tara ism: the italian pizzica tom music thdspy to 253-25E new formsof p€rfomanc€
Som€ Analytical Consid€ration on Indor€sian 259465 Melal Music
Mala'sian siam music in Northem Mal&rsia and 266-275 its R€presentation
on the us€ of gamelan in the
nG28l
282-303
SPEAKERS
Kolrote Spealcr
Professor
Samuel
Leong
The Tra&dttctlintr! Chdllenge
: Truhsitions
or Ttansglessiott?
Sp€aLer
hofesso! Barbara
Bolt
From Intuition to Research
Methodologt
Prof Giovami Giuriati
Patterns
ofchange in Musical
Traditions
of South"East
Asia
Professor
Fm[k Herschel
Finoh
The Pwadign Shifi in Motion Pictures
from an Inda esian
Perswti'.e
Prof€ssor
Made Mande
Hood
Sustabting
Perfornmrce
Eabitats
fot Balinese
Animal Efrgies in the Ant trotrxNene
lrE :ra tiEnortoNt co"lqwJo Aer Pr.t%,a,t J&drs {|CAPA9)
FOLK PERFORMANCE : FACING THE CREATIVE
INDUSTRY
CASE STUDY TAYT'B PERFORMANCE
IN KABUPATEN GROBOGAN CENTRAL JAWA
Rrchel Mediin. Unton& S,Sod., M,A. Satya Wacana Christian Univedsty
mediana.untuns@staff uksw.edu
The aim of this sndy is to figwe out whether therc is a signiJicarrt relationship betweeh pelfonnikg arts a d credive ind .ttry. The study was done Eblitativeb. It hds been done aho by an analysis corrcerning on signiJicant intellectual relationship, business, and governmenL One of local folk art, Tq b, pws an impoftant role in economic sector increasing lacal's capits. Not all economic sectors are deter ined by economic factors. Culnral capital has become haih factor rehted to the existences offolk performing Nt. All folk perfornarce hare tn be vell-presened sitEe it is from the locals, and also have to
be sytchronbed with cultural productio\ distribution, and societ/'s interest.
Keyrord: Folt perfomance, Tatwb, managemen\ cultural cq)ital, ecorcmic cqital.
INTRODUCTION
When the d€adline of the paper's submission app.oachin& I still got a chance to attetrd oae ofthe seminar held by Graduate School Gadjah Mada University, Yogiakarta" B€fore its cotrclusion I asked the co$mittee related to ci€alive industry. The cofimittee told me that all topics had b€en delivered are already chosen from what's .eally happening now. The answer didn't satis& me at all, ard he asked a questiorc to me, "What's lvrong wilh lhat topic?". "Why isn't cr€ative industry applie.d together with alts? Or 'treotive industry coDldr't related to arh? Those questions led me to finirh my temporary-postponed paper. I started to continue writiog.
Taken from a book entitled "Rencana Pengenbangad Ekotromi Kreatif Indonesia" ondonesiad Creolive Economic Planning), it is mentioned thot there gle 14 sectors belong to creative industry. One of them is performing aft. PerforhiDg art her€ mears creadve activi8 which relabd to oontent development art production Oallet show, dalrces, drama, traditional music, theahioal music, ope.a, ard ethric music tour), c-osftde design, stage setting and lighting (Wiko Sapuh4 2010). Seeing Indonesiar trading minister data, performing arts is on 14 oDt of 14 which helps oolmhy's income. In short, pedorming art less oontdbutes to lhe natiooal's income. The shdy that has bee4 used by Tiading Minister is done to examine macro economy, Anothe. aim ofthis study is to figure out performing art linking to micro ec-onomy. Others are to Eveal hbw signfic€nt the performing folk with creative iadustry area.
Folk performance is art which exists and pr€sefied by the locals. Folk performance is local-frnded; not relying on the govemsent's budg€tiig plan (Soedarsono,2002). Tlere
