THE BROKEN TOWER: THE LIFE OF HART
CRANE BY PAUL MARIANI
THE BROKEN TOWER: THE LIFE OF HART CRANE BY
PAUL MARIANI PDF
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Amazon.com Review
In addition to several volumes of poetry, Paul Mariani has also written biographies of major 20th-century American poets: William Carlos Williams, Robert Lowell, and John Berryman. In his fourth biography, he takes on the life of Hart Crane (1899-1932), a contemporary of Williams who held a similarly pivotal role in the development of American literature's avant-garde. "It would be difficult," Mariani suggests, "to find a serious poet or reader of poetry in this country today who has not been touched by something in Hart Crane's music." (However, at the time, many critics--with some of whom he had strained personal relationships--did not evaluate his work so highly, which contributed in part to Crane's dramatic suicidal leap off a ship at sea.) Crane loved New York, moving there from his hometown of Cleveland as soon as he could; even when financial straits forced him to return home to work for his father, the "white buildings" of Manhattan loomed in his imagination. The Broken Tower does a fine job of recreating the passionate energy and vitality of Crane's life. Mariani weaves lines from Crane's letters and poems into his narrative throughout, and while he does not skimp in his accounts of the poet's alcoholism and promiscuous sex life with other men, he treats these matters simply as components of the poet's complex personality.
From Publishers Weekly
From Library Journal
Mariani, a professor at the University of Massachusetts and a poet himself (The Great Wheel, LJ 3/15/96), has authored biographies of Robert Lowell and John Berryman and was nominated for the National Book Award for his work on William Carlos Williams. No stranger to contemporary American poetry and its antecedents, Mariani now turns to the mythic Hart Crane. Using unpublished letters, manuscripts, and photographs, he pieces together the life and passions of this brilliant yet tormented man whose creative genius left us The Bridge and whose influence still reverberates among poets today. In a work that is readable yet scholarly, Mariani, unlike earlier Crane biographers Philip Horton and John Eugene Unterecker, does not dance around Cranes homosexuality and alcoholism but instead places his self-destructive lifestyle in the context of his writing and balances it against his self-schooled and highly principled concept of poetry and its place in the quotidian. For larger public and academic libraries.Denise S. Sticha, Seton Hill Coll. Lib., Greensburg, PA
THE BROKEN TOWER: THE LIFE OF HART CRANE BY
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The first biography of Crane to appear in thirty years, The Broken Tower reads with all the drama of a psychological novel and the inexorable force of a Greek tragedy.
Few poets have lived as extraordinary and fascinating a life as Hart Crane, the American poet who made his meteoric rise in the late 1920s and then as suddenly flamed out, killing himself at the age of thirty-two and thus turning his life and poetry into the stuff of myth. Illustrations and photographs
Sales Rank: #468414 in Books
Dimensions: 9.30" h x 1.20" w x 6.20" l, 1.57 pounds
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In addition to several volumes of poetry, Paul Mariani has also written biographies of major 20th-century American poets: William Carlos Williams, Robert Lowell, and John Berryman. In his fourth biography, he takes on the life of Hart Crane (1899-1932), a contemporary of Williams who held a similarly pivotal role in the development of American literature's avant-garde. "It would be difficult," Mariani suggests, "to find a serious poet or reader of poetry in this country today who has not been touched by something in Hart Crane's music." (However, at the time, many critics--with some of whom he had strained personal relationships--did not evaluate his work so highly, which contributed in part to Crane's dramatic suicidal leap off a ship at sea.) Crane loved New York, moving there from his hometown of Cleveland as soon as he could; even when financial straits forced him to return home to work for his father, the "white buildings" of Manhattan loomed in his imagination. The Broken Tower does a fine job of recreating the passionate energy and vitality of Crane's life. Mariani weaves lines from Crane's letters and poems into his narrative throughout, and while he does not skimp in his accounts of the poet's alcoholism and promiscuous sex life with other men, he treats these matters simply as components of the poet's complex personality.
From Publishers Weekly
has done away with the qualifications and apologies so long applied to gay writers and their work. Mariani, who has written lives of John Berryman, Robert Lowell and William Carlos Williams, does not have Unterecker's (or the first Crane biographer Philip Horton's) advantage of having interviewed many who knew Crane. But he compensates by quoting more extensively, and tellingly, from Crane's correspondence, one of the most revealing and insightful of the literary 20th century. Mariani also has a better grasp on Crane's complex relationship with his parents, especially in his sensitive portrayal of Crane's father (the inventor of Life Savers candy), who heretofore has been treated as a stereotypical philistine. Mariani also clears up many misconceptions about Crane's final despairing months in Mexico and his sole tormented heterosexual affair. The one flaw in Mariani's research is that he has not drawn on the existing collections of the papers of Crane's closest friends and associates, such as Waldo Frank, Yvor Winters and Gorham Munson. All these individuals appear here through Crane's eyes. Perhaps Mariani is compensating for his predecessors' propensity to depict Crane through the recollections of others, but a more balanced approach would have strengthened the book. His occasionally florid style notwithstanding, Mariani does the necessary work of throwing sympathetic light on Crane's sexuality, and makes a convincing case for Crane as one of the greatest American poets of the century.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Mariani, a professor at the University of Massachusetts and a poet himself (The Great Wheel, LJ 3/15/96), has authored biographies of Robert Lowell and John Berryman and was nominated for the National Book Award for his work on William Carlos Williams. No stranger to contemporary American poetry and its antecedents, Mariani now turns to the mythic Hart Crane. Using unpublished letters, manuscripts, and photographs, he pieces together the life and passions of this brilliant yet tormented man whose creative genius left us The Bridge and whose influence still reverberates among poets today. In a work that is readable yet scholarly, Mariani, unlike earlier Crane biographers Philip Horton and John Eugene Unterecker, does not dance around Cranes homosexuality and alcoholism but instead places his self-destructive lifestyle in the context of his writing and balances it against his self-schooled and highly principled concept of poetry and its place in the quotidian. For larger public and academic libraries.Denise S. Sticha, Seton Hill Coll. Lib., Greensburg, PA
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful. tragic story written well.
By B. Carlson
They speak of 'suffering for art' and in one sense, Hart Crane proves this to be the case. But in another, Crane's is a story of art being perhaps a side effect of suffering. A tragic, but interesting story. Also a good way to understand urban life in the 1920's. I have never read his poetry but was more interested in the story, I will go and read The Bridge now.
8 of 10 people found the following review helpful. a fascinating read of a fascinating man
By A Customer
I expect that Mariani does not want to reduce the richness and complexity of Crane's work, and this is admirable. I also think that perhaps he expects his readers to have read at least one of the earlier biographies of Crane. And perhaps an English Ph.D. would follow more of Mariani's un-explicated allusions than I did (though I have done some graduate work in English). But I was often frustrated by this book, because while Mariani clearly knows a great deal about Crane's work and its literary and biographical contexts, he often fails to explain what he knows in a way that can be understood.
THE BROKEN TOWER: THE LIFE OF HART CRANE BY
PAUL MARIANI PDF
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Amazon.com Review
In addition to several volumes of poetry, Paul Mariani has also written biographies of major 20th-century American poets: William Carlos Williams, Robert Lowell, and John Berryman. In his fourth biography, he takes on the life of Hart Crane (1899-1932), a contemporary of Williams who held a similarly pivotal role in the development of American literature's avant-garde. "It would be difficult," Mariani suggests, "to find a serious poet or reader of poetry in this country today who has not been touched by something in Hart Crane's music." (However, at the time, many critics--with some of whom he had strained personal relationships--did not evaluate his work so highly, which contributed in part to Crane's dramatic suicidal leap off a ship at sea.) Crane loved New York, moving there from his hometown of Cleveland as soon as he could; even when financial straits forced him to return home to work for his father, the "white buildings" of Manhattan loomed in his imagination. The Broken Tower does a fine job of recreating the passionate energy and vitality of Crane's life. Mariani weaves lines from Crane's letters and poems into his narrative throughout, and while he does not skimp in his accounts of the poet's alcoholism and promiscuous sex life with other men, he treats these matters simply as components of the poet's complex personality.
From Publishers Weekly
antecedents, Mariani now turns to the mythic Hart Crane. Using unpublished letters, manuscripts, and photographs, he pieces together the life and passions of this brilliant yet tormented man whose creative genius left us The Bridge and whose influence still reverberates among poets today. In a work that is readable yet scholarly, Mariani, unlike earlier Crane biographers Philip Horton and John Eugene Unterecker, does not dance around Cranes homosexuality and alcoholism but instead places his self-destructive lifestyle in the context of his writing and balances it against his self-schooled and highly principled concept of poetry and its place in the quotidian. For larger public and academic libraries.Denise S. Sticha, Seton Hill Coll. Lib., Greensburg, PA
Copyright 1999 Reed Business Information, Inc.