ANALISIS STRUKTUR PLOT NARATIF NONLINIER PADA FILM KILL BILL VOL.1
Muhammad Qodri Aryanugraha Institut Seni Indonesia Yogyakarta
[email protected] Abstrak
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Kata Kunci : struktur, plot, film, Kill Bill Vol. 1, nonlinier, naratif Abstract
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Keyword : structure, plot, film, Kill Bill Vol. 1, non linear, narrative
PENDAHULUAN
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Maecenas porttitor congue massa.
Fusce posuere, magna sed pulvinar ultricies, purus lectus malesuada libero, sit amet commodo magna eros quis urna. Nunc viverra imperdiet enim. Fusce est.(Seemann, 2017) Vivamus a tellus. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Proin pharetra nonummy pede. Mauris et orci. Aenean nec lorem.(Kim et al., 2018)
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Maecenas porttitor congue massa.
Fusce posuere, magna sed pulvinar ultricies, purus lectus malesuada libero, sit amet commodo magna eros quis urna. Nunc viverra imperdiet enim. Fusce est. Vivamus a tellus.
(Realino et al., 2021)
Donec blandit feugiat ligula. Donec hendrerit, felis et imperdiet euismod, purus ipsum pretium metus, in lacinia nulla nisl eget sapien. Donec ut est in lectus consequat consequat.
Etiam eget dui. Aliquam erat volutpat. Sed at lorem in nunc porta tristique.(Wahyuni et al., 2021a)
Proin nec augue. Quisque aliquam tempor magna. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Nunc ac magna. Maecenas odio dolor, vulputate vel, auctor ac, accumsan id, felis. Pellentesque cursus sagittis felis.(Li et al., 2023) Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Maecenas porttitor congue massa.
Fusce posuere, magna sed pulvinar ultricies, purus lectus malesuada libero, sit amet commodo magna eros quis urna. Nunc viverra imperdiet enim. Fusce est.(RASAGY SHARMA &
VENKATESH RAJAMANICKAM, 2013)
Vivamus a tellus. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Proin pharetra nonummy pede. Mauris et orci. Aenean nec lorem.(Isaacs, n.d.)
In porttitor. Donec laoreet nonummy augue. Suspendisse dui purus, scelerisque at, vulputate vitae, pretium mattis, nunc. Mauris eget neque at sem venenatis eleifend. Ut nonummy.(Anna Nitsaidou, 2017)
Fusce aliquet pede non pede. Suspendisse dapibus lorem pellentesque magna. Integer nulla.
Donec blandit feugiat ligula. Donec hendrerit, felis et imperdiet euismod, purus ipsum pretium metus, in lacinia nulla nisl eget sapien.(wikipedia, n.d.)
Donec ut est in lectus consequat consequat. Etiam eget dui. Aliquam erat volutpat. Sed at lorem in nunc porta tristique. Proin nec augue.(Emily Langenbahn, n.d.)
Quisque aliquam tempor magna. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Nunc ac magna. Maecenas odio dolor, vulputate vel, auctor ac, accumsan id, felis. Pellentesque cursus sagittis felis.(ONLY NONLINEAR, BLOODY KILL BILL ENTERTAINS, 2003)
Pellentesque porttitor, velit lacinia egestas auctor, diam eros tempus arcu, nec vulputate augue magna vel risus. Cras non magna vel ante adipiscing rhoncus. Vivamus a mi. Morbi neque. Aliquam erat volutpat.(Politeknik et al., n.d.)
Proin pharetra nonummy pede. Mauris et orci. Aenean nec lorem. In porttitor. Donec laoreet nonummy augue. Suspendisse dui purus, scelerisque at, vulputate vitae, pretium mattis, nunc.
Mauris eget neque at sem venenatis eleifend.(Oscario, n.d.) METODE PENELITIAN
Menggunakan metode observasi dan studi pustaka HASIL DAN PEMBAHASAN
KESIMPULAN
UCAPAN TERIMA KASIH DAFTAR PUSTAKA
Anna Nitsaidou. (2017). Quentin Tarantino As a Postmodern Auteur.
Emily Langenbahn. (n.d.). Kill Bill: Vol. 1 & 2 – A formal analysis. Film Studies 2270: Introduction to Film Studies Online. Retrieved November 21, 2023, from https://filmstudies2270.wordpress.com/formal- language-of-film/formal-language-student-1/
Isaacs, B. (n.d.). 8. NON-LINEAR NARRATIVE. http://about.jstor.org/terms
Kim, N. W., Bach, B., Im, H., Schriber, S., Gross, M., & Pfister, H. (2018). Visualizing Nonlinear Narratives with Story Curves. IEEE Transactions on Visualization and Computer Graphics, 24(1).
https://doi.org/10.1109/TVCG.2017.2744118
Li, J., Liu, J., & Gahb, J. S. (2023). Research and dynamic analysis of interactive methods of film in the context of new media. SHS Web of Conferences, 167, 01021.
https://doi.org/10.1051/shsconf/202316701021
ONLY NONLINEAR, BLOODY KILL BILL ENTERTAINS. (2003, October 24). Sun-Sentinel. https://www.sun- sentinel.com/2003/10/24/nonlinear-bloody-kill-bill-entertains/
Oscario, A. (n.d.). PENERAPAN TEORI STRUKTUR CERITA PADA PEMBUATAN FILM.
Politeknik, B. A., Media, N., & Jakarta, K. (n.d.). STRUKTUR FILM (Struktur Film Eiffel... I’m in Love).
RASAGY SHARMA, & VENKATESH RAJAMANICKAM. (2013). Using Interactive Data Visualization to Explore Non-Linear Movie Narratives.
Realino, B., Kristianto, D., & Goenawan, A. O. (2021). ANALISIS STRUKTUR NARATIF TIGA BABAK FILM STORY OF KALE. In Jurnal Pengembangan Ilmu Komunikasi dan Sosial (Vol. 5, Issue 2).
Seemann, J. (2017). BENEFITS OF NONLINEAR STORYTELLING IN FILM AND TELEVISION.
Wahyuni, S., Darma, S., Seni dan Desain, F., Potensi Utama, U., & Seni Pertunjukan, F. (2021a).
PENCIPTAAN FILM FIKSI “DIBALIK SUNGAI ULAR” MENGGUNAKAN ALUR NON-LINEAR. Tanjung Mulia, Kec. Medan Deli, 10.
wikipedia. (n.d.). Nonlinear narrative. Wikipedia. Retrieved November 21, 2023, from https://en.m.wikipedia.org/wiki/Nonlinear_narrative#
