Fungsi dan Ciri Khas Kesenian Rebana di Pantura Jawa Tengah (Function and Characteristic of Rebana in the Beach Region of Central Java) | Sinaga | Harmonia: Journal of Arts Research and Education

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Syahrul Syah Sinaga

Staf Pengajar Jurusan Sendratasik FBS Universitas Negeri Semarang

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Kesenian Rebana merupakan salah satu kesenian yang bernafaskan Islam keberadaannya sangat melekat pada pola kehidupan masyarakat di Pantai Utara Jawa Tengah mulai dari pedasaan sampai perkotaan. Melekatnya aktifitas rebana tidak terlepas dari fungsi kesenian rebana bagi masyarakat pendukungnya serta dukungan dari tokoh masyarakat dan para alim ulama. Sebagai salah satu media dakwah, aktifitas kesenian rebana hadir dari berbagai kegiatan kelompok pengajian, kegiatan peringatan hari besar islam, tasyakuran, walimatul Urusy, Walimatul Khitan, Walimatul Hamli, maupun perayaan yang lain. Bentuk penampilan kesenian rabana dapat dikategorikan dalam bentuk tradisional maupun modern. Perbedaan rebana tradisi terletak pada peralatan musik yang digunakan yaitu berupa alat musik terbang dan lagu-lagu yang dibawakan umumnya diambil dari kitab al- barjanzi, kitab dziba, kitab simbud durror, dan kitab kuning lainnya, sementara rebana modern terdapat penambahan peralatan musik yang bertangga nada diatonis seperti key board dalam mengiringi lagu-lagu mulai dari musik pop, musik dangsut, musik campur sari dan lainya, dengan menggunakan teks lagu dengan bahasa Arab, bahasa Jawa, dan Bahasa Indonesia yang semuanya menggunakan seperangkat alat musik rebana sebagai rirngan lagu. Bentuk penampilan rebana tradisional maupun modern, masing-masing mempunyai wilayahnya sendiri-sendiri yang menjadi ciri- khas dari daerahnya seperti salafudin Pekalongan, Semarangan, dan Demak.

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E. Bentuk Penampilan Rebana

Kelompok pemain rebana di Pantura pada umumnya terdiri dari orang dewasa dan muda-mudi yang terpisah antara laki-laki dan perempuan dengan mengambil kiblat pada versi atau gaya

Salaffuddin Pekalongan, versi Semarangan dan Versi Demak.

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