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Study of visual rhetoric and metaphors in Indian newspaper advertisements

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It is certified that the research work presented in this thesis titled "A Study of Visual Rhetoric and Metaforer in Indian Newspaper Advertisements" is solely carried out by me, a bonafide student of the Department of Design, Indian Institute of Technology Guwahati, Assam, India under the supervision of Professor Utpal Barua, submitted for the award of Doctor of Philosophy. The research work presented in this thesis entitled "A Study of Visual Rhetoric and Metaphor in Indian Newspaper Advertisements" has been done under my supervision and is a good work of Mr.

Figure 6.1:    Highlight Chapter6 Thesis Structure         107  Figure 6.2:    Relationships among Study Constructs                                                108
Figure 6.1: Highlight Chapter6 Thesis Structure 107 Figure 6.2: Relationships among Study Constructs 108

INTRODUCTION

Chapter Overview

  • Metaphor and Rhetoric in Print Advertising
  • Formation of Rhetoric and Metaphors in Communication
  • Research Focus and Purpose
    • Research Aim
    • Corresponding Questions and Research Objectives
  • Analyzing indicators of consumer attention and brand recognition, to investigate the effectiveness of visual metaphors and rhetoric in Indian print
  • Exploring the visual metaphor and rhetoric, to study the visual element behind the design of print ads
    • Research Hypothesis
    • If the rhetorical and metaphorical appeal is visually combined, it will significantly improve the advertisement appeals, enhancing brand recognition
    • If the relationship between the signifier and the signified has the semantic connection, the level of brand recognition will be higher

Vlasis (2008) states that "the receiver must find a non-literal meaning that represents the resolution of the picture discrepancy". Moreover, they try to avoid saying 'no'. People who communicate in low context Figure 1.2: Quaternary of personality types.

Figure 1.1: Indian Creative and Clever Print Ads
Figure 1.1: Indian Creative and Clever Print Ads

Research Questions

Chapter One-Introduction

In terms of background research, there is a rationale for the research topic by attempting to explore how relevant visual metaphors and rhetoric are used as a marketing strategy to persuade the public and try to share their common social attitudes. Metaphor and rhetoric in print advertising have also been studied in the background of research, where it is found that advertisers use metaphor to a large extent to effectively promote a brand, product or service.

Chapter Two-Literature Review

It was also relevant to examine how rhetoric and metaphors are formed in communication, and different aspects were considered. The last section of this chapter mainly focused on problem statement of the study; research focus and purpose aimed at investigating the role of visual advertising metaphor and rhetoric in the process of customer persuasion; research objective which was to explore the role of visual metaphor and rhetoric and to analyze the most appropriate visual advertising communication tools in Indian print advertising and final research hypothesis which was based on how rhetorical and metaphorical appeal can affect the advertisement appeals and brand recognition.

Chapter Three-Case Study

Chapter Four-Methodology

In the final analysis, this chapter provides a discussion of research sampling and selection strategies, as well as issues related to the reliability and validity of research findings.

Chapter Five-Result

Chapter Six-Conclusion and Discussions

LITERATURE REVIEW

  • Types of Visual Metaphors
  • Conceptual Metaphors and their pragmatic effect in advertisement
  • Metaphorical Rhetoric
  • Approaches to Advertising Research
  • Analysis of Indian Print Advertisements
    • Trends in Indian Print Advertising
    • The Amul Advertisements
  • Summary: Key Issues Emerging from Literature Review

To begin with the idea of ​​a visual metaphor, it is essential to Figure 2.2: An overview of the paradigm. This ethnic multiplicity is represented in the differences between the west, east, north and south of the country. The study can be explained by the high context of Indian culture compared to the low context of the American one.

The word "byte" is used in contrast to "bite" or "vision". Interactive computer education is subtly combined with the following romantic tagline: “Come, fall in love with computers.” This fact is clearly evident in this ad. The image of an apple is unconsciously connected with the paradisiacal love of Adam and Eve. In addition, the catchphrase Satyameva Jayata supports the credibility of this brand, followed by the tagline “Still trusted by billions”. The bottom line is that billions trust Tide as much as Mandela.

When you analyze the advertisements of kurkure, you will notice that the image of a happy family is at the center of the message. This film redefined the film industry in Bombay, consequently leading to the 'bollywoodisation' of the Indian advertising industry. The advertisements of Amul brand are considered as one of the best advertising concepts in India.

In the ad (figure 2.18) a pun on "bread" and "educated" announces that Amuli is a native of India. But stereotypical portrayal of women is still the point of criticism in Indian advertising.

Figure 2.3: Visual metaphor used in ad
Figure 2.3: Visual metaphor used in ad

CASE STUDY

  • Methodology
    • Conceptual metaphor Money is a product
    • The advertisement of Bata
  • Data Synthesis

The researcher uses both qualitative and quantitative research methods to arrive at a coherent description of the research. This study aimed to gain an in-depth understanding of the use of conceptual metaphors in Indian print advertisements. The sixth procedural step of the case study was to compare and contrast the cases in question.

As for the first procedural step of the multiple case studies, it was decided that the subject matter would be diverse, English, but salient in the Indian market of newspaper advertising. That is, the focus gradually narrowed to the salient features of the two cases in question. The key idea underlying the use of the picture is derived from the social activities of the advertiser.

In a nutshell, the ad is based on updating the conceptual metaphor that “the car is a dragonfly”. The visual metaphor is represented by the circles on the white background of the poster, which resemble human eyes. The visual elements of the ad are not sufficient for understanding contextual information.

Figure 3.2: Lloyds Bank ad
Figure 3.2: Lloyds Bank ad

EXPERIMENT

  • Popular Brand Identification among the Indian people
  • Pilot Research Phase
    • Participants and Procedure of data collection
    • Measures
    • Brand recognition
    • Variables
    • Tests of Hypotheses
    • Analysis Plan
  • Findings
    • Bajaj fan
    • Parker pen
  • Sampling Procedure
  • Reliability of the scales for variables
  • Reliability of questionnaire used in experiment

Based on the responses of the participants, it can be seen that all visual rhetoric and metaphors were well understood by at least 50% of all. In addition, the claim that there are differences in the emotional responses of the participants was confirmed. For the purpose of this study, two advertising products were selected – Parker Pen and Bajaj Brand fan.

One of the main reasons why the two products were selected for the purpose of this research lies in the fact that they are popular brand indication among the young Indian customers. In other words, the lines and visuals should not be considered as static elements, but should be considered as a dynamic phenomenon - the flow of the lines and the font act as a metaphor of speed. It was expected that the two components of the questionnaire (textual and visual) would better meet the objectives of this study.

For example, Question 1 of the questionnaire asks participants about the messages conveyed by the advertisements illustrated in the questionnaire. There are several reasons why the survey method and the questionnaire instrument were used in the context of this study. The choice of sampling method was justified by the overall purpose and objectives of this study.

Table 4.1: Data of participants’ responses on different Pen brands popularity
Table 4.1: Data of participants’ responses on different Pen brands popularity

RESULT

  • Analysis
  • Variables
  • Parker Pen
  • Effect of Brand Recognitions & Attitude towards the Advertisements Brand recognition and consumer attitude toward the brand constituted two
  • Findings

Based on the questions and answers on the opinions of the advertisements, hypothesis testing was undertaken by finding out whether there is a statistically significant difference between the control and treatment groups for Parker Pen based on the level of opinion (on five scales). Therefore, it can be concluded that there is a statistically significant difference between the Parker Pen treatment and control stimuli. It is then concluded that there is a statistically significant difference between the Parker Pen treatment and control stimuli.

The above analysis (Table 5.6) clearly shows that the P-values ​​for the matched pairs are < 0.05 and this means that the null hypothesis is rejected at 5% level of significant. It can be concluded that there is a statistically significant difference between treatment and control stimuli of the Parker Pen. It can therefore be concluded that there is a statistically significant difference between treatment and control stimuli of Bajaj fan.

According to the questions and responses to the statements regarding informative, memorable, creative and believable for the treatment stimuli and control stimuli group, hypothesis testing was done to determine whether there is a statistically significant difference between the control and treatment stimuli for Bajaj fan based on the opinion level (On a 3 scale) (Table 5.13 & 5.14). The above analysis (Table 5.14) clearly shows that the P-values ​​for the matched pairs are < 0.05 and this means that we reject the null hypothesis at the 5% level of significant and conclude that there is a statistically significant difference between treatment and control stimuli of Bajaj ventilator. It can be concluded that there is statistically significant difference between treatment and control stimuli of Bajaj fan.

Figure 5.2: variables of Bajaj Fan study
Figure 5.2: variables of Bajaj Fan study

DISCUSSION AND CONCLUSION

  • Conclusion
  • Key Contribution towards Print Advertisement Design Research
  • Limitations
  • Future Research scope

The qualitative research design, which largely focused on different case studies, showed that there is a significant influence of visual rhetoric and metaphors on brand awareness and customer attitudes towards a particular brand. The case studies analyzed clearly showed that visual rhetoric and metaphors play a large role in brand recognition and customer attitudes towards a particular brand. The results of the hypothesis testing show that there is evidence to prove that visual rhetoric and metaphors have a significant impact on brand recognition and customer attitudes towards a particular brand.

Visual rhetoric and metaphor have a great impact on brand recognition and customer attitudes towards a particular brand, and they change depending on the culture of a particular society. In order to try to find this out, a quantitative study was conducted to quantitatively determine how visual rhetoric and metaphor affect brand awareness and customer attitudes towards a particular brand. The formulation of the null hypothesis was based on the assumption that there is no statistically significant effect of visual rhetoric and metaphor on brand recognition and the buyer's attitude towards a specific brand.

It was evident that visual rhetoric and metaphors strongly influence the customer's attitude towards a particular brand and brand recognition. The results of the hypothesis testing clearly showed that there is evidence to justify the claim that visual rhetoric and metaphors have a significant or positive effect on brand recognition and customer attitudes towards a particular brand. Customers need a combination of visual rhetoric and metaphors to digest complex information.

In the current study, various aspects related to how visual rhetoric and metaphor can influence brand recognition and customer attitudes towards a particular brand were investigated. In summary, there is a need to conduct further studies related to the current topic to investigate in more detail how visual rhetoric and metaphors influence brand awareness and customer attitudes towards a particular brand based on the fact that visual rhetoric and metaphors change according to different cultures.

Figure 6.2: Relationships among study constructs
Figure 6.2: Relationships among study constructs

Gambar

Figure 6.1:    Highlight Chapter6 Thesis Structure         107  Figure 6.2:    Relationships among Study Constructs                                                108
Figure 1.1: Indian Creative and Clever Print Ads
Figure 1.6: Visual metaphors how it changes in different culture
Figure 1.7: The role of attitude toward the ad in persuasion
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