From identity to ecology in the new Bulgarian cinema: The unique case of Àga (2018) and the poetics of the icy wasteland. Through the language of the closed Inuit society, a kind of microcosm speaks to world society – the macro level. From Identity to Ecology in the New Bulgarian Cinema: The Unique Case of Àga (2018) and the Poetics of the Frozen Wasteland.” Central Asian Journal of Art Studies, vol.
Lazarov's film, in the context of the international successes of our Bulgarian cinema, the entrance. Of 'Vazvisheniye' makes 'Àga'." ["The Dynamics of the Global and the Local in the New Bulgarian Feature Film. FROM IDENTITY TO ECOLOGY IN THE NEW BULGARIAN CINEMA: THE UNIQUE CASE OF ÀGA (2018) AND THE POETICS OF THE ICE COLD WASTELAND.
STRANA PTITS“
The timeliness of their release is related to the understanding of the ecological crisis in the philosophical paradigm of Seed, Naess, Harari, Morton. The work of the leading directors of the project, Svetlana Bychenko and Tatyana Obozova, is an extraordinary phenomenon in contemporary documentary creation. In the work of Bychenko, the leading feature of the style is analyzed - the primacy of the fairy-tale-poetic beginning, closely related to the contemplative basis of her recording.
The genre generation is shown to have a genuine ecological orientation, drawing the viewer to the enduring values of nature in the era of ecological crisis.
THE LAND OF BIRDS(
Other typologically similar non-fiction films that appeared in the 00s and 10s of the new century can also be attributed to the theme of reflecting the interaction of nature and society. In order to understand the evolutionary process, to analyze the diversity of forms of reflection of reality, philosophical methods/styles were used, such as metamodernism in the interpretation of Vermeulen and Akker, metarealism in Andrejef's explanation, Epstein's principles of ecological thinking . This approach is associated with the position of the scientist-observer, whose material serves as a rational study of the biology of an animal, the ecological niche of its habitat.
Keywords: TV series The Land of Birds, poetics of the genre generation, documentary film, popular science film, nature, ecological crisis.
AND OTHER FILMS
Since 2011, the series "Strana Ptits" (Land of Birds) has been broadcast on the Russian channel Kultura. The generation of the genre (according to Shergova's terminology) of cinema about nature, which has developed over the last decade, is not reflected in the literature of art history. Meanwhile, the poetics of content, narrative, aesthetic forms, popular scientific approach to the material characterizes the study as relevant.
The purpose of this article is to analyze the poetics of the auteur cinema, taking into account the methods of Bakhtin, Prozhiko, Trukhina.
ON NATURE: INNOVATIONS OF GENRE GENERATION
Yarovaya talks about using the latest equipment in an interview given to the author. The films of the series are typologically close to the works of the Soviet naturalist directors V. Choosing birds was natural: "The iconic idea of a bird is undoubtedly one of the oldest".
The subject of our study – the generational poetics of the animal film genre – is characterized by a gender.
ENVIRONMENTAL,
The topic of this article is "Environmental, natural and man-made disasters reflected in the Kazakh eco-documentaries". The goal of the research is to consider the ecological state of Kazakhstan via the national eco-documentary. The research is carried out on the basis of the national cinema art materials of the Republic of Kazakhstan in the XX-XXI centuries.
Kazakhstan is keeping pace with the world in the environmental crisis and is waiting to address a number of environmental disaster issues. One of the most important topics is the former nuclear test site, which is located in the city of Semipalatinsk. Another problem is the mismanagement of irrigation projects, which has caused the level of the Aral Sea to drop to the point of its disappearance.
The shrinking of the Aral Sea has permanently changed the climate in the area, rendering millions of hectares of land unusable. A striking example is the dense smog covering large megacities such as: Astana, Almaty, Semipalatinsk, Ust-Kamenogorsk, Karaganda and other cities. All these local environmental events have their own history and should be presented to the world through the prism of eco-documentary films.
Through cinema, people express their emotions, deepest secrets and desires. Cinema is able to respond to the audience's questions and at the same time shape an individual's outlook and consciousness. In this respect, cinema offers the opportunity to look at the above-mentioned problems of people from the side, to assess the damage and to provide a forecast of the inevitable damage.
NATURAL AND MAN-MADE DISASTERS REFLECTED
The stated objectives were achieved by using comprehensive research methods: theoretical analysis, visual analysis, SWOT analysis, comparison and juxtaposition, film analysis, historical film analysis, analysis and synthesis, abstraction, classification and categorization.
IN KAZAKH ECO-
DOCUMENTARY FILMS
This is primarily the result of increasing media attention and the emergence of the eco film genre. In the 1980s, documentary filmmakers began to reflect the environmental situation in the country en masse in their works. Test site) to deputies, the members of the Supreme Soviet finally decided the fate of the Semipalatinsk nuclear test site” (Rymzhanov 90).
Genetic mutations and all kinds of cancers are the order of the day in the region. Perhaps the drying up of the Aral Sea is no less talked about than the consequences of the Semipalatinsk testing ground. Perhaps one of the pioneers who dedicated their documentary films to the Aral Sea was G.
The idea that documentary filmmaking should expose the environmental problems of the Aral Sea continued. And the land, soaked in the waters of the dying sea, does not accept them” (207). V techenii zhizni” (In the course of life) by Nuradal Balmanov focuses on the severe natural trials of the dried up sea.
Myrzash Issayev lives in the arid region of Syrdarya in the village of Karateren, where the Aral Sea is nearby. The film shows powerful mudflow prevention devices to protect the Republic's capital and its surroundings.
ИНТЕРПРЕТАЦИЯ
ПРИРОДНОГО НАСЛЕДИЯ В СОВРЕМЕННОМ
ИСКУССТВЕ КАЗАХСТАНА
Экологическая культура и наследия охраны природы казахского народа." ["Экологическая культуры и дәстүрі Казахстана."]. Экологиялық эстетика: становление, сущность и роль в оптимизация социальных природных взаимоотношений". [«Экологиялық эстетика: қалыптасуы, мәні және әлеуметтік-табиғи қатынастарды оңтайландырудағы рөлі»]. Зерттеудің басты назары – шетелде танымал және сұранысқа ие Қазақстанның қазіргі өнерінің басты тұлғалары Рустам Халфин, Елена және Виктор Воробьевтар, Ербосын Мелдібеков, Алмагүл Меңлібаева, Сәуле Сүлейменова, Молдақұл Нарымбетов, Сәкен Нарынов, т.б.
The critical state of the planet's natural resources encourages society to think about preventing a possible impending disaster. Concern about the problems of the environment arises as a reaction to the alienation of man from the world, nature, himself, which is an essential feature of our civilization. The general line of the phenomenon is the transformation of the natural heritage, the artistic understanding of the ontological essence and the relationship between man and nature.
The purpose of the article is to analyze a number of works of contemporary art in Kazakhstan to identify the characteristic trends of modernity in the artistic interpretation of natural heritage and, more broadly, to reveal the ontological laws of the art process of today's realities. The focus of the study is the main figures of contemporary Kazakh art, known and sought after abroad: Rustam Khalfin, Elena and Viktor Vorobyov, Yerbosyn Meldibekov, Almagul Menlibayeva, Saule Suleymenova, Moldakul Narymbetov, Saken Narynov and others. The author has read and approved the final version of the manuscript and declares that there is no conflict of interest.
The Choreographic Embodiment of Seken Turysbek's 'Soul Existence' Kyui in Poetics of the Buran Bel Style." Central Asian Journal of Art Studies, vol. Zhienkulova systematized them during research trips around the country in search of a vocabulary characteristic of the Kazakh dance. The author of the production addresses the viewer and calls him to wake up from sleep, to preserve the natural essence and primal nature of life.
Quote: "The call of nature and humanity in the ballet 'Awakening'-Poetry." Journal of Central Asian Art Studies, Vol.
ВОВЛЕКАТЬ ЛЮДЕЙ
В ПРОЦЕСС ПОЗНАНИЯ
Dorofeyeva – analysis of the scientist's and cameraman's own activities, reflections on the role of popular scientific cinema about nature in public life, revision of the text. The young specialist appreciates their important role in the development of her craft and pays great attention to professional growth as a film screenwriter and director, understanding the goals and objectives of popular science cinema about nature. As a person with a film camera in her hands, she is interested in recording methods, the forms of film, image quality, the creation of sound-visual images, participation in the creative process of such specialists in related activities that influence the final result as masters of colors , sound engineers, composers.
Dorofeyeva is characterized by a continuous process of accumulating knowledge and skills in the process of working in films. New cinematography shares its experience of cooperation with directors and cameramen-naturalists of the old generation - Tsikhanovich and Rodionov. Being a scientist and film director, Dorofeyeva is concerned with the problems of environmental education, the impact on the consciousness and imagination of the audience about the stories of birds, narrated in her early works The Lake in the Sea, The Magpie of the Sea, Madame Eider.
Авторлар қолжазбаның соңғы нұсқасын оқып, мақұлдады және мүдделер қақтығысының жоқтығы туралы мәлімдемейді. Дәстүрлі инуиттер отбасы Седна (Феодосия Иванова) мен Нанук (Михаил Апросимов) - Red Carpet Films және продюсер Веселка Кирякова ұсынған «Аға» фильмінен. Орталық Азия өнері: қазіргі заманғы өнердегі тіл және мәтін (наурыз, қолжазбаларды 2023 жылдың 20 қаңтарына дейін тапсыру).
Art of Central Asia: Language and Text from the Perspective of Modernity (March, manuscript submission until January 20, 2023);. The Theory of the Making of the Modern World: Social and Humanitarian Projects (December, manuscript submission until October 20, 2023).
