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Sweeney’s Homage to Dennis from the Wheatbelt to the Perth Coastal Plain, River, Ocean John Kinsella,

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ASIATIC, VOLUME 13, NUMBER 2, DECEMBER 2019

Asiatic, Vol. 13, No. 2, December 2019 102

Sweeney’s Homage to Dennis from the Wheatbelt to the Perth Coastal Plain, River, Ocean

John Kinsella,1 Australia

The closer and closer they get to us

the more they become big, lumbering boats.

“Romanticism in the 1990s,” Dennis Haskell All that elegance of perception

blown out like a southern storm, an earlier days television-tube scenario.

How could romanticism keep

hold of the ropes, the phantom boats off the coast offering curios,

yes, their eye on the prize – white dunes, seagulls that fly inland morphing

into the red tails of cockatoos, the river with bars and trees that hold water,

lozenged under skin? Beware bills of lading signed in London, poems in tight

forms adapted from the French, Italian, Latin, Greek… and those sails so full-blown then so dull with late sun shining through as the Fremantle Doctor fails to bring home its crew. All of this awaited you, moving from East to West, a large step across the fullness of continent, lines thrown out to Singapore, Malaysia,

1 John Kinsella is the author of many books of poetry, fiction and criticism. He is a Fellow of Churchill College, Cambridge, and Professor of Literature and Environment at Curtin University.

Email: [email protected].

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John Kinsella

Asiatic, Vol. 13, No. 2, December 2019 103

undersea cables for conversations of welcome, connection, dialects – the local ways you inflect and augment, a critical eye to occupation, to those pilot lights, those navigation markers, buoys.

No casual sailing a way through – unconvinced by masts and hulls, sailcloth and rudders, but momentarily caught in the figurative.

This is where you return home from your sailings – to your berth of riverwater, your scraping down.

It’s a harsh kind of humour – a no bullshit issue with the light

Wallace Stevens tried to pin down and also release so far away… but you know the difference and its lack, share images of flight and returns.

And dry and vulnerable as it is

in the romantic collapse of the pastoral up here over the Scarp – the crops of wheat adrift and wavering with shifts in ocean temperatures – we wish the harvest through, headers casting off to get the job done before fire takes the lot. These sailings we watch from our vantage points – hoping for perceptions we can’t haul in, or trim.

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