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African Music Vol 3 no 3(Seb)

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NOTES AND NEWS 117

F o rtu n ately, th r o u g h th e g e n e ro u s s u p p o rt o f th e R o c k e fe lle r F o u n d a tio n , M r. M b a b i-K a ta n a h as been able to co n ce n tra te h is effo rts sin c e 1962, o n r e v iv in g th e A r t in S c h o o ls. T h e p u b lic a tio n o f th is extensive co llectio n o f s o n g s , c a r e fu lly s e le c te d fro m m a n y h ea rd d u r in g h is jo u rn e y s , is th e first t a n g ib le co n tribu d on . It w a s r ig h t to b e g in h e re , so th a t n o sch o o l in E a s t A fric a h as n o w a n y ex c u se fo r th e laboured re n d e rin g o f “ O n th e B a n k s o f A lle n W a te r ” in to n ic -so l-fa .

It is m y earn est h o p e th a t it w ill b e u n iv e r s a lly a d o p te d , so th a t n o t o n ly w ill th e A fric a n fo lk -s o n g be m ore w id e ly k n o w n a n d p e rfo rm e d , b u t c h ild re n th ro u g h le a r n in g a n d e n jo y in g th e s o n g s o f trib es other than th e ir o w n , w ill g r o w in u n d e r s ta n d in g o f th e ir A fric a n h e r ita g e a n d o f th e p eo p le s in different parts o f E a st A fric a .

* * * * *

F ath er G io r g e tti, w h o s e c o n trib u tio n s to

African Music

fro m h is m issio n in th e s o u th o f th e S u d a n , have been w e ll k n o w n to m e m b e rs fo r m a n y y e a rs , is o n e o f th e Ita lia n M is s io n a rie s w h o w e r e s u m ­ m arily ejected fro m th a t t e r r ito r y th is y e a r (1 9 6 4 ). H is p resen t a d d re s s is c/o Mi s s i o n i Ae r i c a n e, Ve r o n a, and he is p la n n in g to re tu rn to A fric a to w o r k in th e n o rth e rn C o n g o a m o n g th e A z a n d c w ith w h o m h e is so p o p u la r a fig u re o n th e o th e r s id e o f th e b o rd e r.

* * * * *

R E P O R T O N T H E 1964 A N N U A L M E E T IN G O F T H E S O C IE T Y O F E T H N O M U S IC O L O G Y T h e p ap er w h ic h w a s g r e e te d w ith m o st e n th u sia sm w a s E ric W e r n e r ’s, w h ic h q u e s tio n e d so m e o f the fu n d am en tal p re c e p ts o f o u r field . I h o p e th e p a p e r w ill be p u b lis h e d in o u r jo u rn a l. T h e s y m p o s iu m on “ M u sic, D an c e a n d A n th r o p o lo g y — T e n Y e a rs o f C o -o p e ra tio n ” in c lu d e d re sta tem en ts o f th e p o sitio n s th a t a n th ro p o lo g is ts in th e U n ite d S ta te s f u lly acc ep t th e c o n trib u tio n s o f re se a rc h in m u s ic and d ance to th e ir field , a n d th a t a n th r o p o lo g ic a l th e o ry b en efits fro m fin d in g s in th ese area s. S o m e o f the p ro je cts c u r r e n tly b e in g c a rrie d o u t, p a r tic u la r ly in d a n c e , w e re re v ie w e d , a n d so m e sta te m e n ts o f fu tu re h o p es w e r e p re s e n te d . In g e n e r a l, it s ee m e d to be th e co n ce n su s o f so m e o f th e p a r tic ip a n ts th a t the last ten y e a rs h a v e y ie ld e d a tre m e n d o u s in c re a s e in q u a n tity o f re se a rc h , b u t th a t th e fu n d a m e n ta l v iew s o f th e re se a rc h e rs h a v e n o t c h a n g e d m u ch .

In g e n e r a l, a t th e m e e tin g s , it w a s e v id e n t th a t A fric a n s tu d ie s h a v e c o n tin u e d to in c re a s e in im p o rta n c e in th e w o r k o f A m e ric a n e th n o m u s ic o lo g y . T h is is a ls o e v id e n t, b y th e w a y , in th e co n te n ts o f the S e p te m b e r, 1964 is s u e o f

Ethnomusicologv.

A t th e m e e tin g s , th e p a p e rs b y K la u s W a ch sm a n n (th e final title w a s “ S o m e s p e c u la tio n s r e g a r d in g th e p re s e n c e o f a d ru m c h im e in B u g a n d a ”) , J u d it h H an na, N o rm a M c L e o d , Ja m e s D o w n e y (A fro -A m e ric a n ) w e re cases in p o in t.

F in a lly , it s ee m e d to m e th a t a t th is m e e tin g , s tu d e n ts o f c th n o m u s ic o lo g y c o m in g fro m m u s ic an d a n th ro p o lo g y w e re a b o u t e q u a lly re p re se n te d , a n d th e p ap ers in d ic a te d e q u a l in v o lv e m e n t in th e stru c tu re o f m u sic a n d in it s ro le as an as p e c t o f c u ltu r e .

B ru n o N cttl.

* * * * *

T H E K W A N O N G O M A C O L L E G E O F A F R IC A N M U S IC (A b ran ch o f th e R h o d e s ia n A c a d e m y o f M u s ic )

N E W S L E T T E R — J U N E , 1964

by the Director

Mr. Le s l i e W i l l i a m s o n

T h re e s tu d e n ts e n te re d fo r th e ir fin al e x a m in a tio n s at th e en d o f la st y e a r a n d , o f th e se , tw o w e re su ccessfu l — o n e o b ta in in g an a g g r e g a t e in ex cess o f 7 5 % . O f th e tw o w h o q u a lifie d fo r a d ip lo m a , o ne is n o w w o r k in g in Y o u th C lu b s in th e B u la w a y o M u n ic ip a l H o u s in g a n d A m e n itie s D ep a rtm e n t an d is d e v e lo p in g an e n th u sia sm fo r in d ig e n o u s m u s ic a n d its p e rfo rm a n c e a m o n g s t th e y o u n g p eo p le in o n e o f th e A fric a n T o w n s h ip s . T h e o th e r re m a in e d a t K w a n o n g o m a fo r tw o m o re te rm s a n d h as b een b u sy w o r k in g o n tra n s c rip tio n s o f in d ig e n o u s s o n g s a n d in s tru m e n ta l m u sic . T h e n eed fo r m a te ria l o f th is s o rt is v e r y g r e a t in d e e d an d E m a n b y C h ira d z a ’s w o rk w ill m a k e a v a ila b le m u sic in staff n o ta tio n fo r th e fu tu r e u se o f sc h o o ls a n d y o u th o rg a n is a tio n s . In S e p te m b e r, E m a n b y w ill b eco m e a v a ila b le as the first s p e c ia lis t M u s ic T e a c h e r in A fric a n sch o o ls.

W ith th e a p p ro v a l o f th e M in is tr y , th e c o u r se in E n g lis h , to c o m p ly w ith th e re q u ire m e n ts o f th e P .T .H . q u a lific a tio n , h as b een a lte r e d to em p h a siz e S p eech T r a in in g in E n g lis h . T e a c h e rs c a p a b le o f s p e a k in g a n d te a c h in g E n g lis h a d e q u a te ly a re in g r e a t n eed in sc h o o ls in S o u th e rn R h o d e s ia a n d M u sic S p e c ia lis ts w h o can a ls o d e a l w ith th is p ro b le m w ill b e o f e v e n g re a te r v a lu e in th e ir fu tu re e m p lo y m e n t.

S tu d e n ts w ill b e e x a m in e d b y th e T r in it y C o lle g e e x a m in e rs at th e a n n u a l e x a m in a tio n s c o n d u c te d in B u la w a y o .

M u s ic a l su b je c ts in th e C o lle g e c u r r ic u lu m a re e x a m in ed b y th e A ss o c ia te d B o ard o f the R o y a l S ch o o ls o f M u s ic a n d b y th e J o in t B o a rd o f th e R h o d e s ia n S c h o o ls o f M u s ic . T h e la tte r b o d y h an d le s in d ig e n o u s m u s ic a n d th o se s u b je c ts w h ic h it is in a p p ro p ria te fo r an O v e rs e a s E x a m in in g B o a rd to d e a l w ith . L a st y e a r th e re w e re m o re e x a m in e rs th an ex a m in e e s fo r th e w id e ra n g e o f su b je c ts c o n ce rn e d !

N e w s c o n tin u e s to co m e fro m W a n k ie a b o u t th e v a lu a b le w o r k b e in g d o n e b y an c x -K w a n o n g o m a s tu d e n t, B a s il C h id y a m a ta m b a . H is in d ig e n o u s o p e ra , first p erfo rm e d la s t y e a r, re c e iv e d a re p e at p e r­

fo rm a n c e e a r ly in 1964. H e is b u s y o r g a n is in g th e first M u s ic F e s tiv a l to b e h e ld in th e a re a , w h ic h w ill ta k e p la c e in A u g u s t.

Referensi

Dokumen terkait

In this Appendix the author included brief data about Negro songs, dances and instrumen,ts in all three Americas, but especially in Latin America.. The book was publishC'!d by Ricordi

For Mrican instrumental music, particularly xylophone and mbira music, a safer method for students who are not able to witness the performances would be to transcribe from cine films,

[r]

Arom’s article “Creating a wider Interest in Traditional Music” proceedings of a conference held in Berlin in co-operation with the International Music Council, 12th to the 17th of

First, he may squeeze two short syllables into the time of one basic time-unit: secondly, and this is a very common ploy, he may put three syllables where there ought only to be two,

Let us compare a list of xylophone note- names kindly supplied to us by John Blacking, and an incomplete list mentioned-en passant-in a discussion by some Venda musicians, with

7 Dance Songs with drums, mbira or lute.. 3 Dance Songs with zither and

D a te 21st November, 1969 24th November, 1969 26th November, 1969 27th November, 1969 6th January, 1970 9th January, 1970 12th January, 1970 14th January, 1970 15th January, 1970