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African Music Vol 2 no 1(Seb)

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(1)

THE FOLLOWING BOOKS ARE AT PRESENT AVAILABLE AT THE SOCIETY’S HEADQUARTERS

Pr ic e Af r ic a n Da n ce s of Th e Wit w a t e r s r a n d Gold Mines

by Hugh Tracey, illustrated with 120 photographs.

Published by the African Music Society, 1952. This is a book that everyone who attends an inter-tribal dance in the Gold Mine Compounds will want to possess. An ideal gift book recommended by the Society.

Airc a n Mu sic In No r th e r n Rho desia and someo th er pla ce s

by A. M. Jones. (Occasional Papers of the Rhodes- Livingstone Museum No. 4, 1949).

Chopi Mu sic ia n s (Their Music, Poetry and Instruments) bv Hugh Tracey. Published by the Oxford University Press, 1948.

The Ic il a Da n c e-Old Style(a description of the drum and dance rhythm) by A. M. Jones and L. Kombc. Published by Longmans, Green & Co. for the African Music Societv, 1952.

Lale la Zu l u, 100 Zulu Ly r ic s

by Hugh Tracey, with illustrations by Hric Byrd. Pub­

lished by the African Music Society. A charming gift book, attractively illustrated. Recommended by the Society.

The Mu sic Ma k e r s: Suggestions on music teaching for African teachers by A. \1. Jones. Published by Longmans Green

& Co.

Mu sico lo g ica

by Jaap Kunst (Koninklijke Verccniging Indisch lnstituut, Mededeling No. XC, Afdeling Culturclc cn Physischc Anthropologic No. 35, 1950).

Musique Ce n tre- Af r ic a in e

by Herbert Pepper (extract from the volume Afrique Francaise de ‘’Encyclopedic Colonialc et Maritime).

Ne w sle tte r of The Af r ic a n Mu sic So ciety

Spare copies of all six Newsletters are now available.

Ngoma (An introduction to Music for Southern Africans) by Hugh Tracey. Published by Longmans, Green & Co., 1948.

Yoruba Mu s ic: A Monograph by the African organist of Lagos Cathedral, T. K. E. Phillips. Published by the African Music Society, 1952.

20/ -

(plus 9d. postage and packing)

(plus 4d. postage and packing)3/-

19/-

(plus 9d. postage and packing)

8/6

(plus 6d. postage and packing)

12/6

(plus 6d. postage and packing)

lOd.

(plus 2d. postage and packing)

8/-

(plus 4d. postage and packing)

2/6

(plus 3d. postage and packing)

5/- each 9/6

(plus 9d. postage and packing)

(plus 9d. postage and packing)

V 6

A LL PR IC E S SU BJE C T TO C H A N G E Orders for books should be addressed to:

Th e Ho n. Se c r e t a r y, Af r ic a n Mu sic So c ie t y, P.O. Box 138, Roodepoort, Nr. Jo h a n n e sb u r g,

Unio n of South Af r i c a.

and should be accompanied by money or p ostal orders fo r the fu ll amount. Cheques cannot be accepted on account o f the considerable loss to the Society entailed in their exchange.

At the present rate of exchange 1 Dollar=7 shillings.

(2)

THE APPROXIMATE ORIGIN OF ARTICLES IN THIS EDITION OF THE JOURNAL

3. To w a r d s an Asse ssm e n tor Af r ic a n Scald s 4. Tr a d it io n a i. Mu s k; o pt h e Ga People.

5. Or g a n isa t io n o r Ma s k: i n Adangme So ciety . (>. A i r ic a n Mu s ic a l In stru m en ts in Kenya . 7. Kenyas Colony Mu sic a n d Dram a Of f ic e r 8. The Begu Zulu Ve r t ic a l Flu te . . . . 9. Af r ic a n Mu s ic in Rho d esian Nativ e Ed u catio n 1(1. Af r ic a n Mu sic in Ch r is t ia n Wo r sh ip

11. Wa n d e rin g From Pit c h .

17. In te r n a t io n a l Lib r a r y of Af r ic a n Mu sic

18. Reportont h e I.L.A.M. Ny a sa la n d Re co rd in g Tour 2 3 , Le tte rtot h e Ed it o r . . . . . . HOOK REVIEWS

(c) Musiq ue Ce n tre- Af r ic a in e . . . . (h ) Pan o ra m a Gr a m m a t ic a l?, Zandh

by ! I ugh Tracey

South Africa by j . II. Nkctin

Ghana by J. II. Nketia

Ghana by Graham I lyslop

Kenya by Graham I lyslop

Kenya by A. J. F. Veensrra

South Africa by James Met larg

Southern Rhodesia by Johan K. Louw

N yasaland Dr. The Rev. Brother Basil

Basutoland by I high Tracey

Sw aziland by I lugh Tracey

N yasaland Father K. Carroll

N igeria by I lerbert Pepper ( J. B.)

by Fr. lmc<> and Fr. Gero, (G.P.L.)

Referensi

Dokumen terkait

All of the songs except “Ruponeso” have an introduction which is sung by the leader, who is later joined by the chorus singing its ostinato figures.. Each leader has his own unique type