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Intellectual property laws and the protection of traditional knowledge in South Africa : an evaluation of the current intellectual property system and its protection of traditional and indigenous knowledge.

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The World Intellectual Property Organization (WIPO) had raised two related concerns regarding the protection of traditional knowledge through the intellectual property regime. 10 WIPO, Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore, Report, First Session (WIPO/GRTKF/IC/1/3 16 March Accessed 17 October 2014).

DEFINING TRADITIONAL KNOWLEDGE

The difference between Traditional Knowledge and Indigenous Knowledge is visible in Mugabe's definition of the two types of knowledge. The above definitions clearly illustrate that there is a slight difference between Indigenous Knowledge and Traditional Knowledge.

THE RATIONALE FOR THE PROTECTION OF TRADITIONAL KNOWLEDGE

Preserving traditional knowledge is another reason why it is necessary to protect such knowledge. Therefore, the lack of knowledge and access to the intellectual property regime is a contributing factor to the need for reform of the current regime to prevent misappropriation of traditional knowledge.126. A good example of why traditional knowledge should be protected can be found in the case of the pharmaceutical industry and traditional medicine.

S Ragavan 'Protection Of Traditional Knowledge' www.law.ou.edu 1999 24 (Accessed 28 November 2013) discusses the position in Australian law. Trade secrets are considered to be possibly one of the best ways to protect Traditional Knowledge. One of the most obvious reasons here is the nature of Traditional Knowledge that is collectively owned by an indigenous community, while current Intellectual Property Laws focus on the protection of individual rights.

321 M Singh Nair "India: Role of Geographical Indications in Traditional Knowledge" www.mondaq.com 4 February 2008 (accessed 18 November 2014). This opinion is also supported by the World Intellectual Property Organization, which believes that the protection of indigenous traditional knowledge is to prevent third parties from exploiting the knowledge for financial gain. There are certain limitations when it comes to relying on the current intellectual property system to protect traditional knowledge.

The Department of Trade and Industry mentioned two main issues in relation to the protection and commercialization of traditional knowledge in South Africa.

DEPARTMENT OF TRADE AND INDUSTRY

Masango is of the opinion that if this is explained to the local communities, lectures on traditional knowledge will get serious attention from the local communities. The main purpose of this legislation was to amend the existing laws relating to intellectual property to accommodate traditional knowledge. The policy explains that various industries would immediately benefit from the adoption of such a policy for the protection of traditional knowledge.372 These include the cultural industry;.

The policy recognizes South Africa's diversity and therefore recognizes the need to update existing laws, including intellectual property laws, to protect such diversity.374 An important rationale for protecting traditional knowledge on a commercial scale is to integrate traditional knowledge holders into the mainstream of the economy by ensuring fair environment for all actors.375. The policy contains recommendations on how to improve the current intellectual property system in order to protect traditional knowledge. The law "attempts to prevent the acquisition of intellectual property rights in the field of intellectual property derived from traditional knowledge without the permission of the holders of traditional knowledge and provides for the sharing of benefits with the holders of traditional knowledge."390.

The International Association for the Protection of Intellectual Property (AIPPI) resolution considers that harmonized treatment of traditional knowledge should be encouraged internationally, that legal certainty is desirable, and that protection for traditional knowledge should be aligned with the principles of existing intellectual knowledge. Property systems that can be achieved by way of sui generis treatment.457. Dean states that, by protecting Traditional Knowledge as a species of copyright, designs etc.

AN ALTERNATIVE APPROACH – THE PROTECTION OF TRADITIONAL KNOWLEDGE BILL (WILMOT BILL)

The bill also uses the concept of a traditional community, which is defined as "a natural, original and homogeneous group of people who have a common language and common customs and are generally recognized as having a distinct and individual character."500 The bill provides that the Traditional The knowledge will belong to the traditional community in which it developed and originated.501 The traditional community can appoint a person who will own the right in a representative capacity.502. The Bill also contains provisions on the licensing of traditional knowledge.503 It provides for the registration of traditional knowledge in a register of traditional knowledge, and it establishes a National Council for Traditional Knowledge and a National Trust Fund for Traditional Knowledge.504. it is in accordance with government law. Sikwane suggests that a significant difference between the two laws is that the Wilmot Bill provides for the protection of foreign traditional knowledge on an ad hoc basis by means of a special proclamation in the State Gazette, but only in cases where that foreign country provides reciprocal protection to South African traditional knowledge.505 She adds that the Wilmot Bill seeks to address the concerns that have arisen with the Government's Bill (now Act), without overlooking the main purpose which is to protect traditional knowledge.506.

This Bill will establish a system that is tailored to benefit the South African population and will adequately protect Traditional Knowledge. The Wilmot Bill proposes a sui generis approach to the protection of sui generis expressions.512 The World Intellectual Property Organization (WIPO) has been working on a Traditional Knowledge Model Law for many years now and its expert opinion stands. ​that Traditional knowledge is best protected by sui generis legislation.513 The organization is therefore in support of the Wilmot bill. The Bar praised and advised that it fully supports the broad principle of the Bill, namely to offer sui generis protection for Traditional Knowledge.514 It confirmed that the Bar has always been opposed to the principle and provisions of the Government's Bill . which proposed to protect Traditional Knowledge by incorporating and amending the current Intellectual Property Laws.515 It is considered that Traditional Knowledge does not equate to conventional norms of Intellectual Property Requirements of the Intellectual Property Laws for granting protection to Intellectual Property not. 516.

The Law Society points out that this approach is in line with the sui generis approach adopted by developing countries regarding the protection of traditional knowledge and folklore/traditional cultural expressions at WIPO.517 It refers to the African Regional Intellectual Property Organization (ARIPO ). which was recently adopted by our neighboring countries as well as other African countries.518 These members are: Botswana, Gambia, Ghana, Kenya, Lesotho, Liberia, Malawi, Namibia, Rwanda, Sierra Leone, Somalia, Sudan, Swaziland, Uganda, United republic of Tanzania, Zambia and Zimbabwe.519 The. The Law Society suggests that the terminology used in South Africa for traditional knowledge is correct.525 There is a tendency to refer to all traditional artistic, musical and literal matters as traditional knowledge.526 However, internationally the term 'traditional knowledge' .

THE PROTECTION OF TRADITIONAL KNOWLEDGE IN AUSTRALIA – A BRIEF LOOK AT THE CURRENT SITUATION

However, there are shortcomings in the Intellectual Property system, for example, stories that are transmitted orally are often not protected under copyright, at least not in common law systems.535 As in South Africa, works that are very old , where the original creator passed away more than 50 years ago, are not protected.536 The limited duration of copyright provides inadequate protection as it is said to conflict with the longevity of indigenous folklore works.537 The main concern for indigenous communities is that these works, which are currently protected, could end up in the possession of non-indigenous people after copyright expires.538 As a result, the rightful owners of works under traditional customary law would become "dispossessed and culturally impoverished ", relying on others to allow them access to knowledge that is originally and rightfully theirs.539. 531 ATIS, Aboriginal and Torres Strait Islander National Cultural Industry Strategy, prepared by Focus with assistance from Sharon Boil & Associates, February 1997, cited in T Janke, Our Culture, Our Future: Proposals for the Recognition and Protection of Cultures and to indigenous intellectuals Property” 26. Another shortcoming is the fact that procedures for designs and trademark registration often affect the access of indigenous people to the use of the Intellectual Property system.541.

In Australia, some commentators believe that, given the low threshold the courts have generally set for establishing originality, this should not pose a major obstacle to the protection of indigenous folklore.555 The Australian Indigenous Intellectual Property Rights cases to date it involves artists who are well known within both indigenous and non-indigenous circles and therefore originality is not an issue.556 However, when dealing with less recognizable authors, a balance should be found between the 'freedom of artistic expression' and the “recognition of an exclusive legal right of indigenous peoples to significant and identifiable indigenous designs.557. Janke confirms that Indigenous Australians have explored and used intellectual property laws to protect their arts and culture. Janke emphasizes the importance of noting that intellectual property law is just one of the avenues that Indigenous Australians have explored in relation to the protection of traditional knowledge.581 Other strategies have also been used.

The Australian Intellectual Property Design Office administers the design registration system as well as registered designs.587 When it comes to indigenous arts and culture, there appears to be a disparity between the legal uses of the word "design".588 Design protection is limited. in protecting the appearance of manufactured articles.589 Copyright law also recognizes derivative works as original creations that can be protected.590 Indigenous designs have special meanings in indigenous cultures.591 As they are passed down through generations, these designs reconnect people with ancestral beings, their journeys and events, and the places associated with them.592 Caruana suggests that it is through the use of these models inherited from ancestors that artists are able to assert the identity, rights and responsibilities of theirs.593. 585 T Janke Our Culture: Our Future – Report on Australian Indigenous Cultural and Intellectual Property Rights Michael Frankel and Company 1999 112.

CONCLUSION

The protection for Traditional Knowledge should not be forced into the current Intellectual Property system. Anderson J E Law, Knowledge, Culture: The Protection Of Indigenous Knowledge in Intellectual Property Law Edward Elga (2009). Githaiga J 'Intellectual Property Law And The Protection Of Indigenous Folklore And Knowledge' Murdoch University Electronic Journal of Law www.murdoch.edu.au vol 5 issue 2 (1998) (Accessed 25 November 2014).

Masango C A 'Indigenous Traditional Knowledge Protection: Prospects In South Africa's Intellectual Property Framework?' http://sajlis.journals.ac.za (2010) (Få adgang 17. oktober 2014). Mugabe J 'Intellectual Property Protection And Traditional Knowledge: An Exploration In International Policy Discourse' http://www.wipo.int/tk/en/hr/paneldiscussion/papers.pdf (2009) (Få adgang 17. juli 2013). Munzer S & Raustiala K 'The Uneasy Case For Intellectual Property Rights In Traditional Knowledge' Gradzo Arts and Entertainment (2009).

Anton Mostert Intellectual Property Chair "Traditional Knowledge - Legislation in the New Tradition" http://blog.sun.ac.za (Accessed 25 November 2014). Vermeulen A 'Traditional Knowledge to be Protected Through Intellectual Property Legislation' www.polity.org.za (5 July 2013) (Accessed 17 July 2013).

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