CHAPTER V: CONCLUSION
5.2. Suggestion
Based on the findings of the research, the researcher suggests for the next researchers to analyze about language and gender in other areas. There is nothing inherently wrong in the development of differing styles, which may include intonation, and phonology. Significant male or female differences are showed up in the pronunciation or absence of /r/. Women are more likely to
pronounce post-vocalic /r/. in addition, a markedly greater number of girls use /-ing/ more frequently, while more boys used more /-in/". Women also
substitute nasalized vowels for final nasals less frequently than do men and are less likely to substitute /f/, /t/, and /0/ for /Ø/.109 Therefore, the researcher suggests for the next researchers to develop this study, but viewed from another area, that is phonology because pronunciation provides the best evidence of gender-based language forms.
However, it is still better to conduct it from the native speaker to make it more neutral. What the researcher has been stressing through out this study is that the language is neither good nor bad but its use maybe for good or bad.
If one views women as inferior, then special speech characteristics will be viewed as inferior. When everyone in society created equal, and treated as such, there will be little concern for the sexual asymmetries which exist in language. Therefore, the researcher suggests for the next researchers to conduct their study at different culture from the researcher does to know whether there is also a relationship between the language and the culture. The researcher conducts this study in England setting, which has specific culture and attitude including attitudes toward women. From the findings, the researcher gains that British people are really appreciate women. This is also reflected in their language which not always trivializes women. Therefore, it will be an nteresting study for the next researchers to study about language and gender viewed from phonology area, and conducted in the American culture which has different attitudes in treating women. There will be found a
109 Jim Vandergrif, Is There A Women‟s Language, (Acessed on 27th of February 2008 from www.wikipedia.com)
proof that langauge and society or culture is interrelated and interference each other because England and America have different culture in appreciating women, then whether this also affects in their American language or not. This is the interesting duty for the next researchers.
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SYNOPSIS
Elizabeth: The Golden Age is a film sequel to the 1998 film Elizabeth, directed by Shekhar kapur and produced by universal pictures and working title films. It stars Cate Blanchet in the title role and is loosely based on events during the latter part of the reign of Queen
Elizabeth I of England. The screenplay was written by William Nicholson and Michael Hirst. In 1558, Philip II of Spain‟s second wife, Mary I of England, “Bloody Mary”, died. They have wed in July 1554, a year after Mary‟s accession to the English throne, but the English parliament had refused to crown him jointly with Mary, so he had little power in England.
On Mary‟s death he had then tried unsuccessfully persuade her sister and successor, Elizabeth, to marry him, but she would not agree. The film opens in 1585, Roman Catholic Spain is the most powerful country in Europe, with King Philip II (Jordi Malla) on the throne. Seeing Protestant England as a threat, and in relation for English piracy of Spanish treasure shios to make war on his long-time enemy. He plans to take over the land that is now England and add it to what is already Spain, making his daughter Issabella Queen of England.
Elizabeth: The Golden Age finds Queen Elizabeth I (Oscar WinnerCate Blanchette) facing bloodlust or her throne and familial betrayal. Growing keenly aware of the changing religious and political tides of late 16th century Europe, Elizabeth finds her rule openly
challenged by King Philip II, with his powerful army and sea dominating armada, determined to restore England to Catholicism, preparing to go to war to defend her empire, Elizabeth struggles to balance ancient royal duties with an unexpected vulnerability in her love of Raleigh. But she remains forbidden for a Queen who has sworn body and soul to her country.
Unable and unwilling to pursue her love, Elizabeth encourages her favorite lady, in waiting, Bess (Abbie Cornish), to befriend Raleigh to keep him near. However, this strategy forces Elizabeth to observe their growing intimacy. As she charts her course abroad, her trusted advisor, Sir Francis Walsingham (Academy Award winner Goeffrey Rush), continues his masterful puppetry of Elizabeth‟s court at home and her campaign to solidify absolute power. Through an intricate spy network, Walsingham uncovers an assassination plot that could topple the throne. However, as he unmasks traitors that may include Elizabeth‟s own cousin Mary Stuart (Samantha Morton), he unknowingly sets England up or destruction.
Elizabeth: The Golden Age tells the thrilling tale of an era, the story of one woman‟s crusade to control love, crush enemies and secure her position as a beloved icon of the western world.