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Selected Bibliography

Dalam dokumen Popular Music in Southeast Asia (Halaman 102-105)

Arps, Bernard. 2009. “Osing Kids and the Banners of Blambangan: Ethnolinguistic Identity and the Regional Past as Ambient Themes in an East Javanese Town.”

Wacana 11.1: 1-38.

Baker, C., and Pasuk Phongpaichit. 2009. A History of Thailand. Cambridge:

Cambridge University Press.

Barendregt, Bart. 2002. “The Sound of ‘Longing for Home’: Redefining a Sense of Community Through Minang Popular Music.” Bijdragen tot de Taal-, Land- en Volkenkunde/Journal of the Humanities and Social Sciences of Southeast Asia 158.3: 411-450.

— 2012. “Sonic Discourses on Muslim Malay Modernity: The Arqam Sound.”

Contemporary Islam 6.3: 315-340.

Barendregt, Bart, ed. 2014. Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s-2000s). Vol. 290 of Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, vol. 5 of Southeast Asia Mediated, edited by Bart Barendregt and Ariel Heryanto.

Leiden and Boston: Brill.

Barendregt, Bart, and Wim van Zanten. 2002. “Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet.” Yearbook for Traditional Music 34: 67-113.

Baulch, Emma. 2007. Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali.

Durham: Duke University Press.

— 2010. “Music for the Pria Dewasa: Changes and Continuities in Class and Pop Music Genres.” Journal of Indonesian Social Sciences and Humanities 3: 99-130.

— 2014. “Pop Melayu vs. Pop Indonesia: New Interpretations of a Genre into the 2000s.” In Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s-2000s), edited by Bart Barendregt, 187-216. Vol. 290 of Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, vol. 5 of Southeast Asia Mediated, edited by Bart Barendregt and Ariel Heryanto. Leiden and Boston: Brill.

Cohen, Matthew Isaac. 2002. “Border Crossings: Bangsawan in the Netherlands Indies in the Nineteenth and Early Twentieth Centuries.” Indonesia and the Malay World 30: 101-115.

— 2006. The Komedie Stamboel: Popular Theatre in Colonial Indonesia, 1891-1903.

Leiden: KITLV Press.

Day, Tony, and Maya Liem, eds. 2010. Cultures at War: The Cold War and Cultural Expression in Southeast Asia. Ithaca: Cornell University Press.

Enriquez, E.L. 2008. Appropriation of Colonial Broadcasting: A History of Early Radio in the Philippines, 1922-1946. Quezon City: The University of the Philip-pines Press.

Frederick, William H. 1982. “Rhoma Irama and the Dangdut Style: Aspects of Contemporary Indonesian Popular Culture.” Indonesia 34: 102-30.

Gaisberg, Fred. 1942. The music goes round. New York. The MacMillan Company.

Harnish, D.D., and A.K. Rasmussen, eds. 2011. Divine Inspirations: Music and Islam in Indonesia. New York: Oxford University Press.

Heryanto, Ariel. 2014. Identity and Pleasure: The Politics of Indonesian Screen Culture. Singapore: NUS Press.

Johan, Adil. 2014. “Disquieting Degeneracy: Policing Malaysian and Singaporean Popular Music Culture From the Mid-1960s to Early-1970s.” In Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s-2000s), edited by Bart Barendregt, 135-161. Vol. 290 of Verhan-delingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, vol. 5 of Southeast Asia Mediated, edited by Bart Barendregt and Ariel Heryanto.

Leiden and Boston: Brill.

Kanahele, G.S. 1979. Hawaiian Music and Musicians: An Illustrated History.

Honolulu: The University of Hawaii.

Keppy, Peter. 2008. “Keroncong, Concours and Crooners: Home Grown Entertain-ment in Twentieth-Century Batavia.” In Linking Destinies: Trade, Towns and Kin in Asian History, edited by P. Boomgaard, D. Kooiman and H. Schulte Nordholt, 141-158. Leiden and Boston: KITLV Press.

— 2013. “Southeast Asia in the Age of Jazz.” Journal of Southeast Asian Studies 44.03: 444-464.

Khiun, Liew Kai. 2003. “Limited Pidgin-Type Patois? Policy, Language, Technology, Identity and the Experience of Canto-pop in Singapore.” Popular Music 22.02:

217-233.

Lockard, Craig A. 1996. “Popular Musics and Politics in Modern Southeast Asia: A Comparative Analysis.” Asian Music 27.2: 149-199.

— 1998. Dance of Life: Popular Music and Politics in Southeast Asia. Honolulu:

University of Hawaii Press.

Luvaas, Brent. 2013. DIY Style: Fashion, Music and Global Digital Cultures. London:

A&C Black.

MacLachlan, H. 2011. Burma’s Pop Music Industry: Creators, Distributors, Censors.

Rochester: University of Rochester Press.

Manuel, Peter, and Randall Baier. 1986. “Jaipongan: Indigenous Popular Music of West Java.” Asian Music 18.1: 91-110.

Martin-Iverson, Sean. 2014. “Bandung Lautan Hardcore: Territorialisation and Deterritorialisation in an Indonesian Hardcore Punk Scene.” Inter-Asia Cultural Studies 15.4: 532-552.

Mitchell, J. 2009. “Thai Television and pleeng luuk tung: The Role of Television in the Isan Cultural Revival.” Perfect Beat 10.1: 81-101.

Moore, Rebekah E. 2013. “My Music, My Freedom(?): The Troubled Pursuit of Musical and Intellectual Independence on the Internet in Indonesia.” Asian Journal of Communication 23.4: 368-385.

Mulyadi, M. 2009. Industri Musik Indonesia: Suatu Sejarah. Bekasi. Koperasi Ilmu Pengetahuan Sosial.

Ng, Benjamin Wai-ming. 2002. “Japanese Popular Music in Singapore and the Hybridization of Asian Music.” Asian music 34.1: 1-18.

Sarkissian, Margaret. 2005. “‘Religion Never Had It so Good’: Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia.” Yearbook for Traditional Music 37: 124-152.

Sooi Beng, Tan. 1996-97. “The 78rpm Record Industry in Malaya Prior to World War II.” Asian Music 1: 1-42.

— 2005. “From Folk to National Popular Music: Recreating Ronggeng in Malaysia 1.” Journal of Musicological Research 24.3-4: 287-307.

Spottswood, Richard K. 1990. Ethnic music on records: a discography of ethnic recordings produced in the United States, 1893-1942. Urbana. University of Illinois Press. Vol. 4-6.

Sutton, R. Anderson. 2002. “Popularizing the Indigenous or Indigenizing the Popular? Television, Video, and Fusion Music in Indonesia.” Wacana Seni/

Journal of Arts Discourse 1: 13-31.

Tyson, Adam D. 2011. “Titik Api: Harry Roesli, Music, and Politics in Bandung, Indonesia.” Indonesia 91: 1-34.

Wallach, Jeremy. 2008. Modern Noise, Fluid Genres: Popular Music in Indonesia, 1997-2001. Madison: University of Wisconsin Press.

Wallach, Jeremy, and Esther Clinton. 2013 “History, Modernity, and Music Genre in Indonesia: Popular Music Genres in the Dutch East Indies and Following Independence.” Asian Music 44.2: 3-23.

Wee, C.J.W.L. 1999. “Representing the ‘New’ Asia: Dick Lee, Pop Music and a Singapore Modern.” Transnational Asia Pacific: Gender, Culture and the Public Sphere, edited by Shirley Geok-lin Lim, Larry E. Smith, and Wimal Dissanayake, 111-133. Urbana and Chicago: University of Illinois Press.

Weintraub, Andrew N. 2010. Dangdut Stories: A Social and Musical History of Indonesia’s Most Popular Music. New York: Oxford University Press.

— 2014. “Pop Goes Melayu: Melayu Popular Music in Indonesia, 1968-1975.”

In: Sonic Modernities in the Malay World: A History of Popular Music, Social Distinction and Novel Lifestyles (1930s-2000s), edited by Bart Barendregt, 165-186.

Vol. 290 of Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde, vol. 5 of Southeast Asia Mediated, edited by Bart Barendregt and Ariel Heryanto. Leiden and Boston: Brill.

Weintraub, Andrew N., ed. 2011. Islam and Popular Culture in Indonesia and Malaysia. London: Routledge.

Williams, Sean. 1989. “Current Developments in Sundanese Popular Music.” Asian Music 21.1: 105-136.

Yampolsky, Philip. 1987. Lokananta: A Discography of the National Recording Company of Indonesia, 1957-1985. Madison: University of Wisconsin.

— 1989. “Hati yang Luka: An Indonesian Hit.” Indonesia 47: 1-17.

Dalam dokumen Popular Music in Southeast Asia (Halaman 102-105)

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