Copyright is owned by the Author of the thesis. Permission is given for
a copy to be downloaded by an individual for the purpose of research and
private study only. The thesis may not be reproduced elsewhere without
the permission of the Author.
TI-£ SEVEN-BRAr-.ct-Eu CANDLE .TICK
A THEMATtc STUOv oF rs M&R111.e fwtt ..
A 'THESI PRESENTED IN PARTIAL F'ULFtL.MENT
OY THE REQUIREMENTS FO THE 0£GR£E
JAN C • HuNTE-R
1970.
OF MASTER OF ARTS
IN ENGt..lSH AT
IV£RSITV
THE FAUN OF PRAX ITEL ES
PREFACE
f
NAVOITION1
Vot.UUE VI
OFINTROOUCEO BY
-,.. A LL F
E :NlTO
TH TEXT . VE:BRACK&: Af"TErt fflE PA AG£
o* •
TH£,
t • AU...
OTHER~FE s ARe
AT SHO
t ,
Fl.Lt..Y Dt
• THE
FRONTI IEC IS FROMf
OUl..0 LI Kl? 1'0 THANK ?RO S R • •F
VfNU... SUP AV&SING
no s
TH 8rs;
ALSOP"OR THE I PAT,&NT
ANC •
,.
Tt4E AV•
HO ,- 1
• #'
f .••
t
ONTt Pt 0CHAPTER I
CHAPTER It
tit
CHAP I V CHAPTER V CHAPTER VI
CHAPTE.~ Vt I
CH.6.PTER VI
tt CHA R IX CHAPTER X
No
8
I B&,. I OGR HYTA8t.E OF CONTEN
I
TRODUCTIONLtFE AMO t) ATH
BROTHS . 000 ANO
I
SOLA.TIOART
T UTHCONCUJ ION
1
•
I.. ••
1 8 16
27 39
49
111
I N
N, oEVEN GEM
10 HAVE I) • 11-ff T OF ARl"'THM TIC S
Lt
Me OF ALL THEJ WfSM
TICtC THATA TM£MATIC
0
"ft\ffi: VIAY MOUE FROM ST. E'TE S, HI LOA ANOK
.N:YOH BTOf!' ftlOG&: ANO P DER O THE CANOL£STICK LOST tN THT1·
E •C
EN-BRANCH O CANDLEST ICK•••
t.OS T F £VER ••• AN ADM t
APt'f, P'HtLOSOPHV
ANORE LIGI
ON.,IT ALL MAYE A O I FFE ENT LUSTRE FROM
LE t DEA F'
NAU. EVN
INTOTHE INTENSE
E KINDLED THEI
RADIANCE SHALLIT£ LIGHT OF TRUTH••• t ••u.
1 T TO OlfE OF OUR POET • ( Q.22)
POT
HASLO
GF£1.LTHAT
THI IDEAt
RNE use:o
ITHIMSELF
ATHE SEVEN BRANCH£
M
WHICHHE C
£.ATEOTH£
THEIN MUCH THE SAME AV AS ~E!LVILL
USED p
.UQO -IN I•
A LTHOU
H THOUGHT "TAANSF ·ATtOt.J'ft.t E E
OF' TH£ NfN'E
,
1'HYI
TICK
TIC
TO A
•
~
8 . tTI
p &..•s ,
0VE Y FLAT AND IN£XP IV •., _',.
EXP E
5£THE 'THEMATIC CONCERNS OF
OOK1WAS TR-AN FORMING A£cot.LErCT tONS FROM MIS NO eooa INTO AM
tNTEGRATEf>ROMANCE, USING NATURE, AAT AND HIT
YTO HO
ASPECT OF' THE THE E.TH
EMP:HASlO HE GIV S TO fflAN!:ii·--PnRM.ATtON DOI? NOT CONCENTRATE ON Tl£ UIRACU.OUS, 0 Nil
EO CM.ANGE, OUT 'THE CHANG£ INVOLVEO tN FACING PP fUENCB J GROWING TO MATU ITV.
ts
FtftST HOWN
WtfltA SIMP-LtCtff 'THAT, COU8tN£0 W t1'M
MIJUNtNT&:U.tG£NC •MIGHT -£ TORE
'nt£ DIVIN£ IME t
Howl?Vffl•
HEt
Ul THAN A MAN 'THOUGH HIS OWN CMll:IER'Tt P&-RFCC-T IN I ELF• A 0£EPER• DAR«P
El..a
A0D&0
1'0 HtATtVS:
IIIISTINC'TS. ftCAOIAPuz.AS. ,
t?T-0 MAPPtNess. tN WIS VOU-TM tN Tusc
&..IVELVt
"so
THAT. TH1' PEAT x . PR ·
£0 IT, TNIUMAStt MAO NEY£R 0ARKEN£0 A
000 ATIN MIS LlF .• (274)
BUT N<Wt,
KE 1 TAINTED8V
TH ,AlMOSPMER£ OF ROME. A c:NfMGK
S:S OV£R HIM ff£ · COMES MO ·E. INVOLVED WITH It
HE LOSES
HIJOY ANO NATURAL EFFERVE CE.MC£• I tAM t AW
TN.AT ffl fR SOCI.ATfON MAY
LLV HIS
INNOC8HCEU~
I Mfll>£RV I OUS TO R WARNI
•
ft
Cit
0oNATE·LL01 S CRIM£ S'EEUS R£0EMPTIV£ RATH£R 1'HAN O tfl •He:
B£COME A 9H£ftOtC FROM PASSION" (206),
U1' AS HI ANIMAL SPl·RIT \ll1140UT 'T1"f£tR USUM.. Lanu.-..irIT f fl1.£AR TMAT IF' THIS t S T AY OF MAT ITY, IT J A REYE TO 'THtNG VOLD. MtftlAM Gt S TO QMDU
·•
WMETMER HE I S CAPABLE OF
LOVE,_ANO Rt:FE -NC:E TO Kf8
AF'fl't •2
t f f
,,,..
tMM.. fllt• •
SOUL,
f) T•
y A TO . Al.
'""
Tl•
s
fl) LUHTATt•
tFttrD A,1ftill _ _ _
or,
... •
TD.t.f
.• ( t
T OF
ft.T
• '
•
tottAa, &.t VI
•
KSfffON ...
fl)t O LI ••• ttffO
A HbU-1'NVt
CM••
IU.. "
•
MfU ,._ AV
. UT
IMP\.t l f f
PCffiJQtA - - L H A
tT.
9(
•
)
nt:Mdt'i<lf'Dn I..OV
H t a ,,ACtJ1.Tt
Ht GPtRtT; (
,364
)BEFORE',Tl F' T I ·
t
3.
~IR IAM F I NO H IM A AH 0
I .AND ttn'EU.IGEKCE RATHER THAN TH WILD SPORT IVE
THIOF NA1'URE• FAUN•I..IFE, NA:S NO LONGER ANY PLACE ON 1"•
H.£
MA LOST HIS VOUTHFULN SS SUT HAS &HARED" -
OP TM-t? GOU..1 ROW'TM, TAIONO T FIRST tMfl'UL AMID AND P-AtN, ANO TR.UGGLI NG TH OUOM THE
t
1'Hlt
s~••. --.o•• (4,34) H UN RECREATED•
AI
ATN
f' I NALLY HIS
TR .SFORMATIONI SH N
CONTRAST W 11H Mtft
t
AM,. Hl.tflEAS HE WAS A •RUN, C~?feovt •, ( 1'28)
SU8S£RVIENT TO M• RI AM. ,.,.,.t
tfl-1
I<
NVON AT T . XCAVAT10NS1 H TAK· ffl6 LE.AOmteoua.-ae MtA tAM TO e EALt TtC.
OUTCOME
Of"HIS THOUGHTFUL CHOICE ATME 1"HAN
P£'.RSON-ALITY.
THtS I NOT FAtLURE. IS ACC.£ TING
FOft HJS ACTIONS IN A
VlAYTHAT SHOWS HtM TO
AN trt OCENT
f'
AUN BUT A UATU.f'U£ HUMAN £INC.MANY PATTERNS CAN 8£ FOU'AD IN
nos e
ttT
n .. tTr
"
TH
F'OUR TATESUGGESTED Y Foat.£ tN HI
COMl.C-ART ONIt11 %AHfdI La.ma -
NATURE, TH£ AD, mETKE HEAVENLY - N't-E APPt.tCA8LE, OUT AN
THE 10E-A OF' TRANSFOAMATION CANNOT PRQPE
TM!£ EVEN PER PE.CTIVE! T
MOY£ M THE tNN.0CENC£ OF Q-ULDHOOD 10
Y . E ,tVO
MOST LU.U
t
MVOLVltS Ul•• •
TH& P YCHOl,.OCUCAL STRUGQLE Ba"l'WtrEN LI PE AND ATM IN Mi·CM
IAIAU AND ONATELLO ARE 8011H tNVOLVEOe f THE
, c ...
._vT THE WNOL£ GRC',M,IP fflANSP'ORMATtON t S 01 C INISOLATION OF THE INDIVIDUAL AND 'THE B OTHERMOOO OF
UE EACM MAN HAS A CONCE N FOA MIS f'l£1GHSOUR CAJ.JIIE Hit
SHARE A COMMON HUMAN.ITV. EVE:N 108R TH-AN THI
t
FOU!l"IM Vt SW, WHICH USES THE T£ OF 'ffil£
f'
ALL-D
AEO Tl tOUT
t s
CONC£RN60 "'"'" CHOICE.um
ME LARG£L V CONCCRN8D I TM THE I ND
t
VI DUAL A D Ml ALL CALLTH£
C.RI GROUP.'* w Mtee•r fwtt
~ , THE IL ITV 1'0 CMOOS AND THE CON QU& e&' OF
£ IWOATANT I s. fR€EDOU ANO FATE, CHO IC INISM LINK THI F IRST G UP W ITH THREE FUTH
TM RE .t FIIEEDOM FOR THE JNOtYIOUAL TO CHOO , ME1'tT ANO lt"ENTS OF- TH PAST· IMPG i! LIUITATIO
s •.
MAY CA.U...£0
'THEP
ft£CTIVE OF ?IM£, HAWTHO NE
'n-1£ TRANSFORM.AT I ON
o, nu::
OLD TO THE Ndt
HI STO AE:FL£CTUKl IN PARTICULAR ON TH£ RELATION Of' THE TO 1'M£ T AOL. GHMEHT OFE ufito e:.
BUT THEes Nil.S £AVEo. AMO THE EUGNtF'fC.ANCE ·OF' TIC PAST DftVUUlff
AR ON TH£ PRE NT, TM'tOUGff ART.
THE
ARTIIIUCA
TME O ·
t
NARY THt NOS OF Lt FE TO SJ«>W WNATt
Atn'lFU4. AND, TAU& IN THeU. ART IS p £ f:,NT tN 1'Heoox
tN ffO VI~ •IT
IS BA IC tN 1'M£ CVM~'"ITY OfJ ARTIST tN
R
1TH fl'41NTINGS AND SCULPTURE, AND IN A DIF RENT WAVt
UI 'THE THtC AND PAS.l'ORAL ELa.tENTS OF THE SOOK.
BY
,
•
THE CoNVENTIONS HAWTHORNE
f.., LE.TO
SHOW UTN f ,-.DtFF£flt.fflT PERSPC'CTIVE.
h\l HI WRITI G HAWT RNtt A PARTICULAR
t NATI
A G OU,- OF ARTt STt
N ROM£ - AN.0 THROUGH flt . ElPERSP
C'ftV1tS TRIE TO
CO!'tVEY UNIVESAL TRU1'MS.
• • I
f NP
At..L.BGORV, ANO WHAT PART 00£AOl'J£0 HI
MI L I NG APPROVAL, Ywg MABB\& f • \11 CAN T
MARTHA
TVL«fll GAt..tt
PUT F ARO THI ETATtONt
TIC OC'NM!lf?fl
t
&SU£ OFH tLOA, CONSCIENC;
· • 1861.
KstffoN, RE
SHE WRITE
SOO R OR LATER• AT THE ffltBUNAL
OF .J.TICE., LF
f?COMEMORBID AHO IS OFTEN ROUGHT
H01,
£VttA, THERE I NONE OF'n4E
ONE TO ON£ CAN,T Uf TIC ELV
• IHI MNmbi f • f:lf
CANNOT' .
•
-
THAT
CL
OF'ALL£ ORY
IN MICHTHE
ANtNG IS TACNEi V A fl'Ufl£L Y I NT£LL£CTUAL P ROCl!SS; I T DEP£NOS. ON AN I :fNAT•IN A Ot C
ELATION OF Al.LEG Y TO
Sva.eoLt6.
,.
TH'AT"'ALLeGORV AID TH EXPRESSION CF OLIC
'1'HO
· T · UT 8 Q&R IT 'V STITUTIHG A F"IGURE FOR A LIVI INA•• 4•
H
TNOUGH1"
1°1'C Bl?ST AAT
THATWHICH ESTABLI
OF CONTACT 11M FEELINGS ANO £XP£RtENC£ COMMON TO
AL.t. WI NG "tlMBOL I ME ACl'tlEVE THE MUI..Tt LICITY OF'
NEC£ ARY TO CONVEY HI S I DEA ,.
I
N .lilllliio..mllGIIIWi""""Alilll"TRANSFORMATION•
ISA COMPLEX
IDEA,ANO
IT I A Ml ME LOOK VO 0.& · ANING"•CON& IO RATtO SOP' THI S
T SUGG. T HAW1HO FtG-U-S OF 'THlt C .OL STICK EAIOUS&..YeTHAT.
F0 TtON COHNC.CT£0 I TH
T
EVltMTM CMAPffft ., AND THAT TME NUMBER A«V'&l'N
OW INT&R ST IN THE
WHICM G ft0• AS A TRUCTUA-AL DEVte •
SVMlilOL OP' 1'HE LI GHTEO C.ANOL.£ TI CK, HA\1'TMCftH&OF A A.IN
WITN ITS SEVEN COI...Ot.lAS,
LtGHT.
Aft£
F
0 TO IV£ A RICHER tOEA OF TRANSFO ATION.I
fl'OU..CMtNQ CHAPTC«s, I SMALL ATTEM,.T, TO
EPAR.AT£,, ft ECTIV
s
AND CON IOEA THE WAY THEY•cou
IN I TOINffN
It 10