October
17th-18th prog 2
TICKETS $6
1. Slices
Choreographer: Marisa Cuzzolaro (BCI3) Edited by Helen Jacobs Music:
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Dancers:Fever by Peggy Lee
Roadhouse Blues by The Doors Little L by Jamiroquai
Jacqui Neal, Kelly Crawford, Emi Koeckhoven, Miki Nemoto, Lousie Hartman, Jessica Faulkener, Richard Causer, Renee Spicer
The world is constructed of everyone living in their own little worlds and though you may not be able to step into someone else's shoes, you can always watch them move around in them.
/ 2. Playing In the mind's eye
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Choreographer: Jessica Faulkener (BCI3) Dancers: Angela Bendall, Nikki Baxter
Is it such a bad thing to dream, to believe your life is a certain way in order to maintain happiness? Is it too much to expect others to humour you, to let you live peacefully in your own world where things may not always be what they seem? Does it make you crazy or just human? If no harm comes of it the where's the fault in playing in the mind's eye .
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3. Hidden
Choreographer: Kerin Llewellyn (BFA3) Tracy Holden and Kath Duhigg Dancers:
Music: 1 51 section composed by Chris Perrin, B Mus.
2""
section gotta get up composed by Jill ScottThank you to my wonderful dancers and a special thanks to Chris for his excellent work and understanding .
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4. Will, Bonds and a little bit of Indiana Choreographer: Jacqul Neal (BCI3)
Dancers: Richard Causer, Marisa Cuzzolaro, Jessica Faulkener Editing Assistance: Marisa Cuzzolaro
Thanks to everyone who wasn't afraid to look like obsessive freaks on film!
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s. Bitter Restraint (Shibul Kousoku) / Choreographer:
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Dancers: Elise May (BFA3) Music:Miki Nemoto, Tim Darbyshire, Paul Zivkovich, Richard Causer, Mitchell Mahony, Darren Anderson
composition by Tarin Stewart, B Mus flute composed and performed by Dwayne McKibbon, guitar composed and performed by Jacob Broom hall, vocals composed by Tarin Stewart and Nok Thomrongsat and performed by Nok.
This body of movement relates to the idea of restraint, of wanting yet denying oneself that which the body desires. Our behaviour embodies culture, our western notions of separation between mind and body- between reason and desire. This piece explores instinch.lal desire, the body and finding identity within the shifting landscape of time.
The music, composed using 'surround sound' became a way of exploring the direction of sound and its relationship to bodies in the space. Our collaboration searched for ways of manipulating rhythm and timing, to enhance the audience's experience of time and restraint.
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I N T E
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. 6. ;pucture
C--6oreographer: Kath Duhigg (BFA3) Dancers:
Music:
The Fab Five: Louise Hartman, Hong-Chin Neo, Rebecca Whyte, Mitchell Mahony, Paul Zivkovich
The vinyl expertise of the very cool Mr Gav Porter structure
a. trans. To build into a structure; to organize the parts or elements of (something) in structural form. Also to establish a hierarchy of relationships or a pattern in (something). Hence absol. and loosely, to construct, form, or organize. So structuring ppl.
a.
b. to give(someone or something) a place in a structure; to absorb or integrate into a pattern or system.
c. To present or manipulate a (situation, etc) in such a way as to elicit desired responses or effects
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VJ.
Mother dear, a man has dreams Choreographer: Darren Anderson (BFA3) Music: Moloko - MotherDancers: Jane Wallace, Darren Anderson
A man has dreams of walking with giants, to carve his niche in the edifice of time before the mortar of his zeal has a chance to congeal. The cup is dashed from his lips, the flame is snuffed. He's brought to rack and ruin in his prime. It's quite a bitter pill to take .
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B. Transparent Ground Choreographer: Ricky Sim (MFA)
Music: Aphex Twin
Dancer: Ricky Sim
/ - -Linger while passing
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Choreographer: Tracy Holden (BFA3) Music:
Dancers:
Thoughts of the Heart composed by Aaron Nebauer, B Mus Louise Hartman, Kerin Llewellyn, Kath Duhigg, Elizabeth McDonnell, Chafia Brooks
Who can say why some people impact on our lives and others just exist in the same space. Why we carry relationships with us even after they're over. Or why some grow stronger while others stay the same. Imprints are created and time passes as we evolve from these chance meetings .
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This is the titleChoreographer: Lou 'Oscar' Hartman (BFA3) Music: Yanto 'is Ace' Browning, B. Mus Hons
Dancers: Samantha Williams, Darren Anderson, Chia Tsen Sun
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I would like to send hugs and thankyou's to the three fabulous and talented dancers that made my ideas come to life .... You may now have your weekends back. I would also like to give a standing ovation to Yanto for creating such a beautiful track ... your talent is inspiring.
'There was this daddy long-legs spider who spun his lyrics between the trees .... And she
was the fly girl who didn't see the web .... .'
-Jill Scott Took the opportunity to be heard in this space ... in other words ... they are just cool lyrics .... don't read into it.
