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October

14th-15th prog 1

TICKETS $6

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1.1 go to Rio

Choreographer: Rachel Mathews (staff) Music:

Dancers:

Musical theatre scoring from The Boy From Oz

Alicia Fong Yan, Amanda Ford, Camila Dada, Chafia Brooks, Carine Kath, Hilde Kirkeby, Janelle Kirby, John Jenner, Karen Holmes, Lara Martell, Cara Pritchard, Lauren Langley, Lauren O'Toole, Luis Najera, Melina Benson, Natasha Cudilla, Richard Causer, Tegan Hinks, Tiffany Jackson, Vanessa Sew Hoy, Yin Chun Lin

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2. Who wants to play?

Choreographer: Tim Darbyshire Sound: Joe Hallahan

Dancers: Amida Callinicos, Lisa Callinicos, Anna Rice, Tim Darbyshire

This piece looks at the relationships of four people and the tensions that exist (or don't exist) between them. I'm interested in 'everyday' movement, body language and gesture; the awkward moments especially ...

Should you hold on with two hands or just let go?

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3. yet we still J walk

Choreographer: Emily Koeckhoven (Study Abroad) with input from the dancers composed by Tarin Stewart, B.Mus

Music:

Vocals:

Vocals:

written by Michael Ross, Nok Thumrongsat and Tarin Stewart performed by Nok Thumrongsat

Text and video: by Emily Koeckhoven

Dancers: Alicia Fong Yan, Hui Chun Peng, Pei Chen Chou

Video dancers: Alicia Fong Yan, Hui Chun Peng, Miki Nemoto,Pei Chen Chou

Many thanks and much love to everyone here in Brisbane! I'll miss you all! and a special thank you to Alicia, Hui Chun, Pei Chen, Miki, and Tarin- it has been a joy collaborating with you!

••••••••••••

4. DASSK- Out of the Miry Clay Choreographer: Renee Spicer (BCI3)

Dancers: Jessica Faulkener, Yin Chun Lin, Kimberley Beaumont

Daw Aung San Suu Kyi has suffered like no other. A human rights activist from Burma, she was under house arrest by the Burmese government for almost 10 years.

To support the plight of her people she gave up her freedom, her life, her family and the last years with her husband before his death. This is a tribute to an amazing Nobel Peace Prize winner, a true 2oth Century woman.

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I N T E R

v

A

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5. "Is this the symbol of union between man and woman, as the fusion of two bodies into one-but Is it really so?"

/ -choreographer:

v

Dancers:

Music:

Mikl Nemoto (BFA3) Sri, Panicker & Miki Nemoto

I could read the sky by Larla O'lionaird Quotation of dream by Toru Takemitsu Stimulation by Creative Industries

Klimt has surrounded this fulfilment of amorous longing in gold with sensually spirited colours and patterns. Yet the woman's hand around the man's neck is not lying relaxed on his skin but is cramped, the fingers hidden, almost making a clenched fist. His hands around her are open, holding and supporting her. He bends down to her lovingly but she has turned her head sideways, offering him only her cheek and not her lips. And those dreamily closed eyes - Is this the symbol of union between man and woman as the fusion of two bodies into one - but is this really so? Could they signal resistance rather than surrender? Is this not an indication of total fusion but actually one of total alienation between man and woman?

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6. 3 scenes in a bar

J

Choreographer: Kelly Crawford (BCI3)

Dancers: Kelly Crawford, Jacqui Neal, Marisa Cuzzolaro

~

~

Jazz Trio: Scat Man Du Kate Mackie - vocals Peta Wilson- keyboards Pam Ashman - bass

look at me, watch me, buy me a drink, tell me, compliment me, spin me, sway me, kiss me, entertain me, touch me, let go of me, call me- do what you like, it's a man's world .

••••••••••••

7. swanstyles.mpeg

Performed & choreographed by Elise May (BFA3)

Music: swanstyles.mpegarranged and composed by DJTrlp (Tyson Hopprich) samples taken from music by Aphex Twin, St Siens, Yann Tiersen, Buddy Rich and Doris Day

Original tracks: How big birds got their colours & Tropical Thorn by DJTrlp (Tyson Hopprich)

Video: Elise May ;section appropriated from Swan Lake with Margot Fonteyn) super 8mm footage taken by George William May

Digital culture seems to sample and reference the past - a collective memory that we share, a lifetime saturated by media. Where does the line between personal and generic memory exist? Such an intangible reality is my past - I find myself asking: "How can I be sure that my real memories aren't simply a series of childhood super 8mm's?"

••••••••••••

. / B. Unspoken Text

Choreographer: Ricky Sim (MFA)

Music: U2

Dancers: Vanessa Sew Hoy, Adam Tucker, Gemma Nicholas, Rosalind Evans, Jessica Kloster

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Thanks to Stephen Stanfield for facilitating collaboration with 2"d year Music Composition students

PRODUCTION STAFF

Lighting Designer: Andrew .. Panda .. Haden Sound Designer and Operator: Helen Jacobs

Production Stage Manager: Annette Silva Deputy Stage Manager: Melanie Stanton Lighting Operator: Daniei .. Joe .. Black

AV Technician Daniel Maddison

Crew: Claire Redmond

Production Manager: Matthew McKendry

Thanks to Brendan Wright, Neil Cairns, Catherine Sims, Lachlan Cross, Jodie Roche & Monique Hennessy Thanks to Marisa Cuzzolaro for program and poster images

Photographic exhibition by Marisa Cuzzolaro in L221

(adjacent to Woodward Theatre)

Referensi

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