SOUND CUE SYNOPSIS
Essentially Dance | 19 Version 4
Michelle Hair | Head of Sound Current as of 03/06/19 15:00
P | 0421 877 285 Page 1 of 3 Version 4
Cue # Cue Name Cue Point Description Content Notes
Preshow
- iMac | Cue 0.3 Simultaneously with cue 0.3 OSC cue Shine On You (Ben Macklin Remix).mp3 Only You (feat. Patrick Baker).mp3 Heartbreaker (Original Mix).mp3 Pacific Memories.mp3
3 Days (Saux Remix).mp3 0.3 Fade in Preshow Music Before door open Fade in preshow music
- iMac | Cue 0.5 Simultaneously with cue 0.5 OSC cue 0.5 Fade out Preshow
Music
FOH clearance Fade out preshow music On DSM’s call
- MIC ON Once house lights are out Mic live for God mic - - MIC OUT After welcome to country Mic out after God mic -
3rd Year Piece | Isochronism
- iMac | Cue 1 Simultaneously with cue 1 OSC cue -
1 Isochronism Beginning of piece Play Isochronism Isochronism.wav
2nd Year Piece | Kairēkai
- iMac | Cue 2 Simultaneously with cue 2 OSC cue -
2 Syvyydessä Kimallus Beginning of piece Play Syvyydessä Kimallus Syvyydessä Kimallus.wav
3 Headphones Follow on Play Headphones Headphones (Mika Vainio’s 0Mix).wav
4 U-Bahn Follow on Play U-Bahn U-Bahn.wav
5 S-Bahn Follow on Play S-Bahn S-Bahn.wav
Interval
- iMac | Cue 6 Simultaneously with cue 6 OSC cue Aaliyah’s Boat.mp3
Break My Fall (Rainer & Grimm Remix).mp3 Commitment.mp3
MAM – Crushed Ice (Original Mix).mp3 Racers.mp3
Strange Feeling (Casino Gold Rework).mp3 6 Fade in Interval Music Once house curtain is in Fade in interval music
- iMac | Cue 6.5 Simultaneously with cue 6.5 OSC cue 6.5 Fade out Interval
Music
FOH Clearance Fade out interval music On DSM’s call
SOUND CUE SYNOPSIS
Essentially Dance | 19 Version 4
Michelle Hair | Head of Sound Current as of 03/06/19 15:00
P | 0421 877 285 Page 2 of 3 Version 4
Cue # Cue Name Cue Point Description Content Notes
1st Year Piece | Études
- iMac | Cue 7 Simultaneously with cue 7 OSC cue -
7 Étude No. 2 Beginning of piece Play Étude No. 2 02 Études - No. 2 – Moderato.wav
8 Étude No. 3 Follow on Play Étude No. 3 03 Études - No. 3 - Molto leggiero e
scherzando.wav
- iMac | Cue 9 Simultaneously with cue 9 OSC cue -
9 Étude No. 4 End of Étude No. 3 Play Étude No. 4 04 Études - No. 4 - Andante.wav On the DSM’s call
- iMac | Cue 10 Simultaneously with cue 10 OSC cue -
10 Étude No. 13 End of Étude No. 4 Play Étude No. 13 13 Études - No. 13 - Allegretto scherzando.wav On the DSM’s call
- iMac | Cue 11 Simultaneously with cue 11 OSC cue -
11 Étude No. 23 End of Étude No. 13 Play Étude No. 23 23 Études - No. 23 - Tarantella (Allegro vivace).wav On the DSM’s call
12 Étude No. 24 Follow on Play Étude No. 24 24 Études - No. 24 - Vivace.wav
13 Étude No. 25 Follow on Play Étude No. 25 25 Études - No. 25 - Maestoso.wav
14 Étude No. 26 Follow on Play Étude No. 26 26 Études - No. 26 - Vif.wav
3rd Year Piece | A Little Night Music
- iMac | Cue 15 Simultaneously with cue 15 OSC cue -
15 A Little Night Music Beginning of piece Play A Little Night Music A Little Night Music 2.wav
- LX | Cue 104 Follow on OSC cue -
- LX | Cue 105 Follow on OSC cue -
- LX | Cue 106 Follow on OSC cue -
- LX | Cue 107 Follow on OSC cue -
- LX | Cue 107.5 Follow on OSC cue -
- LX | Cue 107.9 Follow on OSC cue -
- LX | Cue 134 Follow on OSC cue -
SOUND CUE SYNOPSIS
Essentially Dance | 19 Version 4
Michelle Hair | Head of Sound Current as of 03/06/19 15:00
P | 0421 877 285 Page 3 of 3 Version 4
Cue # Cue Name Cue Point Description Content Notes
Post Show
- iMac | Cue 16 Simultaneously with cue 16 OSC cue Sugar (Griffin Stoller Remix).mp3
Promises (Mousse T.s Disco Shizzle Remix).mp3 16 Fade in Post Show
Music
Once house curtain is in Fade in post show music - iMac | Cue 16.5 Simultaneously with cue 16.5 OSC cue
16.5 Fade out Post Show Music
FOH clearance Fade out post show music
On DSM’s call
NOTES
Please note that the OSC cues are used to fire either:
a. The sound iMac (a redundant secondary system) b. The lighting GIO for timecoded cues
COMMUNICATIONS ALLOCATION
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 01/06/19 10:30
P | 0421 877 285 Page 1 of 3 Version 3
Production Role Name Comms Type Wireless
Pack No.
Wired Pack No.
Comms Label Loops
Rehearsal Configuration
Lighting Designer Glenn Hughes Wireless 10 - LXD Show call
Technical Lighting Production Stage
Manager
Emma Healy Wireless 2 - PSM Show call
Technical Lighting STGANN
Deputy Stage Manager Persia Littlewood Wireless 3 - DSM Show call
Technical STGANN
Head Electrician Ryan Sweet Wireless 4 - HLX Show call
Technical Lighting Floor Electrician Patrick Chun Wo
Lou
Wireless 9 - FLX Show call
Technical Lighting
Lighting Operator Samuel Seagrott Wireless 5 - LXO Show call
Technical Lighting
Head of Sound Michelle Hair Wireless 6 - HSX Show call
Technical Sound
Sound Operator/Archive Lina/Ju Ting Hsu Wired - 3 SXO Show call
Head of Vision/Archive Isaac Stevenson Wireless 7 - VIS Show call
Technical Sound Lighting Head of Set Tessa Marinelli-
Clarke
Wireless 8 - SET Show call
Technical Lighting
General Crew Catherine
McGuiness
- - - GC -
General Crew Lachlan Paterson - - - GC -
Duty Technician - Wireless 11 - DUTYTECH Show call
Technical Duty Tech STGANN Choreographer/Dance
Staff
- Talkback Mic - - - -
CI Academic - Wireless 9 - - -
COMMUNICATIONS ALLOCATION
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 01/06/19 10:30
P | 0421 877 285 Page 2 of 3 Version 3
Production Role Name Comms Type Wireless
Pack No.
Wired Pack No.
Comms Label Loops
Performance Configuration
Lighting Designer Glenn Hughes - - - LXD -
Production Stage Manager
Emma Healy Wireless 2 - PSM Show call
Technical STGANN
Deputy Stage Manager Persia Littlewood Wired - 1 DSM Show call
Head Electrician Ryan Sweet Wireless 4 - HLX Show call
Technical Floor Electrician Patrick Chun Wo
Lou
Wireless 9 - FLX Show call
Technical
Lighting Operator Samuel Seagrott Wired - 2 LXO Show call
Head of Sound Michelle Hair Wireless 6 - HSX Show call
Technical
Sound Operator/Archive Lina/Ju Ting Hsu Wired - 3 SXO Show call
Head of Vision/Archive Isaac Stevenson Wired - 4 VIS Show call
Head of Set Tessa Marinelli- Clarke
Wireless 8 - SET Show call
Technical
General Crew Catherine
McGuiness
Wireless 3 - GC Show Call
Technical
General Crew Lachlan Paterson Wireless 7 - GC Show call
Technical
Duty Technician - Wireless 11 - DUTYTECH Show call
Technical Duty Tech STGANN Choreographer/Dance
Staff
- - - - -
CI Academic - Wireless 10 - - -
COMMUNICATIONS ALLOCATION
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 01/06/19 10:30
P | 0421 877 285 Page 3 of 3 Version 3
LOOPS
Rehearsal Loops Show Call Technical Sound Lighting
Stage Announce Performance Loops
Show Call Technical Stage Announce EQUIPMENT
10x Wireless Clear-Comm FreeSpeak II 4x Wired Clear-Comm MS222
SOUND EQUIPMENT LIST
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 31/05/19 08:00
P | 0421 877 285 Page 1 of 3 Version 3
Quantity Item Source Date Collected Date Returned Notes
Control
1 Yamaha CL5 Digital Console QUT Precincts | Gardens Theatre 20/05/19 08/06/19 with Dante Network
1 iMac QUT Precincts | Gardens Theatre 20/05/19 08/06/19
1 Mac Mini Kit QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19 with Dante Virtual Sound Card & QLab 4
2 Mac Mini Monitor QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19 1x Screens for Mac Mini control
1x Extra viewing screen for DSM
3 LA4X Amplifier QUT Precincts | Gardens Theatre 20/05/19 08/06/19
2 Yamaha Rio 8-D QUT Precincts | Gardens Theatre 20/05/19 08/06/19
1 Yamaha Rio 1608-D2 QUT Precincts | Gardens Theatre 20/05/19 08/06/19
1 Cisco SG200-10FP QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19 For production desk
Speakers
2 L’Acoustics Arcs Wide QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Standard FOH at L, C, R 2 L’Acoustics SB18 QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Standard SUBS at L, R 4 L’Acoustics 5XT QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Standard front fill 4 L’Acoustics 112P QUT Precincts | Gardens Theatre 20/05/19 08/06/19 2x Standard foldback
2x Extra foldback Microphones & RF Equipment
2 Shure SM58 QUT Precincts | Gardens Theatre 20/05/19 08/06/19 1x God mic (in bio box)
1x Talkback mic (PS corner)
1 Shure URD4+ QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Duel Channel RX Receiver
1 Table microphone stand QUT Precincts | Gardens Theatre 20/05/19 08/06/19 for God mic Communications
10 Clear-Comm Freespeak II QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Wireless belt pack 4 Clear-Comm MS222 QUT Precincts | Gardens Theatre 20/05/19 08/06/19 Wired belt pack
SOUND EQUIPMENT LIST
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 31/05/19 08:00
P | 0421 877 285 Page 2 of 3 Version 3
Quantity Item Source Date Collected Date Returned Notes
Cables & Cable Management
- XLR QUT Precincts | Gardens Theatre 20/05/19 08/06/19
- CAT6 QUT Precincts | Gardens Theatre 20/05/19 08/06/19
- Comms cable QUT Precincts | Gardens Theatre 20/05/19 08/06/19
- Extension cable QUT Precincts | Gardens Theatre 20/05/19 08/06/19
1 SDI QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19 For DSM viewing monitor
1 HDMI QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19
1 Blackmagic Mini Converter SDI to HDMI 6G
QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19 1 Blackmagic Micro Converter
Bi/Directional SDI/HDMI
QUT CI | Z9 Level 1 ELC 20/05/19 10/06/19
SOUND EQUIPMENT LIST
Essentially Dance | 19 Version 3
Michelle Hair | Head of Sound Current as of 31/05/19 08:00
P | 0421 877 285 Page 3 of 3 Version 3
AUDITORIUM BIO BOX
L’Acous�cs 112P DS Foldback L
L’Acous�cs 112P MS Foldback R L’Acous�cs 112P MS Foldback L L’Acous�cs 112P DS Foldback R LA4X
Amplifier #1
L’Acous�cs Arcs Wide (x2) FOH L
L’Acous�cs Arcs Wide (x2) FOH R
L’Acous�cs SB18 (x2)
SUBS R
L’Acous�cs SB18 (x2)
SUBS L
L’Acous�cs 5XT (x2)
Front Fill R L’Acous�cs 5XT (x2)
Front Fill L L’Acous�cs Arcs Wide (x2) FOH C
Yamaha CL5
w/ Dante Network
Primary Secondary
(Dante)
Handheld Mic 2 Handheld Mic 1 Shure ULXD
2x RX Receiver iMac
SECONDARY
w/ QLab 4 & Dante Virtual Sound Card
Sound Schema�c
Michelle Hair NTS @ A3
QUT Gardens Theatre
Title
Version & Date Show
Size & Scale Contact
Drawn By
Venue
Essen�ally Dance ‘19
Sheet 1 of 1 Power not drawn
Please note the the Ligh�ng Console (ETC GIO) is also connected to the Venue SND Network with an IP Address of 192.168.1.25.
*Subject to change*
XLR
CAT6 Wireless signal
HDMI
Comms XLR
Clear Comm
Freespeak II Wireless Rack
Wireless Pack #1
Wireless Pack #6
Wireless Pack #2
Wireless Pack #7
Wireless Pack #3
Wireless Pack #8
Wireless Pack #4
Wireless Pack #9
Wireless Pack #5
Wireless Pack #10
Clear Comm MS222 Wired Comms Sta�on
Wired Pack #1
Wired Pack #2
Wired Pack #3
Wired Pack #4
Please see Communications Allocation for futher details
COMMS
LA4X
Amplifier #3
LA4XAmplifier #2
AMP ROOM
(XLR input)
(XLR input)
(XLR input)
Yamaha Rio8-D #2
(XLR input)
(XLR output)
(XLR output)
(XLR output)
PS CORNER
Yamaha Rio8-D #1
(XLR input)
RX 1 RX 2
PS Corner Audio Patching
PS MID OP MID 49
50
Mac Mini
PRIMARY
w/ QLab 4 & Dante
Virtual Sound Card Mac Mini Monitor
49 50 RX 1 RX 2
Rio 1608-D
1 2 5 6(XLR input)
(XLR output)
Venue Audio Patching
Venue SND Network
Venue AV Network
AV Network Switch
HP Laptop w/ VNC viewer
PRODUCTION DESK STAGE
Venue DANTE Network
Primary Secondary
(Dante)
Primary Secondary
(Dante)
Primary Secondary
(Dante)
Primary Secondary
(Dante)
Primary Secondary
(Dante)
Primary
(Dante)
Primary
(Dante)
Please note that this section is only applicable during the rehearsal period (IP Address:
192.168.0.101) (IP Address:
192.168.1.101)
(IP Address:
169.254.96.22) (IP Address:
192.168.1.127) (IP Address:
192.168.1.128)
(IP Address:
192.168.1.137)
(XLR output)
(XLR output)
HEAD OF SOUND SHOW PLOT
Essentially Dance | 19 Version 1
Michelle Hair | Head of Sound Current as of 04/06/19 15:30
P | 0421 877 285 Page 1 of 5 Version 1
Action Notes
Preshow
Sign in (bench near holding bay), take bag to green room and prepare for show
COMMUNICATIONS
Hand out all Wireless Clear Comms Packs to the necessary crew (see Communications Allocation document for further information).
Ensure all wireless packs and headsets are functional – talking and listening.
Ensure all wired packs and headsets are functional – talking and listening.
Hand out God mics [located in the dock, near LX tank, RX drawer]
a. Handheld RX microphone 1 -> PSM (Emma Healy) b. Handheld RX microphone 2 -> DSM (Persia Littlewood)
The wireless packs and headsets are located to the rear of the DT office, in the dock.
The wired packs and headsets are already at the operator stations in the bio box.
The DSM (Persia Littlewood) and GC (Lachlan Paterson, Catherine
McGuiness) may assist in this process if available.
POWER ON PROCEDURE
Procedure must follow signal flow: [input -> control -> output]
Begin by informing Sound Operator to begin first phase of power on procedure
BIO BOX
1. Mac Mini [primary]
a. Ensure Dante Virtual Sound Card is running (it will say stop if it is running, start if it is not. In case of the latter, press start to run).
b. Ensure Dante Controller is running. Once all bio box equipment is powered on, only green ticks should appear along the
transmitter/receiver lines.
c. Ensure ethernet connection is correct (within Network Preferences) and shows an IP Address of: 192.168.1.127.
d. Open show file in Qlab 4:
Desktop -> Show Files -> 2019_EDANCE_SND_ShowFile_V4 ->
2019_EDANCE_SND_ShowFile_V4.qlab4.
2. iMac [secondary]
a. Ensure Dante Virtual Sound Card is running (it will say stop if it is running, start if it is not. In case of the latter, press start to run).
b. Ensure Dante Controller is running. Once all bio box equipment is powered on, only green ticks should appear along the
transmitter/receiver lines.
c. Ensure ethernet connection is correct (within Network Preferences) and shows an IP Address of: 169.254.96.22.
d. Open show file in Qlab 4:
Desktop -> Show Files -> 2019_EDANCE_SND_ShowFile_V4 ->
2019_EDANCE_SND_ShowFile_V4.qlab4.
Please note:
Sound Operator (Lina Hsu) is responsible for the power on of any part of the system in the bio box.
However, the Head of Sound is
responsible for the coordination of the power on procedure.
HEAD OF SOUND SHOW PLOT
Essentially Dance | 19 Version 1
Michelle Hair | Head of Sound Current as of 04/06/19 15:30
P | 0421 877 285 Page 2 of 5 Version 1
Action Notes
Power on procedure continued…
3. Yamaha CL5 Digital Sound Console – button on back of the console a. Ensure EDANCE19.clf is the saved file loaded.
b. Ensure SCENE 001 is the scene loaded.
PS CORNER
Power on PS corner equipment (Clear Comms FreeSpeak II Wireless Rack and Shure ULXD 2x RX Receiver) via the master power switch for the station at the top right corner.
Check with Sound Operator that the first phase of power on has been completed, if so, inform Sound Operator to begin secondary phase of the power on procedure
BIO BOX
1. Yamaha Rio 1608-D2
2. FB Slots – located on the beam to the left of the Sound Operator station
FOH & STAGE
See Duty Technician (either Andrew Earle or James Millis) for power on of FOH speakers via amp room.
Inform GC (Lachlan Paterson and Catherine McGuiness) to power on MS foldback speakers.
The individual system pieces may not need powering on as there is a master power switch. However, please be aware that they may need individual powering.
Note that powering on the PS Corner Station may need to be done first if any crew need communications immediately.
FB Slots switch in on position
Yamaha Rio 1608-D2 switch in on position PS Corner master power
switch in on position
HEAD OF SOUND SHOW PLOT
Essentially Dance | 19 Version 1
Michelle Hair | Head of Sound Current as of 04/06/19 15:30
P | 0421 877 285 Page 3 of 5 Version 1
Action Notes
SOUND CHECK SPEAKERS
Test speakers through Yamaha CL5 Digital Console [play track through Qlab Show File on primary system)
1. FOH L 2. FOH R 3. FOH C 4. Front Fill L 5. Front Fill R 6. SUB L 7. SUB R
8. MS Foldback L 9. MS Foldback R 10. DS Foldback L 11. DS Foldback R
Repeat the above steps with the secondary system
MICROPHONES
Test handheld RX microphone 1 Test handheld RX microphone 2
Please note:
The Sound Operator (Lina Hsu) is responsible for sound check. However, it is the responsibility of the Head of Sound to coordinate the sound check process.
These are referred to as God Mic 1 and God Mic 2 by the DSM (Persia Littlewood).
OSC TESTING
Test that the Mac Mini (primary system) sends OSC cues correctly to the iMac (secondary system)
Test that Qlab is firing OSC cues correctly to the LX Gio [consult with Head Lighting (Ryan Sweet) and Lighting Operator (Samuel Seagrott) when they are ready to test this]
Testing of OSC cues will be completed by the Sound Operator (Lina Hsu), however will be coordinated by the Head of Sound.
Action any notes from the prior performance as necessary
Check with the Sound Operator (Lina Hsu) that they are ready to go for the top of show
ARCHIVAL ASSISTANCE
See Head of Vision (Isaac Stevenson) for archival recording assistance Stand by with archival team on beginning the archival recording Say the Archival Recording Speech into communications pack
Note that Head of Vision (Isaac Stevenson) will have the speech ready on his laptop.
Act 1
Consult with sound operator to ensure everything runs smoothly Monitor sound levels throughout performance
Troubleshoot any issues that require immediate attention Interval Consult with sound operator to ensure everything runs smoothly Monitor sound levels throughout performance
Troubleshoot any issues that require immediate attention
HEAD OF SOUND SHOW PLOT
Essentially Dance | 19 Version 1
Michelle Hair | Head of Sound Current as of 04/06/19 15:30
P | 0421 877 285 Page 4 of 5 Version 1
Action Notes
Act 2
Consult with sound operator to ensure everything runs smoothly Monitor sound levels throughout performance
Troubleshoot any issues that require immediate attention Post Show POWER DOWN PROCEDURE
Procedure must follow signal flow: [output -> control -> input]
Begin by informing Sound Operator to begin first phase of power down procedure
BIO BOX
1. FB Slots – see Power On Procedure for location 2. Rio 18608-D2 – see Power On Procedure for location
FOH & STAGE
See Duty Technician (either Andrew Earle or James Millis) for power down of FOH speakers via amp room.
Check with GC (Lachlan Paterson and Catherine McGuiness) for status of MS Foldback speakers.
Check with Sound Operator that the first phase of power down has been completed, if so, inform Sound Operator to begin secondary phase of the power down procedure
BIO BOX
Ensure any changes have been saved within the systems before powering down
1. Yamaha CL5 Digital Console – button on the back of the console 2. iMac [secondary] – sleep procedure of system and monitor power 3. Mac Mini [primary] – sleep procedure of system
Please note:
Sound Operator (Lina Hsu) is
responsible for the power down of any part of the system in the bio box.
However, the Head of Sound is
responsible for the coordination of the power down procedure.
Please note that GC are instructed to power down MS Foldback speakers once Post Show music has concluded.
COMMUNICATIONS Retrieve God Mics
a. Ensure the microphones are not on low battery, if so, replace them.
b. Make sure they are turned off before putting them away.
Retrieve all Wireless Clear Comms Packs from the necessary crew and place the packs on charge and hang up the headsets.
ONLY RETRIEVE THE PACKS ONCE THE REST OF THE POWER DOWN
PROCEDURE IS COMPLETE AND THE CREW MEMBER IS FINISHED WITH THE PACK.
Spare batteries are located in the dock, behind the DT office, in the consumable’s cabinet.
Please note that some crew members will bring the packs back themselves, and GC (Lachlan Paterson) will often help to retrieve the packs.
HEAD OF SOUND SHOW PLOT
Essentially Dance | 19 Version 1
Michelle Hair | Head of Sound Current as of 04/06/19 15:30
P | 0421 877 285 Page 5 of 5 Version 1
Action Notes
Communications continued…
Once all of the packs have been returned, turn off the master power switch on the PS Corner Station.
Note any issues that arose during the performance that require action in the hour call of the next performance.
Double check that everything in the power down procedure has been completed – check with Sound Operator (Lina Hsu).
Retrieve bag from green room, sign out and see PSM (Emma Healy) for any further information for the next performance.
Pre Show
> Turn on Primary System (Mac Mini) & Secondary System (iMac)
> Open up show file on both system: 2019_EDANCE_SND_ShowFile_V4
> Turn on Yamaha CL5 Sound Console (Switch button is at the back)
> Check on Dante Network, follow the steps (see Figure 1- 4)
> Make sure ethernet connection has correct IP address for both systems
Step: Network Preference > IP Address: 192.168.1.127 (Primary) 169.254.96.22 (Secondary)
> Wait for Head of SND’s call to ask you turn on Rio and FBSlot (see Figure 5 & 6)
> Turn all the output section off (Only Mix 9-16 & Matrix) De-select “ON”(see Figure 7 & 8)
Sound Operator Show Plot
Essentially Dance'19
Version 1
Figure 1 Figure 2
Click it If the button right shows
“start” click it
Figure 3 Figure 4
Click it Make sure all the green checks are on, which mean the system is connected
Figure 5 Figure 6 Location:
Next to the console Bio Box OP wall
Compiled by Lina Hsu
Essentially Dane | Sound Operator Current as 4/06/2019
Sound Operator Show Plot SUBJECT TO CHANGE
Figure 7 Figure 8
> Sound test with Head of SND
Step: Go on iMac Cue 2 > Turn the output section back “ON” individually for both primary &
secondary systems
> God Mic Test: Turn RX 1 ON & RX 2 “ON” (see Figure 9)
> OSC cue test with LX OP
Step: On QLab click LX | Cue 104 > Go to “Setting” > Click “Send” > Check with LX OP if it fires
Post Show
> Save & store on the console
Step: Click “Store” button on the desk > “Store” > Click “SET UP” on the screen > “SAVE & LOAD” > Click “EDANCE 19” > Save
> Save QLab file
> Turn off FBSLOT & Rio
> Confirmation from Head of SND to turn both system (Primary & Secondary) to SLEEP MODE
> Turn off the COSOLE
> Cover the console
Sound Operator Show Plot
Essentially Dance'19
Version 1
Compiled by Lina Hsu
Essentially Dane | Sound Operator Current as 4/06/2019
Sound Operator Show Plot SUBJECT TO CHANGE
Figure 9
