Sound/Vision Bible Compiled by: Michael Trevisan

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Comm’s Distributions Pg. 9 Network Allocations Pg. 10 General Speaker Placement Plan Pg. 11 General Speaker Section Pg. 12 Good People Speaker Placement Pg. 13 Good People Speaker Section Pg. 14 Spike Heels Speaker Placement Pg. 15 Spike Heels Speaker Section Pg. 16 RBB Speaker Placement Pg. 17 RBB Speaker Section Pg. 18 Vision Placement Pg. 19 Vision Section Pg. 20

GOOD PEOPLE

Head of Sound/Vis Show Plot Pg. 22 Sound Assistant Show Plot Pg. 26 Extracted Sound List Pg. 27 Sound Cue Synopsis Pg. 40 APRA Application Pg. 50 Vision Cue Synopsis Pg. 51 Vision Content Attribution Pg. 53

SPIKE HEELS

Head of Sound/Vis Show Plot Pg. 57 Extracted Sound List Pg. 61

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Sound Assistant Show Plot Pg. 81 Extracted Sound List Pg. 82 Sound Cue Synopsis Pg. 83 APRA Application Pg. 88 APRA Duration Pg. 89 SND Creative Commons Pg. 90 Song Request Pg. 91 Vision Cue Synopsis Pg. 93 Vision Creative Commons Pg. 96

Loan Particulars

Hirer/Production: Room #:

Location: Room Reservation #:

University related: ☐ YES ☐ NO Unit Code:

Pick Up Date: @ ☐ am ☐ pm

Return Date: @ ☐ am ☐ pm

Loan Contact

Name: QUT ID #:

QUT Email: Phone:

Equipment Particulars

Quantity Item OUT IN

(OFFICE USE)

08/05/18

SoCa18 The Loft

KRB305 14/05/18

11/06/18

Michael Trevisan 09669116

[email protected]

0419674854

1 Vision Mac Pro (DVS, Qlab Installed) 1 Sound Mac Mini (DVS, Qlab Installed)

1

Archival Mac Mini (DVS, Qlab, Pro Tools, Apollo Controller Installed)

1 Cisco Network Switch

2 Rode NTG Shotgun Microphone

3 Sony NX30

3 Camera Tripods

08:00 08:00

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COMPLETED FORMS ARE TO BE SUBMITTED TO TECHNICAL STAFF NO LATER THAN FIVE (5) WEEKDAYS PRIOR TO THE PICKUP DAY.

ALL COMPUTERS MUST BE BOOKED SEVEN (7) WEEKDAYS PRIOR TO THE PICKUP DAY.

BOOKING FORMS MUST BE SUBMITTED VIA TWO METHODS. (1) DOWNLOADED FILLED OUT AND EMAILED TO [email protected] OR (2) FILLED OUT, PRINTED AND HANDED IN

TO THE Z9 LEVEL 1 ELC.

Conditions of Equipment loan:

• All requested equipment is listed on the loan form. A request doesn’t guarantee access to the equipment.

• QUT Technical staff must be notified if there is any damage or missing components upon receipt.

• The hirer is responsible for ensuring the equipment is operated by competent persons and is utilized in a safe manner.

• The equipment must not be used for purposes other than specified by the manufacturer.

• The equipment must not be utilized outside of the conditions listed above (‘Conditions of Loan’).

I, ____________________________________________ hereby agree that the equipment loaned to me by the university is to be utilized in a responsible manner, as per the conditions set out in the Equipment Loan Request. Any loss, damage or theft of property obtained from the university is my responsibility.

SIGNATURE: DATE:

Office Use:

Date Received: / / Application Number: OF

WCO Entered: Yes / No Reservation Number: Yes / No

Approved by: Approved Date: / /

Equipment Prep by: Was List Amended: Yes / No

Dispatched: / / ^Returned: / /

Loan Notes:

(PRINT NAME)

(OFFICE USE)

04/05/18

Michael Trevisan

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Motu - Soundcraft SI Expressions II

Channel # Name Qlab OUT Input Output

1 Rear Left 1 Motu #1 Omni #1

2 Rear Right 2 Motu #2 Omni #2

3 FOH Left 3 Motu #3 Omni #3

4 FOH Right 4 Motu #4 Omni #4

5 Sub 5 Motu #5 Omni #5

6 Mackie L 6 Motu #6 Omni #6

7 Mackie R 7 Motu #7 Omni #7

8 Special 1 8 Motu #8 Omni #8

9 Special 2 9 Motu #9 Omni #9

10 Archive L — Motu #3 Omni #10

11 Archive R — Motu #4 Omni #11

12 God Mic — In #10 Omni #1 & 2

Version 3

As to Thursday, 12 October 2017

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Channel # Name Apollo In Input

1 XY L 1 Inst #1

2 XY R 2 Inst #2

3 NTG L 3 Inst #3

4 NTG R 4 Inst #4

7 Comm’s Recording 5 Inst #5

5 Qlab L 6 Inst #6

6 Qlab R 7 Inst #7

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Please note

•

HOD Sound/Vision will use basestation for plotting only will then swap to #6 for tech/dress &

shows.

If there are any issues or concerns with comms allocations, please see Michael Trevisan (Head of Sound & Vision).

Personnel Comm’s Pack Number Plot Tech/Dress Show Production Stage

Manager 9 x x x

Deputy Stage

Manager 2 x x x

Assistant Stage

Manager 3 x x x

LX Operator 5 x x x

LX Designer 8 x

Head LX 4 x x x

HOD Sound/Vision Basestation/6 x x x

Sound Designer 6 x

Vision Designer 7 x

Lecturer 1 x x x

Crew x x

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Machine IP Address

Projector (DS21KE) 10.0.0.1

Vision Mac Pro 10.0.0.2

Sound Mac Mini 10.0.0.3

Vision Designer 10.0.0.4

Sound Designer 10.0.0.5

Operator 10.0.0.6

Version 3

As to Thursday, 12 October 2017

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Sound: Marissa Hilliar

Vision: Brooklyn Pace

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2. Sound Motu & Apollo 3. Soundcraft Si Expressions

4. Amps 1, 4 powered on (ensuring all pots are turned full clockwise)

AMP#2 LABELLED FRONT OF HOUSE IS DAMAGED AND SHOULD NOT BE POWERED ON 5. Turn Upstage Mackies and front of house L-Acoustic wedges on

6. Power on Presonus Monitor 7. Power on comms rack

1. HME DX200 Turned on, Rack should have “4W” light selected as well as “2W/4W” selected for local headset to be received by archival recording.

2. Power on DI Box in comms rack for archival machine 3. Once Comms rack is on and functioning correctly liaise

with sound assistant for distribution Sound Check

Open file labelled “2018_QUTActing_SoCA18_GoodPeople_SoundFile_V6” or most recently modified version of it via “Date Modified” column in finder .

Once checks are all complete recall “Soca18” scene in the desk to return levels via “Recall” Which can be found on the right of desk above master fader.

Rear L Rear R Foh L Foh R

Sub Mackie L Mackie R Biobox Presonus

Archive L Archive R

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recently modified version of it via “Date Modified” column in finder .

• OSC Linking

• Shutter Control

• Test Grid

• Ensuring projector is still in focus and lens shift is still correct.

• Once checks have been completed and everyone is working correctly, move the projectors remote to vision desk where it will not be bumped.

Network Checks

• Open Network Utility on SND Mac and ping VIS Mac (10.0.0.2) Archival Checks

1. Open UAD Console and UAD

2. Ensure Levels and setting have not changed since last session

3. Ensure correct signal received on all channels and levels are appropriate 4. Open Pro Tools and by selecting “Archival Recording” Template

1. Arm All Tracks to record (monitor signal being input) 2. Arm to record

*SEE ARCHIVAL PROCEDURE FOR FURTHER ARCHIVAL PROCESS*

10 Minutes to Beginners

•

Announce over comms that comms recording has begun.

•

Listen over comm’s for DSM’s comms check

•

Ensure all keyboard are in a safe position

•

Once given clearance from Duty Technician go to blues into the dock via switch found at panel on upstage wall of the biobox hallway.

5 Minutes to Beginners

•

SB for show start

•

Once told to do so by SM go into reshow state (SND Q 0.5) During Performance

•

GO on all cues per SM’s direction. Ensure to respond to standby’s by stating “SND” or “VIS”

clearly through comms headset.

•

Once Archival levels have been confirmed, remove archival computer keyboard to stop further adjusting.

•

Ensure that all Sound and Vision cues trigger successfully, keeping an eye on “Active Cues” tab in QLAB as well as observing the back wall projection when given the chance.

•

Should a level fire at an incorrect level, adjust the master fader to operators discretion. If not possible mention to DSM to note error.

Post-Show

•

After Front of House clearance, immediately save both Qlab files in their correct show file folder.

•

Listen for notes from Director and PSM

*SEE ARCHIVAL PROCEDURE FOR ARCHIVAL SYSTEM POST-SHOW PROCESS*

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backed up.

•

Go back to workers in the dock once given “okay” from duty technician

•

Once biobox has been powered down, go down to green room and back up all camera files onto archival hard drive.  

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Ladies and Gentlemen of the Good People Company, Please be advised that comms and archival recording is about to commence, comms and archival recording is about to commence. Thank you Ladies and Gentlemen of the Good People Company, this is comms recording for Good People, Show Number ##, 25/26th May, 2017. Please be advised that comms are now recording. Please be advised that comms are recording.

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•

Assist in distributing comms to company following Comms Distribution

•

Please insure all comms being distributed have fully charged batteries

•

After given the okay for operator, power on US Mackies and Front of House Tripod Speakers.

•

Take all Archival video cameras and put them in place according to the Camera Placement Plan

•

Assist HOD of SND/VIS in sound check by pointing and announcing which speaker in outputting sound

Once sound check has been completed see ARCHIVAL PROCEDURE for further information on recording process.

Post-Show

•

Once given Front of House clearance on HOD SND’s “Okay” power down upstage Mackies and Front of house tripod speakers.

•

Stop recording on all archival cameras. Take camera’s into green room and remove all footage onto archival hard drive. Please format all storage devices after footage has been safely removed.

•

Ensure all comm’s have been returned and placed on charge.  

Sound Checks Rear L

Rear R FoH L FoH R Sub Mackie L Mackie R Biobox Special

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Act Scene Page Sound Time and place Scene Description Theme/tone Dialogue

I

1

5 Door opening South Boston Massachusetts – an alley way behind a Dollar Store.

Tense conversation between MARGARET and STEVIE behind their workplace.

Tense, nervous, frustrated

The back door opens and Margaret, about fifty, comes out with Stevie…

18 Door slams shut Tense, nervous,

frustrated

MARGARET:. I don’t think she’d approve.

2

20 TV blaring from the next room

Rundown kitchen – MARGARET’S house.

Some bickering between DOTTIE and JEAN over MARGARET getting fired,

Down, frustrated

MARGARET: Okay, well, that’s who fired me.

20 TV volume lowers MARGARET: Turn it off,

Joycey!

21 TV blaring from the next room

JEAN: They blame the higher-ups.

22 TV volume lowers

MARGARET: Stop playing with those buttons. Joycey!

22 TV blares JEAN: Nothing.

Just…Russell.

22 TV lowers

MARGARET: Can you go in and turn that down for her, Dot?

24 TV blares again JEAN: You got that

right.

25 TV is silenced JEAN: She relies on

you.

(28)

I 4

74 Murmur of a crowd

Basement of a church

While playing bingo, DOTTIE, MARGARET and JEAN, with awkward/tense conversations with STEVIE and amongst themselves

Excited, nervous, awkward, tense.

Scene start.

74

Priest calling bingo numbers

(VOICEOVER)

“I-17. I… 17”

They are for sale.

74

(VOICEOVER)

“B-11.”

They play.

75

(VOICEOVER)

“B… 11.”

DOTTIE: They gave me shit cards.

76

(VOICEOVER)

“O-70. O-… 70.”

JEAN: It’s just a few cards.

76

(VOICEOVER)

“B-3. B… 3.”

DOTTIE: Or it won’t.

(29)

Act Scene Page Sound Time and place Scene Description

Theme/tone Dialogue

I 4

77

(VOICEOVER)

“G-48. G…48.”

DOTTIE: Joyce likes everybody, god love her.

78

(VOICEOVER)

“N-31.”

JEAN: Cookie was a fuckin’ wreck.

78

(VOICEOVER)

“N… 31.”

JEAN: Way before she lived on that wall even.

78

(VOICEOVER)

“O-74.”

MARGARET: They thought she was sleepin’.

78

(VOICEOVER)

“O… 74.”

MARGARET: That’s pretty sad.

79

(VOICEOVER)

“G-53.”

JEAN: You are?

(30)

I 4

79

(VOICEOVER)

“G-59.”

JEAN: Why are you so negative all the time?

79

(VOICEOVER)

“G… 59.”

DOTTIE: I’m not negative, I’m realistic.

80

(VOICEOVER)

“I-20.”

DOTTIE: And what if they don’t?

80

(VOICEOVER)

“I… 20.”

MARGARET: What.

81

(VOICEOVER)

“O-63.”

JEAN: … he has a long- lost daughter.

81

(VOICEOVER)

“O… 63”

JEAN: “…you remember that summer we dated?”

(31)

I 4

82

(VOICEOVER)

“I-16.”

JEAN: I’d walker her right up to the front door.

82

(VOICEOVER)

“I… 16.”

MARGARET: You would, too.

82

(VOICEOVER)

“G-51.”

MARGARET: You are too much.

83

(VOICEOVER)

“G… 51.”

JEAN: He’s calling all around you, Margie.

83

(VOICEOVER)

“B-13.”

DOTTIE: … those boys were actually his.

84

(VOICEOVER)

“B… 13.”

DOTTIE: Why he’d ever believe her is beyond me.

(32)

I 4

84

(VOICEOV"ER)

“N-41.”

DOTTIE: … and I was asked to leave.

84

(VOICEOVER)

“N… 41.”

JEAN: Well there ya go.

85

(VOICEOVER)

“G-55.”

JEAN: Yeah, those rabbits for example.

85 Voice of Old Lady:

“Bingo!” Previous SND.

85 Collective groan from

the crowd Previous SND.

85

Voice of Priest:

“That’s a good bingo!”

JEAN: … this nut her damn money.

87

Voice of Priest: “Next game: Inside Square.

No B’s, no O’s. And we’re starting with…

I-17. I... 17.”

DOTTIE: “Who threw that bird at me?!”

(33)

I 4

88

(VOICEOVER)

“G-46.”

STEVIE: No, because I don’t care.

88

(VOICEOVER)

“G… 46.”

JEAN: It is peculiar though.

89

(VOICEOVER)

“N-41. N… 41.”

JEAN: … that’s all that matters.

89

(VOICEOVER)

“G-58.”

MARGARET: Speak for yourself.

90

(VOICEOVER)

“G… 58.”

JEAN: He knows what I mean.

90

(VOICEOVER)

“I 21. I… 21.”

JEAN: … I don’t know what else to tell you.

(34)

I 4

91

(VOICEOVER)

“N-36. N… 36.”

JEAN: Gay guys.

92

(VOICEOVER)

“I-24. I… 24.”

(Silence as Dottie stares at him.)

93

(VOICEOVER)

“G-60. G… 60.”

MARGARET: Aren’t you glad you sat here, Stevie?

94

(VOICEOVER)

“N-32.”

STEVIE: Yeah, I know Russell Gillis.

94

(VOICEOVER)

“N… 32.”

JEAN: She’s been at that shop forever.

94

(VOICEOVER)

“G-52.”

DOTTIE: … I don’t know, some crazy story.

(35)

I 4

94

(VOICEOVER)

“G… 52.”

DOTTIE: … and so out she went.

95

(VOICEOVER)

“I-30.”

MARGARET: She’s got a following now.

95

(VOICEOVER)

“I… 30.”

DOTTIE: What following?

96

(VOICEOVER)

“I-28.”

DOTTIE: That’s not how it is.

96

(VOICEOVER)

“I… 28.”

JEAN: Jesus, Dottie.

97

(VOICEOVER)

“I-22.”

JEAN: Despite these assholes.

(36)

I 4

97

(VOICEOVER)

“I… 22.”

JEAN: You’ll be okay.

98

(VOICEOVER)

“N-45.”

MARGARET: Oh yeah, that’s exactly what’s going to happen.

98

(VOICEOVER)

“N… 45.”

JEAN: It could.

99

(VOICEOVER)

“G-47.”

JEAN: See what you did?

99 Cell phone rings Previous SND.

99

(VOICEOVER)

“G… 47.”

MARGARET: That’s my phone.

100

(VOICEOVER)

“G-56.”

DOTTIE: Oh, good.

(37)

I 4

100

(VOICEOVER)

“G… 56.”

MARGARET: … she’s throwing up like that.

100

(VOICEOVER)

“N-40. N… 40.”

MARGARET: Okay.

Bye.

101

(VOICEOVER)

“I-19. I… 19.”

MARGARET: I’m just telling you what he said.

103

(VOICEOVER)

“N-33.”

JEAN: It is rude.

II

1

109 Doorbell rings

Early morning, around 7am.

MARGARET shows up at MIKE and KATE’S, and trouble ensues.

Neutral – underlying tension

MIKE: I won’t wake her up.

150 Side doorbell rings KATE: I’m gonna get

some white.

189 Voice of Ally: “Dad?

… Daddy?” Scared, tense MARGARET: It’s

insured.

2 194 Crowd murmur Basement of a church MARGARET’S rent was paid – discussions how.

Focused sround them, but tense whispers between the characters.

Scene start

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II 2

195

(VOICEOVER)

“First up is B-12.”

Basement of s church MARGARET’S rent was paid – discussions how.

DOTTIE: ... cause that money is ear marked.

196

(VOICEOVER)

“B… 12.”

JEAN: Just take it and forget it.

196

(VOICEOVER)

“N-33.”

DOTTIE: … there’s no room at the inn.

196

(VOICEOVER)

“N… 33.”

DOTTIE: I would’ve missed Joyce.

197

(VOICEOVER)

“I-22.”

MARGARET: It doesn’t matter, I’m not taking it.

197

(VOICEOVER)

“I… 22.”

DOTTIE: … gets all proud when she gets it.

(39)

II 2

198

(VOICEOVER)

“O-61.”

Basement of s church MARGARET’S rent was paid – discussions how.

DOTTIE: He already has.

198

(VOICEOVER)

“O… 61.”

JEAN: Maybe the wife did it.

200

(VOICEOVER)

“B-5. B… 5.”

Surprise, hope, determination.

MARGARET: Okay.

201

(VOICEOVER)

“G-51. G… 51.”

DOTTIE: It’s a logical question.

201

(VOICEOVER)

“N-43. N… 43.”

JEAN: Everybody knew.

201

(VOICEOVER)

“O-72. O… 72.”

DOTTIE: Well why would he do that?

202

(VOICEOVER)

“G-53. G… 53.”

MARGARET: I hope so.

(40)

Cue

Number Source Act/Scene/Page Content Description Cue Point Output Fade

Time Notes

0.2 QLAB Preshow Pink Noise (2 minutes) Operator Checks All

Sound check track TBC Operator Checks All

0.5 QLAB Preshow Preshow Music SM prior to doors

Chicken Shack – Blue Vein Auto-continue FOH, Rear, Sub

Ray Bonneville – Cool Cool Rain Auto-continue FOH, Rear, Sub

Peter Green – Don’t Walk Away From Me Auto-continue FOH, Rear, Sub Traffic – Light Up or Leave Me Alone Auto-continue FOH, Rear, Sub Blind Faith – Can’t Find My Way Home Auto-continue FOH, Rear, Sub

restart Preshow Music Auto-continue n/a

1 QLAB 1/1/5 Intro into Scene 1 – fade out preshow SM cue – FOH Clearance 8s

1.1 QLAB 1/1/5 Oh Well (Intro Cut) – Peter Green SM cue FOH, Rear, Sub n/a

Song ends, first line immediately as it finishes

1/1/5 Act 1 Scene 1 Atmos Auto-follow Mackie L + R 4s 30s prewait

2 QLAB 1/1/18 Transition into Scene 2 Stevie: “All right…”

QLAB fade in Rattlesnake Shake Auto-follow FOH, Rear, Sub 6s

QLAB fade and stop Act 1 Scene 1 Atmos Auto-follow 25s

(41)

Cue

Time Notes

fade out Rattlesnake Shake Auto-follow 6s 28s prewait

Act 1 Scene 2 – Margie’s Apartment Auto-follow 2s prewait

TV 1 fades up Auto-follow Mackie L 4s

fade Act 1 Scene 2 Atmos in Auto-follow Mackie L + R 3s

fade and stop Rattlesnake Shake Auto-follow 8s

3 QLAB 1/2/20 TV 1 fades down Margaret: “Turn it down, Joycey!” 4s

3.3 QLAB 1/2/21 TV 2 fades up Jean: “They blame the higher-ups.” Mackie L 0.2s

3.4 QLAB 1/2/22 TV 2 fades down Margaret: “…those buttons, Joycey!” 4s

3.5 QLAB 1/2/22 TV 3 fades up Jean: “Nothing. Just… Russell.” Mackie L 0.2s

3.6 QLAB 1/2/22 TV 3 fades down Margaret: “…down for her, Dot?” 4s

3.7 QLAB 1/2/24 TV 4 fades up louder Jean: “You got that right.” Mackie L 0.2s

3.8 QLAB 1/2/24 TV 4 cuts out Dottie: “… at the end of the month.” 0.1s

4 QLAB 1/2/39 Transition into 3 Jean: “Ya never know.”

Peter Green – Oh Well FOH, Rear, Sub

fade and stop Act 1 Scene 2 Atmos 5s

4.5 QLAB 1/3/40 Act 1 Scene 3 – Mike’s Office SM cue

(42)

fade and stop Peter Green – Oh Well 15s

fade in Scene 3 Atmos Mackie L+ R 6s

5 QLAB 1/3/73 Transition into Scene 4 Margaret: “You’re in deep now,

Doctor.”

fade and stop Peter Green – Oh Well 10s 43s prewait

Act 1 Scene 4 – Bingo in Church Basement

fade in Act 1 Scene 4 Atmos Mackie L + R 5s 40s prewait

Bingo Calls – Act 1 Scene 3

5.5 QLAB 1/4/74 I-17. I… 17 SM cue Special 2

6 QLAB 1/4/74 B-11 SM cue Special 2

6.5 QLAB 1/4/75 B… 11 Dottie: “They gave me shit cards.” Special 2

7 QLAB 1/4/76 O-70. O… 70 Jean: “It’s just a few cards.” Special 2

8 QLAB 1/4/76 B-3. B… 3 Dottie: “Or it won’t.” Special 2

9 QLAB 1/4/77 G-48. G… 48 Dottie: “… god love her.” Special 2

10 QLAB 1/4/78 N-31 Jean: “Cookie was a fuckin’ wreck.” Special 2

10.5 QLAB 1/4/78 N… 31 Jean: “… on that wall even.” Special 2

(43)

Cue

Time Notes

11 QLAB 1/4/78 O-74

Margaret: “They thought she was

sleepin’.” Special 2

11.5 QLAB 1/4/78 O… 74 Margaret: “That’s pretty sad.” Special 2

12 QLAB 1/4/79 G-59 Jean: “…so negative all the time?” Special 2

12.5 QLAB 1/4/79 G… 59 Dottie: “I’m realistic.” Special 2

13 QLAB 1/4/80 I-20 Dottie: “And what if they don’t?” Special 2

13.5 QLAB 1/4/80 I… 20 Margaret: “What.” Special 2

14 QLAB 1/4/81 O-63 Jean: “… long lost daughter.” Special 2

14.5 QLAB 1/4/81 O… 63 Jean: “… summer we dated?” Special 2

15 QLAB 1/4/82 I-16 Jean: “… up to the front door.” Special 2

15.5 QLAB 1/4/82 I… 16 Margaret: “You would too.” Special 2

16 QLAB 1/4/82 G-51 Margaret: “You are too much.” Special 2

16.5 QLAB 1/4/83 G… 51 Jean: “… all around you, Margie.” Special 2

17 QLAB 1/4/83 B-13 Dottie: “… boys were actually his.” Special 2

17.5 QLAB 1/4/84 B… 13 Dottie: “… her is beyond me.” Special 2

18 QLAB 1/4/84 N-41 Dottie: “… and I was asked to leave.” Special 2

18.5 QLAB 1/4/84 N…. 41 Jean: “Well there ya go.” Special 2

(44)

Number Time

19 QLAB 1/4/85 G-55 Jean: “… rabbits for example.” Special 2

Old Lady: Bingo! Crowd: Awww! Auto-follow Rear R 2s prewait

fade Atmos Layer 1 up Auto-follow Mackie L + R 2s 4s prewait

Check that card, Helen Auto-follow Special 2 7s prewait

fade Atmos Layer 1 down Auto-follow 30s 10s prewait

19.3 QLAB 1/4/85 That’s a good bingo! Jean: “… but her damn money.” Special 2

20 QLAB 1/4/87 Next game… I-17. I… 17 Dottie: “Who threw that bird at me?” Special 2

21 QLAB 1/4/88 G-46 Stevie: “No, because I don’t care.” Special 2

21.5 QLAB 1/4/88 G… 46 Jean: “It is peculiar though.” Special 2

22 QLAB 1/4/89 N-41. N… 41 Jean: “… that’s all that matters.” Special 2

23 QLAB 1/4/89 G-58. Margaret: “Speak for yourself.” Special 2

23.5 QLAB 1/4/90 G… 58 Jean: “He knows what I mean.” Special 2

24 QLAB 1/4/90 I-21. I… 21 Jean: “… don’t know what else to tell

ya.” Special 2

25 QLAB 1/4/91 N-36. N… 36 Jean: “Gay guys.” Special 2

26 QLAB 1/4/92 I-24. I… 24 Stevie: “… for that sort of thing.” Special 2

27 QLAB 1/4/93 G-60. G… 60

Margaret: “… glad you sat here,

Stevie?” Special 2

(45)

Cue

Time Notes

28 QLAB 1/4/94 N-32 Stevie: “Yeah, I know Russell Gillis.” Special 2

28.5 QLAB 1/4/94 N… 32 Jean: “… at that shop forever.” Special 2

29 QLAB 1/4/94 G-52 Dottie: “… some crazy story.” Special 2

29.5 QLAB 1/4/94 G… 52 Dottie: “… out she went.” Special 2

30 QLAB 1/4/95 I-30 Margaret: “She’s got a following now.” Special 2

30.5 QLAB 1/4/95 I… 30 Dottie: “What following?” Special 2

31 QLAB 1/4/96 I-28 Dottie: “That’s not how it is.” Special 2

31.5 QLAB 1/4/96 I… 28 Jean: “Jesus, Dottie.” Special 2

32 QLAB 1/4/97 I-22 Jean: “Despite these assholes.” Special 2

32.5 QLAB 1/4/97 I… 22 Jean: “You’ll be okay.” Special 2

33 QLAB 1/4/98 N-45 Margaret: “… what’s gonna happen.” Special 2

33.5 QLAB 1/4/98 N… 45 Jean: “It could.” Special 2

33.6 QLAB 1/4/98 Church Bells

Margaret: “… occasionally pisses the

bed.” Mackie L + R

34 QLAB 1/4/99 G-47 Jean: “See what you did?” Special 2

Margie’s Phone Rings Auto-follow FOH R 3s prewait

34.2 QLAB 1/4/99 G…47 Margaret: “That’s my phone.” Special 2

(46)

Number Time

34.4 QLAB 1/4/99 VISQ – answers phone, stops VIS cue 0.1s

35 QLAB 1/4/100 G-56 Dottie: “Oh, good.” Special 2

35.5 QLAB 1/4/100 G… 56 Margaret: “… throwing up like that…” Special 2

36 QLAB 1/4/100 N-40. N… 40 Margaret: “Okay. Bye.” Special 2

37 QLAB 1/4/101 I-19. I… 19

Margaret: “I’m just telling you what he

said.” Special 2

38 QLAB 1/4/103 N-33 Margaret: “…wanna see that house.” Special 2

39 QLAB 1/4/103 Interval Jean: “Cocksucker!”

Fade and stop Act 1 Scene 4 Atmos 5s

Oh Well – Peter Green FOH, Rear, Sub

39.5 QLAB 1/4/103 Interval Music SM cue - With House Lights FOH, Rear, Sub 20s

Fade and stop Oh Well – Peter Green Auto-follow 25s 60s prewait

Tony Joe White – If I Ever Saw A Good Thing

Canned Heat – On the Road Again Chicken Shack – Poor Boy Humble Pie – Say No More

(47)

Cue

Time Notes

Mick Fleetwood – Don’t Be Sorry, Just Be Happy

Restart Interval Music

40 QLAB 2/1/105 Interval into Act 2 SM cue – FOH Clearance

Fade and stop Interval Music 12s

Green Manalishi – Peter Green Auto-continue FOH, Rear, Sub

41 QLAB 2/1/105 Act 2 Scene 1 – Mike and Kate’s House SM cue

fade and stop Green Manalishi – Peter

Green 12s

Fade in Act 2 Scene 1 Atmos 5s

42 QLAB 2/1/109 Doorbell rings (Front) Mike: “I won’t wake her up.” Rear R

42.1 QLAB 2/1/113 Spec – Light rail Kate: “… to me all the time.” Mackie L + R 3s

Fade Spec – Light rail in

Fade and stop Spec – Light rail 15s

42.2 QLAB 2/1/150 Doorbell rings (Side) Kate: “I’m gonna get some white.” Rear L

42.3 QLAB 2/1/150 Atmos Change – Kate’s Exit Mike: “She’s got a bit heart.” Mackie L + R 5s Atmos Layer 1+2 dips

42.4 QLAB 2/1/156 Atmos Change – Kate’s Re-entry Margaret: “… you made the right

choice.” Mackie L + R 40s Atmos Layer 1+2 rise

42.45 QLAB 2/1/182 Atmos Change – with new LX State Mike: “And I don’t believe you!” 2s

42.5 QLAB 2/1/189 V/O Ally: “Daddy?” Margaret: “It’s insured.” Rear L

43 QLAB 2/1/193 Transition into Scene 2 Mike exits.

Man of the World – Peter Green FOH, Rear, Sub

(48)

Number Time

44 QLAB 2/2/194 Act 2 Scene 2 – Bingo in Church Basement SM cue

Fade and stop Transition into Scene 2 10s

Fade in Act 2 Scene 2 Atmos Mackie L + R 5s

Bingo Calls – Act 2 Scene 2

45 QLAB 2/2/195 First up is B-12 Dottie: “… money is ear-marked.” Special 2

45.5 QLAB 2/2/196 B… 12 Jean: “Just take it and forget it.” Special 2

46 QLAB 2/2/196 N-33 Dottie: “… no room at the inn.” Special 2

46.5 QLAB 2/2/196 N… 33 Dottie: “I would’ve missed Joyce.” Special 2

47 QLAB 2/2/197 1-22 Margaret: “… I’m not taking it.” Special 2

47.5 QLAB 2/2/197 1… 22 Dottie: “… when she gets it.” Special 2

48 QLAB 2/2/198 O-61 Dottie: “He already has.” Special 2

48.5 QLAB 2/2/198 O… 61 Jean: “Maybe the wife sent it?” Special 2

49 QLAB 2/2/200 B-5. B… 5 Margaret: “Okay.” Special 2

50 QLAB 2/2/201 G-51. G… 51 Dottie: “What. It’s a logical question.” Special 2

51 QLAB 2/2/201 N-43. N… 43 Jean: “Everybody knew.” Special 2

52 QLAB 2/2/201 O-72. O… 72 Dottie: “… would he do that?” Special 2

(49)

Cue

Number Source Act/Scene/Page Content Description Cue Output Fade

Time Notes

53 QLAB 2/2/202 G-53. G… 53 Margaret: “I hope so.” Special 2

54 QLAB 2/2/202 Post Show SM cue.

Fade and stop Act 2 Scene 2 Atmos

54.5 QLAB 2/2/202 Fade and stop Peter Green – Oh Well SM cue - With Doors 10s

Post Show Music Auto-continue

Blind Faith – Had to Cry Today FOH, Rear, Sub

Cream - Sunshine of Your Love FOH, Rear, Sub

Peter Green – A Fool No More FOH, Rear, Sub

55 QLAB Fade and stop Post Show Music SM cue – FOH Clearance 8s

(50)

APRA ID Song  

(Musical Work) Composer Performers Duration Publisher GW01826093 Albatross GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 3:22 Snapper Music GW01796191 Green Manalishi GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 5:27 Snapper Music GW03292101 Man of the World GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 3:04 Snapper Music GW03499606 Oh Well Part 1 GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 3:31 Snapper Music GW02415845 Rattlesnake Shake GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 5:01 Snapper Music GW10238265 Supernatural GREEN, Peter Alan PETER GREEN

SPLINTER GROUP 3:13 Snapper Music

(51)

5 Preshow preshow the MAC MINI being used for SOUND

PTDZ21KE

1 5 0.5 Cast to stage With SNDQ 1.1 Has shutter cue (open) a0s1-preshow@1920x816 PTDZ21KE

1 5 1 Act I Scene 1 End of music (54s)

Snap cue, not a called cue - autofollow into scene (follows music).

a1s1-dollar-store@1920x816 PTDZ21KE

1 18 1.5 Transition into AIS2 With SNDQ 2 transition_a1s1-a1s2@1920x816 PTDZ21KE

2 19 2 AIS2 established Autofollow with SND a1s2-house-interior1920x816 PTDZ21KE

2 39 2.5 Transition into AIS3 With SNDQ4 and LXQ10 transition_a1s2-a1s3@1920x816 PTDZ21KE

3 40 3 AIS3 established With SNDQ 4.5 a1s3-doctors-office PTDZ21KE

3 73 3.5 Transition into AIS4 With SNDQ 5 transition_a1s3-a1s4@1920x816 PTDZ21KE

4 74 4 AIS4 established With LXQ Triggers SNDQ 5.5 a1s4-bingohall@1920x816 PTDZ21KE

4 103 4.5 Transition to interval With SNDQ 49 transition_a1s4-interval@1920x816 PTDZ21KE

0 103 5 Interal With LXQ Triggers SNDQ 39.5 interval PTDZ21KE

1 105 6 AIIS1 established With SNDQ 41 Transition is fade in of this

content. a2s1-still01 PTDZ21KE

1 6.1 Change to late afternoon With LXQ 5 minute crossfade with LX a2s1-still02 PTDZ21KE

1 6.2 Change to early evening. With LXQ 5 minute crossfade with LX a2s1-still03 PTDZ21KE

1 193 6.5 Transition into AIIS2 With SNDQ 43 transition_a2s1-a2s2@1920x816 PTDZ21KE

2 194 7 AIIS2 established With SNDQ 44 a1s4-bingohall1920x816 PTDZ21KE

I

II

(52)

pre-powerdown disarms all shutter cues. PTDZ21KE

(53)

‘Abandoned Nursing Home’. Lee Russel.

https://www.flickr.com/photos/outpost51/20459797602/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Abandoned Mansion, Beirut’. Craigfinlay.

https://www.flickr.com/photos/poisonbabyfood/3179982076/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘West Lawn - the Hasha House’. Justus Hayes.

https://www.flickr.com/photos/shoes_on_wires/3275403779/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Back Room’. darkday. https://www.flickr.com/photos/drainrat/16124544089/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Abandoned bedroom’. darkday. https://www.flickr.com/photos/drainrat/16001196360/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Have a seat’. olavXO. https://www.flickr.com/photos/olavxo/12612578415/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Kitchen Mess’ davenynin. https://www.flickr.com/photos/daveynin/10894987403/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Abandoned and Dangerous’. darkday. https://www.flickr.com/photos/drainrat/16108113113/.

Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Abandoned iron works’. Lee Russel. https://www.flickr.com/photos/outpost51/35976755575/.

Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Pripyat’. Kamil Porembinski. https://www.flickr.com/photos/paszczak000/9294131620/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Abandoned Hospital The Clinic E’. Jan Bommes.

https://www.flickr.com/photos/arcanum75/8941953780/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Worn out Kitchen’. darkday. https://www.flickr.com/photos/drainrat/16510094319/. Used under a Creative Commons Attribution Licence 2.0. Edited.

(54)

a Creative Commons Attribution Licence 2.0. Edited.

‘Possibly Contaminated’. darkday. https://www.flickr.com/photos/drainrat/16141368317/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Detroit Nursing’. Nitram242. https://www.flickr.com/photos/25165196@N08/6950357316/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Church De Diogène’. Le Kurbo. https://www.flickr.com/photos/lekorbo/24331803877/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Church De Diogène’. Le Kurbo. https://www.flickr.com/photos/lekorbo/38316350595/. Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Church De Diogène’. Le Kurbo. https://www.flickr.com/photos/lekorbo/38316350175/. Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Abandoned church’. Alex Alishevskih. https://www.flickr.com/photos/alexeya/9280641275/.

Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Urbex hideaway’. darkday. https://www.flickr.com/photos/drainrat/16142520986/. Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Interior’. Aleskey Gnlienkov. https://www.flickr.com/photos/gnilenkov/8755277256/. Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Play Misty for Me’. Nitram242. https://www.flickr.com/photos/25165196@N08/7096423127/.

‘Take a seat’. Forsaken Fotos. https://www.flickr.com/photos/55229469@N07/8689869727/.

‘Abandoned hospital (8)’. Jan Bommes.

https://www.flickr.com/photos/55229469@N07/8689869727/. Used under a Creative Commons Attribution Licence 2.0 Edited.

‘Urban Exploration - Abandoned Hospital (24)’. Jan Bommes.

https://www.flickr.com/photos/arcanum75/8592724159/ . Used under a Creative Commons Attribution Licence 2.0 Edited.

(55)

eC7EUa-e6pAR1-Th3Ddv-e3ne6z-e6pA9m-8rXUTj-e5uQtj-dQURDg-69F9Jf-prbJkD-q2ScCx- e5uRkY-6t9wAk. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Urban Exploration - Abandoned Hospital (15)’. Forsaken Fotos.

https://www.flickr.com/photos/arcanum75/8583529954/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘West Lawn - Muttering shoes on Wires.’ Justus Hayes.

https://www.flickr.com/photos/shoes_on_wires/3281263033/. Used under a Creative Commons Attribution Licence 2.0. Edited.

‘Dear Community’. zeitfaegner.at. https://www.flickr.com/photos/kwarz/15284469558/. Used under a Creative Commons Attribution Licence 2.0. Edited.

(56)

Sound: Dominic Guilfoyle

Vision: Mia McGavin

(57)

1. Archive, Sound & Vision Machines 2. Sound Motu & Archive Apollo, Projector 3. Soundcraft Si Expressions

4. Amps 1, 4 powered on (ensuring all pots are turned full clockwise)

AMP#2 LABELLED FRONT OF HOUSE IS DAMAGED AND SHOULD NOT BE POWERED ON 5. Turn Upstage Mackies and front of house L-Acoustic

wedges on, with all volume pots positioned at 12 o’clock.

6. Power on comms rack

1. HME DX200 Turned on, Rack should have “4W” light selected as well as “2W/4W” selected for local headset to be received by archival recording.

2. Power on DI Box in comms rack for archival machine 3. Once Comms rack is on and functioning correctly

liaise with sound assistant for distribution Sound Check

Open file labelled “2018_QUTActing_SOCA18_SpikeHeels_SNDQlabShowFile_V1_Show180530”

or most recently modified version of it via “Date Modified” column in finder .

Once checks are all complete recall “Soca18” scene in the desk to return levels via “Recall” Which can be found on the right of desk above master fader.

Rear L Rear R Foh L Foh R Sub Mackie L Mackie R Spot Speaker Archive L Archive R