TTYT - DANCE No 6 April1993

T T Y T

DANCE

No 6 April1993

AT THE ACADEMY

QUEENSLAND UNIVERSITY OflTECHNQLOGY, ACADEMY OF THE ARTS, DANC~ PROGRAM, LOCKED BAG/ NO 2, REO HILL, QLD 4059

---DANCE----~~---

WELCOMf ..

This edition of DANCE at the Acad- emy brings a vivid snapshot of dance at QUTto you.

' . Staff tell you of their ·experiences with ·the national and international dance communities. We_catch up with some graduates and hear from

first-

year students, as they talk about QUT and dance as a profession. And the Dance performance diary offers some- thing for all tastes - don't miss it!

Cover detail: Sue Harvey in

Down

Rivers of Spine/Natalie Weir choreo- grapher/pholo Sesh Raman.

6

IN MEMORY Of ROBERT ' OSMOTHERLY,

STAFF NEWS

Dance staff were pleased to hear that the Head of the Academy Dance

· Program. Susan Street had been ap- pointed an Associate Professor-a well- deserved promotion recognising Sue's qualities of academic and p1anagerial leadership. For ten years Sue has been in the forefront of the Dance Program's ' activities, providing initiative and vi- sionary planning al0ng w,ith an innate organisational ability.

The Dance Program at QUT is now one of the most preferred tertiary dance institutions in Australia, and is recog- nised internationally for its excellence in teaching and training programs w~ich provide quality graduates ready to face · the challenges of the 'real world'. Sue's promotion is justifiable acknowledg- ment of high personal achievements for this talented young woman.

In August, Sue has been invited to present a paper at the jade International Festival of Dance Academies confer- ence.to be held in Tache, Toky~Sue will present a paper oo dance criticism

Jn

early March,

the

Dance

Program ·

in Australia. Details still to be finalised

was

saddened to learn of the

sudden

inc_ludeplansforagroupofQUTDance deathofRobertOstnotherlyfrom

heart

students accompanying Sue to Japan· attack at age37.

Robert had been a

and representing Austfalia as part of an

member

of

staff from

1986

until1989.

international performance showcase Ro~ always

wpr\<ed long,

^han,j which is a highlight of the Jade festival.

hours aiid was

thoroughly

committed

BA coordinator, Shaaron Roughen totl)e legiti~te

and rightful

promotioq is halfway through her Masters degree of dance

as , a recognised art form

hi io choreography at the London School

edtp1tion. He. dedicated

himselfto

his

of Contemporary Dance. Shaaron's

teaching and

his

StudentS.

Robf:rtwas a valuable contributor

to

theSecondTeachingArea Dance course

anc("Set, by

example, high standards

in

the teacher education area

of dance.

Robert's wide involvement-and lOve Of

dance

was recognised

through(xrt,t\us-* tralia

by bOth edttcatcits and profes.:

sional artists. Robert had

~ a$

con-

sultant

to the

A~s

P -10 dance cur- riculum. He had also taught ami cOO.

reographed for both Expressions

Dance Company

and the QUeensland

'Ballet His

work Colonial Sketches for the Queensland 'Ballet has been

performed

extensively

throughout

the

state.

Robett's contribution

tq

dance Will' be remembered.

. ...

Associate Professor Sue Street Photo: Chris -Ellis

2

focus this semester is on film making as it applies to dance. QUT graduates currently working in London, Cathy Quinn (Rambert Dance s;:ompany) and Debbie Saxon (Siobhan Davies Dance Company), have coliaborated with Shaaron on some of her projec-ts which they have accommodated around their:.

professional jobs. On her return to Bris- bane, Shaaron wi

II

choreograph a short

·work to be performed. at the QPAC Concert Hall on .15 November. The work will feature iri' a program of music.

by the contemporary music group Peri- helion, entitled Points of Departure.

_ In June 1992, lecturer jean Tally, r~ceived funding from t~e Australia Council and the Queensland Arts Divi- _ sion for producing and choreographing a collaborative arts project. This culmi- nated in a performarrce season at the Metro Arts Theatre, entitled A Strange Attraction. Jean worked with New Zea- land theatre designer Toll is Papazoglou · and composer Andy_ Arthurs of the Queensland Conservatorium of Music.

The performers in this work were QUT graduates Helen Leeson, Julieanne Hansen and Greg Tebb. Jean has re- cently returned from an extended trip to Europe and the United States visiting her family. Whilst in Europe, Jean was invited to-give contemporary dance classes in the Canary Islands. ·

Lecturer Tony Geeves attended the Green Mill Dance Project in Melbourne in Janurary this year. Tony's report on the Green Mill is on page six~ In June 199 2 Tony attended a dance therapy conference in Sweden where he pre- sented a paper Unchoreographing the Dance.

Lecturer Graeme Collins ventured to South Africa· in January where he had previously worked for nin-e years as a professional dancer. Graeme met with a range of dance and theatre personali-

ties as well as former tolleagues and gained an insight into how the current political and social changes sweeping South Africa will affect the arts; iri par- ticular dance. Following his return ~o Australia, Graeme travelled to New Zealand where he was a guest teacher . for the Auckland Academy of Ballet and choreograpred for the Auckland Youth Ballet. Graeme also visited the Royal New Zealand'Ballet in Wellington and has been invited to return later in the year as· a guest teacher.

/

Part-time lectu'rer Dianna Laska- Moare has once again been on the move. As well as her work with QUT and the. Queensland Dance School of Excellence, Dianna, a folk dance spe- cialist, recently travelled to Launceston and Sydney to teach ancl choreograph.

As _part of a three-day folkloric spec- tacular at the Sydney Opera House,

Dianna choreographed a suite of dances fortheCarol Maddocks Folkloric Danc- ers. Dianna was soon back in Queens- land preparing her three dancers of the Austraflan Folkloric Dance Company (QUT graduates Nicole Brown, Isabel Dykes and Damien Hoyle}, for the Queensland A~ Council's tour of state

primary schools. ·

Anyone would be forgiven for be- lieving that spring is constantly in the air. The birds and the bees have been , particularly busy amongst certain mem•

bers of staff! 1992 saw the arrival of three new babies. Early in th.e year lecturers jean Tally and Fiona Cullen both gave birth to their first child (Jean, a. boy jasper, and Fiona, a girl Ella). In December physiotherapist Cheryl Ellison 'gave birth to Lauren. However, it hasn't 'stopped there . . . Lecturers Kristen Bell and janet Donald have ba,th announced thatthey are expecting later this year. · '

Midway through 1992 we·had the arri~al of a new Dance Program secre- tary,' Debbie Beck. Debbie has al·ready proved herself to be a valuable member of the dance staff and has mastered the ability to organise both staff and stu- dents whilst managing to remain calm and pleasant- most of the tin;Je... ·

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DANCE ,

Paul O'Sullivan . Photo: Chris Ellis

A DANCER

⁷

S STORY

Paul O'Sullivan - QUT Graduate 1987

Dancer with Leigh Warren and . ~ Dancers. Formerly with the Australian Dance Theatre and Expressions Dance Company

When I first arrived at QUT seven years ago, I had no idea what I was in for. Today, after five years earning my -living by performing, I have a much better idea of the profession but each y_ear is often just as uncertain.

I guess that's life in the

arts,

and while that can be depressing, if you stick it out you reap the benefits of your persistence. ·

For example, when I completed my course of study, ittook two years before I received a contract for a full _year -of employment. This year, after three years of an annual contract, I may only work for around eight months, but in those eight months I'll tour round South-Aus- tralia, to Canb~rra, Sydney and Mel- bourne and over to Holland at the erid of the year.,

... .

So, while I'm not earning a lot of ,money this year, I'll have a variety of dance experiences and during my breaks I can think about what I'm doing or try things I don't 'usuaOy try, all of which can enrich my work as a performer .

Looking back on my first experience of dance I can see that I was very naive and perhaps evert fool ish to have started, at age 22. But I'm so glad that I ci:intin- ued and while it is ·a' hard road to a

· difficult profession, therewardsarethere for those who persevere. ·

So, make the most of your:time at QUT. At the very least you have t}Vo or . three years to learn g(eat skills and broaden your horizons and hopefully it may be the start of an exciting and fulfilling career in any of a number of fields. Good luck.

....

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GRADUATE N. EWS

Academy of the Arts Dance gradu- ates are making their mark in a number of areas and continue to actively pursue a diverse range of interests and emproy- ment prospects.

Gabrielle

J~hnston

(ADA 1992) is currently performing with the Austral- ian Opera in the Sydney and Mel bourne season of Franz Lehar's Merry Widow.

Along with Nicole Galea @A 1992), Gabrielle performed with the Queens- land Ballet in their season of Giselle at the Queensland Performing Arts Centre in Noyember'1992. Nicole has recently returned from New Zealand where spe was invited to attend classes with the Royal New Zealand Ballet in Welling- ton.

Rumini Atma (ADA 1992) is under contract to Expressions Dance Com- pany forthei rfi rst season in the Cremorne . Theatre in May. Rumini was on profes- sional secondmentforthree months last year to Australian Dance Theatre in Adelaide as replacement for an injured dancer. Rurnini toured Singapore and Indonesia with ADT in August. Robert Tannion (BA 1992) is currently working on a performance project in Perth cul- minating in a community-based per- Jormance workshop at the Fremantle

Prison. Robert was also s'econded to Expressions Dance Company for three month_s in 1992. ·

Gabrielle johnston Photo: Graeme Collins

Other 1992 BA graduates, Angela Pratt, Kristy Andersont Katherine Lloyd and Kylie Davis have been accepted into the Graduate Diploma for Second- -ary Teaching this year, whilst Lorinda

Johnston, Fiona Allwood and Kim B~w have been accepted rnto the Graduate Diploma for Primary Teaching.

1992 Teacher Education graduates Narelle Richards and Tanya-Martin (BA 1991) ·are now teaching at Smithfield

· State High in Cairns, and Cairns State High respectively, whilstjolie Eyre (BA 1991 /Graduate Diploma in EarlyChilq- hood) has been taking dance work- shops at the Mt Gravatt State School Special Education unit working ,with visually-impai~ed children.

Clare Dyson (~A 1991 ) has received a first class Honours Degree in Visual' Arts (1992),· majpring in contemporary choreography. Clare has been shortl isted for a Fullbright Scholarship to under- take her Master of Arts at New York University. She has also been nomi- nated for being the Australian partici- pant ofthe I nternationa I Choreographic

· Workshop at the American Dance Fes- tival in june

i

993. Clare hopes to dis- play some of her work at the Fringe Festival later this year.

·Gail Macintosh (BA 1992) is ac- tively pursuing her interests in free~ance ' . teaching and choreography throughout

Queensland. Gail organised and coor- dinated the successful Ce!eb'ration of Dance at Southbank last October with Paul Me~curio's ACE, The Queensland Ballet, QUT AcademyoftheArts Dance and other local dance organisations.

Louise Taube (BA 1992) is also pursuing freelance choreographic activities and has been involved in a project wi~h the lnala Community group, Icy Tea. Louise worked with young street kids with an _·

interest in the popular dance styles of · the 90s. Louise also presented her work .

· as p~rt of the International Women's Day celebrations in March this year.

Rachel Mathews (BA 1990) has just completed her Master of Arts with first class honours from Surrey University in the UK. Rachel's thesis was on the relation·ship and 'influences of Post- . Modernism on the avant-garde-and cel- ebrated Eng I ish choreographer,-Michael Clark. Rachel beginstutoringdutieswith the Dance Program this year.

Another 1990 graduate, Miranda Lind (ADA) has been offered a contract with Tanz Forum in Cologne, Germany.

4 '

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Rumini Atma and Robert Tannion Photo: Sesh Raman

Miranda was the recipient of a .com- bined Dance Program and French Gov-₁ ernment foreign study scholarship to furtner her training for a year at the Rosella Hightower Centre for Dance International in Cannes, France. , ·

Tammy Meeuwissen (ADA 1991) has moved from Austral iah Dance Thea- . tre in Adelaide to the Chrissie Parrott

company in Perth' and will tour South America with the company later this year:Paul O'Sullivan (ADK1987) and Victor Bramich (ADA 1990) have also left ADT _?nd 'joined Leigh Warren's:

. new company, Leigh Warren and Danc-

ers. Michelle Ryan (ADA 1989), Tuula Roppola (ADA 1990) and Amanda Rogers (ADA 1991) have joined Meryl Tankard's Australian Dance Theatre in Adelaide. All three were with her com- pany in Canberra.

Julieanne Hansen (ADA 1989) along with Helen Leeson (BA 1990) and Nicole Arthur (ADA 1991) have formed ·a Da~ce in Education company, 'Frame-

work Dance', ·and have b~en touring the state taking contemporary dance into high schools as part of the Queens- land Arts Council's education program.

julieanne and Helen have also been in~olved in developing a₁ community arts dance project for the National Park~

Board. .

Tracey Edwards (BA 1988) and Greg . Jebb ·(ADA 1991/current BA student)

- - - D A N C E . - - - -

recently performed at a community arts project on the 'Wynnum/Manly fore~

shore for the Mudflat Arts Performance Project. After several years of perform- ing, Bronwyo C~aassen (BA 1988), has successfully completed herJirst year of physiotherapy in Melbourne:

...

'

COMMUNITY DANCE BEAT

Janet Donald

Valuable experience was gained by six val unteer BA students (Bruce: Scotia, Bernadette;Amanda, Fiona and Mylan) when they were accepted as support workers at the National Artability Con- ference in 1992. The conference fo- cused on issues of access and participa- tion in the arts by people with a disabil- ity. The students made many friends and contacts with disabled artists.

Students enrolling in/ the Dance in the Community subject take up short placements with organisations running various arts activities and work on cur- rent projects. The students gain insight i~to commurity arts practice and have the opportunity to communicate so- cially and creatively with a range of participants. It is important that dance be included and supported as-an acces- sible creative medium for the broader

~'community, and that dance can reflect those community interests and issues.

....

"Down Rivers ofSpine" Photo: Sesh Raman

PHYSICAL FEATS OF SUCCESS

Maureen Frame

The graduation performances of Physical Feats in November last year firmly established the Academy of the Arts Dance Program as a major player ' in Australia'-s dance trairing field.

The shows enthralled more than ' 900 peo[>le in the Brisbane Lyric Thea-

tre and a further 400 people in the regional tour of Proserpine, Mackay and· Rockhampton. Brisbane and re- gional media leanttremendous support to the tour, highlighting the growing · interest in dance in Queer;~sland.

The Courier-Mail's Peta Koch re- . viewed the opening Brisbane perform- ance with, "This graduatiqn concert is easi lythe finest presented by QUT dance students, who have risen to the occa- . sian of performing for the first time in '' the Lyric.

"Mbre than once I had to remind myself these are studenls and not yet experienced professionals."

Ashely Killar, the newly appointed

' '

artistic director of the Royal New Zea- land Ballet, gladly accepted the com- mission to restage his dramatic ballet;

Dark Waves. The otKer major piece was a highly athletic new wmk created by' graduate Natalie Weir, Down Rivers of Spine~ through limbs to a sea of move-

ment. · '

Physical Feats has set a very high· standard for future graduation perform- ances. Don't miss the 1993 Body Line performances on 23 and 24 November in the QPAC Concert Hall, Brisbane, and northern tour details to be an- . nounced.

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INSIDE VIEWS TO QUT DANEE

.,. Deanna Goodwin-Final year Bach-

elor

of

Arts ' In 1979 I was the youngest student enrolled in the ADA. Today, in 1993, I am what is known as a 'mature age' student. Writingthisarticlehasprompted me to reflect on how my attitudes to- ward dance and academic life have altered.

As a younger student, my focus was on the practical,sideofthedance course with a

less

than committed attitude towal'd. academic achievement. I felt thattirnewason my side, it was infinite,' and future opportunities were unlim- ited . .

As a 'mature age' student, there has been a reversal of my attitudes toward university life. Achieving academicalty is now my paramount concern and my only regret is that I did not give it the value it warranted thirteen years ago.

"

Tony Geeves Photo: Chris Ellis

GREEN MILL DANCE PROJECT

Tony Geeves

\

-

The Melbourne Festival ofChoreog~

raphy and Dance entitled The ·creen Mill Dance Project took plilce in Mel- bourne during january. It was exciting,

Although I have been involved in c;lance in one way or another since graduating from the ADA, I felt that obtaining my degree in dance would allow

me

^to

pursue further other areas of interest, in particular dance in education. '

Returning to study has been both exciting and daunting. The pressure to achieve is now greater but it is self- 'il1lposedthi~timeandtheopportunities

no longer seem infinite. In many ways being a 'mature age' student is more difficult because my responsibilities away from univer~ity are greater and there are more demands on my time.

On a more ~itive note, along with maturity, has come a finer appreciation and understanding of the importance of making every opportunity count. I feel privileged to have a place at university and my advice to new students would be to take advantage of the ~ears ahead.

irritating, and stimulating. The weather was just plain hot and, although the

"Malthouse" was a superb venue in many ways, it was not air-conditioned and this made concentration difficult for me after lurrch.

Evening performances were a sell out. I overheard accolades both about the standard of the dancers in Expres- sions Danc-e Company and the~excel­

lence of the repertoire- a real tribute to Maggi Sietsma and the company.

The forums and workshops focused on an extraordinary range of dance and dance-related material and information.

The interdisciplinary aspects of the whole affairwere mind-expanding and at times confusing, but never dulL

There was an exciting mixture of ¹ gender, age, cultural and educational backgrounds, diverse experiehce and a variety of tastes with the common de- nominator being the focus OIJ. dance.

Almost all were prepared to exchange Y·iews and ideas in a spirit of mutual respect. This alone points to an evolu- tion in the Australian dance culture.

Irritating moments included invited speakers leaving immediately after the panel discussion on their.particu lartopic.

They could have added much more to the continuity of the entire conference if they had become more involved with other aspects of their chosen subj~ct. It/

was frustrating that so few tertiary-lee-

6

Carpediem, quam minimum credula postero (Horace: 65 - 8 BC)

(Seize today, and put as I ittle trust as you can in the morrow) .

.,. Miranda Glikson - First year

Asso-

ciate Diploma of

Arts

It would be difficult to state on be- half of all newcomers how we were reacting ~o university life. There ar~

so

many people of differeflt ages, from different backgrounds with different goals. I suppose everybody would see this new experience in a> slightly differ- ent light, although most seem to appre- ciate being oAe of the lucky few to be chosen for the courses.

It makes life very interesting at uni, being exposed to such a diverse group of students and lecturers₁and extremely

·encouraging to at last be among a ma- jority. of serious, dedicated and open people. Enthusiasm is not afa loss here!

turers and mainstream qance company members we e present.

I also felt that the structure of the

·conference (with the choreographers workshopping during the day) did not enable them to attend the forums and experience what is"cu rrently happening tn many areas where other artists are col taborating intimately with dance and dancers.

Despite all of this, or perhaps be- cause of it, the entire process of the conference was stimulating for me. Af- ter a year of lecturinglteachin'glholdlng workshops and semiRars both nation- ally and internationally, I felt drained of resources. It was wonderful to 'see ahd hear what other people thought ahd felt about dance. It felt like being refuelled and·energisedforthe new year and was wel·l worth the effort and expense in- volved.

---DANCE~ . - · --~---

; _1

I fin<fitwond'etful tO have the oppor-

If

tunity

to-.

fOals solely on . my career intere$t tn· suchan tntensely motivated anc:f caring environment, one cannot helpbutJeam&omuch

~one's art.

The

~theOries

and opinions aboufdance • and- dance-rEilated sub-

jed$- iPfin~providing a provok- il)grJl . ··~ - .·· · .. · ..

thOSe. J

undertaki the APAoi'· &<: >. ' . .• · . • .. ng

A.J~~Piif'S'~ ~ - tne 'neat futlire

r.e- aance staff in-

:·~nce5and : it.ls

Wot:lderful k> be : ty· k \tt i ttie intenSiVe routine

·.ORIENTATION

\.

Susan' Caufield.,Ledercq _ . Before setting off to "0" Camp, the students bad already attended seven days of)Dance SUrvival Skills' taken by Tony Geeves. These specially. con- structed daily training sessions, lasting 90 minutes, aim to graduate the initial

·workload and prepare students for the full-time course work.

During Orientation Week, students were introduced to campus services, insludingtalks by the University Nurse, a Student Guild representative, julie Chenery of Ausdance, and a Comput- ing Services representative (seventeen of the ne~ intake are computer literate).

A tour of the library followed, as this is where l)"lany of the students wi II spend their days when nottreadingthe boards.

On the third day Professor Peter Lavery welcomed all Academy students to the - University. This was followed by a two- hour trip into the foothills· of the Lamington Plateau.

Christmas Creek was c;:hosen once again for the camp. As in previous years, second and tn i rd-year students, affeCtionately known as slaves, came along to help with the running of the kitchen and to mingle with the first years. F~ lecturersattendedthecamp and were thoroughly thrashed at cha- rades by a first-year group. The pro- gram was altered a little this year with the introduction of the FITEST, ' L.Legers multi-stage 20-metre shuttle runtestforcardiovascularendurance.

All students parti<Sipated and survived.

Even-ings were spent qn introduc- tions by the lecturers present and talks about what was demanded of students in the Dance courses:'"

Feedback on the <":amp was very positive. Ihe.food, prepared by dance staff and ,'slaves' got a 1 0 rating as did -

the venue: ,_

....

Phof(): Graeme Collins

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____.___ __ , - - - D A N C E'---,--:---

NEW APPLICATION PROCEDURES

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The Academy of the Arts will be distributing new applicant information kits to all Queensland high s_s:hools, in May, explainingthe new procedures for applying for entry to Academy courses.

Applicant infdrmatio_n forms are also available/by phoning the Dance Secre- tary on (07) 864 3423. Applicants-must sti II apply to QT AC to be eligible for an

offer. ·

If you are -interested in applying for the Bachelor of Arts (Dance) er Associ-

ate-Diploma of Arts (Dance) courses,

app¹licant information forms and a _cheque or money order for the $20

audition fee must be forwarded to the Dance Secretary, QUT AcaderT;ly of the Arts, Locked Bag No 2, Red Hill

by Monday 22 November.

· The audition fee is non-refundable - after -the closi rig date, and appl icahts pay ONE audition fee for each Acad-· emy Program they auqition for .. There- fore, if you want to audition for both the BA and ADA in dance, one audition fee is req_uired. If you want Jo audition for the BA' (Dance') and BA (Drama), two auditio_n fees are payable. ·

DANCE COLlECTIONS IN JUNE

' '

. Th_e repertoire for the Dance Collec- tions 1993 season· at the Woodward Theatre is once again shaping up to be

·an-exciting, diverse, entertaining_ ana

provocative season.,of danGe: The stu- dents will be challenged by new works created for them, as well as a range of specially_ selected and pre_viously per- formed repertoire pieces.

The Queen~land Ballet's Artistic· Director, Harold Collins, and Expres- sions Dance Company's Artistic Direc- tor, Maggi Sietsma, will both have thelt-.t works performed. Collins' challenging ballet, You Bright and Shining Angels, created for the 1991 graduation season will be performed by the ADA second- year and BA third-year Performance majors. Sietsma will work on a group- devised piece for the second year BA students. This will be thefi rstti me all the :second-year BA students have been in-

cluded in DanceCollections.Asaproject involving the making and appreciation ofdanceperformance, thiswill provide for many of these second-year stl!dents . invaluable first-hand experience and understanding in working together as a single unit in acreativesityation, whether tAeir career aspi(ations are for perform- ,ance, te,aching, adr'ninistration,rcom- mdnity work or other dance-related

~ctivity. .

Natalie Weir, the talented young Queensland choreographer an~ QUT graduate, will again presentherexciting Down Rivers of Spine, last performed for Physical Feats 1992 graduation.

Renowned commercial dancer and choreographer, Robyn Moase,- from

Sydney will again proauce the lively, spng and dance Musical Theatre sec- tion for the second-year ADA and third- year BA performance majors. This year it will incorporate excerp~ from West Side Story. The ever-popular 'tap dance' section will reappear this season with two short musical numbers from -'f2nd

· Street, choreographed by Paul Atthow. ·

· Dianna Laska-Moorewill produce a llveiy North American clogging dance for the new and talented first-year ADA students who will also be featu'red in a . new work by the Head of the Program, Sue Street. Staff members, Jear(Tally and Fiona Cullen, are choreographing new works for the second-year _BA Per- formance majors. Fiona is collaborating with composer/musician, Andy Arthurs, from the Queensland Conservatorium of Music.-Both of these works promise to be challenging for the-performers.

G raeme Coli ins wi II be choreograph i rig a short classically-based pas de deux.

The season runs from Tuesday 22 to Saturday 26 June. Book now- Dimce Collections is usually sold out by the Wedn_esday of performance week.

1. -

PERFORMANCE DIAR¥

Dance- Collections

-~

QUT

Woodward Theatre, 22 ~ 26

June,

7.30 pm.

Adults

$1S

Concession

$10

Schools

$6

, ..A.

NewMoves

^K'

QUT Woodward Theatre, 25 - 27 August, 8.00 pm.

Adults

$1 0

Concession

$8 '

Schools

$6

,

....

,. Body Line

QPAC.Concert Hall, ~3

and

24

Nove}nper, 8.00 pm.

Adults

$15

Concession

$10

Schools

$6 •

AUDITION DA\fES

- / ' Brisbane ,, '}

G

Block QUT Kelvin

Grove

Carnpus ADA 29Nov, BA . ....

30

Nov

-1 Dec

Rockha[npton

Debra Parker Acaaemy of Dancing ADA and BA 2·Dec

. . . . 4:

'townsville

Ann RobertS. School> of Dancing ADA and BA,3 Dec

....

Caims

Pptsy

Fry Dance Schg91"

ADA and BA 4 Dee

....

Canberra ·;;;;,.

National Capitar Ballet School

·ADA and BA 2 D~

•

Sydney ' '

Sydney Dance Company

ADA and BA 3 Dec

•

Melbourne ,

Australian

Ballet School

AOA ancf BA 4

Dec

•

Adelaide *

Susan Taylor ,Dance School

1\DA and

₁

BA

1

Dfe<:

' . . . . i>

If you would like to submit an article

or

tell us about the whereabouts and activities of past dante students from QUT and BCAE, contact:

GraemeCollins, The Editor, Danceatthe-Aatd- emy_ QUT Academy of the Acts, Locked~ No 2, Red Hill, 4059. Tel:i07) '8643423. Fax: (07)

'864 3734, Photographs should be good quality

¥ colour or black and white prints:' The deadline for the next iSSLfe rs 21 May 1993. "

-o ~

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