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REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S Rebellion Of Osvald Alving Reflected In Henrik Ibsens Ghosts Drama (1881): Psychoanalytic Approach.

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REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH

RESEARCH PAPER

Submitted as a Partial Fulfillment of the Requirements for Getting Bachelor Degree of Education

in English Derpartment

By

ANANDA DHIRA ANORAGA A320110085

SCHOOL OF TEACHER TRAINING AND EDUCATION MUHAMMADIYAH UNIVERSITY OF SURAKARTA

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v MOTTO

Hai orang-orang mukmin, jikakamumenolong (agama) Allah,

niscayaDiaakanmenolongmudanmeneguhkankedudukanmu.

(QS: Muhammad Ayat: 7)

Sesungguhnya Allah memberikan nikmat-Nya kepada hamba-hamba-Nya sesuai

dengan kemampuan-Nya dan mewajibkan mereka bersyukur sesuai dengan

kemampuan mereka.

(Ali bin Abi Tholib)

Will nothing beyond your capacity; there is a wicked falseness who will beyond

their capacity

(Nietzsche)

Nothing is impossible, the word itself says 'I'm possible'!

(Audrey Hepburn)

Orang yang melanggar peratu ran disebut sampah tapi Orang yang tidak

memperdul ilikan temannya lebih dari sampah

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vi

DEDICATION

1.

Allah SWT, the Supreme Being; Praise to Allah SWT

2.

Truly beloved mother and father

3.

All my cheerful brothers, sisters’nephews and nieces

4.

All my friends

5.

To one unnamed; whose name someday shall be named to

dedicates, together with this little work; the whole production of

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vii

ACKNOWLEDGEMENT

Assalamu’alaikumWr. Wb.

Alkhamdulillahirobbil’alamin. All praises belong to Allah SWT to his blessing and

mercies given to the researcher, she can complete her research paper entitledA REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH

In conducting this research, the researcher got some helps from many people. On this

best occasion, the researcher would like to express her deepest gratitude and

appreciation to the following people:

1. Prof. Dr. HarunJokoPrayitno, M. Hum., Dean of Scholl of Teacher Training

and Education Muhammadiyah University of Surakarta,

2. MaulyHalwatHikmat, Ph. D, Head of English Department Muhammadiyah

University,

3. Dr. Phil. DewiChandraningrum, M. Ed., the first consultant who has patiently

guided the researcher in arranging this work, provided time for consultant, and

gave the researcher nice suggestion,

4. Titissetyabudi, SS ., MA, the second consultant who has been willing to guide,

correct, and encourage her from the beginning of writing until the end of it,

5. Dra. Dwi Harjanti, M. Hum, as the academic consultant who has given the

researcher guidance as long as she studied in Muhammadiyah University,

6. All lecturers of English Department, for being good educators, guide, and

mentor,

7. His best gratitude for her beloved parents (Bapak Tri Sadono and Ibu Drajat

Prajatmi), thanks for ever over love, prayers, support (moral and material),

motivation, and everything during her life,

8. His beloved sisters, who have given love, care, prayers, and support. Thanks

for everything,

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viii

10. His beloved friends aisyah, dini,adit, adam, dito, wahyu, anduk,yeni, evi,

ambar, nisa, arin, dyah,pandu, kepen etc. thank you for your love, spirit,

motivation, suggestion, joke, and everything,

11. His “sahabatkopma” umbrus, gendon, oli, and sukma. Thank a lot for our

solidarity, spirit, assemble, togetherness, and all of you regard as my brothers

ever.

12. His friends in English Education Students Organization : thank a lot for many

experience and everything.

13. Thank you for special person haslinda kusumaningrum, about support, helpful

and everything.

14. Those who cannot be mentioned one by one toward their support to the

researcher completing this research,

The researcher considers that this research paper is far from being perfect.

Therefore, suggestion and criticisms are welcome and acceptance. She hopes that this

research paper would be valuable for readers.

Wassalamu’alaikumWr.Wb.

Surakarta, July 18, 2016

The researcher

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ix

C. Problem Statement ... 11

D. Limitation of the Study ... 11

A. Notion of Psychoanalytic Theory ... 16

B. Structure of Personality ... 16

1. The Id ... ... ...17

2. The Ego ... 17

3. Super Ego ... 18

4. Anxiety ... 18

C. Notion of Rebellion ... 21

D. Structural Element of Play ... 23

E. Theoretical Application ... 26

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A. Structure Elements ... 28

1. Characters and Characterization ... 28

2. Setting ... 33

a. Grammatical Structure ... 39

b. Sentence Construction ... 39

c. Figurative language ...40

d. Symbol ...43

6. Theme ... 44

B. Technical Element of Play ... 46

a. Miss en Scene ... 46

CHAPTER IV : PSYCHOANALYTIC ANALYSIS ... 57

A. Oswald Alving’spersonality ... 57

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xi

2. The ego ... 59

3. The superego ... 60

B. Rebellion Against the State of Osvald ... 61

C. Discussion of the Findings ... 64

CHAPTER V : CONCLUSION, EDUCATIONAL AND SUGGESTION .. 69

A. Conclusion... 69

B. Educational Implication ... 70

C. Suggestion ... 71

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REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S

GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH

AnandaDhiraAnoraga

Phil. DewiCandraningrum

TitisSetyabudi

English Department, FKIP-UMS

Jl. A. YaniPabelanKartasuraTromolPos 1 Surakarta 57102

Telp.(0271) 717417 Fax. (0271) 715448

ABSTRAK

Penelitian ini bertujuan untuk menganalisis pemberontakan yang ada dalam drama Henrik Ibsen yang berjudul Ghosts dengan Pendekatan Psikoanalitik. Penelitian ini bertujuan untuk menganalisis drama berdasarkan Pendekatan Psikoanalitik. Penelitian ini adalah penelitian kualitatif dengan menggunakan drama Henrik Ibsen Ghosts (1881) sebagai objek. Ada dua jenis sumber data: primer dan sekunder. Sumber data primer adalah naskah drama Henrik Ibsen Ghosts dan sumber data sekunder adalah beberapa buku sastra dan beberapa artikel yang berhubungan dengan drama. Metode pengumpulan data dalam penelitian ini adalah studi pustaka dengan membaca dan meringkas data. Dalam menganalisis data, penulis menggunakan analisis deskriptif. Hasil dari penelitian ini adalah Osvald memiliki kondisi psikologi yang buruk. Hal ini dibuktikan dengan pemberontakannya yang telah dilakukan. Meskipun ia tahu bahwa berhubungan seks bebas dan penyalahgunaan obat-obatan terlarang yang menyebabkan sifilis, tetapi dia masih mencoba untuk menggunakan itu. pemberontakan lain yang telah Osvald dilakukan adalah ketika ibunya melarang dia untuk menikah Regina yang sebenarnya saudara tirinya, Osvald bersiker as untuk menikah Regina karena dia mencintai Regina dan ia tidak pernah tahu bahwa Regina adalah saudara tirinya karena ibunya tidak pernah mengatakan kepada fakta-fakta yang terjadi di antara ayahnya dan ibu Regina . Berdasarkan analisis di atas, dapat disimpulkan bahwa pemberontakan Osvald Alving yang cocok dengan ide utama Henrik Ibsen dilihat oleh pendekatan psikoanalitik.

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REBELLION OF OSVALD ALVING REFLECTED IN HENRIK IBSEN’S

GHOSTS DRAMA (1881): PSYCHOANALYTIC APPROACH

AnandaDhiraAnoraga

Phil. DewiCandraningrum

TitisSetyabudi

English Department, FKIP-UMS

Jl. A. YaniPabelanKartasuraTromolPos 1 Surakarta 57102

Telp.(0271) 717417 Fax. (0271) 715448

ABSTRACT

The problem of this study is How is the rebellion reflected at Henrik Ibsen’s ghosts drama?”. The objective of this study to analyze Ghosts based on Structural analysis and the to analyze Ghosts play based on Psychoanalytic perspective.

The researcheremploys qualitative method. The writer uses two data sources: primary and secondary. The primary data source is about The primary data sources is the textplay itself. Then, the secondary data sources are from other sources such a s essay, a rticles, biography of Henrik Ibsen, Internet and other relevant information.The method of data collection is library research and the technique of data collection is descriptive technique.

Based on the anaylisis, the researcher get some conclusions. The study showsthat the problem faced by the minor character is his own rebellion. Oswald is presented by Henrik Ibsen, the author of Ghosts .Oswald is from Norway but lives in Paris. Oswald’s is an artist, becausehe fearing that his exuberance and creativity would dissipate like that his father, he wanted to leave his home in Norwey and he wanted to stay in Paris with Regina.The mistake is Oswald’s live as an artist that caused him trapped in drugs abuse, alcohol, and having free sex.Thejoy of life as an artist in Paris and from his father make him infected syphilis.

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