iii
ABSTRAK
Gahniyar Febrian Rewahdiyani, 210103100011, Laporan Tugas Akhir, 2013.
“
Mekanisme Kerja Tim Kreatif Properti & Kostum Pada Program
X Factor
Indonesia
di
RCTI
”
, di bawah bimbingan Pandan Yudhapramesti S.Sos., pada
Program Diploma III PAKT, Subprogram Studi Penyiaran, Fakultas Ilmu
Komunikasi, Universitas Padjadjaran Jatinangor.
Tujuan pengamatan ini untuk mengetahui mekanisme kerja tim kreatif
properti & kostum dalam proses praproduksi dan proses produksi pada program
X
Factor Indonesia
, hambatan yang di hadapi Tim Produksi, serta solusi dari
hambatan yang terjadi dalam program
X Factor Indonesia
di
RCTI
.
Metode pendekatan yang digunakan adalah metode deskriptif. Teknik
pengumpulan data berupa observasi partisipan, studi kepustakaan dan pencarian
informasi di media internet.
Hasil pengamatan ini menunjukkan bahwa proses produksi program
X
Factor Indonesia
melalui tahap praproduksi, yaitu penemuan ide, perencanaan
dan persiapan. Tahap produksi, yaitu final cek kostum kontestan, mengatur dan
menyiapkan peralatan pendukung di setiap segmen,
loading
peralatan pendukung
ke atas panggung, menjaga komunikasi bersama
floor director
dan
production
assistant
selama
live show
berlangsung, bergerak cepat, dan mengawasi peralatan
pendukung yang digunakan. Hambatan beserta solusi yang dihadapi berasal dari
masalah teknis dan non teknis.
iv
ABSTRACT
Gahniyar Febrian Rewahdiyani, 210103100011, Final Assignment Report, 2013.
“Working Mechanism of a Property & Wardrobe Creative Team at
X Factor
Indonesia
Program on
RCTI”, Supervised by Pandan Yudhapramesti S.Sos.,
Diploma
III
PAKT
Program,
Major
in
Brodacsating
Subprogram,
Communication Faculty, Padjadjaran University.
The study aimed to identify the working mechanism of property &
wa rdrobe creative team in the preproduction and production process of the
X
Factor Indonesia
Program, the obstacles found by the production team and the
solution to the problems found in the making of
X Factor Indonesia
Program on
RCTI
.
The research used descriptive method. Gathered data through participant
observation, library study and retrieve information from the internet.
The observation showed that the
X Factor Indonesia
program wa s
produced through preproduction process including idea discovery, planning and
preparation. The production process comprised of final check on contestant’s
costumes, arranging and prepa ring supporting facilities in every segment, loading
supporting facilities to the stage, maintaining communication with floor director
and production assistant while the live show last, proceeding quickly and keeping
an eye on the supporting facilities used. The obstacles found were technical and
non-technical problems.
It could be concluded that the duty of the property & wardrobe creative team in
the
X Factor Indonesia
program comprised of two processes which were
preproduction and production process. The creative team and crews involved
should maximize their communication with related parties in the process of
