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Chapter 2

Perception

By Michael R. Solomon

Consumer Behavior

(2)

What was Gary’s perception of Parmalat?

Why is shelf-stable milk popular in Europe?

In the focus group research, what were the

U.S. consumers’ perceptions of Parmalat?

What is Parmalat doing to overcome the

obstacles associated with marketing

shelf-stable milk in the United States?

(3)

Sensation and Perception

Sensation:

– The immediate response of our sensory receptors (eyes, ears, nose, mouth, fingers) to basic stimuli such as light, color, sound, odors, and textures

Perception:

– The process by which sensations are selected, organized, and interpreted

The Study of Perception:

(4)
[image:4.720.20.692.147.420.2]
(5)

Sensory Systems

External stimuli, or sensory inputs, can

be received on a number of different

channels.

Inputs picked up by our five senses are

the raw data that begin the perceptual

process.

Hedonic Consumption:

The multisensory, fantasy, and emotional aspects

(6)
(7)

Sensory Systems - Vision

Marketers rely heavily on visual

elements in advertising, store design,

and packaging.

Meanings are communicated on the

visual channel through a product’s

color, size, and styling.

Colors may influence our emotions

more directly.

Arousal and stimulated appetite (e.g. red)

(8)

This ad targets which senses?

This Finnish ad

emphasizes the

sensual reasons to

visit the city of

(9)

Sensory Perceptions - Vision

Some reactions to color come from

learned associations.

(e.g. Black is associated with mourning in the

United States, whereas white is associated with

mourning in Japan.)

Some reactions to color are due to

biological and cultural differences.

(e.g. Women tend to be drawn to brighter tones and

(10)

Perceptions of Color

This ad campaign by the San Francisco Ballet uses color

perceptions to get urban sophisticates to add

(11)

Sensory Perceptions - Vision

Color plays a dominant role in Web page

design.

Saturated colors (green, yellow, orange, and

cyan) are considered the best to capture

attention.

– Don’t overdo it. Extensive use of saturated colors can overwhelm people and cause visual fatigue.

Trade Dress:

– Colors that are strongly associated with a corporation, for which the company may have exclusive rights for their use.

(12)

Perceptions of Color

As this Dutch

detergent ad

demonstrates

(Flowery orange

(13)

• First Heinz gave us

“Blastin’ Green” ketchup in a squeeze bottle. Now they have introduced

“Funky Purple” ketchup.

• What sensory perception is Heinz trying to appeal to? Do you think this product will be

successful? Why or why not?

(14)

VIDEO: Snapple

Snapple drinks were

revived by the

Whipper Snapple

product, thanks to

consumers forming

their own perceptions

about the product.

(15)

Sensory Perceptions - Smell

Odors can stir emotions or create a calming

feeling.

Some responses to scents result from early

associations that call up good or bad feelings.

Marketers are finding ways to use smell:

– Scented clothes – Scented stores

– Scented cars and planes

(16)

Smell in Advertising

This ad pokes fun at

the proliferation of

(17)

Sensory Perceptions - Sound

Advertising jingles create brand awareness.

Background music creates desired moods.

Sound affects people’s feelings and behaviors.

Muzak uses a system it calls “stimulus

progression” to increase the normally slower

tempo of workers during midmorning and

midafternoon time slots.

Sound engineering:

(18)
(19)

Sensory Perceptions - Touch

Relatively little research has been done on

the effects of tactile stimulation on the

consumer, but common observation tells

us that this sensory channel is important.

People associate textures of fabrics and

other surfaces with product quality.

Perceived richness or quality of the

(20)

Applications of Touch Perceptions

Kansai engineering: A philosophy that

translates customers’ feelings into design elements.

(21)

Tactile Quality Associations

Tactile Oppositions in Fabrics

Perception Male Female

High class Wool Silk Fine

Low class Denim Cotton

[image:21.720.29.689.48.479.2]
(22)

Sensory Perceptions - Taste

Taste receptors contribute to our

experience of many products.

Specialized companies called “flavor

houses” are constantly developing new

concoctions to please the changing

palates of consumers.

(23)

Exposure

Exposure:

Occurs when a stimulus comes within the range of

someone’s sensory receptors

Consumers concentrate on some

stimuli, are unaware of others, and

(24)

Sensory Thresholds

Psychophysics:

– The science that focuses on how the physical environment is integrated into our personal subjective world.

Absolute Threshold:

The minimum amount of stimulation that can be detected

on a given sensory channel.

Differential Threshold:

– The ability of a sensory system to detect changes or

(25)

Weber’s Law

The amount of change that is necessary to be

noticed is systematically related to the intensity of the original stimulus

The stronger the initial stimulus, the greater a change must be for it to be noticed.

Mathematically:

K = A constant (varies across senses)

– Δi = The minimal change in the intensity required to produce j.n.d.

I = the intensity of the stimulus where the change occurs

I

i

(26)

Subliminal Perception

Subliminal perception:

– Occurs when the stimulus is below the level of the consumer’s awareness.

Subliminal techniques:

Embeds: Tiny figures that are inserted into magazine: advertising by using high-speed photography or

airbrushing.

(27)

Subliminal Messages in Ads

Critics of subliminal

persuasion often focus on ambiguous shapes in drinks that

supposedly spell out words like S E X as

evidence for the use of this technique. This Pepsi ad, while hardly subliminal, gently

(28)

Attention

Attention:

The extent to which processing activity is devoted

to a particular stimulus.

Attention economy:

The Internet has transformed the focus of

marketers from attracting dollars to attracting

eyeballs.

(29)

Attention and Advertising

(30)

Personal Selection Factors

Experience:

– The result of acquiring and processing stimulation over time

Perceptual vigilance:

Consumers are aware of stimuli that relate to their current

needs

Perceptual defense:

(31)

Factors that Lead to Adaptation

Intensity: Less-intense stimuli habituate because they have less sensory impact.

Duration: Stimuli that require relatively lengthy exposure in order to be processed tend to habituate because they require a long attention span.

Discrimination: Simple stimuli tend to habituate because they do not require attention to detail.

Exposure: Frequently encountered stimuli tend to habituate as the rate of exposure increases.

(32)

Stimulus Selection Factors

Size:

The size of the stimulus itself in contrast to the competition

helps to determine if it will command attention.

Color:

Color is a powerful way to draw attention to a product.

Position:

Stimuli that are present in places we’re more likely to look

(33)

What technique does

this Australian ad rely

on to get your

attention?

Does the technique

enhance or detract

from the

advertisement of the

actual product?

(34)

Attention to Stimuli

Interpretation:

The meaning that we assign sensory stimuli.

Schema:

Set of beliefs to which the stimulus is assigned.

Priming:

Process by which certain properties of a stimulus

(35)

Schema-Based Perception

(36)
(37)

Stimulus Organization

A stimulus will be interpreted based on its

assumed relationship with other events,

sensations, or images.

Closure Principle:

People tend to perceive an incomplete picture as complete.

Principle of Similarity:

Consumers tend to group together objects that share the

same physical characteristics.

Figure-ground Principle:

One part of a stimulus will dominate (the figure) and other

(38)
(39)

Principle of Closure

(40)
(41)

Semiotics: The Symbols Around Us

Semiotics:

Field of study that examines the

correspondence between signs and symbols

and their role in the assignment of meaning.

A message has 3 components:

1)

Object:

the product that focuses the message

2)

Sign:

the sensory imagery that represents the

intended meanings of the object

(42)
[image:42.720.155.612.97.500.2]
(43)

Semiotics (cont.)

Signs are related to objects in one of

three ways:

1)

Icon:

a sign that resembles the product in some

way

2)

Index:

a sign that is connected to some object

because they share some property

3)

Symbol:

a sign that is related to a product

through conventional or agreed-upon associations

Hyperreality:

The becoming real of what is

(44)
(45)

Perceptual Positioning

Positioning Strategy

A fundamental part of a company’s marketing

efforts as it uses elements of the marketing mix to

influence the consumer’s interpretation of its

meaning.

Many dimensions can establish a brand’s position

in the marketplace:

• Lifestyle • Competitors

• Price Leadership • Occasions

(46)

Perceptual Map

Figure 2.3: HMV

Gambar

Figure 2.1 2 - 4
Table 2.1 2 - 21
Figure 2.2 2 - 42

Referensi

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