BREAKING THE MAGIC CODE:
FINDING THE PATTERN OF GOODKIND'S
FANTASY FICTION WIZARD'S FIRST RULE
A Research Paper
Submitted to the English Education Department of the Faculty of Language and Arts Education of the Indonesia University of Education as Partial Fulfillment of the
Requirements for Sarjana Sastra Degree
By:
Desti Ilmianti Saleh (0809078)
English Education Department
Faculty of Language and Arts Education
Indonesia University of Education
Breaking the Magic Code:
Finding the Pattern of Goodkind’s
Fantasy Fiction
Wizard’s First Rule
Oleh Desti Ilmianti Saleh
Sebuah skripsi yang diajukan untuk memenuhi salah satu syarat memperoleh gelar Sarjana pada Fakultas Pendidikan Bahasa dan Seni
© Desti Ilmianti Saleh 2013 Universitas Pendidikan Indonesia
Juni 2013
Hak Cipta dilindungi undang-undang.
PAGE OF APPROVAL
BREAKING THE MAGIC CODE:
FINDING THE PATTERN OF GOODKIND'S FANTASY FICTION
WIZARD'S FIRST RULE
By
Desti Ilmianti Saleh 0809078
Approved by:
Head of Department of English Education
Faculty of Languages and Arts Education
Indonesia University of Education
Prof. Dr. Didi Suherdi, M. Ed. NIP. 1962110119871210001 First Supervisor
Prof. A. Chaedar Alwasilah, M. A., Ph.D. NIP. 195303301980021001
Second Supervisor
ABSTRACT
The present study entitled Breaking the Magic Code: Finding the Pattern of Goodkind’s Fantasy Fiction Wizard’s First Rule aims at identifying the pattern of the story through analyzing the fantasemes. It also attempts to investigate the ways the story constructs the logic of the secondary world.Utilizing a qualitative research particularly descriptive method, the present study adopts Nikolajeva’s (1988) fantasy theory as its major theoretical framework. The study found that the fantasy story construction in the novel is presented through combination of fantasemes. From the analysis of the fantasemes it is clear that the story utilizes a pattern linear to common fantasy fiction, however it also creates a new pattern. Similar to other fantasy stories, this story has a character traveling and leaving home, challenged and helped, performing a task and gaining triumph. The differences are in the absence of primary world which is replaced by heterotopias. The story constructs the logic of the secondary world through following magic laws, namely limitation and consistency. The fantasy story of Wizard’s First Rule also shows that Goodkind as the author transforms myth and fairy tales to fantasy fiction which is more modern.
ABSTRAK
Penelitian berjudul Breaking the Magic Code: Finding the Pattern of Goodkind’s Fantasy Fiction Wizard’s First Rule bertujuan untuk mengidentifikasi bentuk cerita dengan cara menganalisis fantasemes (elemen-elemen fantasi). Penelitian ini juga berusaha untuk menginvestigasi cara cerita membentuk logika dari dunia kedua di dalam novel. Menggunakan penelitian kualitatif khususnya metode deskriftif, penelitian ini mengadopsi teori fantasi milik Nikolajeva (1988) sebagai teori utama. Penelitian menemukan bahwa pembentukan cerita fantasi pada novel diperlihatkan melalui kombinasi fantasemes. Berdasarkan analisis fantasemes, terlihat jelas bahwa cerita menggunakan bentuk linear seperti fiksi fantasi yang umum, tetapi cerita tersebut juga menciptakan bentuk yang baru. Seperti cerita fantasi lainnya, cerita ini memiliki karakter yang bertualang dan meninggalkan rumah, ditantang dan dibantu, melaksanakan tugas dan memperoleh kemenangan. Perbedaannya terdapat pada ketiadaan dunia pertama yang digantikan oleh heterotopias. Cerita membentuk logika dunia kedua dengan cara mengikuti aturan magi, yaitu batasan dan konsistensi. Cerita fantasi Wizard’s First Rule juga memperlihatkan bahwa sang penulis, Goodkind mentransformasikan mitologi dan dongeng menjadi fiksi fantasi yang lebih modern.
Kata kunci: fantasy, fantasemes, the magic space, the magic time, the magic passage,
TABLE OF CONTENTS
STATEMENT OF AUTHORIZATION ... i
PREFACE ... ii
ACKNOWLEDMENTS ... iii
TABLE OF CONTENT ... v
ABSTRACT ... viii
CHAPTER I INTRODUCTION ... 1
1.1 Background of the Study ... 1
1.2 Research Questions ... 4
1.3 Aims of the Study ... 4
1.4 Scope of the Study ... 4
1.5 Significance of the Study ... 4
1.6 Research Methodology ... 5
1.6.1 Data Collection ... 6
1.6.2 Data Analysis ... 6
1.7 Clarification of the Terms ... 7
1.8 Organization of Paper ... 8
CHAPTER II LITERATURE REVIEW ... 9
2.1 Fantasy Literature ... 9
2.2 Nikolajeva’s Notions of Fantasemes (The Narrative Elements of Fantasy) . 16 2.2.1 The Magic Space... 16
2.2.2 The Magic Time ... 18
2.2.3 The Magic Passage ... 19
2.2.4 The Magic Impact ... 21
2.3 Synopsis of Wizard’s First Rule by Terry Goodkind ... 22
2.4 A Survey of Previous Research of Fantasy Fiction ... 23
CHAPTER III RESEARCH METHODOLOGY... 25
3.1 Research Questions ... 25
3.2 Research Subject and Context ... 25
3.5 Data Analysis ... 27
3.6 Data Presentation ... 28
CHAPTER IV FINDINGS AND DISCUSSION ... 33
4.1 Analyzing Fantasemes: Breaking the Magic Codes... 33
4.1.1 The Magic Space... 34
4.1.1.1 The Structure of the Secondary World ... 34
4.1.1.2 The Location of the Secondary World ... 36
4.1.1.3 The Description of the Secondary World ... 38
4.1.2 The Magic Time ... 42
4.1.3 The Magic Passage ... 44
4.1.4 The Magic Impact ... 47
4.2 Finding the Pattern of Wizard’s First Rule ... 50
4.3 Constructing the Logic of Secondary World ... 54
CHAPTER V CONCLUSION ... 57
5.1 Conclusion ... 57
5.2 Suggestions ... 58
REFERENCES ... 59
LIST OF TABLES
Table 3.1.1 The Structure of Secondary World………... 27
Table 3.1.2 The Location………... 28
Table 3.1.3 The Description………... 29
Table 3.1.4 The Magic Time………... 29
Table 3.1.5 The Magic Passage………... ... 30
1
CHAPTER I
INTRODUCTION
This chapter presents the introduction of the study. It includes the
background of the study, research questions, the aims of the study, the scope of
the study, the significance of the study, research method, data collection and data
analysis, clarification of terms, and organization of the paper.
1.1Background of the Study
There are a lot of opinions about the definitions of fantasy fiction.
Generally, fantasy fiction is delineated as stories containing several invented
elements, such as action, characters or settings of the story, which does or do not
exist in the real world (Fitzgerald, 2008). The children and young adult’s literature
including those several elements, namely magical beings or events, unrealistic
world, the mysterious sense, a wonder, and the destruction of the natural laws are
classified into fantasy fiction (Nikolajeva, 1988). One of the examples of fantasy
fiction is The Lord of the Rings (1954-56) series by Tolkien, whose setting is in an
invented world called the Middle Earth. The world is inhabited by many creatures,
such as hobbits, elves, orcs, etc. The story tells about the main character, Frodo
who gets the task to bring the magical ring to the land of Mordor. During his
journey, he finds many trials and also gets some magical help by the elves until
the ends he succeeds to return the ring and to break it. So does, Terry Goodkind’s
2
the invented world. The main character, Richard who lives in the free land of
magic called Westlands is named to be the Seeker of the Truth. He has task to find
a magical box to stop evil power of Darken Rahl in the lands of magic Midlands
and D’Hara. To do his task, he is supplied by a magical thing namely the Sword
of the Truth, and accompanied by a wizard, a mother confessor, and a boundary
warden. In the end, Richard succeeds in finding the box and killing Rahl.
Clearly, both stories Lord of the Rings and Wizard’s First Rules are
surrounded by various magical and imaginary features and situated in unrealistic
world. Those magical elements are the important elements that characterize a text
as a fantasy fiction. Nikolajeva (1988) terms magical elements as fantasemes
which are used to introduce magic surroundings, events, figures, objects, and their
interaction in a certain story where its presence constructs a text as fantasy genre
(further explanations are going to be elaborated in Chapter II). Specifically, she
categorizes fantasemes into four major fields among others are magic space,
magic time, magic passage between two worlds, and the impact of this passage. In
other words, the space, the time, the magical things, the figures, the actions, and
their interactions found in Wizard’s First Rule are fantasemes which can be
analyzed to reveal how the story is constructed as fantasy fiction as the focus of
this present study.
However, as the elements are interrelated, the analysis of one element
cannot be separated from the others. It is in line with Nikolajeva’s notion that
every element is related to each other. She uses Bakhtin’s notion of chronotope to
3
chronotope means “a significant connection of temporal and spatial relations
artistically assimilated by literature”. From this view chronotope is defined as the
relation between place and time. Widely, contextualizing chronotope in fantasy
fiction, the fantasy cronotope is the unity of different fantasemes which can be
used to describe the secondary world of the story (Nikolajeva, 1988; cited in
Salminen, 2009).
Besides the narrative elements or fantasemes and its relation or
chronotope, fantasy has some important rules. Nikolajeva (1988) formulates the
rules in the term of the magic law that consists of two main laws: limit and
consistency to make a fantasy fiction logical for the readers (further explanations
are going to be elaborated in Chapter II). Gates, Steffel, and Molson (2003)
approve Nikolajeva’s notion of the magic law in which the limit and consistency
should be involved in writing fantasy where the laws aim to help evaluating the
literature which is read. The rules or the criteria of writing fantasy can help the
study to evaluate the logic of the secondary world which is contained in Wizard’s
First Rule, a literature which becomes the primary source of the study.
In line with each purpose of the above notions, this study endeavors to
identify the pattern of a fantasy fiction entitled Wizard’s First Rule through
4
1.2Research Questions
Relevant to the background of the study above, this study attempts to
address the following research questions:
1. How are the fantasy elements employed in constructing Wizard’s First Rule as
a fantasy fiction?
2. In what ways does the story construct the logic of secondary world?
1.3Aims of the Study
Relevant with the research questions above, the study aims at:
1. Finding out how the fantasy elements are employed in constructing the story
as a fantasy fiction.
2. Investigating the ways the story construct the logic of secondary world.
1.4Scope of the Study
In this present study, the main focus of the writer is on narrative elements
and secondary world in Wizard’s First Rule by Terry Goodkind. It is pointed to
analyze and to reveal the construction of the story as a fantasy fiction to present
logical secondary world in the novel.
1.5Significance of the Study
Fantasy fiction has become a subject for several studies. One example is
Salminen’s (2009) Fantastic in Form, Ambiguous in Content: Secondary Worlds
5
fiction for children connected to the socio-historical of Soviet. To identify the
structure of the Soviet Children’s Fantasy Fiction, she applied Nikolajeva’s
notions of fantasemes and chronotope. It indicates that Nikolajeva’s notions are an
applicable theory to reveal the nature of fantasy fiction. However, this theory is
rarely adopted by Indonesian researchers, particularly in Indonesia University of
Education, whereas some of them used fantasy fiction as their research subject.
Therefore, this present study conduct a similar approach with Salminen’s
thesis, namely applying Nikolajeva’s (1988) notions formulated in the magic code
to identify the pattern of Goodkind’s fantasy fiction Wizard’s First Rule.
Although this study applies a similar approach from the previous study, it is
expected that the study provides new insights for understanding fantasy fiction
through a deep analysis of the nature of fantasy in Indonesia University of
Education, generally in Indonesia. Thus, the different findings and conclusions
will enrich the knowledge about fantasy fiction.
1.6Research Method
To solve the research problems formulated above, this study uses
qualitative approach in descriptive form. The use of qualitative approach is
appropriate because a qualitative research design focuses on specific situations or
people and emphasizes on words rather than number (Maxwell, 1996). The design
is considered appropriate to be applied in this study because the study is proposed
to describe the construction of the story as a fantasy fiction and the logic of the
6
1.6.1 Data Collection
The data were collected from the fantasy novel Terry Goodkind’s
Wizard’s First Rule (1994). The data were in the form of words, utterances, and
dialogues that were critically analyzed and purposively selected and directed to
answer the research questions.
1.6.2 Data Analysis
The collected data were categorized into how every element of fantasy
which appeared in the text was related each other, thus it formed an intact
narrative. The collected data were analyzed and categorized by using the
framework of the magic code as proposed by Nikolajeva. To conduct the study,
the following steps were taken:
1. Reading and re-reading the fantasy novel Wizard’s First Rule written by
Goodkind.
2. Collecting and selecting words, utterances, and dialogues which serve as
textual evidence.
3. Categorizing the textual evidence into the narrative elements of fantasy
proposed by Nikolajeva.
4. Analyzing the data by applying relevant theories.
5. Interpreting data.
7
1.7Clarification of Terms
To avoid misunderstanding, the following is the clarification of the terms
used in the study:
1. Fantasy
Nikolajeva (1988) disseminates that the most important feature of
fantasy is the presence of magic including magical beings or events,
unrealistic world, the mysterious sense, a wonder, and the destruction
of the natural laws.
2. Fantasemes
Fantasemes are terms for the magical narrative elements used to
introduce magic surroundings, events, figures, objects, and their
interaction in a certain story where its presence constructs a text as
fantasy genre (Nikolajeva, 1988).
3. Chronotope
The fantasy cronotope is the unity of different fantasemes which can
be used to describe the secondary world of the story (Nikolajeva, 1988;
cited in Salminen, 2009).
4. Primary World
Primary world is the usual everyday life which is recognized by
readers and the protagonist (Swinfen 1984, cited in Hongyu 2006).
5. Secondary World
The secondary world is projections of authors’ creative imagination
8
1.8Organization of the Paper
This paper is organized into five chapters as follows:
CHAPTER I
This chapter presents the introduction of the study. It includes the
background of the study, research questions, the aims of the study, the scope of
the study, the significance of the study, research method, data collection and data
analysis, clarification of terms, and organization of the paper.
CHAPTER II
This chapter elaborates some literary theories relevant to the present study.
It involves the elaboration of the fantasy fiction, the fantaseme (the narrative
elements of fantasy), and the synopsis of the novel.
CHAPTER III
This chapter presents the research methodology which encompasses the
research questions, the research subject and context, the research procedure, the
data collection, the data analysis and the data presentation.
CHAPTER IV
This chapter presents analysis, findings and discussion of findings which
are related to the statement of the problems.
CHAPTER V
This last chapter contains the interpretation toward the result of the
25
CHAPTER III
RESEARCH METHODOLOGY
This chapter presents the research methodology which encompasses the
research questions, the research subject and context, the research procedure, the
data collection, the data analysis and the data presentation.
3.1Research Questions
Relevant to the background of the study elaborated in the first chapter, the
present study attempts to address the following research questions:
1. How are the fantasy elements employed in constructing Wizard’s First Rule as
a fantasy fiction?
2. In what ways does the story construct the logic of secondary world?
3.2Research Subject and Context
The subject of the present study is a novel by Terry Goodkind entitled
Wizards’ First Rule (1994). It has 583 pages and consists of 49 chapters. It is the
best selling first book in Goodkind’s the epic fantasy series The Sword of Truth
(Wikipedia, retrieved March 16, 2013). Other novels of the series are Stone of
Tears, Blood of the Flood, Temple of the Winds, Soul of the Fire, Faith of the
Fallen, The Pillars of Creation, Naked Empire, Chainfire, Phantom, and
26
This novel is selected as the subject of the present study because it
possesses representative narrative elements of fantasy. The study focuses on
analyzing the ways the story is constructed as fantasy fiction to present logical
secondary world in the novel.
3.3Research Procedure
In gaining the aims of analyzing the data in textual form, the writer applies
qualitative approach in descriptive form. The focus of qualitative research design
is the specific situations or people, and the design emphasizes on words rather
than numbers (Maxwell, 1996). The design is applied because it is considered
appropriate for finding and describing the answers to the research questions. It is
in line with Merriam’s (1988; cited in Alwasilah, 2011) statement that the aims of
the design are for understanding, describing, finding, revealing a hypothesis.
The present study concentrates on the story and the narrative elements
presented in the novel. In general, an analysis of narrative elements of a novel
including: plot, characters, narrative perspective, and setting elements of the
novel, aims to explain the nature of novel genre (Klarer, 1999). However this
present study took different way with Klarer to explain the nature of novel
because the subject analysis is hypothesized as a fantasy fiction. According to
Nikolajeva (1988), fantasy genre possesses a number of features that only inherent
to this genre that she names as fantasemes or narrative elements of fantasy
including: the magic space, the magic time, the magic passage, and the magic
27
magic code because the theory was considered as the most applicable theory to
answer the research problems.
3.4Data Collection
The data were collected through reading and re-reading to Wizard’s First
Rule by Goodkind for several times. In the first reading, the writer tried to
understand the story. The second reading was the finding process of the issue,
namely narrative elements of fantasy that would be analyzed. Afterward the writer
searched the appropriate theories which were relevant to the subject. Since the
story and the narrative elements were the focus of the present study, the next
reading concentrated on the ways the story is constructed as fantasy fiction to
present logical secondary world. The collected data were in the form of textual
evidence which were selecting words, phrases, utterances, and sentences. They
were selected and directed in answering the research questions.
3.5Data Analysis
The data were categorized and classified into the term of narrative
elements (fantasemes) which were divided into four major fields; magic space,
magic time, magic passage between two worlds, and the impact of this passage, to
answer the research questions. The collected data were analyzed using the magical
pattern in fantasy called the magic code proposed by Nikolajeva (1988) as stated
28
3.6Data Presentation
The analyzed data were then presented in the tables such as the following:
The Magic Space: Structure, Location and Description of Secondary World
Table of Data Presentation 3.1.1:
The Structure of Secondary World
No. were born, D'Hara was just a confederation of kingdoms, as was the Midlands.”
“There is magic in D'Hara, too, not just in the Midlands. Back then there was magic everywhere. There were no separate boundaries were created with the help of magic . . . but they themselves are not magic.”
The story is categorized as closed world because there is no contact between the primary and the of magic in those lands.
Westland is the secondary world of Midlands and D’Hara because it is created for people who won’t magic. Beside of that, they create the boundaries to separate the three lands. The boundaries are part of the underworld.
29
Table of Data Presentation 3.1.2:
The Location
“They wanted a place to live where there would be no beautiful, wondrous place ….”
5/37
D’Hara
“D'Hara was just a confederation of kingdoms,
as was the Midlands.” 5/38-39 As Midlands, D’Hara is a land of magic.
30
Table of Data Presentation 3.1.3:
The Description
No. Textual Evidence Chapter/ Page
Table of Data Presentation 3.1.4:
No. Textual Evidence Chapter /Page
The Magic
Time Explanation
1.
Kahlan stared into the fire. “The boundaries are part of the underworld: the dominion of the dead. They were conjured into our world by magic, to separate the three lands. They are like a curtain drawn across our world. A rift in the world of the living.”
“You mean that going into the boundary is, what, like falling through a crack into another world? Into the underworld?”
31
The Magic Passage
Table of Data Presentation 3.1.5:
No. Textual Evidence Chapter/ Page into our world by magic, to separate the three lands. They are like a curtain drawn across our world.”
5/40
The door
The boundary is a passage as a door which separates the three lands. It also leads one land into another. "The boundary," Chase announced,
holding his arm out at the introduction. "I don't see anything," Richard said. Chase smiled. "Watch." He walked on, steadily, slowly. As he went forward, a green glow formed around him, at first hardly perceptible. It grew stronger, brighter, until after another twenty steps it became a Richard could see through it, see the dead trees beyond. Chase stopped something that could be seen.
14/127-128
The Magic Impact
Table of Data Presentation 3.1.6:
No. Textual Evidence Chapter/Page
The Magic travelers safely through the Hartland forests.” Rachel giggled .... "Are you a lord?"
32
guide." His face got a little sad then. with various identities.
Richard thought a moment. "It seems they are part of my past. I can dimly recall that I was a guide. A woods guide, I think. But I don't remember much about it, Mistress Denna. Except I liked the woods." blinking. He felt the anger heat in him. “No one’s swearing loyalty to anyone, least of all me! I’m a woods guide. Nothing more. Get that through your heads right now. A woods guide!”
49/578
“Send word: all hostilities are ended. The war is ended. See to it that all forces are recalled to their homelands, all armies of occupation are withdrawn .... The D’Haran forces are to help get food to the people who would otherwise starve over the winter …. If any forces you encounter don’t follow these orders, you will have to deal with them.” Richard pointed to the commander of the Westland army. “Take your forces and help him ....” ….
CHAPTER V
CONCLUSION
This chapter presents the conclusion of the study which is based on the
findings and discussion in the previous chapter. This chapter also presents the
suggestion for further study based on the result of the research.
5.1 Conclusions
The aims of the study are twofold. First, it attempts to uncover how the
story is constructed as a fantasy literature by figuring out the pattern; and second
to investigate the ways in which the story constructs the logic of the secondary
world in Wizard’s First Rule. The previous chapters show that the story is
narrated through several fantasemes which are interrelated. Those are the magic
space, the magic time, the magic passage, and the impact of the passage. From
the analysis of the fantasemes it is clear that the story utilizes a pattern linear to
common fantasy fiction, however it also creates a new pattern. Similar to other
fantasy stories, this story has a character traveling and leaving home, challenged
and helped, performing a task and gaining triumph. The differences are in the
absence of primary world which is replaced by heterotopias. The story constructs
the logic of the secondary world through following magic laws, namely limitation
and consistency.
The study presents that the magic space is the fundamental fantasemes of
construction. The magical things interrelated with the magical creatures are the
magic passage between the subject and the magic space of the story. The
fantasemes coalesce to form an adventure story fantasy surrounded by magic. The
whole story shows that the adventure gives the subject the magic impact.
5.2 Suggestions
The study suggests that more studies of fantasy literature be conducted
because fantasy is one of popular genres in literature for children and young
adults. It would be better if the next researchers compare Indonesian fantasy
novel, such as Trilogi Elir: Takdir Elir (2012) by Hans J. Gumulia with English
fantasy novel in Indonesia, such as Rowling’s Harry Potter series (1997-2007).
Research conducted may provide the reason for why English fantasy novels
become more popular than Indonesian novels. Furthermore, the research may
provide the suggestion for Indonesian fantasists to increase their ability in writing
fantasy. This study is also expected to motivate future readers and researchers to
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