THE HISTORY OF MOTION GRAPHICS BY
MICHAEL BETANCOURT
THE HISTORY OF MOTION GRAPHICS BY MICHAEL
BETANCOURT PDF
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About the Author
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The History Of Motion Graphics By Michael Betancourt. Reading makes you a lot better. Which states? Numerous wise words claim that by reading, your life will be better. Do you believe it? Yeah, prove it. If you require guide The History Of Motion Graphics By Michael Betancourt to check out to show the wise words, you can see this web page completely. This is the website that will certainly provide all the books that possibly you require. Are the book's compilations that will make you feel interested to check out? One of them here is the The History Of Motion Graphics By Michael Betancourt that we will suggest.
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THE HISTORY OF MOTION GRAPHICS BY MICHAEL
BETANCOURT PDF
Expand your knowledge of the aesthetics, forms and meaning of motion graphics as well as the long-running connections between the American avant-garde film, video art and TV commercials. In 1960 avant-garde animator and inventor John Whitney started a company called "Motion Graphics, Inc." to make animated titles and logos. His new company crystalized a relationship between avant-garde film and commercial broadcast design/film titles. Careful discussion of historical works puts them in context, allowing their reappearance in contemporary motion graphics clear. This book includes a thorough examination of the history of title design from the earliest films through the present, including Walter Anthony, Saul Bass, Maurice Binder, Pablo Ferro, Wayne Fitzgerald, Nina Saxon, and Kyle Cooper. This book also covers early abstract film (the Futurists Bruno Corra and Arnaldo Ginna, Leopold Survage, Walther Ruttmann, Viking Eggeling, Hans Richter, Oskar Fischinger, Mary Ellen Bute, Len Lye and Norman McLaren) and puts the work of visual music pioneers Mary Hallock-Greenewalt and Thomas Wilfred in context. The History of Motion Graphics is the essential textbook and general reference for understanding how and where the field of motion graphic design came from and where it's going.
Sales Rank: #403438 in Books
Dimensions: 9.00" h x .79" w x 6.00" l, 1.02 pounds
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Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, andpublished in journals such as CTheory, Semiotica, and Leonardo.
Most helpful customer reviews
5 of 5 people found the following review helpful. Ground-breaking history of a new field!!
By LM
story of the processes that inspired innovation and the insightful stories of the artists that made highly significant aesthetic contributions from the 1920s up to 2003 that continue to inspire various spheres of the commercial industry world wide. A must read for every serious artist and curator interested in the subject.
Rey Parla Artist
Brooklyn, NY
4 of 6 people found the following review helpful. Very informative but dense
By Angie
As the first book written on the history of motion graphics, I expected it to be better.
As a book written in only a few weeks, it's impressive; it's packed with so much information about the history of motion graphics. However, the way it's written is so dense and heavy. It seems it would've been more successful if there were more accompanying visuals or a disc with the works he was talking about. There are a lot of spelling and grammatical errors, which bug me a lot when I read books. This isn't an article that I'm reading online. If I buy a physical book, I expect it to have been proofread before being printed.
It's not a bad book. If you want to learn about the history of motion graphics, go for it, but it'll easily put you to sleep.
THE HISTORY OF MOTION GRAPHICS BY MICHAEL
BETANCOURT PDF
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About the Author
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, andpublished in journals such as CTheory, Semiotica, and Leonardo.
