IINTVERSAL
TRUTE IN
TgE
THIME
OI
FI\,'E SELECTED POEMSBY
LORD
BIRON:
A NEWCFJTlctSIt
ANATySIS
A TSLSTS
S,bditld in
Pati.t
Fnfbtut
tont R?4liEmdfu
1tuDestu oJsz,joe
sz,ta
INDRA
MIAD
0518512t
ENGLTSE
I}EIIARiMIIIiT
. FACT]LTY OF LETTETISANDATIAS I'MI'EITSITY PAI'ANG
Shpsi
j.i
nenbal4
tenbng l<eben6e uiveBal yms teidapat pada t€ma ddlli@
puisi kdyaLod
B,ron, yEitulre
be
of Wdterloo, The Desbuctiaa al Sea@hetib, Onmn
D.!
I
Anphte
Lli
fhit'lJb:th
lee,
Ddkness, dM Chucn;l s c/@e.Dflsa
smsi
balwa k rya sasrmy
g agugmmiliti
kebffm
mivenal, pmulisndjel4kan
banwleliha
Fisi
ledebut
nengmdug
tcbe@-kebcnam
Mivds.l
yde
ledapatlada leha
puisi-puisiD€nge
nenggEald
metodc pcncUn& kuElilafie !€oulis mengguak n teorikllik
bm
unrk
noganalisis dara primer Pennismlgguakd
piosdurEt!*
neneroalish dalailalu
kitil
banydg
dissunoh!
Rob Po!e, ydtudebt
!6
te as
ieNi ubma"srrlktu,
iekstur, dm lesa ymg dihAilksn ol€h
elme.<lme!
tesbrit.Pdelili&
n.nEjll&o
balwa kolina puisi diabs nengmdmg satuleboafu
bivedal
ymg lerb€nolde
kebe@-k€be@ miv6al
ydg
reldapat pada kelimatem
puisi 1e6ebu! yaitu balwa tak ada etu hal
ps
ydg
da!*
berra\& lama" sen@yamenilili
lr]l@ya
@i!e-tMi!s.
Kebenm
uivesal
ltma
lenebui didapalddi
kelinatem
puisibrd
Byroq yaitu ketidlkRasDaddyde
beruiug pada nalapettka (me Eveof
WaEnooJ, semu bsl nempur€ine
jaya dmn6a
kehdc(na(Irr
Dssrrodon of Smache/ib),petes
dltat nenbaekirkmro
palriotisnedd
keputusasa!4 bidkm ma parJiotime itu nengalir did,lm pikim
kita alin-ali!'e
kcpntusd
(O,Irir
Dal J Co plele M!Thnqjtdh
yeat),F6Gia
1,! ol<&bis
helawd
alnndei dbia
(rdh*t,
da
kejals
itulidltlah
besifalCSAPIER
I
INTRODUCTION
1.1The
Backgou
oftheR$ercn
toety
in the lilqary woddh6
Bone lbrough o longiaditior
1thd ldsed
sevml p€nols which influ€nces its chd&teris$c b6ed on *hich @nlenllation widely
adante<l in {re cerlajn ase.
tr
the long trEdilional Enslish litemrymon.
RoDetic poeEy is doniMled by lereral top notch$ poct including rne controveBdncw
GcoreeCoidon
Byrci
or widdylnoM
d
Lord Blron (1788 18241(Alexdds
265). He nNprcduced
n
y!@N
wlich
help his Epuatiora
a poet notfied by peodeacos
Briramia md Ncn Emp€. His nosl nolablo wort indldes tie @ic Do,
,a,
shicn issedy
appreciated acrcs themrld.
In the Enslish Dcpaltncnr of Andsls UniyeBiiy, the
clitchn
loMrdtard
Btron's workr isufonua&ly
very linited. I1is is also irue for poetry sine the populeyo{s
to be criticized by smduate students of AndalsUniveBiltt
Englisn Deparnaentm
Bosdy novd, shori slo'r,ed
drda
Anonsllos
limited cnticim, theeloed
by Lotd Bt\oa, Ihe Destructian of [email protected],Prarcthil,
atuJ SheValk
ln [email protected],t6ber
allzed ba*d on stylisrica!6peciivc.
Lord Blaon's
?olddity
s
poel isflirly
tosy
mseu!
partially byloes
that ne wote b4ed on vbat he haf seen
dd
sw
ria
doins nisCmd
Tou tormy
conventional Hay for
m
distocral ongleted his educatior, visirins sires Elaied io cissic2l hisrory,Renaiss€
ort,ad
ENpm
crlhN
{Fi6ldin
5). Ase
a.islocE1hihsell
ho visitsidt
cowtiies in EuoFc,nosly
in $e weslen md southen partof
Empc. Hisjomey
inspiEdmm'
of his poens suchs
Lis fmous .pic Child. llotol.l s -Pi/tTirdg?r
one ol dre poemsdal
instted by lrislisit
to @undes slcnd
BelgiD,
Potueal, CEece, etc so does the poen 7he F,re ofrltaterloo Nhieh inspiFd bt his risil lo
Vr'alerloo in Belgim.
Vir!
his visir 1o Dmy countries, he disoveB that rheE is a simildnoml
hurmiry
velues whe€vq h€ goes- It is ody mtural thati!
tle
poens rhalle
produc.dndilestcd
widr unileEalilyol
hun
nronl
or
uni\esaliryol
hummenotional signific&ce. jnlcndcd or
!ol,
the poens tnal wrifte. by Lord Byron poscss the mcssasc about uiveBal valEs ofhuns
life wnich could sive$ne
conlibutior 1o lbe Eader in uderstdding thc lalues in iivins 1hen lifc.In tne reactjon ro ihis, lne
milfi
n
challmged to discusseEl
poens byLord Byon by attcnptins lo rev€€l rhe
uivesal
1ffn in $epom
s tnme. ln €vealing$€
rile*al
l,ath behind ine!oen,
tle
wriier66ide6
'lsst ucnre md
teft{e
rhalconstlct md sive neaning to ttre
pod
ilsetl. Witb dise6ideEnor
i!
mid,
ihewirer
pFles New
Cnticis
a
the $iiable device to6allz
tne poen. This nethod G the nost apprcpnatein
dalyzing shoder poedsdd
stodes silce wecd
mlyre
mde fomal elem€nrs within the snortd tex1 Gyson 149)- nre poems cov€r ?rd Eveo/
wote oo,1he De tuctbn of Sehhachetib, Oh Thn D..r
I
CadplekL0
mn+SL\thvear Dariaes, a\d Churchill s Gr@e.
Hding
read the poens. lnewiler is
con6dent that theloens
@
beCIITPTDR
III
lmce cdnot te
lsd
!o prevdtit.
ln theloen
O,ftjr
D4r 1 Cotbte
t"l! rh;/ry-Sdhleal, it is suss6ted rnat
m
cm evoks d/Tclhrion anl pahiolisn insid€ hullm, le1 tneA
Iiler
y sork gains ilsfdc
dd
quality nol anly be@6e ol th€ hisbncllor social sigDificdce. It is
als
delemiftd by i1s rcles
!
nre
uluablelise
of ar1. inwhich
bed
on New Critichn pcnpotivc, ns clements woik togefidd
6
ins!@ble
$!olc.he
elemors{ott
logelir
dd
detmine t]le lnene th!1 corrais soneuiven€l
Irudr lraL
se
esa
aEIuk
on'lum
values or drehlllm
circmsta&
{lysonl4l)
The subject ofthis tncsis, sonc Lord Bl,mn's pocns fiat
co!s: "Ile
Eye oI wlterloo,fte
Desu@tionof
Sebachenb, OnTbn
D5yI
Conplel€My
Thirty-Sixlh Yee,Ddlo€ss,
bd
Cnuclnjl'sCfllc
.nircr
thc €ndrc cnrerion above.Al1 1nosc
loons.
aier
$e sLaclw
ed
the rextueits
elenerts workstogether, ha sone dif€rent drenes respectively but shm lle
sde
uive&l
i!&
that is "1!eE ismlhile
thailat
forcver, ddytning h4 iheir rin€ but nor ro be€nftd
forevcl'. ln $epan
Thebe
af Vatenoo, rhe thene is .bou1 wl€ssness leads i.to dlssler,lle
bal is n€idh
themne
line
ad
the Fcolle do notl*de
tbll
a potentia] dmser is approachins$m.
Ev*Iling
hs
iheiroM
lime md so we shorld Dot coercct[i.ss.
Ihe Detn"cion of Sennacherib suggests unl everrdilg in this
{orld
hs
den heydaymd desFuctior Semachenb md his toops dcspiie of their
niglrtifts
(fuoi
prcvenllribliognpby
Abtss, M,6. A Abt\ory of Litel,ry
rezr
7d ed. USA: Hcidc & Hcinlcj 1999-{lexmder,
J.A.
RomMticP@rty." thcyclope.ta oJLierut reAd
Criti.itn.
Dd. Madin Coyle,I'eler Cdsid., MalcohD Kelsall, Jonn Pcck. rondon:
B2ldiek. Chtis. 118
CNise Di.tionry
aJLikrurj
Ienr.
Oxford: OxlodUnive6ily ftcss. 2001
Bmet,
Sylvued
WilliM
!.C^i^. ,1 Shorl Cameh
thihng abo l Literuture9s. ed. New York l-onsmm.2003
Bdnens, Hds. LiterarJ 1"n?ory: 1hs
,,i;.r.
London: Routledge i 995Byrc., G6rsc Gordon. Zru
tre
,/
rilakrle. July 3 2010.<l!d]{44.0!!E!
mhile com/h/the eve of vsb.loo html>
---.
The Deslruc1io, OJsenn.he.ib. Jtlt 3 2AlO.<kp:rfanouspoetsand
>---.
Oh fhis Dtr I Cn plete MJ Thint, Sixth yen. ]uly a2010. < http/fanousnoetsndpoems.coE/poelvlod brortpocms/5973>.
Dali,?s
July 8 2010.httpT/[email protected] bviortrocns/596?>
--
---.
Cltrrchill\ Grdw. .luly 3 2010.<hnp://rmolsodsmdlo
Childs Perer
ad
Roger Fowlet. me Rolnle&e Di.tibna4, af Lnenty Terns Oroni Roudedge.2006C
taon, !.4. 7 tu Pen{uin Dicrio"orr of Literaold
^
rnJLtttr4
lheuA A$ nLondon: len guin B ooks 1998
Endawam. suwddi. Mer,.lal,gt
Pe,,l
a, s"ri/a. YoB/akan!: PustakaIe
gu$1 r\,deJF.Vd'.
crlre . tudJo
s BlrodiJ.
/4-
\ot to4 rq\aoA,)
PoJ,4 5ued
Nedlorl
Nonof, & Compsnrlooi
Gu;rin. Wilftcd L, cr al. ,1 Tj ,1, ook af Criticdl1pprcach. 46 ed.Nef
\atk:
OxfordUrirniq
Press. 199911a6ib, M.A.R.1 Ei:tuty afLit.rury C.nicisn Ffun
Plzt
to the Plese .Oxlotd: Blachvcll Publishins.2oo5