DKDCKEB] CERlAMiC
STKATIGRAPHY, CERRO
D'E LASMESAS 81
bottles, one of Plain ware, one of Black ware, with vertical handles and applique Tlaloc faces, of the type found on the slopes of the Volcanoes of the
Highland
(pi. 24).Presumably
they are refer- ible toUpper
I.The
Aztec-type figurines have already beenmen-
ioned.They
probably relate toUpper
II.The
onePlumbate
vessel recovered, because of its intrusive location, cannot be placed,
:ior can it serve for dating purposes
—
itmay
very well have beenpreserved for a considerable timebefore its placing in the pit.
82 BUREAU OF AMERICAN ETHNOLOGY
[Boll. 141 tations to represent features,common
all along the east coastfrom
the Huasteca to theMaya
area. Specifically, the forms represented arevariants of that designatedTres Zapotes subtypeA,
an unspecial- izedform,which
isof longdurationatthat site, firstappearing intheLower
period; of anotherdesignated Tres Zapotes subtypeD, which
belongsto theMiddle and
possiblyUpper
periods atthe typestation;
and two
specialized local forms(G and H), which
fit typologically intotheelaboratedvarietiesofMiddle
TresZapotes.Inthefollowingperiod,
Lower
II,thesame
wares (exceptforWhite
ware,whichnearly disappears)and
types continue, withthe addition of certainnew
elements.A
painted ware, called"Untempered"
be- cause of its distinctive paste type,which
is related on the onehand
to Tres Zapotes
Polychrome and on
the other to late wares ofcentraland
northern Veracruzand
to Fine Orange, appears in small quan-tities, alongwithcertain localPolychromes, a"StuccoPainted"ware,
and
miscellaneous varieties of Bichrome.None
of these innovationsis abundant.
In
regard to vessel forms, there appear concave-side jars,with ornaments about the base,and
frequently with hollow slab legs—
a shape-type strongly reminiscent of Teotihuacan. Slender jarswith bulbous basesand
tripod supportsalsoappear on thislevel.In
addition to thenormal
type of incising, there occurs a broad-line"scraped" decoration. Figurine types are quite varied.
In
addition to local specializations of thehand-made
punctate pattern, there appear forms referable toRancho
de lasAnimas,
and, as well, a variety ofmold-made
types, including elaborate variantLaughing
Faceforms.While
thereisundoubtedlya chronologicalsuccessionof theseforms,we
are unfortunately not able to define it on thebasisof the material at hand. Obviously, Cerro de lasMesas
received in- fluencesfrom
variousquarters,and what
with the effects of time lag in diffusion,and
perhapsthe conservatism of a peripheral site,some
traits CO-occur there
which
in their original sources are probably sharply differentiatedin time. In addition to figurines,thereappear for the first time large free-modeled idols of clay,which
have been included with their elaborate pedestals under the head of"Monu-
mental ware." Belonging to this period are the only examples of stoneyokesand
hachasrecovered.As
in thepreceding instance,thechangefrom Lower
II toUpper
Iis
marked
notby
changeofwaresand
typesbutratherby
theaddition ofnew
elements, accompaniedby
changes in emphasis,i. e., quantita- tive changes,on
certain wares.Polychrome
wares ingeneralbecome
more
numerous,and
there appears anew
variety, Complicated Poly- chrome,which
is veryclosely related to the Cholulaware
designatedby Noguera
as "Ceramica policroma laca."Zoomorphic
vessel legs.Dkuckek] CE'BAJVUC
STRATIGRAPHY, CERRO DE
LASMESAS 83
bowls withmolded
decorationon
the base,and
very flatmolded
fig-urines unmistakably of Cholulteca type
accompany
thisHighland
ware, apparently integral parts of the transported complex. Black- and-White-on-Redware
is a pretty certain indicator ofHighland
in- fluence.There
isalsoaBlack-on-RedIncisedware,common,
to judge bythenumber
of examplesfigured, in CerroMontoso
deposits, as well as inCholultecaand
lateValley ofMexico
sites. Fluteswithmodeled
ornaments (paintedpelletsof clay) areamong
the diagnostic features of the period.Upper
II is, as has been stated,an
imperfectly defined unit, based chiefly on materialfrom mounds
superimposedon Upper
I strata.Of
nonceramic features, greatestuse of stucco for structural purposesand
presence of copper (small quantities only have been found) are outstanding.As
faraswe
can tell,thereisbutlittle ceramicchange;
handles with zoomorphic ornament,tallpitcherswithvertically placed cylindrical handles, stepped flat slablegs, large clay tubes,
and
a few pieces ofTan Polychrome ware
(a type representedon
the Isla delos Sacrificios) are the only
new
features. Probably thefew
Aztec figurines collectedfrom
the surface of the site, surely trade pieces, are referable to this period.In the absence of internal evidence
from
the deposits themselves,we
are forced to rely on comparative evidence for the chronological placing of the Cerro de lasMesas
ceramic column. Fortunately, there are a series of traitswhich
are not just resemblances but are identical to diagnostic features of established sequences elsewhere.Itcan be
shown
thatthe orderof appearanceof theseimported traits at Cerro de lasMesas
conforms quite well to their sequence in theirpresumed
centers of origin, a factwhich
justified their use as time markers.Beginning
againwiththeearliestlocalperiod,we
findtwo Highland
elements.NegativePaintingand
Incised OutlineRecl-on-Brownware.**The
formeroccursinTeotihuacanI,thelatter,amore
specificparallel, in TeotihuacanlateII—
early III.The
figurine types, or rathersub- types, are all ofthem
referable toMiddle
Tres Zapotes. These ele-mentsincombination, suggest abeginningdatecorresponding approx- imatelywiththatofTeotihuacanIII for theearliest defined periodat Cerro de las Mesas.
Lower
II similarly hassome
features of probablyHighland
pro- venience. Most, ifnotall, ofthese belongto Teotihuacan late III toIV-V
:concave-walledjarswith hollowslablegs,and
ornaments about basal angle; vessels with verticalmodeled
lugs (alsoUpper
Tres Zapotes);supported-spoutvessels (alsoUpper
TresZapotes) ; stucco- painted ware; elaboratemold-made
figurines (technique rather than•The writeris indebted to Dr. Noguera forinformation as to thetemporal placing of theseandotherTeotihuacan elementsreferred tohere.
84 BUREAU OF AMERICAN ETHNOLOGY
[Bull. 141detail of type is critical here). In addition tothese features,
we
find figurines of a type related to those ofRancho
de lasAnimas,
for which a late Teotihuacan dating has been suggested,and
variants of the well-knownLaughing
Face figurine pattern,which
recur inUpper
Tres Zapotes.^° It seems reasonable enough, all in all, to propose forLower
II a rough contemporaneity with the final epochs of Teotihuacan, especially sinceit is followed directly,inUpper
I,by
Cholulteca elements.More
puzzling in their suggested temporal relationships are anumber
ofMonte Alban
II elements: potstands,"raspada" decoration,
and
certain specific vessel shapes—
tall slender spouted forms, squat tripod jars ("stucco" paint is also referable to this period atMonte
Alban). Undoubtedly, these traits represent survivalsina peripheralregion.The
identificationof the ComplicatedPolychrome ware
ofUpper
I as a direct derivative of the Cholulteca I (andII) lacquerware
need not be gone into at length here.^^ Itscompanion
elements—
zoo-morphic
vessel supports, relief-decorated (molded)bowl
bases,fluteswith
modeled
ornament, the low-reliefmolded
figurines (which in- clude Tlalocs, typical of Cholulteca I-II)—
establish the source ofinfluence beyond question of doubt (Noguera, 1937). Presence of Black-on-Red Incised ware,
which
isknown
alsofrom
late Valley ofMexico
sitesand
CerroMontoso
(afew
exampleshave beenfound
associated with the late Soncautla
complex
at Tres Zapotes), cor- roboratesthetemporal equation ofUpper
I withCholultecaI.^^The
only anomalous feature is the absence (inany
Cerro de lasMesas
horizon) of theware
with"decoracionnegra sobrefondocolornatural del barro,"common
in Cholulteca I.Perhaps
thiswas
an everydayware
notdeemed worth
carrying long distances for trade, orworth
imitating.
The
Dull BuffPolychrome
resembles it closely in char- acteristic application of paint directly on an unprepared vessel sur- face,and
probablyreplaces thePlighlandware
inthelocal pattern.Upper
II, with its Isla de los Sacrificios linkages, pitchers with cylindrical vertical handles (Mixtec, late Valley of Mexico), stepped slab vessel supports (Cholulteca II, Aztec),and
copper (CerroMon-
toso, etc.) is unquestionably late. Its terminal date
may
be as- sumed, however, to fall short of Conquest timesby
a brief space, chieflyon the basis of the scarcity of the copper objects so abundant in Veracruz at the time of the arrival of the Spaniards.^^ Probablyit
would
be safe to place this final phase as the equivalent ofmost
of Cholulteca II,and
of all but the last of the Aztec periods of the Valley ofMexico.1"SanMarcostypefigurines,characteristic ofUpper TresZapotes, alsooccurin this level.
•IExamplesofthisware occur in Joyce, 1927,pp. 119, 121.
"SpecimensinMuseoNacional de Mexico;Strebel, 1885-1889, passim.
"Nothing suggesting contact or early colonial materialwasfound byus, or seenin the region.
Drdckeb] CERAMiTC
STRATIGRAPHY, CERRO DE
LASMESAS 85 In
eflFect, there exists at Cerro de lasMesas
a continuous ceramiccolumn
extending backfrom
the fifteenthcentury toa point rouglily equivalent to that of the beginning of Teotihuacan III. It is un- fortunate that Teotihuacan culture, adynamic
civilizationfrom
vehichsurgedwaves
of influences farand
wide over Mexico, has been so difficult to dateon
empiric evidence.So
far,we
have only specu- lative estimates for its placing. If the Cerro de lasMesas
stelae with 9th Cycle dates were clearly associated withany
single phase at the site,we would
have a clean-cut dating not only for Cerro de lasMesas
but for whicheverHighland
period that phasewas
af- filiated with. In view of the occurrence of thesemonuments
along with others of distinct art styles,and
all on a many-times rebuilt plaza, they cannot be assigned with assurance toany
one period.It is tempting to consider the implications of a
Lower
I placing of the stones.Lower
I,and
consequently Teotihuacan late Il-early III,would
perforce be carried back to the sixth century (according to theThompson
correlation).Such
a placingwould
fit theLower
I-Middle Tres Zapotes contemporaneity established on figurine cor- respondences, forMiddle
Tres Zapotes has been dated 400-800 A. D.on
the basis of linkages to the well-dated Peten.However,
in the Veracruz area,where
stonemonuments
weredragged
aboutand
re-used long after their origin, it is difficult, if not impossible, to relate
them
toany
particularceramichorizon.In
one sense, the Cerro de lasMesas
explorations contribute butlittle to our
knowledge
of Veracruz archeology. It is scarcely to be expected that the diagnostic features of its ceramics will befound
to be widespread in the State.^*
Rather we
have todo
withan
en- clave ofHighland
culture, transplanted to the coast.Emphasis
has been put, in the foregoing discussion, on relationships of theUpper
period waresand
figurines to those of late Cholula, but un- doubtedly one should read "late Mixteca" for "Cholulteca." It isonly because the Puebla site is so well
known
that ceramic parallels to it stand out with such prominence.The
strong ties of Cholula to Tlaxcalaand southward
to the heart of the Mixteca inOaxaca
(cf. Noguera, 1937)
make
suchan
interpretation valid.In
short,themodern
designation of the Cerro de lasMesas
region as the "Miste- quilla" undoubtedly has a sound ethnic derivation.Just
when
thisHighland
immigration occurred is difficultto state.Certainly there
was
a strong influx at the end ofLower
II,which
resulted in the modified ceramic patterns of
Upper
I. It will be recalled that features reminiscent of TeotihuacanIV
(which under-lies the Cholulteca material at Cholula)
and
certainMonte
Alban-^*However, Sr. Pay6ii, of the Institute de Antropologla e Historia, has informed me
that his excavations at Cempoalareveal agreat number of linkages to theCerro delas MesasUpper,andtothelateperiods of Cholula.
86 BUREAU
OFAMERTCAN ETHNOLOCY
[Bull. 141 like traits, however, characterize the phase designatedLower
II.Sincethisphase isnot sharply set off
from
itspredecessor,but rather emerges graduallyfrom
it,we must
look to the earliest levels of Cerro de lasMesas
for a previous set ofHighland
influences,and
possibly immigrations,which
wererenewed
at the end ofLower
IIand which
continued to theend
of the prehistoric occupation of thesite.
Thereare,nonetheless, certainfindings
which
dobearupon
the pre- history of the Veracruz coast.We may
beginby
considering the quantityand
type of relationshipsbetweenthissiteand
TresZapotes, less than 100 milesaway
inan airline. Asidefrom
the elements im- portedto bothfrom
outside sources,we
find these to be, for themost
part,simple genericfeatures,demonstrablyearly atTresZapotes,
and where
data are available, widespread inthe region.To
thiscategory belong such features as the prevalence ofBrown and
Black wares, simpleand
composite silhouette vessels, Black-and-White ware,and
thehand-made
punctate-featured figurine pattern. Asidefrom
these early presumably basic elements of regional culture, there are veryfew
indications of directcontact between thetwo
sites.The
sloughsand swamps
of intervening drainage systems patently have barred contact.Very
likely,thesame
situationprevailsnorthward
alongthe coast,and
for thesame
reason; Strebel's results,numerous
localized patterns apparently coexistent in central Veracruz with one or the other of thetwo major
cultures of CerroMontoso and Eancho
de lasAnimas,
seemtobearoutthishypothesis. Inshort.Highland
cultures were for the coast-dwellersmore
accessible, for practical purposes nearer, than those of people on the other side of a river valley.Whether
thesame
is true of the region of the long terrace systems flanking the escarpment of the mountains is as yetunknown, and
in default ofdetailed localknowledge,unpredictable.Perhaps
thiszoneformed
a north-southhighway
for culturetransfer, feeding the side roads, tocontinue thefigl^re,which
branchedoff toeach interriverine region of the coast.Of more
than slight importance,from
the areal point of view, isthe occurrence of stone yokes, hachas,
and Laughing Face
figurines inLower
11. Ifthese objects actually constituteacomplex,ashas been surmisedfrom
their nearly coterminous distribution, thatcomplex
obviously cannot be identified with the historic Totonac. Totonac archeologyismore
likely Cerro Montoso, asSpinden
(1933) has sug-gested,and/oraseriesof theaffiliatedlocal specializationsthat Strebel hasdescribed.
The
history of the so-calledUntempered
ware, with its suggested relationship to Tres Zapotes Polychrome, late centraland
northern Veracruz ceramics,and
FineOrange
deservesnot only attention butDKUCKER] CERAJSilC
STRATIGRAPHY, CERRO DE
LASMESAS 87
serious investigation. Thisware, with its distinctive pastet3-pe (and therefore presumably distinct technology of preparation
and
firing), its separate set of shapes,and
different slipand
paint types hints at acenter of development asyetunknown.
Centraland
northernVera- cruz,as well asthe southern part of theState,cryout for archeological investigation, Strebel's work, admirable for its day, does not satisfymodern
standards ofresearch.To
summarize, the excavations at Cerro de lasMesas
suggest solu- tions of various regional problems—
the extent of certainty varies ineachcase.
The
following chart presentsthese results ingraphicform.It aims at coordinating data in the light of present knowledge, and, like sailing schedules, is "subjectto revision without notice" as addi- tionaliiiformation
from
the areamay demand. The column
ofMexico- Pueblasequences hasbeentakenfrom
published sources;that referring to Central Veracruz is, of course, a hypothetical reconstruction. In thechart, solidhorizontallinesindicatemajor
culture changes;brokenlines,transitions
from
oneto anotherhorizon of thesame
culture.88 BUKEAU
OFAMERICAN ETHNOLOGY
[Bull.14:LiNNt, S.
1934. Archaeological researches atTeotihuacan, Mexico. Stockholm.
NOGtTEBA, E.
1935. La ceramica de Tenayuca y las excavaciones estratigrS,phicas. It
Tenayuca, Estudio Arque61ogico, Dept. de Mon. de la Sec. de Ed
Publ., pp. 140-201.
1937. Conclusiones principalesobtenidasi)or elestudiodelacerdmica arque 61ogica de Cholula, Mexico. (Mimeographed.)
1937 a. El Altar de los Craneos Esculpidos deCholula, Mexico.
NOVEZO,R.J.Caballos
1928. Cempoala. In Estado Actual de los . . . Edificios . . . , Sec. de
Ed
Publ., pp. 43-61.
NUTTALL,
ZeUA
1910. The Island ofSacrificios. Amer.Anthrop., n. s.,vol. 12,pp,257-295.
Savuxe, M. H.
1916. The glazed ware of Central America. In Holmes Anniv. Vol., pp.
421^26.
Sei£r. Edwaed
1915. Die Teotiuacan-Kultur desHochlands von Mexiko. Gesamm. Abhandl, bd.5,pp. 405-585. Berlin.
Spinden. E. S.
1933. Theplace ofTajinin Totonacarchaeology. Amer.Anthrop., n. s.,vol.
35, pp. 225-270.
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1927. Study dead cityof "RubberPeople." N. Y. Times, Sunday,
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1.Stieung,
Matthew
W.1940. Great stone faces of the Mexican jungle. Nat. Geogr. Mag., vol. 78,
No. 3,pp.309-334.
1941. Expedition unearths buried masterpieces of carved jade. Nat. Geogr.|
Mag.,vol.80,No.3,pp.277-302.
1943. StonemonumentsofSouthern Mexico. Bur. Amer.Ethnol.Bull. 138.
Strebel, H.
1881. DieRuinen von Cempoallen . . . Abhandl. des Naturwiss. Vereins. zu Hamburg, vol. 8, pt. 1.
1885-1889. Alt-Mexiko. Archaol Beitr. z. Knlturgesch. Seiner Bewohner. 2 vols. Hamburgu. Leipzig.
Vaillant, George C.
1935. Chronology and stratigraphy in the Maya area. Maya Res., vol. 2, pp. 119-143.
1938.
A
correlation of archaelogical and historical sequences in the Valley ofMexico. Amer. Anthrop.,n. s.,vol.40, No.4,pp.535-573.1941. The Aztecs of Mexico. N. Y.
Weiant, C.
W.
1943.
An
introduction to the ceramics of Tres Zapotes, Veracruz, Mexico.Bur. Amer.Ethnol.Bull. 139.