I think. The cornerstone of the building was laid in 1846. then perhaps lived for twenty-eight years because it took a while to complete this part of the building. Hedig in 1878. Lived here until his death, and not only he, but this wife and children. devoted daughters .The elder daughter, MaryHenry, wrote a good deal about father and mother and about what life was like in the "castle". They were mostly John McStanley's paintings. the painter of the Indians. He was so horrified that this fireproof building had caught fire that he asked the Corcoran Gallery, which was starting then, to store all the Smithsonian's works of art because he was simply afraid that they would otherwise burn.
RALPH RINZLER AND RICHARD PRENTKE
POINTS TO A CENTRAL BALL
5) Once you have cut out the points, fold each of the dotted lines against the edge of a ruler so that the folds are straight; then spread a layer of white glue on the "X'd" flaps and press them together to form the cone point.
TOGETHER WITH A RIDDLE A LIE
A JOB DESCRIPTION THE DEFINITION
GLIMPSES OT
OHIO
FOLKUFE
In a sense, it is the function of the Festival of American Folklife to show the American people for themselves. Here both succeed and fail. During the month of traveling in Ohio, through everything looking and selecting people to invite to Washington for five hot days in July, we are constantly aware of what is allowed. Still, we concede the possibility that we could do it all over again and come up with 150 different people from the state of Ohio, as fitting as ISOOhioans attending the festival. Not only do we admit the possibility that Wedelight is initiated. pp. The 150 at the festival include those who we believe, as a group, could propose to represent the 10 0.5 million people who could not be present but whose ways and traditions make up Ohio folk life.
GEORGE MITCHELL
ROBERT JUNIOR
LOGKWOOD AND
DOWN HOME
UNCHANGING
BLUES
OLD FASHIONED
Lockwood was born in 1916 on a farm near Marvelle, Arkansas, where he lived until he was seven. He then moved to St. Louis and lived with his mother, but they soon returned to the South and Lockwood spent most of the first half of his life in Helena, Arkansas. 34;I was thirteen years old when Robert Johnson got my mother. He was about eighteen and she was twenty-eight. They met in Helena. He was playing right there.
TRADITIONAL CRAFTS AND ART
WILLIAM C. STURTEVANT
Box side (11% long) carved from argillite. The main figure represents a Haida bear collected in 1883 at Skidegate. Catalog number 88,998 in the collections of the Department of Anthropology, Smithsonian Institution. sonianInstitution .He.
AN INTERVIEW DON I
SMITH
BY CLYDIA NAHWOOKSY
You know, Don, I think that the way you have of
And I think the arts and crafts, the stories, the stories, all the beauty of the culture is the best tool we have for that, because this Indian is the best in his art and his rich culture. Hismitology, his music, his dance. Unfortunately, young people can only see remnants of their rich culture in the reserve. Perhaps, as in some villages in the north, all the really good old culture was carried away and lost. I think we need to find a way to introduce these young people to the best that their culture has to offer. Through.
CONTEMPORARY LEGEND
DANIEL R. BARNES
IRONWORKERS
YOU'VE GOT
Through lunch—a hero sandwich—Barney stays in the shanty, talking shop: "There's a lot of stuff that's still got to go down." Sometimes, on the way home from work, Barney and his construction buddies stop at an averna across the street from the construction site for a beer. It is a conversation and "puts so much steel in the bars on the job". It is a well-deserved relaxation after a hard day.
LABORIORE
ARCHIE GREEN
In the March 4, 1971 Wall StreetJournal, TomWest, a member of the International Association of Bridge, Structural and Ornamental Iron Workers, described what it's like to betop connector working three hundred meters above the Chicago loop. Dr. ARCHIE GREEN, Assistant Professor at the University of Illinois, is Senior Education Specialist at the AFL-CIO LaborStudiesCenter. I'm the highway you've ever seen." Brownie McGhee has from Blind Boy Fuller and Leadbelly to now.
MUDDY WATERS BROWNIE MCGHEE JESSE FULLER
But my two sisters received music. At this time I had a brother born known as GranvilleH.McGhee. My dad always thought I had some rhythm. He thought I might be a drummer. So if I was fooling around with tobacco cans, things like that. There was nothing out there but guitars and banjos, a few French harps (accordions), jewsharps and soon I was strumming the guitar. I had some relatives there who played pretty good hillbilly music.
He was a big guy with really bad feet, his name was T.T.Carter. He was a very good guitarist and blues player. I had a little cabin at the time, so all the traveling musicians and guitarists, well, everyone would send them to me. He was a good harmonica player, also a guy from Tennessee, from Memphis. When I met him he was 45 years old, much older than me. He said, 'I'd like to start playing my harmonica again. Blind Boy told me, 'Man, you can sing, but you can't play guitar. “It wasn't very encouraging for a young starter like me when I was.
He said: "I've had trouble with Blind Boy Fuller and I don't want any more trouble with this boy." Sothen I.
I was hitchhiking in '37 or '38, exploring from Tennessee to North Carolina, South Carolina and West Virginia, when Iran came across a harmonica player in Winston-Salem named Jordan Webb. He told me it sounded like BlindBoy Fuller. I was playing on the streets and everything after the records broke (they used shellac for the military), so I went to Columbia to get a release. Had a washboard, guitar and piano in the Three B's, and then I added a drummer, bass and a saxophone for the Mighty House Rockers. I played electric guitar at the time.
I remember trying to sell the Savoys some of the same stuff that B.B.King later came out with. They said, "We don't want that, Brownie, we want country blues." As soon as B.B.
SPONSORS AND CONTRIBUTORS
SPECIAL THANKS TO
CONTRIBUTORS
PUERTO RICAN PARTICIPANTS THANK YOU TO
OHIO PARTICIPANTS CRAFTSMEN
PERFORMERS CHILDREN'S GAME GROUP
GREEK MUSICIANS Mary Kanzios
GREEK SINGERS AND DANCERS Manuel Dinarhos
HARVEST BAPTIST CHURCH YOUNG PEOPLE'S CHOIR
SLOBODA MUSIC Mija Ilic
EARL TAYLOR AND THE STONEY MOUNTAIN BOYS
UKKRAINIAN CHUTSL MUSIC Mr. Gregory Kowal, Brass
MACEDONIAN MUSICIANS Roy Deshich
ROMANIAN DANCERS George Botoman
SERBIAN DANCERS
UNION WORKERS
CRAFTSMEN
AMALGAMATED MEAT CUTTERS AND BUTCHER WORKMEN OF NORTH AMERICA
BAKERY AND CONFECTIONERY WORKERS' INTER- NATIONAL UNION OF AMERICA
PERFORMERS
MORAVIAN LOVE
TEATRO CHK
SE RBIAN DANCE AND SONG TEACH IN
2ND REGIMENT MARCHING BAND
SONGS OF HARD TIMES
ROMANIAN DANCE AND SONG TEACH-IN
HARVEST BAPTIST
MORAVIAN LOVEFEAST
EARL TAYLOR
WORKSHOP
HARVEST
ALASKA LAND CLAIMS
2ND REGIMENT MARCHING
BAND
GEORGIA SEA ISLAND
FIDDLE WORKSHOP EARL TAYLOR
OHIO VALLEY STRING
TERMINATION SONGS OF
JOHNNY SHINES
FOLKLORE ON THE CAMPUS
ROMANIAN DANCE JOIN-IN
ON TREATY RIGHTS
CONCERT DANCE JOIN IN
JESSE FULLER CONCERT
BALKANS
JOHNNY SHINES CONCERT
STRING BAND CONCERT
GUITAR WORKSHOP
SERBIAN DANCE AND SONG TEACH-IN
PIANO WORKSHOP
REVEREND GARY DAVIS ROMANIAN DANCE AND
CAJUN WORKSHOP
TEATROCHICANO DE AUSTIN
FOLKLORE OF IRONWORKERS TEATROCHICANC DE AUSTIN
FIDDLE WORKSHOP
BANJO WORKSHOP
MACEDONIAN DANCE
SACRED MUSIC
DANCE AND MUSIC FROM THE MEDITERRANEAN AND BALKANS
OHIO VALLEY STRING BAND
CAJUN CONCERT EARL TAYLOR
4 THE STONEY MTN. BOYS
BAKERY AND CONFECTIONERY WORKERS
HANDGAMES
BAND ON TERMINATION
SONQSOF INDUSTRIALIZATION
ROCK WORKSHOP
NEW LOST CITY RAMBLERS UTAH PHILLIPS CONCERT
TEATROCHICANO OHIO VALLEY
LOVE FEAST
TEATROCHICANO
MUSIC FROM THE
MACEDONIAN DANCE JOIN-IN
SONGS OF THE COAL MINES
JIM GARLAND SARAH GUNNING
EVENING PROGRAMS 7:30 PM
ROOTS OF ROCK THURSDAY, JULY
HOST
OHIO EVENING CONCERT SUNDAY, JULY 4
HOSTS
NEW MUSIC IN THE NEW WORLD
THE FIVE STRING BANJO Norman Blake
FROM AFRICA, FRANCE AND SPAIN
HOOTENANNY SATURDAY, JULY 3
SQUARE DANCE INTRODUCTION
DANCE
FESTIVAL SPEAKERS AND CONSULTANTS
Good hard cases are usually made of compressed plywood and lined with some kind of soft material. There are also newer jet-age fiberglass cases that will be wildly successful. Cardboard boxes are fine. Information and finishing supplies (varnish, etc.) are available from Behlen Brothers, 10 Christopher Street, New York10014. Tightening the tie rod past the point of straightness can therefore reduce performance, but only at the expense of a twisted neck, which will always result in a horrible hum around the 7th or 9th fret.
Now that your guitar neck is fairly straight and the frets are cool, you may still have a problem with too much lift. You can follow one of two plansofattack. If the saddle rises more than 3/32" above the top of the bridge, it may come down.
BRONZE WOUND ON STEEL CORE. These
Foreword to those of you who own justified bar guitars and want to fool around with them - don't.
2.M0NEL - STEEL
FLAT-WOUND
SOME MORE THINGS
TO KNOW
GUITAR
TUNING MACHINES
BRIDGE PINS AND END PINS. The most com-
Of course, anyone who claims that the original gut strings are still the best, but since the supply of cat and sheep guts seems to have run out, we will only deal with the recently developed nylon strings. If the pin starts to gouge quite a bit at the end of your finger, use a coin or some other hard, flat object in between.
SONGS OF
6ERN1ETAUP/N
The Young Guitar Player was written specifically for the young beginner. It can be used with the help of a parent teacher, but children who can read well will probably be able to use it on their own. It contains basic music theory and an explanation of how the guitar works, but the emphasis. Joan and Judy are like the moon and the sun - each has her own special beauty, as a person and as an artist. Everyone has her own beautiful songbook. The Joan Baez Songbook and the JudyCollins Songbook. The Young Guitar Player is written specifically for the young beginner. It can be us (.'d with the help of a parent or teacher, but children who can read well will probably be able to use it on their own. It includes basic music theory and an explanation of.. how the guitar works , but the emphasis is on the 9 children's preference.
THE SONGS OF
BERNIE TAUP/N
Featuring styles from Josh White, Leadbelly, BigBillBroonzy and more. Tabla, Blue Arpeggio, Instrumental Breaks, Walking Bass and Boogie Woogie, Blues Strums plus many songs complete with words, music, chords and charts. An instruction manual. Comprehensive analysis of many different flat picking techniques and styles. Includes over 40 songs in tableau and standard music notation specially arranged for flat picking and illustrated with "how to" drawings and diagrams. Documents and teaches the individual styles of the major influences on American guitar picking, including note-by-note tablature transcriptions and standard musical notation.
34;Here," flash grizzled,"like."He plays and out flows curly melody all honey gives a low tones. And with an old man glinting of the eye, the flute tapped and said.
BBHB
34;LETS TURN AROUND AND DO IT AGAIN."
MAKIN' THE BLUES BLUE"
34;HEADIN' HOME"
Use both index (i) and middle finger (m) alternately and play each pair of notes long-short, long-short as before. Then try to do the fingers and thumb together and remember, it makes it easy! Now. play a full 12 bar chorus in this style. If you're not sure where the changes from EtoA7 and coming soon are, go back to the beginning of the article where the form is printed and follow along as you play. scale for the melody and just do the kind of things that were in the previous example. Don't worry – there are no wrong notes, just something that sounds better than others, that's all. Experiment. Once you've got it all together, we can add some courage to it by sticking the whole chord (E, A or 87) between the bass and treble notes. long-short (— .—.).
34;LIFE IS THE VARIETY OF SPICE"
34;OUT CHORUS
PETER GREENWOOD
A repertoire of piano works by Haydn, Mozart, Beethoven and their contemporaries selected and edited by Denes Agay. A repertoire of piano works by 19th-century masters, selected and edited by Denes Agay. It is a rich source of material, with first-class piano music for every purpose. It includes a large number of enjoyable pieces for the beginner and challenging compositions for the advanced pianist—but its emphasis is on the intermediate level, where most of today's players find themselves.
Each volume is devoted to a major period in the history of music - the Baroque period, the Classical period, the Romantic period and the twentieth century.
WILLIAM COPERTHWAITE
In the spring of 1964, the first complete example of the new Yurt design was built at the JohnWoolman School in GrassValley, California. It differed from the Mongolian yurt by having a wall that sloped from the top and a roof structure that eliminated the traditional heavy, wooden central ring. The intricate tongue and its grooved, narrow planks were eliminated by the folds of the first istobe in the photos accompanying this article.
SPATIAL QUALITY
SIGNIFICANCE OF
As of this writing, it is being built as an experiment in low-cost housing with the help of students from the Study-Travel-Community School. This is a good project for these students as it is initially appealing and exciting to them, while at the same time it requires cooperation, creativity and disciplined action.
A LETTER
TO THE
1) YURT DESIGNS INC.. BOX
THE FIRST PROJECT
BILL COPERTHWAITE
Some of these songs are still sung, in much the original form. Others have undergone changes in their new environment. Songs whose roots can be traced back to their original sources in the hills and harbors of Britain are available in Oakeditions – collected in the southern mountains by folklorists from the ancient singer, or tragedian-like Seegartson. Stanley Brothers. In the same timeless, down-to-earth vein; there are the folk songs of modern life – people like the tart and sharp Malvina Reynolds, the gentle young wit, TomPaxton, and the winning and whimsical Pete Seeger. Original songs by LenChandler, BobDylan, Pete LaFarge, PhilOchs, TomPaxton. Malvina Reynolds, Pete Seeger, Mark Spoelstra and others. Published by special arrangement with Broadside Magazine.
Then there are the suitcases. They were rebuilt from bluestone. We placed half a centimeter of wood between them.
THE DULCINER AND THELADy
JEAN RITCHIE
HOW TO TUNE UP BALIS RITCHIE'S METHOD
SINGING WITH THE DULCIMER
HOW TO HOLD THE NOTER
PLAYING THE SCALE Next, try going up and down the
PICKING OUT A TUNE
GO TELL AUNT RHODIE (I)
SamCharters and PaulOliver. (And for those who really want to get into the blues and find their own personal vision, we suggest you refer to the Guidebook section, which includes some valuable blues guitar books.). The writings and songs of the great DustBowl balladeer include words and music no more than a set of songs. Traditional SO songs on topics such as Love and Marriage, Romance and Ruin, Drinking and Death, with notes about the people of the Blue Ridge Mountains and their music.
70 traditional and topical songs from the singing of the man Woody Guthrie called "one of the men who are the best of our living crop of ballads and folk songs." Includes Muleskinner Blues, HardTraveling, Old Blue.
SONOBOOK
NEW OAK CATALOG FREE
THANKS
NAME ADDRESS
FOLD INTO THIRDS/ SEAL AND DROP IN THE MAIL/ NO POSTAGE REQUIRED
BUSINESS REPLY MAIL
BE SURE YOU'VE GIVEN US YOUR NAME AND ADDRESS
To me, A-Rovin' On A Winter's Night is about one of the most beautiful-time love songs you could hope to find anywhere. I will never forget. My brother Arnold played the banjo house, and my dad picked a few tunes now and then. One day Dad said to me, "You know, I believe you can learn to play a banjo, son. I've got a good mind to make you one." made a round maple hoop, managed to find some tension hooks, and made the headstock look a bit like a no'the'n banjo, or a factory built one. Let's think of a good name right here." There was a young lady there - she must have been fourteen or fifteen - and she shouted,.
34;Callhim'Doc'". It was never revealed who she was; she was just back in the audience at the furniture store. The name "Doc" has been very useful for professional sizes because it's easy to keep. think
TONY GLOVER
ABOUT ZOOO
WORDS
Baldwin pointed out that as young people became involved in freedom riding, voter registration, and anti-war demonstrations, they began to discover what it was like to be "Negroes." Kris Knslollerson.leri\ Leo Lev\is ...and also provides insight into the Nashville studio scene.
HOW TO PLAY WHILE DANCING
HOW TO PLAY UNDER A GLASS
CHESS RECORDS
THE FOLK SONG MAGAZINE
SING OUT!
PLATKACILS HAVE
NAME OF FAVORITE MUSIC DEALER
Also had a "Vintage Series" with several albums of old and unreleased singles by the likes of Albert King, Otis Rush, ElmoreJames, etc.
BLUES CLASSICS Box 9195
TESTAMENT RECORDS
DELMARK RECORDS
HOW TO SECURE
A BEAUTIFUL TONE
PLAY UP AND DOWN
I had an "underground". radio show in Minneapolis for a year and a half, all night, six nights a week. It was interesting, but it had to be a little weird, especially when I saw the sunlight, so when I went on vacation to New York last summer, I never seemed to come back.
THE SOUND OF WOOD
A COMPENDIUM OF USEFUL INFORMATION
THE FOLKLORE CENTER,
MCCABE GUITAR SHOP,
THE GUITAR STYLES OF BROWNIE MCGHEE BY BROWNIE MCGHEE AND HAPPY TRAUM,
THE DULCIMER BOOK BY JEAN RITCHIE, OAK PUBLICATIONS
TONY GLOVER'S ARTICLE,
ABOUT 2000 WORDS, IS NOT AN EXCERPT FROM HIS BOOK BLUES HARP. OAK PUBLICATIONS
DETROIT, MICH
WRITE N.Y. OFFICE FOR OTHER LOCATIONS YURT PLANS AND ESKIMO MUSEUM
WRITE WILLIAM COPERTHWAITE, BUCKS HARBOR, MAINE 04618
MOST RECORD SHOPS DON'T CARRY RECORDINGS OF THE OLD BLUESMEN. THE FOLLOWING COMPANIES
AND WILL SEND YOU THEIR CATALOGS
YAZOO RECORDS,
54 KING STREET, NEW YORK 10014 FOLKWAYS RECORDS,
701 SEVENTH AVENUE, NEW YORK ARHOOLIE RECORDS,
550 FIFTH AVENUE, NEW YORK 10036 SING OUT! THE FOLK SONG MAGAZINE,
MUSIC SALES LTD., 78 NEWMAN ST.,
THOMPSON LTD., 29 BIRCH AVE., TORONTO, ONTARIO, CANADA
ROOTS RECORDS,
WRITE COLLET'S RECORD SHOP,
70 NEW OXFORD STREET, LONDON, ENGLAND FOR BLUES GUITAR INSTRUCTION ON TAPE RECORDING
HAPPY TRALM,
IN THIS PROGRAM: DOC WATSON, A BOOK OF HIS SONGS AND GUITAR STYLES
THE QUOTE ON THE BACK COVER IS FROM MOUNTAIN WOLF WOMAN, THE AUTOBIOGRAPHY
ANN ARBOR PAPERBACKS (AA109)
THE HERRMHUT STAR
