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METAMORFIC ANALYSIS OF THE SONG “YA SUDAHLAH” BONDAN PRAKOSO

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546

METAMORFIC ANALYSIS OF THE SONG “YA SUDAHLAH” BONDAN PRAKOSO

1Muhammad Nabil Faizal Azhar

1IPB University Vocational School

2Bogor, West Java, Indonesia.

*Email:[email protected]

Abstract

This study aims to analyze the metamorphic sentences contained in popular pop songs in Indonesia. "Ya Sudahlah"

is a very popular POP song, especially among young Indonesians. This song has been widely played both at large- scale concerts, popular movie soundtracks, and the number of views that exceeds 72 thousand views on Bondan Prakoso's YouTube channel. Metamorphic is change of shape, is used particularly to describe the process of thematic metamorphosis, the transformation of thematic elements used by composers such as Liszt, a procedure unkindly satirized by one contemporary critic as the life and adventures of a theme. The meaning of the metamorphic sentence in this song is about the love of a couple. metamorphic sentences which when analyzed have a very deep love for their partner, and have a moral message. The lyrics of this song were created according to a sad expression that even represents us as listeners.

Keywords: yasudahlah, literary studies, analysis, metamorphic.

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547 INTRODUCTION

The substance and artistic nature of scientific work are very important in its suitability for understanding and studying characters, stories, literature, and the diversity of various pieces of knowledge.

The diversity of knowledge in studying the nature of work can arouse curiosity about the nature of art and culture for humans. In bringing the substance of the culture of knowledge, translators will translate and appreciate scientific works and produce paraphrases that are coherent with the original. In-text structuring, paraphrasing is not only directed at rearranging the text from the source language into paraphrasing language, but also interpreting its meaning (Pasya and Simanjuntak, 2022). Language conversion will be achieved in the first language into the language of instruction which is expected to also convey the meaning that the author wants to convey, so that the translator can restate, interpret, and also produce the substance of the translation.

Translation studies are always related to meaning, basis, substance, ethics, and aesthetics. Likewise, regarding paraphrasing, there are two significant influences in the paraphrasing process, namely the videotape of the content of the communication substance presented by the source and the equality of the substance

without losing the meaning of the paraphrase. Limited vocabulary meanings, cultural misunderstandings, and substance often make paraphrasing inaccurate and sometimes slippery. The crime of understanding a paraphrase that is not in accordance with the author's communication will be very bad in the development of scientific values. The complexity of diversity is one of the factors that cause difficulties in paraphrasing, especially paraphrases whose roots are different from one another. In the process of paraphrasing, translators often encounter problems. To overcome this, a good and effective paraphrasing system is needed to solve the problem.

The diversity of literature deepens curiosity and artistic curiosity in society. To acquire the art of knowledge, translators and knowledge learners will restate workshops and scientific words, as well as study the substance and tasks of restating. When rearranging a textbook, restatements go further than simply rearranging the textbook from the source language to the restatement language. Re-language means reproducing in the natural language receptor of the main or medium of communication, from the first term to the alternative term without emitting substance. Restatement chops is always related to meaning, basis, substance, ethics,

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548 and aesthetics. There are two really important effects in the restatement process, videlicet the substance of the information mentioned by the source and natural parity without losing the substance of the restatement. Advanced pieces of language can be studied and learned from popular restatement substances. Limited vocabulary, artistic mistrust, and substance often make statements inaccurate.

Misunderstanding the restatement that is not by the author's communication will have a very negative impact on the development of scientific values. The complexity of language style is one of the factors causing the difficulty of the restatement. In the restatement process, translators often encounter problems. To overcome this, a good restatement style is needed. s communication will have a very negative impact on the development of scientific values. The complexity of language style is one of the factors causing the difficulty of the restatement. In the restatement process, translators often encounter problems (Mustaquim, et al, 2022). To overcome this, a good restatement style is needed. s communication will have a very negative impact on the development of scientific values. The complexity of language style is one of the factors causing the difficulty of the restatement. In the

restatement process, translators often encounter problems. To overcome this, a good restatement style is needed.

The way of paraphrasing is required to overcome the complexity of stylistic writing, especially in translating. The paraphrasing approach is a system used to convey submissions from the source language to the destination language, which is applied to the position of words, expressions, clauses, or rules. The use of this restatement mode will help the translator determine the position of the quality of restating words, expressions, clauses, and rules. generated in the restatement (Gladkova, 2016). In addition, restatements will help determine the most applicable native language in the target language. Thus, the original form of restatement that contains substantial meaning can be applied in colorful language units. The use of restatement technology will result in an accurate restatement that is easy to digest and read by the restated language summary. of course.

The use of metamorphic rules is used in a song with the ending adding to the imagination of the creator and listener. This is also done so that the media expresses the lyrical expression produced by the passion and state of the composer which can also be ascertained by the listener. The lyrical

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549 words of the song are a certain form of expression which means to express lust and conditions that cannot be expressed in a concrete or explicit form. These words are also the result of the tunesmith's imagination, who can also invite listeners to imagine and feel the meaning of the song both sympathetically and empathically so that these lyrical words can strengthen the listener's emotional aspect. Thus the song can also be used for various purposes, for example units differences, inflames the spirit as in the struggle,(Larsen et al., 2010).

Poetry in a narrow sense, refers to certain qualities of facts and other things.

Thus, the poem is a dimension of reality, and can be found everywhere, in artistic production (music, sculpture, dance, painting, and literature), but also in all kinds of places and objects: landscapes, Paintings, and signs can also describe poetry (Nurkamila, et al, 2022) . From a language perspective, poetry is a collection of words that can interpret their own rules. The words in the lyrics are made with good word choice and structure. This shows that the function of the creature's language is lyrical, videlicet serves to describe the meaning contained in the language symbol itself. As a reflection of deeper meaning, the lyrics of the song also relate to reality, so it is indeed strange to imagine that communication can

still be understood. We can find this kind of effect in the lyrics of colorful romantic songs in Indonesia, which are loved by many young people (Rass, 2015). The meaning of the lyrics of a song needs to be analyzed following the basics of the song's moral strata.

Metaphor is the use of words or groups of words not with the actual meaning, but as a painting based on similarities or comparisons. A metaphor is a figure of speech that expresses something directly in the form of an analogical comparison by eliminating words such as like, like, etc. Concepts more easily so that the two opinions can be aligned by combining the substance of a proposition, videolicet, transferring the meaning of an expression to another form of expression because of aspects of similarity or similarity as a result of the comparison process.

Tropical words are linguistic expressions that can be understood and predicted by song listeners and a summary of song lyrics.

That is, words in the form of arrogance can increase the meaning of understanding a song. Arrogance is the use of an expression or word for a different meaning from the inferred meaning. In its use, both in terms of topology and imaginative numbers, arrogance can be seen in language and scientific workshops such as poetry, novels,

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550 and even in song lyrics. The description of arrogance can be understood from its etymological meaning, videlicet, meta means moving or crossing, and where means carrying. This shows that arrogance is a type of tropological language

Music is the product of the mind, the vibrational element of frequency, form, amplitude and duration haven't become music to humans until all that neurologically transformed and interpreted through the brain (Djohan, 2003). Not unlike English song lyrics, Indonesian song lyrics, especially Bondan Prakoso's song, also use metaphorical sentences. Bondan Prakoso's song lyrics like to be played in the theme song. . Indeed, if the words and tone sound

good for most people to hear, often the meaning of Bondan Prakoso's lyrics is at people who come from Indonesia as well as small and large groups. Of the many popular Indonesian POP songs, many of them show metaphorical lyrics that are especially understood for young people or among adults. The song "YASUDAHLAH" is one of the most popular family theme songs to listen to. On the Youtube channel, the song

"YASUDAHLAH" by BONDAN PRAKOSO has been watched by more than 72 million views. This song is often sung, especially at every party or entertainment event in Indonesia.

METHOD

This observation uses a qualitative evaluation technique, although the proposition used in the analysis is a circular expression set of the study style and the exploratory approach is an important element in exploration. An exploratory engine is a whole scientific step used to find a result of a problem. In addition to the knowledge set, the exploratory device is the method used to reach the last factor. It uses a qualitative exploration version which aims to get a complete photo of a thing according to the researcher's view. Qualitative

exploration relates one another to the thoughts, understandings, opinions, or understandings of the researcher. Qualitative exploration is generally designed or mainly based on experience and it is meaningful because of the effect achieved in exploratory problems. The system used in this exploration is a literature study tool and descriptive qualitative evaluation. The information is taken from the lyrics of the famous Bondan Prakoso song entitled

"YASUDAHLAH". The recordings taken are preference songs that can be considered as having metaphorical sentences to be analyzed.

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551 RESULTS AND DISCUSSION

Results

The results of this study are the analysis phase is carried out using the lyrics of a popular Indonesian song entitled

“Yasalahlah” which was written by Bodan Prakoso. The analysis stage is carried out by translating English song lyrics into

Indonesian and assessing the express or implied meaning contained in the song lyrics, by listening to them.

stanza 1

When your beautiful dreams Haven't achieved yet, it's fine

When you keep running chasing your dreams

And haven't arrived yet, it's fine

When your dreams are so beautiful Never materialized, never mind When you run after your dreams And it never arrived, oh well

stanza 2

Whatever happens

I'll always be there for you Just don't be sad

Cause everything's gonna be okay

Whatever happens

I'll always be there for you

Don't be sad

Cause everything's gonna be okay

stanza 3

Yo, yo, one of many possibilities You'll fall and there's no more hope When it happens I'll be there for you With my soul, dreams, love, and hopes

Yo, yo, one of many possibilities You fall (fall) without any hope That's when I offer my body (yo) With soul, ideals, love, and hope

stanza 4

We'll figure it out the problems one by one But relax, we'll always find a way

That'll guide us to happiness

You and I knew (yeah) there's always a way

we connect one by one cause and effect But calm down, the eyes of our hearts will see

Leading to the happy winds (oh)

You and I know (yeah) the way is always there

stanza 5

When you're hoping for kind love But you'll never get it, it's okay Yeah, listen what I sing

La-la-la-la, na-na-na, hey-ye-ye-ya-ya-ya

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552 De-du de-da de-du de-du-di-dam

It's not over yet

Yeah, hear me sing

Whatever happens (la-la-la-la, na-na-na, hey-ye-ye-ya-ya-ya)

I'll always be there for you (de-du-de-da-de- du-de-du-di-dam, hm-hm)

Always there for you

DISCUSSION

The song teaches us to dream as high as possible and always try to reach it. And in all our efforts, there will be some obstacles. When that happens, we must not stop and complain of pain, but, we must take the experience so that we do not fall again. He got back up and ran back to him.

Run, and keep running. Feel the footsteps are so tiring. However, after so many times we feel what it is falling, we will definitely get a very satisfying success. Similar to other Indonesian pop songs and also about a man's love for his partner, the man also shows that he really loves his lover no matter what and for whatever reason, his lover is sad this man is tough and will stay with her and will surely calm the woman who often sad because the man does not want the woman is also always sad when with him.

CONCLUSION

So this song has many metamorphic lines, Metamorphic lines in this song tells us about love of a couple. metamorphic sentences which when analyzed have a very deep love for their partner, and have a moral message. This song tells us that when we fall, slump, and really are under, God sends angels in the form of people. Namely, friends, parents, and those closest to us asking for the best solution to the problems that fell us. The lyrics of this song were created according to a sad expression that even represents us as listeners.“Everyone has a dream. But if it can't be realized, that's okay. If you say it's because my dream couldn't come true and it didn't. This song can represent everyone."

REFERENCES

Djohan, PD (2003). Music Psychology. PT Kanisius.

Gladkova, A., Drozd, A., & Matsuoka, S.

(2016). Analogy-based detection of morphological and semantic relations with word embeddings:

what works and what doesn’t. In Proceedings of the NAACL Student Research Workshop (pp. 8-15).

Larsen, G., Lawson, RA, & Todd, SL (2010). The symbolic consumption of music. Journal of Marketing Management, 26, 671–685.

McCroskey, J. C. (2015). An introduction to rhetorical communication.

Routledge.

Mustaqim, M. R., Pasya, R. A., &

Simanjuntak, M. B. (2022).

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553

REPRESENTATION OF

UNDERAGE SEX IN THE FILM

“DUA GARIS BIRU” DIRECTED BY GINATRI S. NOER. Jurnal Pendidikan dan Kebudayaan, 2(1), 56-59.

Nurkamila, J., Indriani, D. B., &

Simanjuntak, M. B. (2022). THOR'S CHARACTERIZATION

ANALYSIS IN AVENGERS:

INFINITY WAR. Jurnal Pendidikan dan Kebudayaan, 2(1), 45-50.

Pasya, R. A., & Simanjuntak, M. B. (2022).

MORAL VALUE OF SERIES

“LAYANGAN PUTUS” WRITTEN BY EKA NUR PRASETYAWATI.

Jurnal Pendidikan dan Kebudayaan, 2(1), 75-79.

Rass, R. A. (2015). Challenges Face Arab Students in Writing Well-Developed Paragraphs in English. English Language Teaching, 8(10), 49-59.

Simanjuntak, M. B., Sutrisno, S., &

Lumingkewas, M. S. (2021).

LITERARY STUDY

“NOMMENSEN, APOSTLE IN BATAKNESE”. JOURNAL OF ADVANCED ENGLISH STUDIES, 4(2), 42-45.

Simanjuntak, M. B., Zuriyati, Z., &

Lustyantie, N. (2022).

METAMORPHIC ANALYSIS IN SONG LYRICS BATAK TOBA

“JUJUNG GOARHI

AMANG”(STUDY OF PORTRAY

OF PARENTS). PROJECT

(Professional Journal of English Education), 5(1), 236-243

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