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REFERENCES

Arendt, Hannah. (1951). The Origin of Totalitarianism. London. Harcourt Brace Jovanovich.

Baehr, Peter. (2000). The Portable Hannah Arendt. Harmondsworth. Penguin Book.

Bertens, Hans. (2001). Literary Theory the Basic. London. Routledge.

Doda, Zerihun. (2005). Introduction to Sociology. Ethiopia. Debub University.

Dougherty, Jhon. (2012). Stalin and His Perspective Regime 1922-1953. United States. Cape May County Technical High School.

Evans, J. Eric. (2004). Thatcher and Thatcherism (second edition). USA.

Routledge, Taylor & Francis Group.

Guerin, et al. (2005) A Handbook of Critical Approaches to Literature fifth edition. New York. Oxford University Press.

Haryanto, Ignatius. (2015). Propaganda, Hannah Arendt, Joseph Goebels dan Totalitarianisme. Vol. VII, No. 1, Juni 2015. Ultimacomm.

Hospers, John. (1997). An Introduction to Philosophical Analysis (fourth edition).

London. Routledge

Moharjan, Haradhan. (2018) Qualitative Research Methodology in Social Sciences and Relate Subject. Vo.7, No.1, March 2018. MPRA.

Moputi, Relita. and Husain, Dahlia. (2018). An ambition analysis represented by the main character in perfume: the story of a murderer. Vol.7, No.1, Juni 2018. British, jurnal Bahasa dan Sastra Inggris.

Nurrahman, Fajar. (2019). Totalitarianism concept in The Lego movie (2014).

Thesis. Jakarta; UIN Syarif Hidayatullah Jakarta.

Ottelin, Niklas. (2017). Loneliness and totalitarianism in the wall Political analysis of Roger Waters’ the Wall. Finlandia; University of Jyvaskyla.

O’Deecue, Pison Adolfus. (2006). Naturalism reflected by the character Prochorus in Frank G. Slaughter’s the Sins of Herod. Thesis. Yogyakarta:

Universitas Sanata Dharma.

Orwell, George. (1949). 1984. Libgen Librarian.

Rifian, Zaki. (2018). Totalitarianism behind utopian society in Lois Lowry’s the giver: Hannah Arendt’s perspective. Vol. 6, No.2. Litera-Kultura, 1-12.

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Universitas Teknokrat Indonesia

Raza, Ahmad. and Awan, Ghafoor A. (2016). The effect of Totalitarianism and Marxism towards Dystopian society in George Orwell’s selected fiction.

Vol. 2, No. 4, Oct-Dec 2016. Global Journal of Management and Social Sciences.

Renaldi, Adi. and Widyastuti, Dewi. (2015). The Inauthenticity of the Main Characters as an Impact of Totalitarian System Seen in George Orwell’s 1984. Vol. 15, No.1, April 2015. Sanata Dharma University.

Simatupang, Landung. (2016). 1984. Yogyakarta. Bentang.

Skjørestad, Anstein. (2010). 1984 and A Clockwork Orange a comparative study of how violence affects the main characters with special attention to age and life stage. Thesis. Norwegia: Stavanger University.

Wellek, Rene. and Warren, Austin. (2011). Theory of Literature. New York.

Harcourt, Brace and Company.

Widayati., et al. (2018) Representation Women Subordinated of Java Culture in Bumi Manusia by Pramudya Ananta Toer. Solo. EAI.

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