6B02120-Графический дизайн - Каталог дисциплин 2020

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APPRoVED

BY

Vice-Rector

for

Academic

Aflairs

RSE

REM (L.N.

_Gumilyov Eurasiatr

Natior:rl

[Jriversity),

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rses catalogue of the education program 6802120-Graphic design for the students of the 2020 year adrrission

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i'rerequisites

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'lhe _purposeot the discipline is 1() Ibmr strdenls'arlislic tasle. milstenng the dleorelical 1n1d melhodological lbundations ol' academic drawing and composition, and creative activity baseri on lcademic reqltiremenB formation of the abilily to creale Yisual three-dimensidlal trages on it t\vo-dimensional plane (character. environmcnl. lerrain. aatiotl. evenl. and much more). dcpdnding on the purpose. Ihe abilirv to apply this knorvlccl-ee rhcn cre lrng \rrnLrs iltl prolcct\

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:itud\ ol lhe lu\\s ol

spatiitl modeling oD lhe plane tindcr\tirnding and ohrlit\ tt) cppl\ in nractice the ^lurvsofspace nl(xlelrng Slud\ ol thc la$s ol-the inrage on thc plime thrcugh lhc \olumc ^andslructure. I-he purpose

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rule\ I'r)r

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appiy color a..i a design elemenl. Acquires

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purpose

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discipline

- the

formation ol students'

artistic

taste, mastering

the

theoretical and methodological foundations

ol

academic

painting

and composition,

creative activily based on

^academic

requiremenLs. To be able ro correcfly and confidently solve cyper pxcYlroK

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various graphic and creative tasks using patterns and merhodoiogical sequence

of

developing

a

composition in painting, studying the psychological impacr oI painting on a

person For

ils

use

in

students' educational and creative activities.

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of

the meaning ol'painting

in

an,

iB

aftisric propertres and the characlerislic manners ol

wriling

leach the ability to conecdy cnJ c,'nfidenrl) solve

r

x,u\ grJnhr( ard crearr\e la5k\ u\ints pattems and methodical sequence

o,

painring, studying lhe psychological impact

ol

painting on a person Ibr its use in stlrdenls' cducational and creative activllies li)nns ploftssional

skillr

thr(rugh acquainlinp students

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lhe oompositi()n in design is a utilitarily

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conslrucliYe and aesthetic value fhe structure

ol

the design obicct. I'drmed according to the larvs of composition. receives such liloctional and conslructive Ieatures that best suit the plrpose ol-the thing. Composilional search

in

the design is iirmed at giving the Ibnn ol' properties thal provide consumer

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Kajlr,tI rTac

l.Ltp\.

t rrr,I aptlrarULrjrr,tK r(l,r

i\rerri

KrraccrrulllK larrarrrap Hel i3iruE

clpeI

c&:\,ault TeopfirrBr( xelle cliclrartitrur uerj:;tepir xalre nreurepy. Op lypni ()Hep xo6ajrap6rx xacay xe3iH,?Ie oc6, 6irriMli (o,l.qarra 6i,ryi

l(.rurcuqeuxaii fHcyI(rK rBnqerc,l

o^rr,\ii Hr

r.na eii.

orrpelexrrouefi rrpo(beacxorriurll3M 6yllyllc,.(),,ttl3afiHepa.

,Ilxcro0r.rHrra traflparjre

a rra

oopMrrpo8a

lte

\,MeHH9 cos,ras

l|

rprleirr,Ilt,rc tpcxMeptxne o6pa]Lr ltu tLsvxr\lepr()ii lr.x)cl()c I Ir r!liri\ r.(

-

^lrepcorn

^K,

^cpet(a.

llat(e

xculllrt ]lalvyt,l

K$elulepiHirl

rapuxr,r

6oiium[a xo3r(apac|,lH Kturri ^rrr acr.Lr

py

ap(LlJtLr otrHrt lEor,rrorutr.rrrrK larulapl,rrLxl

leliril

arrurray1ru

xolte

corlnMcH Karap, ollep'rAHYilIIH allic'teMelrir reci:rAepix Ko.r,rtulra Ollrp6rD, Ot{ep

r \ r,rr.'t6rranLrH t aLtJ\,'u,lr 6c-l i

jli

tiip .Lar,tr,r.rupr,ru ru epyirr til rr,rIrTafl

upv.

Oraruuj(

xaHc tfi.ejl

6eiirrejrcy eHepilrirt rnptxr,rH

6inv

)r(alrc laMarratlr ypAicler.i 6aiinarr6rc neH

, Lrrt t l ^p.ri lrrr,rxr

lr

ⁱ)p t lnnr,'trcp ^xofiJtiipr, t )ri:lutv l(i Jtfl /Lr

ocu 6irririlai xo:rlarra 6uryi

IlerrL() I(ypca ,$ltrcr.c,

-

OopNtuposalHe

y

cry,qcHroR Itpe,,tcraBneHB

06

ctoD rrecxfix

i].ali!\

po3Brrlxs _NrnpoBoii

\\ , ()xcc rBelr

xoii

K\,l ,1.vpLr. rlLrrttrerotc

lla )roii

ocHoEe

,llror()rt ec

lBo.rllollrr!

lt

oAnonpe!lctIl() rrpxoopfierrHe

(l!.tcItJlflt o

pc.tcjtellllt,tx IIilBLrKr,rr alta]

Uu poltiBt,te

il

,lcl(vcclBa c

Hcrrc.,'ILS0BaIIHCNt ItCKOt.Opt,IX rc Ky cc1 Dorerqcc krrx

uetoil

qecKxx npueMoB.

3ltrt

Hcropr o o'reqecl Beluoro u :apy6exrroro n.lo6pa:ltrcJrr,trcr.o hcKycL.TBa n ()6rapyxrBar6 cBrlr, r.l lIilltltllfiH B cospeMcr[lo]v rrpoqecce.

y[rerrtre rpuMeHrll, l{)Jryqeltrrle 3HilHrt,

lpfi

coS.laHuu rriBlllrqro,rx apT-np(,e}(ron

The goal ofthe course is to form students'jdeas about the historical stages o[ the deve]opment of world artistic culture, to identify on this basis the laws o[ its evolution and ar the same time to acquire certain skills for students to analyze works

of art

using certain

artistic

methods. To know the history of domestic and loreign fine arts and to discover

the

connection

and

traditions

in the

modern process. The ability to apply rhis knowledge when creating

l(oMI{)3urtrrlr/

l(o nr uoru

rpll

Composition

8

BlI

IK

BI

l(r]

l) t) tiK ^cypcrA(i!teMxqecKrii

pllcyrrox

Academic drawing

,Leiicurrc.

co6hlre rt

!il()r'(re,tptt.oe. B iilltrrcrrlit)cllt or

rtjrirqerou

Oopmnpolal}ie

v

cr\Ilcrlrol] xy,iloxccr.BeHHo.n

Dkyoa. oBJt&,lerrxe lcopc-rxqecK[]\rH

tr

^tuel ollu 9e cKr.rNll.r

ocrrcBaM!

xr.raccrqeoKo|o

pucyErQ

KoMIlO3r.rqIlH,

|Bopqeo(oiri Aertel

,roct.,l Ha

ocHoBe aK&\eMlrrecKux lpe6ouanuii.

yMe{re

_flpxtreHcrB norvqelrrrLte 3lraHtur flprr Co3llallHIl ptBr'Iri1lru,lt ap I'IlpOeI.IoB.

The classic design is one of the faces that determines the prolessionalism

of

the future designer. Discipline is nimed at rhe lormation oI the ability to create visual three- dimensional images on a two-dimensional plane such as ^- chafacter, environment, terrain, aclion, event, and much more, depending on the purpose. Formation of students, artislic taste, mastering Lhe theoretical and methodological foundations of classical drawin and com osrtio n creative O

EHy

708-01-20 Kara:ror r:u.rcqunlrrH no o6pa3oBaren6Hoi nporpaMMe. 143aatfie Bropoe

I

l

(5)

activity based on academic reqlirements. The

ability

to this knowled when creati various art ects.

l;lt l]i

tj,rl lC]

lI)

LK

Ipa$uxaur,rrl 'texIBrQJrapLI/

X!/loxeqrBel!lrire

1'CXHHKII

rpaburr4l Anistic graphics lechniques

I

I.rHin

^{u(cafl,r

-

^rprortl(iurLrr( ropKeM Kyparutapbr KLrPr'rr.'rrrurr(

.

Krr\ nr\t(

. ( r\te . l\( ti l,;lrp\lelr

ilut(Jt\ts

xaric apatac

te.\llllKal,ell laIHrc"Il,rpv

xaHe

o,rtup\teH rrLrrapra,rrLrjrl,rK

xl\rllc

xacay;UJ

irerreply

Colrl,rMctr (arap rpuorrruurru rurr

uJlu

IrarcnHln,Ddp

\r(rr

rJcr,rr,aepIr Hrapy

Crylctttrep,rirt

r(opKeMAi( TarnaMrapult (amrnl.ac16lpy, nrLrrap\rarnLlJrrr( KrrlMeT,rirutc nicrypxi tIaOHXaHLll t(opkeM ricr.;utcprH (o:ut3llv ap(t,r.lr,r Kop(ell x:.\'$brc opl,tll,,lay]1Lr{

leopltrJLI\ x:rrre

liicuavajrr,rx eli3^cpiI

Meruepy. Oc6r

rra,rti

oKl,rT\' 6ap,,rcr,r

jla

a;rrarr r':rxrprfictrepirr ropre:u rrr,uapNla,rl,rjn,rKlo Koi!(aard 6ijlyur ^(a_,rutr rac t Lrp,v.

IlerL rlHclUt,lluuu,,

-

o.lltaxoyjlelruc c xy,J(oxecr Bet u uJ t\t ll cpcjlclrlir\llr Ipaofi r(H. Tax},itx raK. pxco8aHue xapalflaurorr.

),r'.rrer\!, ry1116$. catr|BnHoii. rucllrr,rMx ircJt,(itr{H, naclej0o H B

cN{erralll()ii

texIlul(€ 1l

oclloertrIe pa6o.t.rJ Br,t,loJlltelr ^g

'r soprrccxux

parxrr A Taxxe ocBoelltr

cospelletntLrx saleprraurcB fi rrpxcM()B rpao

xx

oopltnpoEtu{le y ct\lleHloB x\r()xecrBeHHol'o

lll(!ca.

oBrauletrue .r.copeTrqecKuillt

r

rrcloiu{trecxrM

ocUoBarrx tpaJurulorrr()ii

npaoBkx

r.r

rrp Merreuxe xx B 1rx)pqecKoii,'lcrTerLt()ct.r! rrpu 8',tr(rreIx, x\lloxccrserrrrLr\ pca)l)l yireltHc npll\rerrrr$ not].Iexrrrrre rrra|x, rrpfi col;(ir

rlt

paB.rllrillux apT-trpocKr.oR.

The purpose of the discipline is to familiarize with the artistic means of graphics, such as, drawing

with

pencil, coal, ink, sangujne, color crayons, pastels and

jn

_mixed

techniques and mastering the work oI performing creative wolks. As well as the development ofmodern materjals and techniques of graphics. Formation of students' artistic taste, mastering the theoretjcal and methodological foundations of traditional graphics and their use

ln

the creative work when dojng artwork. The abitiry ro apply this knowledge when creati

c)_Pe'f

p'lcyrror(

Academic druwing

tL)

tilt

t K E/'l r(B BI) I]K

l'hrxeIIep,,rix IPu0nKa Hrr:'ricHepra, rPa0r{xa Irngineering (iraphics

OproroHalutr,r

rrpoe(rlxrld

rreri3,,(entetr

6elri;ri

6ip r?aolrl(ru6rl(

xerticlix

uoaearaepiH a!t,v xoJuap6

r

xalte

xeticlirrir

tlopviuraprrel xiarre onap,qutt apac6rrrrarli riap,,ru-

KJ

IIrlrc

l

on\rer!

6irfiJr

llrcTti vrcc.re;rrp.ri

rrrcrr\.(r ,rulilr,t]rapaLr Mcruepy.

Eyn xypc

HaKtu o66cr(riltepAiI

t paSuxrurr,rx _1arirrepi Cl)n!,lt Ta6t,rrrarHIl Ma,\lurilBr( 6(]iir,rHxla cLr36ajaptH r,q-py/lHrl Teopurrn!,( rrefi3i

frrllul

Ta6Llrra./ln.

H.JyqcHne

cr()co&)B

troJryqerrhJl onpe^e,,lelI Jx rpa(Dtr!ccr{xx

Mollejleii

nposrpaHc]t,a, ocrroBatIlll,lx lra oprororri.rJrlroM ripoeurpoBall]ru

lt

noJryqellxe Ha,rL,l(oB rl perrlclrrtx 3a.qaq, cBrtaHHlrx c ttpocrparcllenxunr tfopMama

I

^rr^ll^r(rn]cHxt^\!

lt

^tc:,(.t] HHiIH

aa llr,tii x\pc

rB,r,{e.lc,

lrrrnc,rtq((rrtli rrUrrotloii IkrUlpoeHtrq'teptexcii

n') crrer0{aJr!rocrH. ko1opEle npercraBJrs(rr coSoii lT)aoHqecKHe

K),tenfi kolrKpcr L,rx oaBeKrolJ

Slud\ of Nals 1o obrain ce(ain graphic models ot space

based

on

onhogonal projection and 80in skills

in

solving problcms relaled to spatial lbnns ard relarionships between

thefi

lhiscourse is the theoretical basis lbr lhe construction

of

drawurgs

in

thc specialty. rrhich are graphical models

ol

cilic ob

b tli

B/'l

I(ll

lr

l)

ltK

Koutu,r'rrep.rrir

r pu0rKa

Ko M nBrc'rep Hilr

i po0Hxa Computer desiSn

CB36a,/xo6i!rap,,lLr

6ircLxraH iurr,rHa

^jleitiH

koMrrr,(lrcpilc

nutoc^l)

pexak.ropLrL.ra _opL,H,qay

-

^/lu3aiiH

(i!t:lrr,tllt.rt lt,,(ilr,lJnr,rl

xoLi:rrril r

c

r<ute.r

xarJ

ilr(rr(H rarrr,rcrr,rpr Opror orrtLLlH pocKlucra llet r3xexr crr f)cnri_rl 6rp rp.rS}lxurr,r6 xerLic'rir uo;lerrr,,repir

r!rl

xojr!i,pr,rrr

xiI|e

xerlic'r'irr'ir rfopuilrapuel xauc ol raplll,r 1 apacH rual rr (apr,rM-

Ka l r,IrJU

ranv(ll

6rr'i.ra

Ltctr.t \riccn(.tcpjlr

lrrcrrr],rc

,rur',rr,r.rJp.llr ncru

cpr

Opq'p,tr xu6lup,rr,r

xacar

xerirr.re ocr,r 5i,lrin,ti xolllatrt uYrrxrrrltri

I},I().flHeIne qeprexeii / npoerroB B

^pelaKrope

AukrCAD rra rovrl,rclepe

ol

^uaqarra^u

!o

^KoHrra^-^Brrerpelue

Hororo c,rocooa rOoeKrrpoBa M o6reKra

l

3aiiHa H3y,leltfic cnncoax)r lror\,telrrfi o[pe,1e:te Il],rx r.paS qecxrrx M(r,teireii O

EHy

708-01-20 KaraLqor .axcur nJ,t hH no 06pa3oBarer6Hoi nporparrNle. 143.aaHHe BTopoe

l I

I

(6)

rDoeufipoaatol]1

',l

rroJrlqeHrre HaBLrr(or] B pet[eHx! 3aaaq, cBr3alurlrx

c

pocl.pzutclrieHHr,rMU {opuarrn u orHo[elrJr]!,r, Mer&!_ Hh\{r{. yMellrre llprlMeurn, noJytlerrH e 3]rat[r, rrp,l co3aaHllt pirj"_rll I tl,t )t Itpoex,l.oB.

l'eriimrance ol dm\\'ings / ^picturesin AuoC,

.l)

edilor in rhe cornpuler liom thc beSinning to the end - inrroducing a new

Nu\ to design a deslgn oblecl Studr ofwavs to obtain cenaln grJlhr( _m,,d(l\

,'l

\lauc _bu\cd

on

rrh,,E,,nrl prL,]ectiun _anJ gain skills

in

solving problems related to spalial fbrms and relalionships between them. ^'lhe

ability to apply

rhis

ects.

kno*1ed

.l _cerrecr _/Semester,l

corn eol

/.oo

n B

l l

Iix e

t

1) Ell

xooK

H/'l

llti

BI) t:K

Malepra'Lr{r,r(

ra,1eHue1 IleH

Ir{laiilr t ap xr,t Hcr opu,

\{alepniulLHoii KynBrypr,r x AI,3aiirra Ilisrory

of

material culture and design

)'Jr r(ypc

KeHlcllrCTIl(-3al"l.u]( opTaHl,r yiir,lMnacTr,lpy liorrreKcrrl(e (apacTr,rpL!raarr crrrrrrllep;ti{,l.apxxBr _t\reH

r(,'lr.r.r,r G,ifl.rIIJ 1(lrr(\]<p rlrrH/\rr(ntH

\1.hrHa-rLr.

I(\ l,\

r.r a,,ph(!r (rr.l, rcn.rirl uirii.j

i,,.r\

r,rlt.ll

fi(ns(r :urll0rapnaptn cIlrral-[ul]all: r(irutU ].apfixrr_SKoHoltr,'lXaJIr,r(

}r(al

AarI, reoryaourrl,ll( xa e xrrva,rrH(

_OaKtopnap,

,Ilaulma(pT' fr,uBrM MeH TeXHnXalHr,r{ .qaMy aeqreiii; p};xarm MaAellueTTirl

r'lpi

MeH 6ar.r,rTBr; cay.Jrcr., ceMarlr.r-marnH{

(errelrleplH: _Kepr(eMxei{e caHAir( oHep By:r

r:ci:r

:pryp,rri xilJrr,rKrap]ll,rrt Nlateplrlultrr( Mr{elneTiHe 6apr,rnura 6ipry.rac Kr' JriJ[rir! r,x rF,rn, J\ I t,tn] I

i

^\r\

\rkil

lK ,l<pe ti

/larrHLril Kypc rpelcra!,rrrer pe3yjrrralr,r ccrie,r(oBaHr.iii rx)

rclofrIll

t{ TeoprI

cr[leii.

paccMalpllsae\{t,rx _R_KorrTeKOe op|alrxlolrJx rrpocfpilllclBcrUx)-8elt1r(Jii cpeju,r.

Il

K],pce

I Ipe,lc l aRrrclr

Lr

cJre,rlvt()ru

e

ltpellrx)cr,rJr(r., tlLt.luuI{lloBelru,

ypoBerrl pa3Bl,'rr,u fiayx[ u-fexHrnn; Trrn

fi

rranpaBjrerrHoc,u, ,{yxOBHOii KvrLTypL,I: apxHTexTypa; oetvafiTurrecrke Cr{Ct,eMLt

xyiienep MeH

6exriJlep, crrreKeirep

3llal(oB, opHavecloB lt \to,fIBoB:

vie\\ ol the malerial culturc ol dil)er

,r3oopa3[rexLtloe rJ :leKopaluBrrce [cxvccTBo

Iaroii

uo/]xoil r().JBo.iuer B o6o6rr(eHt0ii oop{e lta,rl ^trux6oneerierocrrioe

rrpe,,lcl aB.Ie U

xe o

NlaTepuxnrrro; K!xr,t.ype pa3nrrqtII,rx rapo,loR

lhts course presenls the results

ol

sntdtes on the hishrv

unJ rh(.'n' r,r

\l)

ls.. (,,n.rd(r(J rn llr( conl(\r ul

^rh;

organizalion

ol

space-and-material environment. The course contains the lbllowing prerequisiles

for

the emergenc€ ol.

.l!l(' lh( _E(nerxl ht\lL,liixl and rcon,,mtc . u

r,,n.

geographic and climatic factors, landscape;

the level ol

development ofscjence and technologyi type trnd orjentalion of spiritual culture: aruhilecturet Sentantic _svstems_aaci_complexes ol'signs. ornaments and

molilli

line and Llecorative

art

^_lhis

approaoh allorvs in a generalired form to give lhe mosl holistic t,

les

Merr

M0r'oRTep

CT!L!e;i o6ueucropr,{ecKa, 3lrorlorf,rqecKarI cr'|vaIIXr;

|eol padlllqecKue t.l

Sarropn,

rran2ura$r;

It 1(0\llLIeXCt,t

AcroprI,I xcl(yccrBa Orrep'rapuxr,r Ilislory ol arl

ti 6ll x(x)K

B/'I BIr BD UK

I{omrrr,rcr'epLrin /u.,3aiiH

Koum,rn eprrr,rii 4rI3aiirr Compuler design

\r:"rr.-llr tl.r+lll{rt

.rh

..(i rc.r(f

.JHt.tH.rJ\

rilnrp0\r\r. rr3\,qerrrre cltocoi';oI tkr.r!qeItH, o

)r(Jrle oru(e\'

\,IIrr

r(oMtrr,k]TepniK xyiierriI{,rexll XrulriK xeHe 6ar1ap:rarvarur KyparrrupLlH

naiia&rarry

ilar{ErJlapbrH (i],,Ir,r ₀raclrrlpv. collt,n{eH

Kalap ,l]?ni

rcpanaiiLlM nrcaiirr

,.or,c xilci)

fJrrrrrin vrrr.Lrrrrpi.crta(rrfl(nnr h(toop- ,t(

)rrrrc

nacrpnt,rK ^Ir\c(buKa,1uK 6rr Ilp,r.Arel,prrxsrrr urr r.rr ^r

\,lr,r^rilapr,r

Melr

npxlrrtfimepiMeH laHErCTr,tpyi (eii6ip

|pa$ r(ajrr,r( MolenL,(ep aLl.v xoxlapr,nr

3epTrey:

?ila3r,lmrJKra TypJi Re{ropnLr(

x.}te

pacTpn6l( 6eiixerrepli cu"r); xll3airllepnir nrerrriv4ep .r.a6y: KapanaiiLrM l]ir3aiirr_

IleJrr,,lrcL(xrrjl14t{l,r: OoprvHpolanxe

rraB6 10rl

Ilcr{).rrr,loBafix, rexllrriecl{ux

x

rrpofpaMlt

6rx

cpe/Ic1.t}

KOMlr,r(rrcpUoii cucretvBr

/lrI,

Do/trtTolr(l{

u

o6pa6oTKx IparbuqecKHx fr3o6pitxelrnii, a TaKxe coj/lallx,I plrjJtllqHr,rx

rr€crloxrrl,lx

rtll3aiilFrlpoekl.oB.

3ataqu

&lct[trr]rH6l:

o3ItakoI{JIeIIHe ClyIeIlTOa

C

OCHOBHL,IMU

lrcH(f,ltM,

^1l

rQHrrrtHnar\Ill pa60,r,t LteKropr[ix

x

pacTpor,,rx

fpao

^qeckxx

I I. rIIL

Hrrecfiqx r{ollereii: x3

I(o,ulro3nrur, Koi\ lo3xrurn Conlposilion

O

EHy

708-01-20 KarlL,To. /tucurrrJrrH no o6pa3oBare_,rbBoi:i nporpaMMe. 14saaer_re oropoe

l

(7)

r[rocKocrtl piBjlx!firr,r)i Ber(fopnr,rx H

pac1]x)nlrx

riloopaxelllll,

^pcr

cltue itt3uiitrepcKrix

3uuq:

npoerrrPosarrHe Hecrr()xllt,rx /.lri3aiirr-orrrexroB

The objcctives

ol

the discipline: the lbrmation of skills to

use

lechnical

and

sollware computer systems

for

^the

preparation

aid

processing of graphic images, 0s well as the

crcation of various simple design

^pr()jecls

The objeclivcs ofthe discipline: to familiarize students with the basic conecPrr nd principles ol-opcralion ol_\eclor and rastcr

gralhic pr()lrraDlst slud!ing

\\'a\s k) gcl

ceflain ^graphical models: sluliying thc rules ol lhe image on lhe plane ol \arious vcck)r und ra\ter imagc\: sol\in8 dcsign problems. des,gn ol' simple desagn objecrs.

_Iarura1

6or"rrrrrura .,KOO

rorrnoHeHri /B]'toBcrixil r{o{noresT no B6r6op]

9 XEN

IK

oo.q Kl]

GCD ]JC'

I IpegnprurMarell r,crBo H 6x3rec l(ocinxeplrix x:ue 6rcHec

l-.ntrcpreneurship and husinerr

)

Teopurxr,r( rrr:lBltlt, xrHe rrpaKTHKa,'rH( 6i.JriM apKt,xrrl

<Kccinxep-.rix

xane

6x:rrrecl

xird

sry,qelrrrepre 6x3lec

^orrrap

^)KJCJ)^r

a. o tJ

\iiBrMnacll.rlvtit

xrHe xyPti)te

rtlwxirt.trx 6epe

rr (i\ t,tve[ I(atirf

xocirrncp,rtr rr.r.rrrcr ,+i\ itc(rrr (e rrrxrr,r x:1llc l\t,llt,tcilrh||t

\r]Lc.t(.t(f,u

Ircl|t\

\rrrrrr ^n\(r,r\t,

^t,

( .xoId\llltlir Jn. (ju(NJl\

\tr liiH]\r,lircr p\

lracereirpi

tel!r\iljlt lr,r;lt,r\ t

-

rrcpaKltrxill[lK oiijra\ xyiiecill (ajnnrrl _ac'tlnpa,lut

,rlricru|rHHa (I IpeltrrpurrHMale)LctBo 6r8Hec, ^.lepej TeopeTHqecKHe, rray!IlrJc

r

tpar{Tftt€cK e 3HaEH, fl o38O]tUT

c(bopMxpoBal! y c'I)ileHToB rol.oBr{o!-Il,

^t(

npeiurpuflriMareirLckori irerner'rLHocru

fi x

oprartrlilrulll 6urxeca /lacuurrnxHa rrpeltiannrer c(,fi,it UrcrcvctHrJttfiru fioplraTuSIo-IpaBoBr,rx,']KoHol\rhqecKrx. opraHx3aIrI(x,r()- yrrpaaile!ttecKHx 3Harlrii o BorrpocaM c.ral()rrreHxr. Ee/lerlltl{

ree,urpxlllnraLre]lr,crBa n 6113neca. xotoprJe crarrvr oc nBoii

,!1,

^pa.Jltrl

tfl pe/!tIlnlllrlalejficI(olo \ ,It||.tclIt, ift!

l(rllcllllx lir.lrrn(lltht\ t.ru,t

ll

l(.lr'tiLt\

(

t\xtUtii

Ihc discipline (lrnlrepreneurship and huslness) lhrough theoretical. scicntilic aDd practical knowledge

will

allow sludents

lo lbrm

readiness

lbr

entrepreneurship

and

lbr husinesr orgarizalion. Discipline

is

the systematizauon of

rcgulalon, economic. orgarizational and

manrgerial knoBledge

on

the lbnnation. managemeDt

of

business and busincss. which

will

become the basis lbr thc devehpment of enLrepreneuriirl

thinling k) solve

specilic problems und hu\rnes\ \itualions

l0 xt;lt

¹^K

OO,q KI]

GCD I1K

Plxarlll xatlt l,tp\

Pyxarnr xarr r,rpy

tlukhani Zhangynr

5 I r6acu

Il

Ha3ap6acr

,

l (6rt.urralrKa 6alllap: pyxalx xaurr,rp\', 6ariupjra\rajl,rK Ma(a..rracur,ta KoIatlrHLIl ptxarlx ,,larrvr;rrlrrt 6acuutu,rKlaptJ aiKllrruliu6tr,.

6utnp

6epitrtti.

l)yxaHn xarf6lpyrLr xeleJr ry3ene acHpy Mirureri Koii,,!rau.

Kuript

t

re,vitttrl,lt rarc6t,rn cirHKec xor ar,r ltanr)lrnurt rpre.ri NaIHIacHIILIII

6ipi xactap!trrrI 6irivre,

fipafMaTs3Mre, 6ocerere xaoirerri,aixKe /(elelr yrrrH.nLrc 6orysr rraxer liitriru uI.\'ntlrropnr,rrt ]epircci Merr calrac]rHr,r,l ant,,r{T r,rrr,r

-

^pyxalr.t

xar(r,rpvjtrJ rHiMAi xyScrc aoupyarrrt 6aclr,r ^urapr

u

^6otrr,rrr

1',a66r)a/tr,.

Ii

rpor pcrMr()it c1it1r,e l,aRr,r roc\'jlapc,lBa (B3r'nrtt B

ii1;tvtnee r(),teprlltiatLll,

06rrtcctEc|t

(ro

co3fii

lIr,

,rr-loxerr,r

()prerITarpt,t

illxoBlloto palsl(ni,

trallrero r,6rrt(c

rxil

l lou t aB.tc J rilluq J

(,

Cprxtt,

)

Lck \rir]lep x.rJll r.,

o6uec'r'Dellr(n

o co3ltallx,l. B

yc.rrorunx coBpeMel ()ii pea,rt,lrociH,

rfyrulaveglonux:u npfitllunoM

patBx-t,Hrr o6ulc!_rBa ,loJxfio crarr crpetlrreHue tv(rollexH r( 3Halrriro, K

rpar\ral]lttr). x xoHryperrrocrrocoor|oc

t.

IlocraHulr,{ Bosr6

x

oiripLr'rocrn co3traHtfi o6vqaronuxc,

-

^r.taBuoe^ycnoBxe

r$SercnrBrroii pearu3arL

n

Moaeprru3atuM o6r(ecrBeHtlor'o

lhe

^programarliclc

ol thc

llead

ol

Statc ((()urse L(\vards thc lLture modcrniruli{)n ol KaliJihslln's idcnlit\, set

,'ul lhc irlcnd! Ii,r th< cr,mrng l(ars imJ.rnnouncrd " Ihe ^thrrd modemialion ol Kazalhlilan)). which implies the creatioll ol a

nerv model

ol

economic groMh,

wjll

ensure the counlry's global competitiveness. ^'lhe receptiveness and openness ol the consciousoes\

ol

sludent th is the main condilion li)r the

O

EHy

708-01-20 Kara,rror l.tcutlnnuH no 06pa3oBarenbHoi nporpaMMe. h3,xaHxe Bropoe

I

!l

(8)

el'lactilc

'mplementation

ol

modemizalion

ol

^public

lt ^]I{B|I ^l'K

OoA

KB (;CD hC

I InQpLrr,rr<

TexEonoI.flr.jlap,r0,r cara.Jlap

6oi'isrnIIra (oJlr'lar ry

ldu$porue Texllorolun I]o oTpacnrM opuMerrerrr,,t l)igital lechnobgies by branches ol appli- calion

5

provision of eleclronic services,

ilall

Kolrrarry sajl tapLr

6oi6uuIa KI,

(llHOpJu,rK h..r.rurcrcrr- V(MJ(xel,l

rK

6Jr Jrp.rc\tJ(Hrr

erUIp)

,{Jre

)i\Jel(

icLln)"u,rr xrtct(LelrtH.,reKtpL,lLMl\ KLt.'vemcFr,

Kopcel],lti{

l(aopnlr(

ruiaToopM&rrapun. op.r.1p,ri xaci6r cruuairfr l:oiibtHllrc rLu$p,rlrr< rexur,,ruru,r.rrp.tur clr.tipr.

l(o]I]la,iy xoxaap]nr l{apacTr,rpallrrt

Aucllrrr.)rrHa paccNrarpxBael

)TarrLr

BHe/tpeHrur n peanr.r3arux ['ocl lapcmelrr

roii

[porpaMMLr

PK

^(lluopoBoi

KaraxcraH)). ltuopoDl,re rlraroopN{r,r oKa3aH

!

)neKrpor Lrx

\c,rvr"

cr()co6u llrre/lperrrlr

H

rcrroar,:olarrul rgtlpctnlrx ,(\||.' xtr |l nlJ- t' ,t\ f,,q,(L lu lL , t.j\ ix_,.tJrtH\

I)iscipline considers the stages

of

lmplemenlalion and

inrplcmenlation

ol

the Stale Prograrn

of lhe

llepublic ol' Krakhslan

tDigital

Kuakhst.url,

digiBl

plallbrms

lor

the

al lechnolo es ln Yi[lotLs

savs of introducing ald using rolessional fields

11 XB1I

IK oo^

KB GCD I]C

CLrSaiirac x!a\{ l(op-rIBI ((a r€pcll Mi,\enue,' A,ll rllroppv rtrroll Ia, K\.ILl\pil culture

5

AucqulruHa

(n HTHnoppynruoEHa, KynBTypau)

rrallpaB.irelx,

(AcKyccrBo u

rylraHfi,r,apllLre HayKx))

Ileo6xolllMa

iuu

BcecioporrHeru rrpaBcTBeHHoro pajBurri,

J ,r0ocrn HJ\,leHte

]aKo rrolat eJ ll,t _llt

Io

3aripenjrer{,

arr

rrxoppr

llfiotrr

,r\ trcp\1 )tjte

f\rlarrn'lapHr,tx ererllra.rLrocleii trco6xolu,l!{o

lr

cr]r3rr

c

ilcrlcJrr,Iocrrlo clrer(ut!rrrclori u cr!epax trrrr.rucr.lrru, xcl() cc,rB0. t(H3lliiH x

l(ptlrle

llenl

lo

lr3\'qeuxe .rlaHxoii ltHcuxMrrlrl,t,rBrqelc, OopirxpolraHr,le

ocHoB arrrxoppyllrlt{orrHoro

3aKo- rro)]arcnrra:ll}a /aru npo(b Jrrpyrculxx cne[xirrEHocreii.

(tlHep )r€He ryMartllrr.apxH(

r.rnjnrMlap) 6a}.r,r'rsrruaru (C6r6aiirac xeM(opj16r((a KapcLr Mt,(eHugD nJ

r

aJa,rl

6Il t,\r6rI\

\l.,patBnBr( .taM\

br yuri

^(axet

frrrlrrurap.rr-rx vavrH,ltilcran 6{]ii-t,rHrxa

Cr,.fiJirJtdc ,r\(\rh.'n,r,rKKJ arnl,t.t K\n(c

LAtr

,rH

JreItcijIIt

Ix,nvCtxBtI uKrr.repr(l 3ep,Leitev JlntrRr.]c1ltKa. oflep.

lxtaiill

imrre 6acra carrarritplai r,r valturL(ap,lH,Larprruvr.a aprriLll.arr [iy:r rrrrritr ol(Lr r),1r,rtl

lra(cau,t -

rrer.i.lr.i nu-narrttr,rKrap 60;riHlrra (r,rriJfl.rJj x(IrKr'r\It.|l('(a K:1n(',t .iJtrHirvrt

, L

^Hc^J.t(nt,l

Klr,,rLrflrac rr,rpy 6()]r,Ilr ra66rJla/(Lr.

Disclpline (Anti-conupllon cullure) direction

(An

iud Huma-nities) is necessary for the lirll moral development oa the indivi-dual. The study

of

legislalive oon-solidation

of

anlicorruption norms lbr hum-anitarian specialties js ne-cessary in connection wilh the activilies oI specialists in lhe fields ol' linguislics-

tn.

design and others Ihe pury)ose of the stud) ol' lhr\ dr\ciplinc is

()

l'olnlulatc the li)undtltolt\ ol anlt-corrupti{)n lc-grslirlron lin- naior spccialties

l3

xtill

^I^l{

OO,4 I(B GCI) I]C

lkoroI.u,

He[iAepi xaHe

ripuirir

4ayincisliri OcnogLr 3Kollol.lut U

6egonacuocrr x[r3reaerTe.,Itljoc Tll

l-undamenlals ol' ecolog) and lile sal!t)

)

A,ilaMiarrr,rll 6acTr,r ryrrttr,r:n,rlr.apLrrru 6aFr,llLrrrrrBr

,{((}i( I\.Iallr,tH,}i,,]ritrrJUr\ v:-rcrrrerirr

nx\{t,tr\.

II(OJIOIIyI-IIBI( KO3\apaCrBI

(tun,rnTa!"ilrpy

_ap(,rjr6r

lKolrofl,rr"rrL,( a(naparrHrt xapxr,nrrJlrrr.l,t

a caii

Ka3ipri K*ICN (OPUIAFAII _OP'''IIH{ KOIITETEH 3I(OJIOIId'JIEI(

ruccerenepirr

uerny

KoraMHHrt calta*r ic-opeKeri Mex ,p6ip arlaMHEIIl,rr'OrapLI,rlelU'eiile

lKonofrrqlLt(

Oii-carracr,rHa 6ali.ilalrr,rcrBr.

Pel]rerrr.le atojrr,rrrIrrcrBa rxoror]rqecKr.tx rpo6neM c(nrpe\rcHll()ii olipyr(arotr(eii cpeiLt,l. ocHoEarrfl oe rra oco.jtrarr rl or)rreclBcrIltoctrno JxonoflntccKoii l1rr(DopMarurx trvTeNt

piBRUrx, )KoxorxqecKoii KynB'I,!pl,l rrHLrHoctx

c

^yqe.loM

ocrroBHl,lx IeHHocreii

.re.,'tote,{eclBaIl

rbopvupoBaHu, lI(oJIOl

qeoxoro noaxula,

3aBacrt.

oT

coSIIaTenLrIoI'o

noBeaerrr!

o6nlecTBa

u BLrcoKoii

?kojroruqec(ofi ocBelloMneIIlIoclU Ka]l(IOTO LreJrOBer(a.

'Ihe _solution

of

mosl environmental problems

ol

the

modem

envilonmenl based

on public

awareness

of

en!ironmenlal inti)rmalion duough the delelopment

ol'

an

indiridual

r

en!lronmenlal culture. laking

into

accounl the

basic r alues

ol tlunanil\ and the

deYelopmcnt

ol

an

an|ironnlcnlal appro!ch. dcpcnds on the conscrous behartor ol' md thc h environmcnlal a*,arencss ol each

@

EHy

708-01-20 Karalror tllrcqufi,trrH no o6pa3oBarejrbnoi nporpaMMe. I43aaHue Bropoe

I

(9)

l-1

1.1

XEII fK

( )o/.t KII (JCI) IIC

BIITK

tj^

I(B I]I) EK

Coiue) r\raileHxelr l{y"qrrypa pe.lx Speech culture

lpaQnKiur,rK tu3aiiIl

)JreMerrT',epixeHe yaepicrepi J:reuern;

I

rlporrcccr,r nPa0H,recxoru IH3aiiHa [:lements and Sraphic ^design

Tnll,l:r ootILlllluI lioMIl0neTTTe

lir

pc iriri

arrvtxrJjtap,,lH{

xifl[,r coirre\'

r{e7]eltfigfiIl

Jlr'rLrn\l!. x,r\t\t! ItiJtHBlir{ irp(Kcft((tixtirt

JpftnJ x(!rllaiir,rrula

colrev

6apucLrtr,'la .rixltix Kyp.urGp!r,r _nypr,tc ,()rutrurv

6itriKtepi Nleu

xar,,(r,,JapuH K.ururlrac.rLrpyla

6alu'r|urra[

Coii:rcy r'li}iteuugr.iuirt lleri:r.i 6crtinepi. Coiuey

\t11.'teHhc

Ill

HopxatHI

k.

xrrvlt].HHKafHI

tx. "l

^(:!lLtx

lcttcnittept

(

ei:lte)

rrrrxaclr

(i'ine)

crnJr(tnrcr,r. ir,Lic,

rici,rrr'rep. I(o:uMyHqKa1rrTix calci3lliKrcpnitt ce6errrcpi.

ntr

3nla ic(epniK coii-rc\ Lr..ilerrxeli xaHe xdl6,uxa coii.ley

t\l a, leHnc

li

KlTc

rrilrLcrr(H

llJ

,rrBtrxcflHc r16trLeil x]nLtypr,r peqx

o6y,{arcqrxc{. rlopviporranre

HaBr,rKoa

r.r yue

uii rrpaBHjrbflolo \ r()Tpefuelltr 13 roBux cpelqrB

I

^peqH^B

pilln}lqHLr)i crfl 'ya[uJrt (o]\l\tvHltr(a

[tttIoro

83axMo,/leiic-rB,l, Ocuourn,re

rrpurfirrrr rrynlt\'pr,l

peqH. Ik)p,uarrruHt,rii.

rio[,My xKJnts

r,tii.'ll,rqecxl,ii

uc cx,rht

rynr,l]pH

^pe(t.

')rxKir

peqertor'o ^()6rrte

ur.

Peqctfire c-rparerltt. TaK,,l,(lt

rlrrerH

llprrgrr{H KoIlr\tyrr{x:tr'lBnllx

Ie},taq

Krrr,t.vpa ile"()r,o}i vclll()ii fi xxcnnierrr()ii pcvtr

lhc

course rs aimed at improving the gen€ral culture

of

specch ol surdents, the Ii)rmation

ol

skills and abiliries of the correct use ol'language meius in speech in vari()us situations ol' communicali!e interaction

'fhe

_main_signs

ol a

culture

ol'

speech Il.egulat()ry, conrmunicative, ethical aspects

of

the culture o[ speech. ^'lhe

elh'cs

ol'

speech communication Speech strategies. tacljcs tcchniques. Causes o!'connnunication lailures. lluriness cullure ol

\

akin dNritin

/ horrrrorrenr ur rro et,r6o

to

^l C'o r nt\

l(! pc rrrcrtSepi&1e rpa(blrxLr ,rk lluliuiHnr,,tl et blepiMe

,llllll}itturEr cypcnep

carry-

y ti!

Kepr(eMtik 6efiHetri, xoprenraix

rucanu

Melr Mafr,Iroct

rrr (r trj.

Mar6rHTy3y ttttl tepirrt. 6atra nCiiAulJIr,r,la, r,It not HKarruK,lpfi lltL},nrep]ll

xille

r(onrnolHrIH,JlLr( rexHBKa

L, q?vnarH

rpaorxaur

(

Kyparulapr'rlturavnBr KapacrLrpaAH. Crylenmepli xof)auHrr

xurta,leH|eiiirre

xallc keltrcl

lx ( otuu\r't

,larl,rrI]la\, 3aMaHavx,tx3aiirrep yrrlrr KaxeTT j _ropxeuAixr.iur|au,'ts xlrre lirrx.r.LrJ .lJ\fl,ll\. .trrrJiitr (auct, t,lJ *illfl,tL t(t(r \ 6t:rrrri

ua:rrll,uiir,ruu)

Kapacrurpt,rjtla!.

ll

parvxlx KYpca pacclua rpxBluo I c,| ocrloBr,l Ipa4u.recxoro

)uluiira.

cBr3arrHLte

c

$Lra)opollt rtlipa3r,nel[tlt,tx cpel(c11,

r pa(bHKri B co3ilaHx, xv,,loxecTBc|tIorc o6pa3a, B3iurMocBr3x

\\'iloxecrnerxroii Sopnu { ^cMLtc,,ta

^(Tutnn

cNrucnooopa3oBarrus), ilpyIHe,rc,,ojrL3yeM6re .norlr.recxre

rpHHrltrrLr H

r(oMno3utlloElue rrpueMH rrocrpoeltnl

lllo6paxelm B lpao[qec(oM jlr:]aitrre.

l_lo,,lroroRrru

c,\,lcHl'oB K rroBorjy ypos|lro tDoeKrlrcro I

poctpa:rcBcIt(n1l rlr, IllcHlt _ pirjauTltc xyi()xec.flicl|llot o

r

I \

flafl\

I lBcroBc;leHxe Chronratics

Bxtca. rlarrrir:luu.

_lco6xorxn,tx

,,tiu

c(lrpeMeHr()r o ,0rlaiirepxt r()llro'fotsfi11,,{BaJrn(DHrtHpoBarxtolo cIleUxajrHc,r.a

,Lr! ^pufx)l,,rB ofiiracrh juJafitra.

The course covers the basics of graphic desjgn related to the choice ofexpressive means ofgraphics in creating an artistic image, the relationship of artistic form and meaning (types

of

meaning),

other

used logical principles and compositional techniques

for

constructing images in graphic design. To prepare students

for a

new level of proiect and spatial thinking, the developmenr

of

artistic taste, fanlasy, necessary for a modern designer; prepare a

urlrlied ialist to work in the lield of de

ti l,ltlK

r;/l

I(li

1J I) FK

C1n,,ru3arlru a,rUc rep i $ell

rrci:uepi/

llpuerru u I{C',tOAIn cTIarIU3all,xll 'Iechntpes

und melhods ol' st\lizalion

(

[1.It',.IlHr,tJ\

-

c\,ncrten, tL

t

,r(J r,tfl, r,,.tcyt \r(tr

rl.rrrrrr r'rrrprlrrirl,r:r(r1p.11 i.lt(tepirrlll

xe\le|lvcll

cypsrreirreI

o86eKri.]epli

c.r,,liI( ryp-leturip].

Slylize, 1l'p)eH!ip)

oi

fleri3,rtcpirue (Y:r,ru nroiiun$r xfipa$) 6o,iyH MYN{rir xalle eHri3i-rrell Myril( (4arra

ryrll) lxuyu

^uyuxirr.

l,iJtrrrui xur:uiila. i,Lct.le. u6<ii,te.te), ropr,trl

:,riei ruii lir.,rallr,l]riulr,r. J.t cK

t trct - r{-trrprcrfir"

6uiix:r\ xrrrc

r)itip

ri\xlpxa)ecirre HcriJrejrr.ex Ka!.61\r;uc-,rK

i)pfypri

ea\ lieJrrrilc ocLt ()ljI\r,lr (o.rr,,Larn rr)uKl0j!ti

Kolrrro:urtrrs Kotrurt.turtr.c Composilion

O

EHy

708-01-20 Kara,ror ,tacr1r n-r I rr no o6pa roBare.l6Ho; nporpalrNte. Hsrarue aropoe

j I I

I

(10)

C lrtru.larurl npe,lcraaller co60ii rleI(OPaTI BHOe

o6o6uerxre x3o6po(aer\rrjx o61,emoB

c

floMox(r,o pr,/ta ycnoBHLlx npneMoB lt3MeIIel{UC {bopM6r, O6l,eMH6rx uBeToRLrX O',rHolxeUkii.cTIlIn3OeaTL, [peo6pa3oBr,tBaTE't tfoprir\

voruo lrc

co6crBeHfiorlry rlpllSlraKy (Iurx]rHon,eHii

xrpa(D) tlo

llpnRHecelrrrolvy cRoiicrBy (MvIpax coBa). B

IepRo\r cllvqae Hcnonllve.acr. rax

npaBxJlo.

(x3o6palu1e.,rr,|luii) rryTl, 0606lttelrxr.

a Bo

BlopoM _ (ueH3o6pil]u,e,tr,

Lrii)

acco{na1.xBHr,ri. ocHolaHH}rii Ha

Ha6-rro,,leHux onr,rre.

Vxeure

npnMenrrl

rlojlyqerlu,re 3fi arrrl, rpn co3aaHfi Il pdlr],rqrrr,rx flpoexTos.

Stylization is a decorative generalizalion

of

the depicted objects lvrth the help of a number of conventional methorls

of

changing

the

shape, volume and color relations. Styljze, trans[om lhe tbrm can be on their own grounds (long-necked gir.rlle) and the inlroduced propeny

(rise orvl) ln

rhe first case. as n rule, the (plctorial)way olgeneralization is used. end

in

the

second

(non-imtginati\er: associalive. based on

bs ll d cxp lhe abll ] ^app^I) ^rh

knoul hen AII

cyper pucyrrox Academic drawing l6 BII TK

Ij,rI I{B BI) EK

ApHatu cyper CxeruaJrLHLri:i pxcylloK Special drarving

t(

\p(lL'rr \rah(alrt crracnrrrp,ri

xuGrxsrn NJ}u ileHl eiiitle xaEe KeucTi(Tii( oil-,nyra. xopreupix ra,rraruo,r

ttlvrttvrl. rzuipri

^.,a\ra

lH !fi.iaii <Fte

KDr(en

t

Klt

rL

^r

aa[lBlra oTErpr,rrr, afi3atH ctuqacr,rHlafH -rq!,{6rcKa 6iniKri

vaMarr

naiir,

ula\

bar4ap.nxMa

(rlneHTtepni

_n.1,IliH

Ma(CaTTaprl MeH MirrteTrepiMerr TarH6rCrE pyALr l(apaqrlrpallr.

A8aiirrepllrt keci6u

$,r3MeriHe

xooarrr,rt

^t(opxeM

t p:"r$ur<rrurr rrrrrruvrrr rai,J 6tn) l vtruer r i

lleirr,

(ypca,

_oollrolollt't.r, cl.yren'rl)u K Hono[iy _vpoBrrro rrpoeK

roro u

rrpocl.paHcrBerfl

(n.o

tllr,rrlrreHl,tjl, ptBllulrre xylloxecl BeH ^rIot

o

nkyca,

oturrllluu,

rreo6xollxtlrBrx /Lq,

coBper\relrHoro !rcal'irrepa;

fior'lro,roullTr, KBaJrx(DxUxpo B aHHol

o

cfleurarrxcTa /Um ^pa6ot1,lB o6naclr]

,qB3aiirra. flporpaMMoii npelycMarpunaerc, o3rraKoM]rellre olyiteHToB

c

uer'rrMI,

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