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Preserving a cultural tradition…6 of anything abstract; explores the impression of the unknown and the unheard; and should reflect the way we perceive the existence of each human being and how one relates his experience to his environment. It includes the preservation of landscapes that have been altered as a result of the agricultural and industrial growth of society. A study on the role of community in cultural preservation in Indonesia was conducted by Tanudirjo in 2003.

This is also true with (Etten, 2010) study of weaving development in Cochabamba, Bolivia, where it emphasizes the cultural preservation of Bolivian hand-made textiles. The literature on craft industry preservation is limited; most studies have concentrated on physical heritage such as monuments and other architectural structures. Preserving a cultural tradition...26 following the rhythm and flow of weaving is a talent and an art practiced by their ancestors that has been handed down over the years.

Weaving reflects the state of community life and its importance, as well as the nature and cultural characteristics of the Yakan people. The research of (Atilano, 2014) on the cultural manifestations of the Yakan has proven that teaching and learning of Yakan weaving has been made possible. Information about the finishing place to be included in the structure of the entertainer's plans (which must also be known to him).”2.

Despite her attraction to weaving, she still possesses deep knowledge and understanding of Yakan culture and tradition.

Operating Principles. The conduct of research and documentation of IKSPs and Customary Laws were observed through the following principles

Baguilat (2009) focuses on an increasingly broad parameter that includes all the laws, traditional skills, philosophy, rituals, sciences, livelihoods and even technologies of the community. In this way, their presence and practices are members of the community that serves as a clear representation of the past, present and future. Furthermore, participants were given the sole and exclusive right to determine the extent, manner or content of the presentation of the information, as well as the knowledge communicated regarding their heritage site and weaving practices.

The researcher showed great appreciation for the very unique culture, practice and worldview of the participants as powerful sources of joint efforts to keep their rights intact and strong. The researcher strictly adhered to the customary laws regarding the full participation of the participant as a carrier of culture at every stage and level of this research. Preservation of a Cultural Tradition…51 tried to see beyond the tip of the iceberg and sought to understand the practices and perspectives of the participants that form the basis and most of what is embedded in their community.

The authorized representative of the IP issued a certificate that the participants were satisfied with the context, method and extent of information provision and with the imparted knowledge. When submitting the application, the researcher submitted a completed application form, which was

Filing of Application and Payment of Fees. In the filing of the application, the researcher submitted the accomplished application form that was

4, Series of 2012, research and documentation from the implementation of this study to the collection of data were directly and collectively supervised by NCIP staff and Yakan chief. Preservation of a cultural tradition…52 includes, the research proposal for the review and compliance procedure, together with the company's signature statement signed by the applicant in good faith that it will follow the instructions and other requirements and pay the required fee of the deposit of five hundred pesos (P500.00). After a thorough review and evaluation of the application, the TMSD Chief and Regional Legal Officer did not find the proposed study to be intrusive with actual human experimentation, involving and causing the excavation and destruction of the Yakan village, particularly that of the tribe's sacred sites, nor violation of the rights of the Yakan people.

Following the recommendation of the TMSD Chief, the Regional Director immediately formed the IKSP Team on Indigenous Knowledge Systems and Practices. The team was composed of the Director of NCIP Zamboanga, NCIP Community Development Officers and Yakan Tribal Leader. A meeting was facilitated by the NCIP for the presentation and full disclosure of the study and discussion of the labor and finance presentation and full disclosure of the study and discussion of the labor and economy.

Preserving cultural tradition…53 Plan (WFP) prepared by the applicant researcher and the IKSP team in consultation with the Yakan tribal leader. WFP presented a breakdown of food and transportation costs for participants who attended a series of consultations.

Work and Financial Plan. The WFP showed itemized expenses for food and transportation of the participants who attended the series of consultative

In the next step, we sent the MOA to Central NCIP for review. After reviewing the agreed conditions, the Regional Director issued the Certification Prerequisite to the researcher. The Memorandum of Agreement (MOA) set out detailed baselines of the agreed terms and rights and responsibilities of all parties involved, including the benefits to be received by the community and grounds for sanctions for non-compliance with the agreement.

After the negotiation and signing of the MOA, the IKSP team submitted this report along with their recommendation regarding the issued.

Submission of Report. After the MOA negotiation and signing, the IKSP team forwarded this report along with their recommendation on the issued

Connection with Nature - Connection with Nature

Clothing is Survival - Life and economics

The traditional style of Yakan weaving is clearly reflected in the color shades of the fabrics. Preserving a cultural tradition…98 Question 2: How does their view of Yakan weaving define their communication practices to preserve Yakan culture and tradition.

Mentoring/Modeling is a communicative practice - Mentoring is a Communicative Practice

The craft is also preserved through exhibitions and fairs in local, national and international settings. The older generation feels the need to pass on the weaving to the younger generation for preservation because they realize that they are already old to continue the craft. The older generation of weavers express sadness and disappointment at the younger generation's apparent loss of interest in weaving due to technological adaptation and educational needs.

Mutual love for what is indigenous (LIfe and cultural support) - LIfe and cultural support

3Ms Framework on the communicative practices of the Yakans to preserve their culture and tradition. Preserving a cultural tradition…149 Third, the patterns of Yakan fabrics are rich in design and colors. Private individuals have also contributed to the development of the Yakan village with their personal capabilities.

Preserving a cultural tradition...159 They completed their work, otherwise they bought the finished work of the young weavers. Preserving a cultural tradition…167 Third, their cultural identity is reflected in the naming of the Yakan village. Firstly, this is reflected in the patterns of the Yakan fabrics which resonate with the elements of nature and life.

Preservation of a Cultural Tradition...169 Fourth, this is reflected by the traditional style of Yakan weaving which is visible in the color shade of the fabric. It is a representation of the Yakan way of life, which has been passed down through the generations. Preservation of a cultural tradition...172 Firstly, this is reflected by the transmission of the weaving knowledge and skills from mother to daughter.

Modeling is defined as one of the Yakan's communicative practices to preserve their culture and tradition. Firstly, this is reflected in the laziness of the younger generation, which resulted in their inability to learn the craft. Fifth, this is reflected in the younger generation's preference for completing their education rather than weaving.

Over time, so did the indigenous knowledge and skills of the Yakan in the Yakan tennun. First, this is reflected in the relief of the chief in the preservation and protection of their autochthonous craft. Secondly, this is reflected in the preservation of the craft through exhibitions and fairs in local, national and international settings.

Preservation of a cultural tradition...183 Thirdly, this is reflected in the importance of the Yakan culture, which was left unaccounted for. Fifth, this is reflected in the partnership between the Local Government Unit (LGU) and the Department of Tourism (DOT) supporting the Yakan weaving village.

Figure 1. A gabbang is played by Zalma Ballati, a master weaver.
Figure 1. A gabbang is played by Zalma Ballati, a master weaver.

Gambar

Figure 1. A gabbang is played by Zalma Ballati, a master weaver.
Figure 2. Bayre is one of the tools used in weaving. This is the same tool that  the Yakans used to cut the umbilical cord of a newborn female child
Figure 3. Birey-Birey.  Figure 4. Sumping.
Figure 7. Seputangan fabrics made from traditional materials.
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