The title of this article is the study of Puxian opera music in the city of Putian, Fujian province. This article has three research objectives: first, it discusses the historical origins and development of Puxian opera music.
INTRODUCTION
- Statement of the Problem
- Research Objectives
- Research Questions
- Importance of Research
- Definition of Terms
- Conceptual Framework
It is shaped by the continuous refinement, processing and accumulation of Puxian opera artists in long-term stage practice. The rise and development of Puxian opera is the same as all things in nature.
LITERATURE REVIEW
- Basic knowledge of the Putian city, Fujian, China
- General knowledge of Chinese opera and Local opera in China
- Theories used in this research
- Documents and research related to Puxian opera in Putian city, Fujian, China
However, this paper does not examine the characteristics of Puxian opera music and the role and function of society. This article serves as an important reference for my article on singing Puxian's opera music.
RESEARCH METHODS
Research Scope
Research Process
28 2.4 The integration of drum words, singing and earning and Zhugong melody on the music of Puxian Opera. 38 JiQu is one of the important methods of enrichment and development of Puxian opera music.
The development of Music in Puxian opera
Overview of the music source of Puxian Opera
The followers of the three religions absorbed much Puxian opera music to enrich the musicality of the Taoist rites. The music handed down by Dufei still preserves the primitive style of Puxian opera music. 34;Sanyi song has absorbed more than 100 pieces of Puxian opera music, more than 90% of which are the same as the names of Nanxi music street in.
At the same time, Puxian's opera also absorbed more than 20 works of religious music as chants of Daoism and legalism. Book of Puxian Opera Image from Li Weiquan 1.5 Music of Puxian Opera since modern times.
The influence of other Chinese opera music on Puxian opera
For example, there are Suzhou songs in the traditional play of Puxian opera, Hubei song in Fengyi fun, especially Suzhou song, which is the main performance song in the eight music of Puxian folk music. The music of Wu Song and Chu ballad is accompanied by small drums, gongs and cymbals. There are [Jixian bin], [Prince travels with four doors], [white crane son], [nine songs], [fanru song], [nine fan songs], [crying for the emperor], [Jiangtou golden laurel], etc ..
Although the artistic form of Puxian opera music maintains the structure of the combination of the melodies, the style is not strict due to its free and lively characteristics, such as. 34;no Leaves Palace Tune” in the early stages of Southern opera, so it is easy to absorb new melodies.
Integration of Puxian folk activities and folk music with Puxian opera music
《大鼓》、《水青龙》等29首十余首民间音乐作为演奏音乐，极大地改变了莆仙戏的传统唱腔和夜曲形式。莆仙地区的佛教音乐吸收了莆仙戏200多首作为劝善和伴奏音乐，代仙戏吸收了30多首佛教音乐作为道场的仪轨音乐。例如：《导引》、《盘三曲》、《飞花儿》、《上快》、《中算》、《结节高》、《绕谈》、《辛子子》、《金振台》、《风火台》、《索龙阁》、《坦佛序》、《佐坦序》、《开宗序》、《目连花》、《佛印》、《西佛》、《海会》、《慧香》、《五朵莲》序佛经，偏序，词，观尼尼词，忏悔词，朝见词，净曲词，海慧园词，云来吉词，叹死人词，俗称秋兆歌。
Other melodies, such as Kuanyan Guosha and Jingui, have been lost in the music of the Puxian opera, but have been preserved by the music of "Three Religions". The lyrics of these famous songs have not been changed and they are still the original singing of the Puxian opera.
Transmission and Development of Puxian Opera Music
The change of melody in Puxian opera's song is closely combined with the rhythm and natural syllables of the local language. Second, the values displayed in the content of Puxian opera have strong educational significance for the construction of social values. On the one hand, Puxian opera has popularized certain historical knowledge to ordinary people.
In this case, the heritage and development of Puxian opera is facing an unprecedented crisis. Puxian opera art heritage and protection center should pay more attention to the art of Puxian opera.
Analysis of the Music of Puxian Opera
Puxian opera Singing
But in some texts there are also four, six, eight or more than ten lines. In some repertoires, it is necessary to express a change in a certain emotion of a character. The third type has a lot in common, but there are some differences in the rhymes of the texts or the melody of individual sentences, but it is not necessarily the same palace tune.
In the music of Puxian opera, the traditional banyan symbol is called Daban, which corresponds to the two beats of the simplified score. Because in the board is to use the five fingers of the hand to strike together, that is a stroke, and then press down with the palm of the hand to count as a stroke, which together is two strokes.
Libretto format and pronunciation
In the process of tune development, decorative and floating tones are often skilfully used to offset the flat tone and cadence of dialect tone, which shows the emotion and image of the music. The bright moon in front of the pavilion is so bright, and the insects are chirping. In the process of melody, decorative tones and glides are often skillfully used to offset the flat tone and cadence of the language tone, to show the emotion and image of the music.
In particular, a lot of the clown singing is dialect slang, a lot of it is not available in the book, but it is very popular. In front of the third aunt's shop are dried beans, two leaves, four peanuts and a bottle of wine.
Characteristics of singing melody
④ The melody of the last movement follows the melody at the end of the previous movement and they become different movements. Based on the melody of the beginning, it develops freely, constantly developing and introducing new materials. Above all, each species has its own dance positions when performing walks, or due to the difference in transport and the difference between land and water, the combination of song and dance is even more varied.
Since the end of the Qing Dynasty, Lao Dan (the class of seven children dressed up and dressed as an old man), was commonly known as the "Child of the Eight Fairies". 57 Singing [Sea Meeting], [Returning Direction], [Round Altar], [Buddha Quotes], [Letters and Characters], [Music Lotus], [Song Songs and Lyrics], [Roosters Calling Lyrics] are sung in the religious ceremonies scenes from the dojo.
Musical instruments of Puxian Opera
On the other hand, Puxian opera has a great influence on the outlook on life and the formation of values of the audience. The performance of Puxian opera is characterized by ritual drama performance, singing and Jin Zaju and early Nanxi. Moreover, compared to the mainstream opera, the performance style of Puxian opera emphasizes its bourgeois and lifestyle.
Through the introduction of each function of Puxian opera, we can have a deeper understanding and positioning of the role of Puxian opera in Putian society. The performance style of Puxian opera is delicate, soft, elegant and gentle, with the characteristics of life, civilians and.
The roles of Puxian Opera upon Fujian Communities
Social function of Putian Opera
Influenced by Buddhism, Taoism and Christianity as a folk custom, the theme of Puxian opera is mostly about gods and spirits. Especially in the chaos of the Song, Yuan and Ming dynasties, Buddhism and Taoism gave birth to the function of seeking God and his will in Puxian opera. Obviously, in the Putian area, the music of the Puxian opera is a folk ritual drama, which has the function of expressing faith and ceremony through the form of drama, and diverging a kind of "belief" logic.
Putian opera has become a kind of party among the vases, and some excellent performers of Puxian opera make a big splash in performance and singing. It has become a cultural reflection of collective consciousness to learn and promote the learning function of Puxian opera.
Conclusion Discussion and Suggestion
Conclusion
In the long process of the development of Puxian opera, the exchange and spread of Puxian opera and foreign opera melodies also have a deep cultural ground. Puxian opera is influenced by rich folk beliefs and opera culture, showing the local characteristics of southern opera culture. Moreover, the development of Puxian opera not only depends on its artistic accumulation, but also because it can actively communicate with foreign operas and literature.
With a broad spatial vision, paying attention to the deep reasons behind its communication and development, and re-examining and exploring the origins of Puxian opera, we can better inherit and develop the musical art of ancient Puxian opera. Due to my lack of knowledge accumulation and theoretical analysis ability in this field, the collection of literature and heirs of Puxian opera is not objective, and the description and analysis of the legacy and development of Puxian opera are not convincing.
Discussion
In addition to its own external beauty and content beauty, it also plays a great role in people's entertainment, education, aesthetics, national stability and so on. For example, people's aesthetic concept has undergone earth-shaking changes, and the material life and scientific and technological level have been greatly improved. To ensure that Puxian opera retains its artistic charm in the current of the development of the times, it should not be limited to the vertical perspective of history.
We must pay attention to its inheritance and development, and treat it in parallel with the communication process of other operatic arts. 89 forward-looking suggestions on the protection and inheritance of this ancient art through the study of Fujian Puxian opera music.
Suggestion
90 high school students in Putian area through the art of Putian opera, strengthen the heritage and protection of Putian opera, and improve people's awareness of the protection and heritage of Putian opera art throughout Putian area.
