The thesis explores the development of the mutual integration of Zhuang music in the form of modern symphonic music and seeks a new way to protect and inherit Zhuang music. The symphony created using Zhuang musical elements is a direction of the integrative development of Zhuang music, which is conducive to the inheritance and development of Zhuang music.
INTRODUCTION
- Background of research
- Research Objective
- Question of research
- Benefit of the research
- Scope of the research
- Definition of terms
- Conceptual framework
To investigate the use of Zhuang nationality musical elements in symphonic works and the creative characteristics of Guangxi Zhuang musical elements in a symphonic work in Guangxi, China. Elements of Zhuang Symphonic Composition = symphonic works composed of Zhuang musical elements of the Guangxi Zhuang Autonomous Region, China.
LITERATURE REVIEW
The General Knowledge of Zhuang Nationality in Guangxi Province, China
Before the 1950s, there were more than 20 kinds of Zhuang nationalities, including Budong, Buyi, Buyi, Buyi, buliao, BuNong, buman, Budai, butu, BuNong and Busha. Guangxi Zhuang nationality accounts for more than 90% of China's Zhuang nationality and is the province with the largest Zhuang population in China.
The General Knowledge of Symphony
Music Elements of Zhuang Nationality
The Application of Zhuang Elements in Guangxi Symphony
11 of Zhuang music for the composite symphony, making the Zhuang music style reflect sharply and vividly in modern music composition.
Theories Used in this Research
Documents and Research Related to Symphony and Zhuang element Symphony in
At the same time, they clarify the characteristics of the song and the humanistic environment of singing. This will help to understand the composition of the Zhuang language and the color division of the folk songs, and will help to understand the regional style of the Zhuang folk songs used in the symphony of Guangxi province.
RESEARCH METHODS
Research Scope
42 1) Field Research Sites of Zhuang Music in South Road: Jingxi City, Debao County, Napo County Zhuang Folk Songs;. Research on symphonic works mainly uses literary analysis methods to analyze and summarize the musical structure, harmony, melody and polyphony characteristics of the works.
Research process
In the Qing Dynasty, the poet Li Shenchan also described the bronze drum instruments of the Zhuang nationality in his poems. This passage records the scene of Zhuang men and women singing in the field on the top of the mountain on March 3. Debao is a province where more than 90% of the Zhuang nationality is located in the Youjiang River Basin of Guangxi.
Scholars sort the music of the Zhuang nationality in the folk song period from two aspects: musical instruments folk songs. It is also one of the people's most favorite songs in the Zhuang area. The author believes that this is the content innovation of the first transformation of Zhuang's music communication field.
The symphony created by using Zhuang music elements is a direction of the mutual integration of Zhuang music. THE APPLICATION OF ZHUANG NATIONALITY ELEMENT AND THE CREATIVE CHARACTERISTICS OF THE SYMPHONY WORK IN. 34;Stars in the sky with the moon" is a folk song of the Zhuang nationality in Napo, Guangxi.
TO INVESTIGATE THE CHARATERISTICS OF ZHUANG NATIONALITY
The forms of Zhuang music in history
According to the discovered cultural relics of the bronze drum, it can be verified that the earliest discovered era of the bronze drum was the Western Zhou Dynasty in the Spring and Autumn Period and the Warring States Period. Its obvious characteristics were that the shape of the bronze drum gradually became smaller and the pattern simpler. At that time, the bronze drum was already a work of art with a high artistic value in the eyes of literati and officials.
They sing the song of the spray during the new moon of the first month, March 3 and August 15. The singing doesn't stop in the middle of the night, and they tell us to come early tomorrow night. Xianfeng (1857), Beiliu City, was captured by the peasant uprising army and the whereabouts of the bronze drum were unknown.
86 In the period of the Republic of China, the prohibition of songs was more common and stricter. This is a painful historical memory for the Zhuang people and the Chinese people of all ethnic groups. The shape of the bronze drum is bottomless and empty, with a bent waist and a heaving chest.
There are mostly four movements in the number of movements, but there are also developments and breakthroughs, and the poem's rhyme is all transported. Add an extended wailing phrase at the end of the sentence and the melody is sad.
The characteristics of Zhuang music
The local chronicles and ordinary chronicles of Guangxi, as well as the writers of ancient literary poetry, have always radiated their unique charm in the imprint of zhuang music. The mode and tonality of zhuang music are performed according to the logic of the Chinese national five-tone mode. Zhuang music preserves the earlier tradition, which, in addition to mode, tonality and color, passes through the ancient customs of the Zhuang nationality.
Guangxi Northern District is the northern dialect area of Zhuang nationality, east of the Hongshui River Basin, including Hechi, Yizhou, Tian'e, Nandan, Du'an, Xincheng, Huanjiang, Luocheng, Rongshui, Rongjiang and other provinces and cities in Guangxi. There are more than twenty provinces and cities in southern Guangxi, most of which belong to the southern dialect area of the Zhuang nationality. The southwestern district of Guangxi, including Jingxi, Debao, Napo, Tiandeng, Daxin and other provinces, is the southern dialect area of Zhuang.
The Middle Eastern District, including Hengxian, Guigang, Guiping and other counties and cities on both sides of the Yujiang River, has the following characteristics of Zhuang music: . word style, five-note Zhi mode. The mixed residence of Zhuang nationality and Han nationality has the comprehensive color of Han Zhuang folk songs. County distribution characteristics refer to the characteristics that various songs of Zhuang nationality only spread in the local county.
The Transmission Path of Zhuang Music
Gao Min, 2015) With the rapid development of the Internet, Zhuang music culture must be inherited. By constantly transforming the field of Zhuang music communication, the originality and mutual integration of the field can be presented. 135 The above example is the first example of the "Yishan folk song" melody in the opera Overture.
The time value of the first seven notes is the same as that of the original melody. First of all, the main melody is played by the first violin and second violin in the first and second bars of the example score. In the stage music of the work, a situation is observed where the parts of the woodwind group and the string group alternate.
Therefore, this chapter only summarizes and discusses the Zhuang musical elements and compositional characteristics of the second movement, "Liao Song". The "Three Tone Train" motivation is composed of the first to third tones ("major second degree + pure fourth degree", and its interval content is: major second degree and pure fourth degree). The composer used the technique of fixed melodic variation to further the development of music in the middle of the Fourth Symphony.
THE APPLICATION OF ZHUANG NATIONALITY ELEMENT AND THE
Study on composer Lu Pei's symphonic works
The last semitone in the third bar, pentatonic, changes and flourishes to develop the melody. The time value of the eighth note is extended to three beats compared to the half beat of the original melody. The ninth note is a transition note, and the final note is the same as the original music, all of which fall on the II note.
The juxtapositional structure is more reflected in the internal structure of the work in the structural force of the work. This section gives examples of the musical instruments used in the opera "The 3rd of March" and examines the role of these techniques in the work. The percussion group is the most colorful part of the ensemble, such as measures 77-79, using various changes in the position of the hammer and striking results in different colors of the large gong.
The orchestration of "March 3" not only makes full use of the timbre, range and style of various instruments in the orchestra, but also includes percussion instruments. The overtones of different instruments show different characteristics of the fundamental tone and overtone strength on the spectrogram. This is also one of the reasons for the difference in timbre between different instruments.
Study on composer Zhong Juncheng's symphonic works
The musical characteristics of the combination of Cantonese folk music materials and Western techniques have become Zhong's signature style. On November 28 of the same year, the Guangxi Symphony Orchestra led by Guangxi conductor Cai Yang premiered at the Concert Hall of Guangxi Art University. Through analysis, it has been found that only the second movement, "Liao Song" of the first symphony, uses the tone of "Nahai Liao", Zhuang Liao Song from Pingguo County, Guangxi.
In the middle part of this work, the composer used the modern composition technique of twelve-tone series technique and made the prototype and retrograde of the twelve-tone series technique, respectively. 165 The composer designed the twelve-tone serial technique in section C, played the woodwind flute and oboe, and took the pitch position of the melody as a prototype of the twelve-tone serial technique. The use of the twelve-tone serial technique in modern composition makes, respectively, the prototype and the retrograde of the twelve-tone sequence.
The structural characteristics of the musical form -- the local structure of the middle part is complicated, and the complex segment is used to replace the conventional structure. 173 fourth degree + major second degree" three-tone train, which is the retrograde shift of the first three notes, so it is the retrograde motivation of the "three-tone train". The sheet music example is the nine-note serial music of " Bred of new life", but it is actually the division of the prototype twelve-tone serial music of "Parental theme", which preserves the degree relationship of four-tone serial music Zhuang nationality in Guangxi province.
Study on composer Lv Junhui's symphonic works
The Use of Zhuang Nationality Music Elements into Symphony Composition in
The creative conception of Symphon"Zhuang Yin .Zhuang Yun"
The musical form diagram of the four movements of the symphony work “Zhuang Yin
The source of Zhuang music elements and creative theme motivation of the four
The creative characteristics of Symphony Zhuang Yin Zhuang Yun
