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LIST OF APPENDICES

CHAPTER 1 INTRODUCTION

Q: Are there any bad places in the area you live; places you think are unsafe, scary or unhealthy?

7.3 RECOMENDATIONS

7.3.3 APPROACH TO ACCOMMODATION SCHEDULE

Based on the research findings the appropriate typology for the design is a large scale park that contains multiple building types; it will be a form of urban plan that can then have a smaller portion as the design focus. Those best suited as the small scale typologies are mainly economic and entertainment oriented; museums, galleries, offices and retail that can entertain the local population as well as attract foreign investments.

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The design needs to replace the economic activity that was lost along with the original industrial buildings. This said one can now make suggestions about how to approach the accommodation schedule.

1. There should be multiple functions that fit within the design.

2. The functions should be a part of and support the typology of an entertainment park; museums, galleries appropriate retail and select offices.

3. The scale of the site can allow for accommodation but it may not suit the

narrative of the design; it should therefore not be a main concern. However the inclusion of the current ‘others’ may require some form of housing.

4. The selection and organisation of functions needs to be derived around the narrative structure; this may allow an easy way of including the ‘other’ places within the design.

5. A possible building typology that addresses the needs of the ‘others’ while also responding to the data from the questionnaires would be a form of rehab facility.

6. One of the main objectives when selecting functions is the rejuvenation of the site and its context; they should therefore promote economic progress as much as possible.

7. Phytoremediation and bioremediation is proposed and links to the use of natural systems; this said farming should be considered, it will also increase the

economic success of the project and support the marginalised community while teaching sustainable skills to the community.

8. Both the history and existing buildings are important in the process of adaptive reuse; this also means that some functions should speak directly to the original purpose of the site. For example; if the building site was a copper refinery then there should be some function that deals in copper.

It should be made clear that even though these recommendations are not rules; they should be taken seriously when beginning the design process.

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References

Books

Austin, R. L., 1988, ‘Adaptive Reuse: Issues and Case Studies in Building Preservation’, V an Nostrand Reinhold Company Inc., New York.

Calkins, M., 2012, ‘The Sustainable Sites Handbook: A Complete Guide to the

Principles’, Strategies and Practices for Sustainable Landscapes, John Wiley & Sons Inc., Hoboken, New Jersey.

Clute, J. & Nicholis, P., 1993, The Encyclopedia of Science Fiction, Orbit Publishers, London.

Coates, N., 2012, ‘Narrative Architecture’, John Wiley & Sons Ltd., West Sussex, United Kingdom.

Doxiadis, Constantinos A., 1966, ‘Between dystopia and utopia’, Faber and Faber, London.

Keen, S., 2003, ‘Narrative Form’, Palgrave Macmillan, New York.

Law-Viljoen, B., 2006, ‘Light on a Hill: Building the constitutional court of South Africa’, David Krut Publishing, South Africa.

Lynch, K., 1960, ‘The Image of the City’, The M.I.T Press, London.

Norberg-Schultz, C., 1980, ‘Genius Loci: Towards a Phenomenology of Architecture’, Rizzoli Publishers, New York.

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Porter, T., 2004, ‘Archispeak: An illustrated guide to architectural terms’, Spon Press, London.

Robinson, J., 2010, ‘Living in Dystopia: Past, Present, and Future in Contemporary African Cities’, in Prakash, G., ‘Noir Urbanisms: Dystopic Images of the Modern City’, pp. 219-240, Princeton University Press, New Jersey.

Schank R.C. & Berman T.R., 2002, ‘The Pervasive Role of Stories in Knowledge and Action’, in M.C. Green, J.J. Strange & T.C. Brock(eds.), ‘Narrative Impact: Social and Cognitive Foundations’, pp. 287-313, Lawrence Erlbaum Associates Inc., New Jersey USA.

Seed, D., 2011, ‘Science Fiction: A Very Short Introduction’, Oxford University Press, New York.

Weilacher, U., 2008, ‘Syntax of Landscape: The Landscape Architecture of Peter Latz and Partners’, Birkhauser Verlag AG, Germany.

Journals

Alvern-Taplin, A., 2005, ‘Constitutional Court, Johannesburg’, Arup Journal, 2/2005, pp21-27.

Black, H., 1995, ‘Absorption Possibilities: Phytoremediation, Environmental Health Perspectivies’, Vol. 103, No.12, pp1106-1108.

Davey, P., 2000, ‘South bank show’, The architectural review, number 1238, pp48-51.

Doron, G.M., 2007, ‘5badlands, blank space, border vacuums, brownfields5’, field Vol.1, No. 1, October 2007, pp10-23.

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Hiroshi Sambuichi, 2013, ‘”Inujima Seirensho Museum” Simulation model of air flow’, Japan Architect, 91, pp46-47.

Larsin,J and Krietzer, M, J., 2005, ‘Healing by Design: Healing Gardens and Therapeutic Landscapes’, Implications, Volume 2, issue 10, pp1-6.

MacLeod, G. & Ward, K., 2002, ‘Spaces of Utopia and Dystopia: Landscaping the Contemporary City’, Geografiska Annaler. Series B, Human Geography Vol. 84, No.

¾, pp153-170.

Mohr, D. M., 2007, ‘Transgressive Utopian Dystopias: The Post Modern Reappearance of Utopia in the Disguise of Dystopia’, ZAA, 55.1, pp5-24.

Sargent, L. T., 1994, ‘Three Faces of Utopianism Revisited’, Utopian Studies Vol. 5, No.1, pp1-36.

Stevenson, A., 2011, ‘Concise Oxford English Dictionary’, Oxford University Press.

Stillman, P. G.,2001, ‘Dystopian Visions and Utopian Anticipations: Terry Bisson’s

“Pirates of the Universe” as a Critical Dystopia’, Science Fiction Studies, Vol. 28, No. 3 [November 2001], pp365-382.

Wale, L., 1987, ‘Durban’s Victorian theme centre’, Architect & Builder, March 1987, pp15-19.

Thesis

Daniel, I.J., 1975, ‘Conversion of existing Durban railway station to a conference and exhibition centre’, BArchs degree, Dept. of Architecture, University of Natal.

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Molade, J., 2008, ‘Building Bridges between Brave New Worlds: A Study of Margaret Antwood’s Oryx and Cake’, thesis, Dept. of Culture and Identity, Roskilde University

Web

Adaptive reuse, n.d., ‘Inujima art project’, viewed 3 April 2014, from http://adaptivereuse.info/portfolio/inujima-art-project/.

Archspace, 2013, ‘Inujima Seirensho Art Museum’, viewed 3 April 2014, from http://www.arcspace.com/features/sambuichi-architects/inujima-seirensho-art- museum/.

Arup, n.d., ‘Inujima Seirensho Art Museum’, viewed 3 April 2014, from http://www.arup.com/Projects/Inujima_Art_Project-Seirensho.aspx.

Brown, K. D., 2012, ‘Cultural Practices: Narratives. The architecture of Dystopia:

Project for a Revolution’, viewed 12 April 2013, from

https://www.victoria.ac.nz/architecture/pdf/Daniel-Brown-Research-Topic-Dystopia.pdf.

http://dictionary.reference.com.

Public Space, 2000, ‘Landschaftspark Duisburg-Nord’, viewed 25 March 2014, from http://www.publicspace.org/en/print-works/a008-landschaftspark-duisburg-nord.

Yanagi Studio, 2008, ‘SEIRENSHO ‘Hero Dry Cell’’, viewed 4 April 2014, from http://www.yanagistudio.net/exhibition/photo_seirensho_eng.html.

Wikipedia, 2013, ‘Mining industry of South Africa’, viewed 12 July 2013, from http://en.wikipedia.org/wiki/Mining_industry_of_South_Africa.

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Wikipedia, 2013, ‘Science Fiction’, viewed 16 March 2014, from http://scifi.wikia.com/wiki/Science_fiction.

Wikipedia, 2014, ‘Urban Planning’, viewed 16 March 2014, from http://en.wikipedia.org/wiki/Urban_planning.

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Appendices

Appendix A:

Contents

1. A sample questionnare that has been edited to show the expected results and with additional comments by the author.

2. Sample questionnaires from the various sample groups: 3 from the Office group, 3 from the DUT group and 4 from the DUT architecture group [in that order].