Programme - University of Natal (Durban) in Honours: Contemporary Dance, History and Aesthetics coursework guide, 2002. Pp 22 - 32.
Loots, L. (2000). The Politics of Appropriation: Inter-Culturalism and the use of Classical Indian Dance in Contemporary Choreography In the South African Context.
A presentation paper by Loots at Nritya-sammelan - a conference for Indian Dance. 5- 7 May 2000, The Playhouse Company, Durban. Reprinted by Drama and Performance Studies Programme - University of Natal (Durban) in Elective: dance and choreography manual, 2001. Pp 110 - 112.
Pather, J. (2000). Interculturalism: What's the Deal? A presentation paper by Pather at Nritya-sammelan - a conference for Indian Dance. 5-7 May 2000, The Playhouse Company, Durban. Reprinted by Drama and Performance Studies Programme - University of Natal (Durban) in Elective: Dance and Choreography Manual (Drama 3B), 2001. Pp 1 0 6 - 1 0 9 .
Local Publications Books:
Gunner, L. (ed). (2001). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Witwatersrand University Press: Johannesburg, South Africa.
Pather, J. (2004a). Keynote Address. In African Contemporary Dance? Questioning Issues of a Performance Aesthetic for a Developing and Independent Continent. A published proceedings of the 7th Jomba! Contemporary Dance Conference, held at the University of KwaZulu-Natal. 22-24 August, 2004. Coordinated by the Centre for Creative Arts: © University of KwaZulu-Natal.
Sichel, A. (2004). Keynote Address: A Declaration of Humanity - the Evolution of Contemporary Dance in Africa. In African Contemporary Dance? Questioning Issues of a Performance Aesthetic for a Developing and Independent Continent. A published proceedings of the 7' Jomba! Contemporary Dance Conference, held at the University of KwaZulu-Natal. 22-24 August, 2004. Coordinated by the Centre for Creative Arts:
© University of KwaZulu-Natal.
Journal Articles:
Hall, S. (1997). Random Thoughts Provoked by the Conference: "Identities, Democracy, Culture and Communication in Southern Africa". In Critical Arts: A Journal of Cultural Studies, vol.11 No. 1 & 2, 1997. Pp 1 - 16.
Loots, L. (1995). Colonised Bodies: Overcoming Gender Constructions of Bodies in Dance and Movement Education in South Africa. In The South African Theatre Journal, Vol.9 No. 1 September, 1995. Pp 51 - 5 9 .
Loots, L. (2001). Re-situating Culture in the Body Politic. In Agenda vol. 49:
Culture: Transgressing Boundaries. Pp 9 - 14.
Mackenny, V. (2001). Post-apartheid Performance Art as a Site of Gender Resistance.
In Agenda no.49: Culture: Transgressing Boundaries. Pp 1 5 - 2 4 . National Arts Council - published documents:
Degenaar, J.J. (1995). Art and Culture in a Changing South Africa. Reprinted by Drama and Performance Studies Programme - University of Natal (Durban) in Multiculturalism and Performance (Drama IB), 2005. Pp 57 - 69.
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Krouse, M. (2003). Home as a Battleground. Cue, 28 June, 2003.
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Journal Articles:
Goldberg, M. (1987). Ballerinas and Ball Passing. In Women and Performance: A Journal of Feminist Theory. Vol.3 No.2. Pp 77 - 101.
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