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African Music Vol 6 no 3(Seb).cdr

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THE A PPRO X IM A TE ORIG IN OF ARTICLES IN THIS ED ITIO N OF THE JO U RN A L

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1. R H Y T H M IC D E S I G N IN T H E S U P P O R T D R U M S O F A G B A D Z A by J e ff P re ssin g ...

S.E. Ghana

p a g e 4

2. N O T E S O N M U S I C A L I N S T R U M E N T S A M O N G T H E F U L A N I O F D IA M A R E

by V eit E rlm a n n ...

N. Cameroon

... 16

3. E N S E I G N E M E N T E T I D E N T I T E C U L T U R E L L E

by P ie rre A u g ie r ...

Ivory Coast

... 42 4. Z U L U W O M E N ’S M U S IC by R o s e m a ry J o s e p h ...

South Africa

... 53

5. M A L A W IA N P A N G O M U S IC F R O M T H E P O I N T O F V IE W O F

I N F O R M A T I O N T H E O R Y by W im v an Z a n te n ...

Malawi

... 90 6. T H E U S E O F M E T A P H O R A N D C E R T A I N S C A L E P A T T E R N S IN T R A D I T I O N A L

M U S IC O F B O T S W A N A . . . byE liz a b e th W o o d ...

Botswana

... 107

Referensi

Dokumen terkait

The second part presents a theoretical model of the event through analysis of its components in increasing detail with separate specifications for participants, musical instruments,

The extant systems of music notations are unsuitable for these purposes because a they require long periods of training; b none seems to be successful in producing either a classifi­