nniv~rsary.
1t may ,.
0l>en'n,r · f eem pcc:u.1.i · th.it the
"' o l\Tr J
. a m in J · ' -:: ph 1·es-lcr\;
1llcirJ , wit,' obam:es.burg should co- of tl e e-l·
1\tlie hfticth anniyer~an·
~lten.trc
i '1i 1 '.,sllli~l'nt
of tlio Yiddi j1r1e · · a.nll n · ,11011"1 . ~ 1 'pen. 1 ~lll'~ . count-
1n pn, · ' it h 111 AH'Sl llH, · to 11ote no onl~'.Jg .tha+- the Yiddi h tano
SLu.nth· '- \\"Ill" to lirn buL to
eo~~
:\[ · l'. l~ · llUprovo e l an c1 it · · lS rnca like h· \ "-;I . r and his colleanues ,··!1c1
t • nC lll'\" , ~ •
1un tu ucl \\orl.! ,,ilo roput:-
l11r], y· "') l •cl. for '\\ 10 I· ll lu\· >. l r · s o f y· 1 ,. I H c11s i ar0 Iddi. li 1" eepmg al1vo Llwt lo 'C of
\\'Ot }d iteraturL: n11.1 <Ht. \\'.
tl 1at · Upon tli · · . u
110 . 1" oc:c,i-.1on JH11nt ott
l {,~CC l j ··1ea..
h
f< ~.er OJlJ!Of lll it~" Jias liel n .l le. :i • O 010 Ol l' ...: ' \ · ·
1..· nhh
1. •JLrnt11 .: inc:ui l)Oc:i t' j ter·in· fl l J > .
it. e les n.s at: · · nc .
rnrnat1~
i • 1 · fo · tl l, 18 present tmw and
q 1eu t I . '
0n of tl ' 0 s io"· their n.pprcoia- J>ron1vte<1 1t~ unterpl'i-w \\';1icl1 li.1..::
ll})on wl . 1 JO i
1re,.,ent ·t'nt.un' ·tnrl
Pa He i no I , ,
'l'ed. \Y c. pe11,..;r> 1a:-. been l
sou1 det ·1e hn,·e nl:-eac1\' !'·in'n ) e !)resent a1 "' ,01 • tb e I ];1 \-; \\ liicli "·ill . ,
\\'ot1lcl p . eci n lHl nee a:.;:1: n \\'(.'
ll OJnt o·•t 1'
. new '' ,,a .. ih·cn·1q1111\' i·
lnt one to ti · · ..,
l
ernatior1· l ll-l t: 1:.iuLl Y \\ it!t :111
ia.... '1 l'C})llt t' 'I
't ., n.chieye l . .t io1J. .!.~ r. K •':-old·
'\l)})ea1""cl I. me where\ er hl.l J,., <:!
J u "" \\"Ii'] •""
f gcnblich 1
1 t ~Iad::mo .\1nm or ti 10 la t t. 1 a"' l1ee n l · ] 11,..; e·w '· 1 ni: l:Hl)"
en ·ea l's Thi,, tall ntecl
THE .'.A . .JE\VI.'H
I
I lauy is on· of tli<' wo,.,t \t'l"·,atil actre:i:-.es 011 tho 'lidrli:-li st 11-. to-tla~-
for, in :Lcldit iot' to hci1~
a ii notra_ge<li '11110, ]:e i:-. an acconipli-.hL'd Yocaliste arnl :L ch;11·1 Jing dancer- -lachrnc San1h S\ h·,i. Im..,
alrond~·
:-;hown Sou 1i .\ fric;111 audience..; whn · she is capalile of whilst .J[r . . \u en- lilich has been hi" "chief':;" right hand man for the pa t nineteen ye> a rs In short tile ,,,hole com pan.
is a brilliant one aucl no\"Ol' in the liisiory of tho Yid11isli ::.ta;e of thi
counLr~·
li:i-. so nreatan attrn('tion been proYiclecl. Tliucompa11~,
iuclnding~fl'.
J Tarn· 1 ·tone the manager. i, due to a1:1 in.: in Jolinnnc..::hurg o\\~eclt.t' cla 11e · and the e·L--on
open~
on ·thu I5•h in...,t1111 1t lho Stanchn1 Tlic•atrHis
The ne\\. production ,t Hi :\fo,1e"ty ·,.., Thcnt n: ".\deltJ" i:.:-. iur t'C 1.
a hrilli.rnt French ·011i0 oper.t and pos c _ sw1 of 110 011h ,t dr>lightful plot hnt some JllO-
c;l{;trmin~
mu ic.l'arnrnceau a ,n~a]thv -.nrc inu mer- clta11t c1cs:1·es to
marl:~-
his dnughtrr :\cll'l 1 to lh1 on hades Vo Clinntilly a ho1·ccl, ,·oun" _cionof:~
nol1k l1ou-..:l cl tl.e
:\rh·ei~tun.:.;
of tho a1nl Hiouparen t a.ch id :o Jiis pnrpo--e pr -
\·ide the ba is of nn O\'
·nin~·
en Cl tn.i nmeo t, in "I ic h thc~·c
i 1101dull moment from
c~inning
t cud.:\:.., I nrnrn.ceau
~fr.
H.owL111d Hill hasn pan which
j ~
adinirnlily ·uitec to his talentq anc1 ,vhich gi\'O him a mplc scope Jor his l:,tpal1ititie"' In fa.ct, i!J is one of the n10 ,t 01 t land- ing roles in the piece. l\fr. l\for !n I n'cl.dc as the Baron i-. also 111nch in eYidencc n.ncl acquit:; 1li111 elf well,\\·hil,,t, l\lr. Yietoi· Cr:1wronl i-. .Jn.c- q11e-. has onh· n swall p: rt hn
Jlfff
·r~hclrss
\\:hat. little lie h::i.!=: t < o is donb e:-:ccedindY ,\ell • fi ;:;l~Lhcl
\ul11.a. 1 a Adelt." ·!.:i\·c..:: t lino r 'nc1er- i ng <11 a l'P'llly
clia~·u.ing
J nr.I'tllC~
n,..,)lyri:u1ur• d11 )fell\ i!lo .\!1-.:-:; \er
.MR. JO 'EPLI KB:53U:..H.
Pe· reu both
To•
Gr nd
co
A
I
--
ALL ST RS I.
--
e Girls an Lesli Ree
Jack Shie s Audre AshbY
Lolita
THE
T
p se
itb Ad utiieu
pit sttaiatiJO
this
ptrit
bt]P}THE S.A . .TEWISH CHRONICLE
\L\DAM S.\.R.\.H SYLVA.
T he Empire.
The ·weekly cl tango .1 t 110 l·:nipirn Theatre ha added further 1x,;dlenco to an already a.ttrne~iYe programme Lolita is a cle,·er c·xponen~; on tho
iolin, who play· \Yith rnud1 WL'Yc,
and has thoroughly rnastel'cd t11e difticult art of pb.yin;..: :--yneop;tted mu ic faultles ·ly. 1 n At drey :\shhy we gave an inlerpmtive dancer oi
·ingular grace n.ucl cbarm, who com- bines youth with beauty and lier selection of Llances- cbssic:al and national -n.re ::t \Yelcome char1~e in ibis era of j<tzz a.nd liim111y. ~\.very hreez~ ancl hdght : urn is that vro- Yidec1 lJ\· • .\rchie (j raluun as "The
Enut of. the .\.rmy'' as~i-.,tl'rl l•v his daint.y partner, :d>ot t hd his. ~i:-:c.
a:-; "Tho Enib of tho • 'n:q-. ·. Tlw tw1) kL'8l) the awlie 1CC' in. ni·tr · 0f hughter with their arnu.-i11~ p;ittl•r, puns un<l. j'1kc ... anc1 am sura to l :u- corne groat f1t\·ouri 'S CDmecl\·
ehar::tcter song-; itrt~ l'l.'ndernd by ritiff Bil.l'l'Ct., \\'ho possc::scs u.
rernnrka.lile f:tlsL•tto Yoice. of which he 1nakes full a11r1 effoctiYe use in tho pn.t t of a Cockney la l~-, partnered in
t liis particubr iLem by Nettie Clark.
, ~ o l·:mpiro prugrnmmc is per!'cct without it:-; Uon10dian, this \\·auk's nc•wcorner in this line heing Jack , 'hields, \Yho. e impersonations of different chn.rn<..:lcrs a.re most cnter- Llining. 'Ilic WOtlllorful l1ernonstra- t ion of strength n.nt1 skill giYcn by
I ,c~.; El<lons continues to <trouse npprc12ialion a.s well n.s amazement at :such rna1Telou:· feats, and lie pPpularit. · of jfoy Sherrard, a hoist.emu . ...; comec1ienno of the fllnny tq)" al"o continaes unabated. The l~ce-\·c G ids and Leslie arc in their hinl Wt'ek, and lrnvo introc1rn..:ec1 some nt'\\" crtlchy song . .\ fetttL1rn of the serecn is another picture of
t lio c1e~rilrtt o Tris irn da Cnnhn lsbncl :rncl the ln.tc~t Topic:tl Budget.
~LL.
~--·-·-·-·----·-··~·-·---···-··---··· ·-.. --·-·- -·~ .
The New Bijou.
As usual another fine filrn has been shown at the Bijou during the pre 'ent week arnl "The (-}rcat l\Iomen~" tho pic.,ure in que::.tion adapted from Elinor ( ll ·ns famous hook of the nme nu.me de 1 ~ ,yith tho ston" of a foold1 buttcrilY, a product ~f 'ociot \; Hothouc;e. ·-\Yl10
has iiittecl here
nt;
there, t:t•h.ng :ill the S\\'trnt- of liio without sharing trny of its pn,ins. ·uf ..,rin~s or emo- tions In <l iucrle ni'.:!'ht thi::; pretty creature wa. =>trippetl ot her ~olclen wings. 1r. cmo ni~bt sh0 knew the full me:tnin~ of fC'at', h • and loYC·, T '• t WCC k \; att l'J.Ction .. \'(''l' rr11c llill' mqv he-.::; he de~,.. ·i.1'"' 1 a. a grna mo·~] ci <LL ... rn nnd n u::;t not he conf t eel with one or a i:nilar i le·
btfst Music.
1•101· the pa twer, , five years :Jiessrs Fddm:rn::. the ~veil J-~o"·n mu. ie pabli"hcr hnso <lone their best to pro\'ide the righ type of song· ancl ha,. ·cored innumerable suece scs Looking nt U cir late t hatch o son~s of nll de-=cription.s, m tn. · of vdiich will be hca.rc1 hero in . 'outh Afl'iea in the near future, 1
·eni urc to say th•tt the majorit>' of tl1c1n will bt' iirm fayourites ere long a.nd indude l i...rn nr1 t·bcrn are f:e\ 'n cbnce rnn,.,.~, .. [ \YtLS 1\for?, Tlritn L wl·y," "Hone ·moon Time.
''lmlia.n ~Ioon," "\\'hose I.;ittle An:..,el Are You,'' 1'The Cou~in Fro1
!!
Nowhere," "!\Ia.rylanc1" and ''f,i,te.
Co111in:,j to the hallR<1 vpe one can ehoo::;e frnm sue Ii e .. cellent number~
as ''One ~ight ln ~.June," ··~ n.; ~.
Pur·i;1," .. Tlrnt Lit,qp (ireY Honse,
"Wben The Cloud~ R~ll
·n,-,"
··n~.. \ll For 'l'lw He. t " "The ·HoYor,d .. While -:'if iami Dre, ms., an
"Dreaming: " I ,as - but no, leas.t, we h:t\'e . souw 11ui e good c~1,!{
songs wh1«h nr0 a follo,,·:;: t donti want L::in.!." ··,..:orn•,'' • fha,, Lil' Old \tckoo .Clod." ·\;oitllish.
:trnl "\Vbat Do Yo rnow.'·
---
- Johannesburg i~ lief Fu n d Dr"ve .
Car ival Cab ret
Town We e .. d y,
Hall 'une 15.
. p In·
EDGAH
.\DI:L~R'.·
OR 'HC· Tl.\E.-EifBITI 4~ I>.L~( J ... ~l;.
T.lhlcs mu·• h'J ·u-,J •\el I efora llLh in.,;;...
~9.
CL·).~:.\rEI
( H L mJ$S, Tt>lt pho11P. ~ ) , • •n r :::--.-. please When dealing with advertisers
quot~
this p aper-it helps
ui.