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RESEARCH IN PROGRESS AUSTRALIAN ART AND CULTURE

ASIAN ART

The Chinese face of Contemporary Australian Art - J. Stanley-Baker

MEDIEVAL AND RENAISSANCE ART

The art collection of Margaret of Austria in Malines - D. Eichberger Studies in German Reformation Art - A. Hass

Art and Devotion: the prayer books of Jean de Berry - M. Manion

Art, Worship and the Book in Medieval Culture - M. Manion, C. O'Brien and V. Vines

Image and ritual in civic life - C. O'Brien

Italian Illuminated Manuscripts: patrons, liturgical centres and workshop practices- C. O'Brien

Renaissance Books and Raphael's Disputa - C. O'Brien

Reading Medieval images: miniatures in a fifteenth century missal - V. Vines

SEVENTEENTH AND EIGHTEENTH CENTURY ITALIAN ART Seventeenth century Dutch genre painting - A. Hass

Seventeenth century Dutch genre painting - U. Hoff

European Painting before 1800 in the National Gallery of Victoria - U. Hoff

The Typography of Tivoli, and Landscape Painting and Drawing in the seventeenth and eighteenth centuries - D. Marshall

Viviano Codazzi and the Baroque architectural fantasy - a Catalogue Raisonne of V. Codazzi and his followers - D. Marshall

NINETEENTH AND EARLY TWENTIETH CENTURY FRENCH ART

The colonising aesthetic: orientalism and modernist painting, 1890- 1930 - R. Benjamin

(LATER) TWENTIETH CENTURY ART Art and mass culture in the 1960s - R. Benjamin

PUBLISHED WORK Books

BENJAMIN, R. and D. BENNETT - Papers of the Art Association of Australia, Vol 2, pp 1-11 (Melbourne 1990).

COLLYER, K. - The Hoysala Artists. Their Identity and Styles, Directorate of

Archaeology and Museums, Mysore: 251 pp. (1990).

HOORN, J. - The Lycett Album: Drawings of Aborigines and Australian.

Scenery, National Gallery of Australia, Canberra: 88 pp. (1990).

SMITH, B. - The Boy Adeodatus. The Portrait of a Lucky Young Bastard, (Second Edition), Oxford University Press, Melbourne: 302 pp, 27 ill.

(1990).

FACULTY OF ARTS

SMITH, B. - Documents on Art and Taste in Australia 1770-1914, ed second reprint, Oxford University Press : 299 pp. (1990).

SMITH, B. and K. SMITH - The Architectural Character of Glebe, Oxford University Press, reprint of 1973 ed. 128 pp. (1990).

Chapters of Books

BENJAMIN, R. - * "Fauves in the Landscape of Criticism: Metaphor and Scandal at the Salon d'Automne", in The Fauve Landscape, Los Angeles County Museum of Art and Abbeville Press, 241-266 pp. (October 1990).

BENJAMIN, R. - "Modern/Postmodern: What is at Stake in Historical Distinction?", in Rhetorics of History: Modernity and Postmodernity, ed. R. Benjamin and D. Bennett, Papers of the Art Association of Australia, Vol 2, Melbourne: pp. 1-11 (1990).

PIGOT, J. - Introduction to Hilda Rix Nicholas 1884-1961, in The University of Melbourne Museum of Art, Melbourne: pp. 5-8 (1990).

SMITH, B. - * "Lemontey's Prophecy", in Australia towards 2000 (ed . Brian Hocking),MacMillan, London: pp 11-23 (1990).

Articles

BENJAMIN, R. - * "Matisse in Morocco: A Colonising Aesthetic", in Art in America, Vol 78, No 10, pp. 156-165, 211-213 (November 1990).

BENJAMIN, R. - "White Exits: Review of Out of Asia", in Art Monthly Australia, No 34, pp. 16-17 (September 1990).

BENJAMIN, R. - * "Report from Australia. Aboriginal Art: Exploitation or Empowerment?", in Art in America, Vol 78, No 7, pp 73-81

(July 1990).

BENJAMIN, R. - "Doppelgangers Downunder: Review of

re:Creation/Re-creations: The Art of Copying, 19th and 20th Centuries", in Art & Text, No 36, pp 137-40, (May 1990).

BENJAMIN, R. - "When is Art Academic? Notes on the 'New Academy'", Art Monthly Australia, No 24: pp 8-10 (September 1989).

CARTER, P. - "Culture of Coincidence: Notes on a Performance Piece called 'Mirror States'", in Continuum, Vol 3, No 1, pp 115-127.

CARTER, P. - "Plotting: Australia's Explorer Narratives as 'Spartial History', in Yale Journal of Criticism", Vol 3, No 2, pp 91-107.

CARTER, P. - "Living in a New Country, Reflections on Travelling Theory", in Meanjin, Vol 49, No 3, pp 429-448.

CARTER, P. - "Towards a Sound Photography, A Lake Eyre Notebook", in Scripsi, Vol 6, No 2, pp 316-334.

CARTER, P. - "The Only True Picture: Autobiography and Photography", in Photofile, 1990, pp 18-21.

HOORN, J. - "Incomplete Picture: The place of modernism in Australian Art", in The Age Monthly Review, Vol 9, No 9, pp 16-17 (December 1989/January 1990).

MANION, M. - "Completing the Dialogue" Spirituality, The Way Supplement 66, pp 77-86 (Autumn 1989).

SMITH, B. - "Modernism: that is to say, Geniusism", Modern Painters, Vol 3, No 2, pp 56-59 (Summer 1990).

THESES PASSED FOR HIGHER DEGREES Doctor of Letters

TIPPING, M. - (By examination of published works).

Doctor of Philosophy

MADDOCKS, H.

-

The illuminated manuscripts of the Legende Doree Jean de Vignay's translation of Jacobus de Voragine's Legenda Aurea.

MARSHALL, B.

-

The Lacanian Body: Studies of the Unconscious in Paintings and Aesthetics.

UNDERHILL, N.

-

Sydney Ure Smith: The Statesman of our Art World.

Master of Arts

CARRICK, J.

-

The Surrealist Image in Postmodern Visual Culture.

CONGYI MO

-

Studies in the Influences of Dong Qichong's Official Career and Friendships on his role as a Connoisseur.

KUNSTLER, S.

-

Gaugin: Discourse and Practice.

THESES IN PROGRESS Doctor of Philosophy

CONDON, V.

-

The Illustrative Programmes of a Group of 13th and 14th century missals of Roman and Franciscan Use.

FAGAN, D.

-

The moral right of the visual artist.

GRAY, A.

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George Lambert: Catalogue of oils and. works on paper.

HEMINGWAY, B.

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Meaning in Abstract Painting.

MARSHALL, C.

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The Paintings of Domenico Gargiulo (1609/10-ca. 1675).

McGUIRE, M.

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White Women/Black Society 1901-1950.

McLEAN, I.

-

European concepts of Aboriginality.

McLELLAN, D.

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Last Judgement Fresco Cycle by Luca Signorelli in Orvieto Cathedral.

NAUGHTON, J.

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Test and imagery in Medieval Marian Devotional Works.

NDALIANIS, A.

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Filippo Napoletano and the development of the Italian Hell Landscape.

PIGOT, J.

-

Hilda Rix-Nicholas - a catalogue raisonne.

ROBERTS, M.

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Issues of Race and Gender in 19th century British orientalist painting.

STINSON, J.

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Florentine Musical Iconography and its relationship to contemporary musical performance practice.

SWEELY, G.

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The bungalow in the Antipodes.

SWIFT,

A. -

20th century theatre design.

Master of Arts

BARNES, C.

-

Changing attitudes to sculpture in Australia 1945-85.

BERGER, K.

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Puvis de Chavannes.

BOWMAN, M.

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Patronage and Production: flower painting in late 17th century England (with special reference to J. B. Monhoyer).

FACULTY OF ARTS

CHRISTIANSEN, P. —

Masculine imagery and The Bulletin School.

COLLINS, A. -

Portraits of George Washington Lambert.

KANE, B. -

Rupert C. W. Bunny's mythological, allegorical and religious works, 1884-1906.

KAROVICH, W. -

Early imagery of Charles Blackman.

LUCKINS, T. -

Impact of "Ern Malley" on Australian surrealism.

McPHERSON, B. -

The Sculptural program of the Sydney Post Office.

MURRAY, M. -

James Cant - the experimental years (1931-50).

NIEHOFF, P. -

German culture in Victoria 1880-1914.

O'SULLIVAN, P. -

A Study of early Greek vase painting and its cultural influences.

PENNINGS, M. -

Charles Wheeler: A catalogue raisonne.

PRESIA, E. -

The sculpture of David Wilson.

RUNDLE, G. -

Postmodernism and mass culture.

SCOTT, M. -

George Coates and Dora Meeson.

STAIFF, R. -

A history of South Australian art and architecture 1836-1860.

STEPHENS, C. -

Ideologies of modernism in American art.

STOCKS, B. -

The Adelaide Book of Hours.

SUBSTANTIAL GRANTS RECEIVED

AUSTRALIAN RESEARCH COUNCIL (ARC) AND HELEN SCHULT TRUST - Art Worship