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VALUABLE CULTURAL LANDSCAPES

Dalam dokumen report 4 (Halaman 32-35)

Innovation

Experimentation covers three types of landscapes; Cooktown Botanic Gardens, the Space Base, and utopian settlements such as Somerset.

Landscapes of Defence

The landscapes in the Cape were strongly defended by Aboriginal communities.

Palmer River goldfields reflect fights between Chinese and other gold miners.

Thursday Island was established as strategic settlement and a landscape of evacuation during WWII.

Landscapes of Leisure

National parks are used for eco-tourism. The islands and the reef are used as resorts.

Landscapes of Association with Particular Community

There are significant Aboriginal settlements, some of which are connected to churches.

There are numerous Chinese historic places.

Landscapes of Symbolism

Significant landscapes for Aboriginal communities, include ceremonial grounds and burial grounds. There is also symbolic significance as 'deep North' for non- Aboriginal Australians.

DETERMINING

VALUABLE CULTURAL LANDSCAPES

The assessment of heritage significance of the cultural landscape has been undertaken by a combination of orthodox assessment methods and new methods devised by the research team. These methods were combined in a series of readings from different vantage points to determine the key valuable cultural landscapes within the case study area.

The four readings are according to:

(A) Thematic Study of Queensland History (refer to Report 2)

(B) Australian Heritage Commission criteria (C World Views

(D) Queensland Heritage Register

The orthodox methods include using the AHC criteria for cultural significance and reflecting on the existing places on the Queensland Heritage Register, whereas the new forms of assessment include applying the thematic histories developed for this project, and reading the landscapes through ten world views developed by the research and supplementing the AHC criteria with Criterion I – Iconic Significance.

The five key themes in the thematic study were:

• living in the tropics

• land as a focus of history

• development as prime agent of change

• perception of landscape

• marginal histories.

Table 2.2

Reading the Cultural Landscape according to THEMATIC STUDY (Report 2) LANDSCAPES DEMONSTRATING

Living in the tropics The entire landscape of the 'Tip'.

Environmental determinism

Demonstrating living in extremes of tropical monsoon and dry climate Adventure Tourist

landscapes

Environmental determinism

Demonstrating the danger of living in the tropics

Wenlock River catchment Demonstrating living in flooding which can prevent vehicular movement from Nov – May

Land as focus of history

Coastal landscapes Demonstrating movement of people by sea rather than road because of the inhospitable land

River systems Normanby Demonstrating alienation in wet season and tourist destinations in the dry

Lockhart, Jardine, Ducie, Archer, Holroyd, and Jardine National Parks

Demonstrating wildlife diversity

Demonstrating limited agricultural potential and remoteness.

Weipa mining landscape Demonstrating 20t h century exploitation of primary resources Palmer River Gold fields Demonstrating Aboriginal interests juxtaposed against mining landscapes

Ability to demonstrate exploitation of land through mining

Pastoralists Landscapes Ability to demonstrate 1880s environmental mismanagement and 1980s Land Rights tension.

Grasslands Ability to demonstrate Aboriginal land management by burning.

Ability to demonstrate Aboriginal land management practices taken on by pastoralists

Development as prime agent of change

Weipa Township and port Ability to demonstrate mining development and 1960s transnational mining expansion.

Cooktown Demonstrating evolution of port for gold field wealth The Tip Demonstrating ability to resist development

Telegraph Road, Peninsula Development Road

Demonstrating infrastructure in remote area

Demonstrating the difficulty of development in the Tip Somerset Demonstrating utopian development aspirations Perception of

landscape

The Tip Demonstrating the theme of 'Distance and Isolation' for non- Aboriginal people. Thea Astley '…real Australia does not start until north of Rockhampton'.

Telegraph Road, Peninsula Development Road

Demonstrating responses to Distance and Isolation' (Blainey,1966) Demonstrating iconic outback Australia perceptions

Savanna woodlands &

termite mounds

Does not demonstrate Antipodean image of Tropical Eden Does not demonstrate the European perception of a land of plenty

Marginal histories Aboriginal landscapes

West Cape York and East Cape York

Trading networks

Ability to demonstrate 'cultural areas' which appear to correlate with major drainage systems

Ability to demonstrate continued Aboriginal use of the land.

Sites of Aboriginal resistance Mapoon

Ability to demonstrate Aboriginal fear of white invaders Ability to demonstrate Aboriginal defence of the land

Demonstrating 1960s mining expansion over riding Aboriginal rights Demonstrating Aboriginal identification with site of negative social significance

Mission stations Demonstrating enforced displacement of Aboriginal people.

Demonstrating Christian missionary activities

Cattle stations Ability to demonstrate colonised labour as well as shared frontier Ability to demonstrate consolidation of non-Aboriginal occupancy.

Aboriginal Reserves Mitchell River Delta

Ability to demonstrate 1980s change in attitude to Aboriginal self management

Hope Vale Ability to demonstrate successful Native Title determination Migrant history

Palmer Goldfields Ability to demonstrate significant Chinese immigration

Ability to demonstrate conflict between Chinese miners and Aboriginal communities

Ability to demonstrate sites of former market gardens.

Coast for Pearling Industry Ability to demonstrate Japanese involvement with the pearling industry along the NW coast from 1875-1901.

Cooktown Demonstrating destination for German migrant vessels – 1882-4 Hopevale Demonstrating Lutheran missionaries' activities

Table 2.3

Reading the Cultural Landscape according to the AUSTRALIAN HERITAGE COMMISSION Cultural Significance Assessment Criteria

CRITERION A – Its Importance in the course, or pattern, of Australia's natural or cultural history

• Strong evidence of natural evolution.

• Strong evidence of natural processes, particularly hydrologically and the bio-diversity of natural features

• evidence of diversity of cultural attitudes CRITERION B – Its possession of

uncommon, rare or endangered aspects of Australia's natural or cultural history

• Existing National Parks

• Aboriginal Forest Culture demonstrates rare way of life.

CRITERION C – Its potential to yield information that will contribute to an understanding of Australia's natural or cultural history

• National Parks have potential to yield information

• Aboriginal Cultural Life

CRITERION D – Its importance in demonstrating the principal characteristics of: A class of Australia's natural or cultural places or environments

• National Parks monsoonal Landscape are characteristic of natural place.

• Aboriginal Cultural Practices

CRITERION E – Its importance in exhibiting particular aesthetic characteristics valued by a community or cultural group

• Cape York has a growing national aesthetic,

particularly as an aerial view. It also has an aesthetic as a natural landscape of 'Fear'.

CRITERION F – Its importance in demonstrating a high degree of creative or technical achievement at a particular period

• Evident as communication systems, e.g. roads, overland telegraph stations, Coen Telegraph Station.

CRITERION G – Its strong or special associations with a particular community or cultural group for social, cultural or spiritual reasons

• Indigenous community, Chinese community

CRITERION H – Its special association with the life or works of a person, or group of persons, of importance in Australia's natural or cultural history

• Captain Cook, Joseph Banks and Ludwig Leichhardt.

Dalam dokumen report 4 (Halaman 32-35)