COMPLETE BOOK OF COVERS FROM "THE
NEW YORKER," 1925-1989 FROM KNOPF
COMPLETE BOOK OF COVERS FROM "THE NEW
YORKER," 1925-1989 FROM KNOPF PDF
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From Library Journal
This view of all 3,277 covers from The New Yorker is indeed overwhelming. It is almost impossible to digest so many stylish and witty images. In fact, judging from this book, one might conclude that The New Yorker has been more concerned with whimsy than art, good taste than content, and propriety than substance, and the format does nothing to dispel this conclusion. Aside from the brief and gratuitous introduction by John Updike, there is no text. No discussion of design aesthetics or historical influences is included. Had they been larger or chosen to illustrate some thesis, the images might have justified a catalog of covers. As it is, one wonders for whom the book was intended.
Download: COMPLETE BOOK OF COVERS FROM "THE NEW YORKER," 1925-1989 FROM KNOPF PDF
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COMPLETE BOOK OF COVERS FROM "THE NEW
YORKER," 1925-1989 FROM KNOPF PDF
This is more than just an art book. It's also a social and graphic history of the last 64 years. It is a book that shows how we have changed--and it will fascinate and delight artists and designers. 3,292 illustrations in full color.
Dimensions: 14.75" h x 12.75" w x 2.00" l,
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This view of all 3,277 covers from The New Yorker is indeed overwhelming. It is almost impossible to digest so many stylish and witty images. In fact, judging from this book, one might conclude that The New Yorker has been more concerned with whimsy than art, good taste than content, and propriety than substance, and the format does nothing to dispel this conclusion. Aside from the brief and gratuitous introduction by John Updike, there is no text. No discussion of design aesthetics or historical influences is included. Had they been larger or chosen to illustrate some thesis, the images might have justified a catalog of covers. As it is, one wonders for whom the book was intended.
- Douglas G. Campbell, Warner Pacific Coll., Portland, Ore. Copyright 1990 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful. Lovely book -- endlessly enjoyable
By ParkerDuofold
The book is a feast! The main frustration is that it stops in 1989. There are twelve cover images on each page; each cover image is about 2-1/2" x 3-1/4". To really enjoy the covers, I think you need a magnifying glass, which is not a nuisance. I am reminded of using an old, hand-held stereopticon viewer and changing slides. I almost wish the artist info for the covers had been printed in a separate booklet to be kept in a pocket inside the back cover. Instead, the info is in a right-justified, wrap-around format on the page that introduces each year, so you need to flip from the covers to the list and find or keep your place in the list as you browse through the covers -- which can be distracting and does add wear and tear to the book. The Index of artists is a great asset.
0 of 0 people found the following review helpful. Five Stars
COMPLETE BOOK OF COVERS FROM "THE NEW
YORKER," 1925-1989 FROM KNOPF PDF
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From Library Journal
This view of all 3,277 covers from The New Yorker is indeed overwhelming. It is almost impossible to digest so many stylish and witty images. In fact, judging from this book, one might conclude that The New Yorker has been more concerned with whimsy than art, good taste than content, and propriety than substance, and the format does nothing to dispel this conclusion. Aside from the brief and gratuitous introduction by John Updike, there is no text. No discussion of design aesthetics or historical influences is included. Had they been larger or chosen to illustrate some thesis, the images might have justified a catalog of covers. As it is, one wonders for whom the book was intended.
- Douglas G. Campbell, Warner Pacific Coll., Portland, Ore. Copyright 1990 Reed Business Information, Inc.
