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N A U J U T E S R E P N A A T A Y N R E P R A B M E L

S I M E D A K A N A G N I T N E P E K K U T N U H A I M L I A Y R A K I S A K I L B U P

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Dengan demikian saya membeirkan kepada Perpustakaan Universtia s Sanata , n i a l a i d e m k u t n e b m a l a d n a k h il a g n e m , n a p m i y n e m k u t n u k a h a m r a h D

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a i d e m u a t a t e n r e t n I i d a y n n a k i s a k il b u p m e

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. a y n r a n e b e s n a g n e d t a u b a y a s i n i n a a t a y n r e p n a i k i m e D

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ii i v

T N E M E G D E L W O N K C A

o t e d u ti t a r g y m e t o v e d o t e k il d l u o w I , ll a f o t s ri

F AlmightyGod .

o t s e o g e d u ti t a r g t s e p e e d y

M Dra .A.B .Sr iMulyan iM.A. ,Ph.D fo r e

m g n i d i u g n i t n e it a p g n i e

b to complete my thesi .s Iwould also expres smy o

c y m o t e d u ti t a r

g -advisor , Eilsa Dw i Wardani , S .S,. M.Hum. , fo r he r .s

i s e h t s i h t w e i v e r d n a d a e r o t s s e n g n il li

w Inaddiiton , Iwouldalsot hankt oallt he M . d P . S , it a ir ti F a n n A o t y ll a i c e p s e t n e m tr a p e D s r e tt e L h s il g n E n i s r e r u t c e

l .Hum

s e v a h o h

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a r b i L e h t d n a f f a t S t a ir a t e r c e S e h t o

t yStafff ort hei rbests ervicea swel.l

s t n e r a p y m o t s e o g e d u ti t a r g s s e l d n e y

M Juilanu sWeko Sambodo da n

t r a t n i B i ti

S ifort hei rendles ssuppor.t Ialso t hank t o mybrothe rJat iPangarsa a

y t n a n a P i t a J d n

a fo ralway schee rmeup.

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y ll a i c e p s e 7 0 0

2 Dtia ,Aya ,Phibi ,Rohman ,Harry ,Herman ,Maritn ,Aryo ,and i

s

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u r a w il a K

, r e n tr a p d e v o l e b y m o t s e o g e v o l t s e p e e d y

M Louciana Hapsari ,fo rhi s

. s i s e h t y m h s i n if o t e m g n i d i u g n i tr o p p u s d n a e c n e it a

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a , s n w o d d n a s p u y m n i e d i s y

m ndf o rbeingt herewhen Ineeda tmost .

t a

(10)

x i

S T N E T N O C F O E L B A T

E G A P E L T I

T ... i ..

E G A P L A V O R P P

A ... ii

E G A P E C N A T P E C C

A ... i ii

Y T I L A N I G I R O F O T N E M E T A T

S ... vi

E G A P O T T O

M ... v

E G A P N O I T A C I D E

D ... iv

H A I M L I A Y R A K I S A K I L B U P N A A T A Y N R E P R A B M E

L ... iiv

S T N E M E G D E L W O N K C

A ... viii

S T N E T N O C F O E L B A

T ... ix

T C A R T S B

A ... ix

K A R T S B

A ... x ii

N O I T C U D O R T N I : I R E T P A H

C ... 1.. .

A Backgroundo fStudy ... 1 .

B ProblemFormulaiton ... 3 .

C Objecitve soft heStudy ... 4.... .

D Deifniitono fTerms... 4

E R U T A R E T I L F O W E I V E R : I I R E T P A H

C ... 6 .

A Reviewo fRelatedStudies ... 6 .

B Reviewo fRelatedTheo ires... 8 .

1 Theo ire sonCharacterandCharacteirzaiton... 8 .

2 Theo ire sonGreekMythology ... 01 .

3 Theo ire sonMenandWar... 15 .

C Theoreitca lFramework ... 16....

Y G O L O D O H T E M : I I I R E T P A H

C ... 81 .

A Objec toft heStudy ... 81 .

B Approachoft heStudy ... 9.... 1 .

C Methodoft heStudy... 91

S I S Y L A N A : V I R E T P A H

C ... 21 .

A TheDescirpitono fMainCharacters... 12 .

1 Achilles ... 22 .

2 Hector... 52 .

B TheDescirpitono fTrojanWar... 82 .

1 Theo irginoft hewar... 8.. 2 .

2 Wa ra tTroy ... 92 .

C TheSigni ifcanceo fAchille sandHectori nTrojanWar ... 53 .

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x .

2 Hector... 93

N O I S U L C N O C : V R E T P A H

C ... 42

Y H P A R G O I L B I

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t a h t y g o l o h t y m s ’ k e e r G n i r a w t s e t a e r g e h t d n a t s a l e h t s a w r a W n a j o r T

d e lt it n e r e m o H y b n e tt ir w s a

w Iilad. In the Trojan War ,the young Achille s

A g n i K e s u a c e b y o r T t a s e lt t a b e h t m o r f s w a r d h ti

w gamemnonha sunfailryr obbed

.l ri g l u fi t u a e b s i

h Bu twhen ,a sar esul to fhisi naciton ,hi sbestf irendi skilledby

n i d l e if e lt t a b e h t o t s n r u t e r e h , n a j o r T e h t r o t c e

H ordert ocarryoutt hes acredduty

e h , r o t c e H s ll i k e h f i t a h t m i h s n r a w r e h t o m s s e d d o g s i h h g u o h tl a , e g n e v e r n o

. r e tf a n o o s ll a f o t d e n it s e d s i fl e s m i h

g i b e v a h r o t c e H d n a s e ll i h c A , r a W n a j o r T f o y r o t s e h t o t g n i d r o c c A

.r a W n a j o r T e h t d r a w o t s e c n e u lf n

i Achille sis t he grea twariro rin Greek sarmy

r e w o p s u o m r o n e s a h s e ll i h c A . s n a j o r T n i r o ir r a w t a e r g e h t s i r o t c e H e li h w

f o r e w o p l a rt n e c e h t s i r o t c e H , d n a h r e h t o n I . s s e d d o g f o n o s a s i e h e s u a c e b

u o h ti w e lt t a b e h t n i w r e v e n l li w s k e e r G e h T . t e e lf s n a j o r

T tk liilng Hector ,and

. m i h l li k n a c o h w e n o e h t s i s e ll i h c A

s i r a W n a j o r T f o y r o t s l a n i g ir o e h

T an oral l tierature ,supposedly t old by

, c i p e s i h n i r e m o

H lIilad .Thi sundergraduatet hesi susest headaptaiton’ sversion

e lt it n

e TheTrojan Warby Edtih Hamlitont hati swirtten i nL tieraryHertiage by

t p a d a f o e s u e h T . h t u G . P . s n a

H aiton’ sversion help sthe wrtier understand the

. n o i s r e v l a n i g ir o e h t g n i s u n a h t e v it c e f f e e r o m s i ti e s u a c e b y r o t

s Thel anguageo f

r e d o m o t n i d e if il p m i s n e e b d a h n o i s r e v n o it a t p a d

a n Engilsh which i s

. e l b a d n a t s r e d n

u The adaptaiton’ sversion i sa summary version oft he epicwtih

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s i y r o t s tr o h S . y r o t s tr o h s f o m r o f e h t n i n e tt ir w s i n o i s r e v s ’ n o it a t p a d a e h T

i y r o t s e h t t u o b a d l o t s i h c i h w n o it c if t r o h s f o d n i k e n

o n the effecitve way .

s w o ll o f s a y r o t s tr o h s s n i a l p x e y d e n n e K

t h g u o r w y l e n if A . s g n i n e p p a h f o e c n e u q e s a t s u j n a h t e r o m s i y r o t s tr o h s A

. m e o p l a c ir y l t n e ll e c x e n a f o s s e n e s i c n o c d n a s s e n h c ir e h t s a h y r o t s t r o h s

r o t s d e h s i n if e h t s a l a r u t a n d n a s u o e n a t n o p

S y may seem ,the wrtie rha s l a u s a c y l g n i m e e s n e v e n i g n i n a e m s i e r e h t t a h t y ll u f e r a c o s t i d e tf a r c

e h t g n i p p i k s , y li t s a h t i m i k s e w f I . s li a t e d l a i v ir t y lt n e r a p p a d n a s e h c e e p s

. ) 5 1 : 0 1 0 2 ( s tr a p e c n a c if i n g i s e h t s s i m e w , s e g a s s a p e v it p ir c s e d

tr o h s h g u o h tl

A story i sw irtten in a shor tw iritng ,the wrtie ro fshor tstory stli l

f i tr a p e c n a c if i n g i s e h t s s i m y a m e w t a h t d i a s s i tI . y r o t s e h t f o s li a t e d e h t s n r e c n o c

. s li a t e d e m o s p i k s e w

e h

T Trojan War i sone o fGreek Mythology tha ti swo trh to analyze

c i s n ir t n i e h t m o r F . r a W n a j o r T , r a w y r a d n e g e l f o y r o t s e h t s n i a t n o c t i e s u a c e b

f o e c n a c if i n g i s e h t , r e t c a r a h c y ll a i c e p s e s t n e m e l

e majo r character s a s grea t

, s u h T . d e l a e v e r s i r a w n i s r o ir r a

w TheTrojanWari schosenast heobjec tofs tudy .

h t g n i z y l a n a n

I eshor tstory,t hemythologica lapproach i sappiled .Thi sapproach

a f o s t n e m e l e n i a tr e c g n i y lr e d n u y g o l o h t y m f o t c e p s a y n a y fi t n e d i o t d e s u s i

d n a s e ll i h c A , s r o ir r a w t a e r g f o e c n a c if i n g i s e h t l a e v e r o t d e s u s i tI . k r o w y r a r e ti l

r a W n a j o r T e h t n i ,r o t c e

H Sincet hestoryi sr elated t oGreek mythology,t hen t he

l a c i g o l o h t y

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.

B ProblemFormula iton

, y r o t s tr o h s e h t g n i z y l a n a n

I therearet h reeproblemsr elatedt ot het opico f

n a c h c r a e s e r s i h t f o m e l b o r p e h t , y d u t

s bef ormulatedasf ollows

.

1 HowareAchille sandHecto rdescirbedi nt hes tory?

.

2 Howi stheTrojanWa rdescirbedi nt hes tory?

.

3 Wha ti sthe signi ifcance o fgrea twarirors ,Achille sand Hector ,in the

? r a W n a j o r T

.

C Objecitveoft heStudy

t a e r g f o e c n a c if i n g i s e h t t u o d n if o t s i h c r a e s e r s i h t f o e v it c e j b o e h T

t s ri f e h T . d e r e w s n a e b o t d e e n s m e l b o r p e e r h t e r a e r e h t , e r o f e r e h T . r a w n i s r o ir r a w

e h T . r o t c e H d n a s e ll i h c A , r o ir r a w t a e r g f o n o it p ir c s e d e h t t u o d n if o t s i e v it c e j b o

e v it c e j b o d n o c e

s ist o ifndoutt hedepicitono fTrojanWar .Thel as tobjecitvei st o

. r a W n a j o r T e h t n i r o t c e H d n a s e ll i h c A f o e c n a c if i n g i s e h t y fi t n e d i

.

D Deifniitono fTerms .

1 Character

n

I A Glossary fo Ltierary Terms ,Abram sstates t ha ta characte ri sa person

r

p esented i n a dramaitc o rnarraitve work ,which i s i nterpreted by t he reade ra s

t a h w n i d e s s e r p x e e r a t a h t s e it il a u q l a n o it i s o p s i d d n a l a r o m h ti w d e w o d n e g n i e b

) 0 2 : 1 8 9 1 ( . n o it c a e h t ,s e o d e h t a h w d n a , e u g o l a i d e h t ,s y a s e

(18)

.

2 TrojanWar

n

I Greek and Roman Mythology A to Z, Daly state stha tTrojan Wa ri sa

f o s r e d n e f e d e h t d n a s r e d a v n i ) k e e r G ( n a e a h c A n e e w t e b t h g u o f r a w y r a d n e g e l

0 0 2 1 d n u o r a , r o n i M a i s A f o p it n r e t s e w h tr o n e h t t a t r o p a e s a , y o r

T -1300B.C .The

y o r T f o k c a s e h t n i g n i d n e , s r a e y 0 1 r o f d e t s a l y g o l o h t y m k e e r G f o r a W n a j o r T

e h t n I .) 2 4 1 : 9 0 0 2 ( s k e e r G e h t r o f y r o t c i v a d n

a Iilad ,Home rstates t ha tTrojan

e c n e u lf n i s a w t a h t r a w a , y g o l o h t y m k e e r G n i t c il f n o c t s e t a e r g e h t s a w r a W

l n i e l p o e

(19)

6 I I R E T P A H C

W E I V E R L A C I T E R O E H T

.

A Reviewo fRelatedStudies

. s i s e h t e t a u d a r g r e d n u s i h t r o f s e i d u t s d e t a l e r s a n e k a t e r a s e i d u t s e m o S

f o s m s i c it ir c d n a s t n e m m o c e m o

S Trojan Wararevery helpful i n analyzing t he

. s r e h t o m o r f s i s e h t e t a u d a r g r e d n u s i h t e t a it n e r e f fi d o t d e s u o s l a s i tI . k r o w y r a r e ti l

r a W n a j o r

T i san adaptaiton story t hat i sw irtten by Ed tih Hamitlon . tIi s

a m r a h D a t a n a S f o s t n e d u t s e m o S . e c e e r G f o e g a k r a d e h t n i r a w e h t t u o b a d l o t

s i y d u t s t s ri f e h T . y g o l o h t y m k e e r G n o s e h c r a e s e r e m o s e n o d e v a h y ti s r e v i n U

d e lt it n e o t n a ji r a H n a w a m r e H y d n A y b e n o

d A Comparison between the

s e r a e p s e k a h S n i a t y l o p p i H d n a , s u e g E , e s e h T f o s r e t c a r a h

C Midsumme rNigh’t s

m a e r

D and Greek Mythology .In hi sstudy ,Hermawan tire sto ifnd ou tthe

n i s r e t c a r a h c e e r h t f o s e it ir a li m i s d n a s e c n e r e f fi

d Midsumme rNigh ’t sDream and

y g o l o h t y M k e e r

G .I nhi sconclusion ,hes tates:

h t o b n i e m a s e h t t s o m l a e r a a t y l o p p i H d n a s u e s e h T f o r e t c a r a h c e h T

e h t s i a t y l o p p y H d n a g n i k e s i w d n a d o o g s i s e ir o t s h t o b n i s e u s e h T . s e ir o t s

h t o b n i t n e r e f fi d s i s u e g E f o r e t c a r a h c e h t e li h W . n o z a m A f o n e e u

Q fo

n I .s e ir o t

s Midsummer Nigh’t sDreamhei sstubborn andsel ifshf athe ro f . s u e s e h T f o r e h t a f d o o g a s a w e h , y g o l o h t y M k e e r G n i t u b a i m r e H

) 2 6 : 1 0 0 2 (

f o h c a o r p p a e h t s a h c a o r p p a l a c i g o l o h t y m s e s u r e ti r w e h t ,s e ir o t s e h t g n i z y l a n a n I

l o h t y m e h T . y d u t s e h

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t n e s e r p s i h

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e h

t topic .T hepresen tstudyconductedby et h wrtierf ocuse sonthes igniifcanceo f

r o ir r a w t a e r

g inTrojanWar .

.

B Reviewo fRelatedTheories e

h t g n i z y l a n a n

I Trojan War ,there are three problem stha tneed to be

e e r h t e h t r e w s n a o t r e d r o n i d e s u e r a t a h t s e ir o e h t t n a v e l e r e m o s e r a e r e h T . d e v l o s

s w o ll o f s a n o it a l u m r o f m e l b o r p

n o it a z i r e t c a r a h C d n a r e t c a r a h C n o s e i r o e h T . 1

e h t n i s t c e p s a t n a tr o p m i t s o m e h t f o e n o s i r e t c a r a h

C shor tstory .Abram s

o h w k r o w e v it a r r a n r o c it a m a r d a n i d e t n e s e r p s n o s r e p e h t e r a s r e t c a r a h c “ s e t a t s

y a s r i e h t m o r f s r e d a e r e h t y b d e t e r p r e t n i n o r e t a l e r

a and acitons .What t hey say

.) 3 2 : 3 3 9 1 ( ” s e it il a u q l a n o it o m e d n a , l a n o it i s o p s i d , l a r o m “ r i e h t w o h s s i o d d n a

.t s e r e t n i s ’ r e d a e r e h t s e k a t y ll a u s u r e t c a r a h c e h T

r e h t o n A “ s y a s n o t n y o B . r e t c a r a h c l a rt n e c e n o n o s u c o f s e ir o t s t r o h s t s o M

t s t r o h s t s o m t u o b a h t u

rt o iresi st hatt hef ocusi son onecenrta lcharacter . tIi sno t

” l a u s u n u s i t i t u b , r e t c a r a h c l a p i c n ir p e n o n a h t e r o m e b e r e h t t a h t e l b i s s o p m i

6 2 : 2 7 9 1

( -27 .)I nshor tstory,t heauthorf ocuse son onecenrta lcharacte rbecause

s e o d y r o t s t r o h s f o h t g n e l e h

t no to tfen allow fort hedevelopmen to fmore t han

. s u c o f y r a m ir p e n o

e r a e r e h T . r e t c a r a h c f o s c it s ir e t c a r a h c e h t l a e v e r o t d e s u s i n o it a z ir e t c a r a h C

s r e t c a r a h c s i h e k a m o t s t p m e tt a r o h t u a n a h c i h w n i s y a w e h t f o s e l p m a x e e m o s

il a e m o c d n a o t e l b a d n a t s r e d n

u ve for , hi s readers . Boynton explain s tha t

(22)

o t t c a e r s r e h t o w o h , s k n i h t r e t c a r a h c a t a h w , s y a s r e t c a r a h c a t a h w , s e o d r e t c a r a h c

n u o r r u s s i h o t s t c a e r r e t c a r a h c a w o h , r e t c a r a h c

a dings ,and driec tdescirpiton o r

7 2 : 2 7 9 1 ( ” n o it a n a l p x

e -30) .The descirpiton o feach method sare explained a s

s w o ll o f

s e o d r e t c a r a h c a t a h W . a

r o f d o h t e m s u o i v b o t s o m e h t , e r o f e r e h T . n o it c a n i s r e t c a r a h c w o h s s e ir o t S

a t a h w h g u o r h t s i r e t c a r a h c g n il a e v e

r persondoes .

s y a s r e t c a r a h c a t a h W . b

. y a s y e h t t a h w w o h s o t s i e k il e r a e l p o e p t a h w g n il a e v e r f o y a w r e h t o n A

s k n i h t r e t c a r a h c a t a h W . c

e W . k n i h t y e h t t a h w g n i w o h s y b e l p o e p f o r e t c a r a h c e h t l a e v e r o s l a y a m r e ti r w A

y li r a m ir p l o rt n o c f l e s d n a , n o it u a c , n o i s i c e r p , r e d r o r o f s n o i s s a p s i h t u o b a n r a e l

. n o g n i o g s i t a h w n o n o it c e lf e r n w o s i h h g u o r h t

r e t c a r a h c a o t t c a e r s r e h t o w o H . d

b n a c h c u

M eshown abou tacharacte rby t heway othersr eactt o him ,o rby wha t

. m i h t u o b a y a s y e h t

s g n i d n u o r r u s s i h o t s t c a e r r e t c a r a h c a w o H . e

o t s t c a e r n o s r e p a w o h w o h s o t s i r e t c a r a h c l a e v e r o t s y a w t s e n o m m o c e h t f o e n O

s g n i d n u o r r u s s i

h -tot hing sandplace .s

.f Driec tdesc irp itono rexplanaiton

n o it a n a l p x e r o n o it p ir c s e d t c e ri d h g u o r h t s i n o it a l e v e r r e t c a r a h c f o d o h t e m l a n if A

(23)
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, s u p m y l O t n u o M f o t i m m u s e h t n o d e v il s d o g k e e r G t n a tr o p m i t s o m e h T

k e e r G e h t y b d e z ir o g e t a c e r e w s d o g l a p i c n ir p e h T . e c e e r G n i n i a t n u o m t s e h g i h e h t

e h t : s n o it a r e n e g o w t o t n i ll a f y e h T “ t a h t s e t a t s s e li M . ’ s n a i p m y l O e v l e w T e h t‘ s a

s u e Z f o n o it a r e n e g r e d l

o and hi ssibilngs ,andt heyounge rgeneraiton who arehi s

” s r e h t o m s u o ir a v y b n e r d li h

c (1999 :21) .Moreover ,Mlie sexplain sthe twelve

w o ll o f s a n a i p m y l O r e t a e r g

. i Zeus

t n u o M n o e n o r h t s i h m o r f e s r e v i n u e h t f o r e l u r d n a s d o g f o g n i k e h t s i e H

ir O . s u p m y l

O ginally agod of t he sky and storm, t hunde rand ilghtning ,he also

d r o l l a h c r a ir t a p e h t , m o t s u c d n a w a l ,t n e m n r e v o g d n a p i h s g n i k f o n o rt a p s e m o c e b

. o u q s u t a t s e h t f o

.

ii Aphrodtie

. n a m o w l u fi t u a e b a s a d e t c i p e d s i e h S . y ti l a u x e s d n a e v o l f o s s e d d o g s i e h

S He r

o t d e ir r a m s i e h S . r o r ri m d n a , s e s o r , s w o r r a p s , s e v o d e d u l c n i s e t u b ir tt a

. s l a tr o m d n a s d o g h ti w s ri a f f a s u o r e m u n g n i v a h r o f n w o n k s i d n a , s u t s e a h p e H

. ii

i Apo llo

p e c r e p d n a n o s a e r f o , s e s n e s s ti l l a n i t n e m n e t h g il n e d n a t h g il f o d o g e h t s i e

H iton ,

s s e l d r a e b a s a d e t c i p e d s i e H . n u s e h t d n a , e n i c i d e m , y c e h p o r p , y rt e o p d n a c i s u m

, t h g il f o o l a h a y b d e d n u o r r u s n e tf o , y t u a e b l a c i s s a l c t c e fr e p f o n a m g n u o y

. e r y l a d n a s w o r r a d n a w o b a g n i y r r a c

. v i A res

r a w a s a d e t c i p e d s i e H . r a w f o d o g e h t s i e

H iror ;wtih armour ;sword ,spear ;and

(27)

.

v A tremis

, y ti t s a h c f o , s e r u t a e r c d li w d n a s e c a l p d li w f o s s e d d o g , s s e rt n u h n i g ri v e h t s i e h S

s a d e s s e r d , n a m o w g n u o y c it e l h t a , l u fi t u a e b a s a d e t c i p e d s i e h S . n o o m e h t f o d n a

. s w o r r a d n a w o b h ti w s s e rt n u h a

. i

v Athena

. m o d s i w d n a e c n e g il l e t n i f o , s ll i k s d n a , s tf a r c , s tr a f o , r a w f o s s e d d o g e h t s i e h S

s i e h S . e c n e g il l e t n i t n a ti li m f o n o it a n r a c n i n a d n a n i g ri v l a u x e s a n a s i e h s e c n e H

y e r g ‘ , n a m o w g n u o y l u fi t u a e b , y l n r e t s , ll a t a s a d e t c i p e

d -eyed’ ,dressed in ful l

a s u d e M n o g r o G e h t f o d a e h e h t g n ir a e w n e tf o d n a , s r a e p s d n a t e m l e h h ti w r u o m r a

. e t a l p t s a e r b r e h n o

. ii

v Hades

n e h w m l a e r e h t d e n i a g o h w , d a e d e h t f o d o g d n a d lr o w r e d n u e h t f o g n i k e h t s i e H

s s e rt s s i tI . n o d i e s o P d n a s u e Z s r e h t o r b s i h h ti w s t o l t s a c e

h ing t ha thei snott he

e h t f o r e c r o f n e e l b i x e lf n i , m ir g , d l o c a y l e r e m , t n e l o v e l a m r o l i v e t o n , li v e d

.s e r u t a e r c l a tr o m l l a r o f h t a e d f o y ti s s e c e n

. ii i

v Hephaestus

o g e h t s i e

H do fmetalworkingandoff rie .Hei ssono fZeu sandHera .Hei sugly

, e m a l d n

a because hi smothe ro rfathe rthrew him ou to fheaven and he wa s

. n r o b s a w e h n e h w h tr a e o t ll a f e h t y b d e l p p ir c

. x i H era

d n a e g a ir r a m f o s s e d d o g , s u e Z f o e fi w d n a r e t s i s , s d o g e h t f o n e e u q s i e h S

e r p e h t d n a , h tr i b d li h

c -eminen twomen’ sdetiy .Shei sdepicted a sabeautfiu land

(28)
(29)
(30)

d n a e n il e m it e h t t u o d n if o t d e s u s i y g o l o d o h t e m k e e r G f o y r o e h t e h T

tr o p p u s o s l a t I . r a W n a j o r T f o y r o t s d n u o r g k c a

b s thedepth analysi so fstudy i n

d n a n e m n o y r o e h t e h T . n o it s e u q d n o c e s e h t g n ir e w s n a r o f r a W n a j o r T g n i b ir c s e d

it s e u q t s a l n i d e s u s i r a

w on t o i dentfiy t hesigni ifcanceo fAchille sand Hecto ra s

.r a W n

a j o r T n

i r

o ir r a w t

(31)

8 1

I I I R E T P A H C

Y G O L O D O H T E M

y d u t S e h t f o t c e j b O . A

a s i h c r a e s e r s i h t f o t c e j b o e h

T n adaptaiton story enitlted “The Trojan

” r a

W . Theo irgina lstoryo fTrojan Wari scomposedbyHomeri nhi sepic , lIilad .

e lt it n e n o i s r e v s ’ n o it a t p a d a e h t s e s u s i s e h t e t a u d a r g r e d n u s i h

T TheTrojanWar by

n i n e tt ir w s i t a h t n o tl i m a H h ti d

E Ltierary Hertiage by Hans .P .Guth. I ti san

s n o c t a h t y g o l o h t n

a ist so fshor tsto ire sandpoems .Thestoryo fTrojan War wa s

1 8 9 1 n i y n a p m o C d n a t a e H C . D y b d e h s il b u p

e h t d n a s k e e r G e h t n e e w t e b t h g u o f r a w y r a d n e g e l a s i r a W n a j o r T e h T

. s ir a P y b , a tr a p S f o n e e u Q , n e l e H f o n o it c u d b a e h t o t e u d s n e p p a h t I . s n a j o r T

l e n e

M aus , King o f Spatra , i s angered by tha t accident . He complain s to

e k a t d n a n a j o r T e h t k c a tt a o t n a l p a e v a h y e h T . r e h t o r b r e d l e s i h , n o n m e m a g A

. k c a b n e l e H

d n a s p i h s 0 5 s i h s d a e l e H . k e e r G e h t m o r f r o ir r a w t a e r g s i s e ll i h c A

e h T . fl e s m i h y b y m r a f o s r e b m u

n othe rarmy i s led by Agamemnon .A tfe r

. e z ir p e h t s a s i e s ir B s t e g e h , y o r T f o t s a o c e h t n o s n w o t e m o s g n it a n i m o d

s e ll i h c A , s u o ir u F . s e ll i h c A m o r f y a w a s i e s ir B s l a e t s n o n m e m a g A , y l e t a n u tr o f n U

li k s i s u l k o rt a P g n i w o n k , r e v e w o H . r a w e h t m o r f e ri t e r o t s e d i c e

d led by Hector ,

. r o t c e H s y a l s d n a r a w e h t o t k c a b s e m o c e h

t s e t a e r g e h t s i e H . s ir a P f o r e h t o r b r e d l e e h t , y o r T f o e c n ir P s i r o t c e H

(32)

s e v a e l s e ll i h c A n e h w y ll a i c e p s e , y o r T f

o the war .Then, t he Trojan l ost t he wa r

. k e e r G e h t y b n o w s i r a W n a j o r T e h T . r o t c e H f o h t a e d e h t o t e u d

y d u t S e h t f o h c a o r p p A . B

o t d e s u s e u q i n h c e t e m o s e r a e r e h t , e r u t a r e ti l f o k r o w e h t g n i z y l a n a n I

y a m s c it ir c e m o S . e r u t a r e ti l f o e c e i p e h t e t e r p r e t n

i have dfiferen tway sand

. g n i d n a t s r e d n u d n a g n i n r a e l n i s w e i v r i e h t o t e u d h c a o r p p a

r e t c a r a h c e h t n o d e s u c o f s i s i s e h t e t a u d a r g r e d n u s i h

T s fo a Greek

y g o l o h t y

m which i sTrojan War .In orde rto explore them ,the mythologica l

e t a t s n ir e u G . d e s u s i h c a o r p p

a s t“he myth ciritc i sconcerned to seek ou tthe

a h t s t n e m e l e s u o ir e t s y

m ti nformcetrainl tierarywork sandt ha teilcti ,wtihalmos t

. ) 2 8 1 : 5 0 0 2 ( ” s n o it c a e r n a m u h l a s r e v i n u d n a , c it a m a r d , e c r o f y n n a c n u

a s a d e n if e d e b o t s i h t y M , s tt a W . W n a ll A o t g n i d r o c c

A complex o f

s e ir o t

s -some no doub tfac tand some fantasy-which ,fo rvairou sreasons ,human

n a m u h d n a e s r e v i n u e h t f o g n i n a e m r e n n i e h t f o s n o it a rt s n o m e d s a s d r a g e r s g n i e b

3 8 1 , n ir e u G ( . e fi

l -184)

.

C Methodoft heStudy

e s u s i s e h t e t a u d a r g r e d n u s i h

T s ilbrary research a s the mos t relevan t

a e s e r y r a r b il f o s s e c o r p n i a m e h T . d o h t e

m rch i sreading the main source and

n I . y r o t s t r o h s e h t g n i z y l a n a n i s ti f e n e b e v a g h c i h w s a e d i t n a tr o p m i e h t g n i n i a t b o

o s y r a d n o c e s d n a e c r u o s y r a m ir p e r a e r e h t , s i s e h t e t a u d a r g r e d n u s i h

t urce .The

, n o tl i m a H h ti d E y b n e tt ir w y r o t s n o it a t p a d a e h t m o r f n e k a t s a w e c r u o s y r a m ir

(33)

r a W n a j o r

T .Thesecondary source sareonilnej ournal ,essay ,and somebook so f

. y g o l o h t y m k e e r G

s a w p e t s t s ri f e h T . a m a r d e h t g n i z y l a n a n i e n o d s p e t s e m o s e r e w e r e h T

, e c r u o s y r a m ir p e h t g n i d a e

r The Trojan War . A sthe adaptaiton story read ,a

h tr o

w -studying elemen to fwork semerged and raised the inteniton to study the

r e h tr u f s k r o

w . Thecharacter sand story o fGreek mythology wereconsidered a s

e h t s a e d a m s a w n o it a l u m r o f m e l b o r p , n e h T . s t n e m e l e g n it s e r e t n i t s o m e h t

n i a m e h t f o n o it p ir c s e d e h t d e s s u c s i d y d u t s s i h t ,t s ri F . s i s y l a n a e h t r o f e c n a d i u g

c d e k o o l ti , d n o c e S . r o t c e H d n a s e ll i h c A , s r e t c a r a h

c losely t o t hestory o fTrojan

r a

W where Achlies s and Hecto r had signiifcance . Thrid , i t observed the

n i r o t c e H d n a s e ll i h c A f o e c n a c if i n g i

s Trojan War .The p irmary source wa s

. h c a o r p p a l a c i g o l o h t y m n o d e s a b d e z y l a n

a By using some theo ires ,the analysi s

u o

w ld be moreciritcal .Finally, t heconclusion wa sdrawn based on t her esul to f

(34)

1 2

V I R E T P A H C

S I S Y L A N A

.

A TheDescripitono fGrea tWarrior ,Achille sandHector. e

n i n a s i r a W n a j o r T e h

T -year so fwarf ough tbetweent heTrojanandt he

s i e r e h t , e d i s s ’ n a j o r T e h t n I . e r u g if t n a tr o p m i e h t s a h s e ir t n u o c f o h t o B . k e e r G

f o e c n ir p , s e ll i h c A s i e r e h t , e d i s s ’ k e e r G e h t n I . y o r T f o e c n ir p , r o t c e H

t c e H d n a s e ll i h c A . s n o d i m r y

M o rare t hemain characte rof t he story, t heTrojan

y e h T . r a

W become the focu so fthe story and thei rexistence i svery crucial to

. y r o t s e h t f o n o it a u ti s d n a t x e t n o c e h t h s il b a t s

e Here ,by using theory from

s w o ll o f s a d e n i a l p x e s i r o t c e H d n a s e ll i h c A f o n o it p ir c s e d e h t , n o t n y o B

.

1 Achilles a s i s e ll i h c

A p irnceo fMyrmidon sand t he grea twariro rof t heGreek ,a s

s i s e ll i h c A . e m o s d n a h t s o m d n a t s e tf i w s e h t s a l l e

w son o fgoddes sand human .

s i r e h t o m s i

H Theits ,asea-goddess ,daughte rZeu sand Nereus .Theitsi smarired

h P e h t f o g n i k , s u e l e P , l a tr o m o

t ythians .The ch lid o fgod so rgoddesses sand

, d r o f r o M o t g n i d r o c c A . r e w o p y r a n i d r o a rt x e n a e v a h y ll a u s u e r a n a m u h

e ll i h c A f o h tr i b e h t r e tf a g n o l t o n s a w t

I st ha tTheitsl ef the rhusband fo r y b e ri f e h t n i m i h g n it s a o r y b r e h ti e , l a tr o m m i m i h e k a m o t d e ir t e h S . d o o g

e h t n i m i h g n i p p i d y b r o y a d y b a i s o r b m a h ti w m i h g n it n i o n a d n a t h g i n

) 9 8 2 : 1 7 9 1 ( . x y t S e h t f o s r e t a w

e h t m o r

F explanaiton above ,Theitst ired t o make Achilles i mmo tra lby dipping

y l n O . t o n s i s l e e h s i h t u b e l b a r e n l u v n i s i y d o b s ’ s e ll i h c A . x y t S f o r e t a w e h t n i m i h

(35)
(36)
(37)
(38)

r o h s n

I t ,Achillesi sagrea twariro roft heGreek .sHei sbad-temperedand

t m o r f w a r d h ti w o t m i h s d a e l s

ti hewar .Hi sbad-tempered b irng him t o beaman

, d n e ir f d e v o l e b s i h d e ll i k s a h o h w r o t c e H n o e g n e v e r s e k a t e H . e c n a e g n e v f o

h , r a w e h t n I .s u l c o rt a

P ei sabravemanwhohasabraveryt oconfron tanyone .Hi s

c c u s e H . r o t c e H t s n i a g a t h g if o t m i h s d a e l y r e v a r

b essest o kli lHecto rand fuflli l

s i

h words .

.

2 Hector

f o n o s , y o r T f o e c n ir P e h t s i e H . n a j o r T e h t f o r o ir r a w t a e r g a s i r o t c e H

s i e h , r a W n a j o r T e h t n I . a b u c e H d n a m a ir

P et h leade ro fTrojan’ sarmy .Ast he

e h , r o ir r a w t a e r

g ha san impo tran trole in attacking and defending the wall so f

s i h d n a , g n i k e h t , m a ir P “ s e t a t s n o tl i m a H , y r o t s e h t f o g n i n n i g e b e h t n I . y o r T

s ll a w e h t d n e f e d d n a k c a tt a e h t d a e l o t s n o s e v a r b y n a m d a h , a b u c e H , n e e u

q -one

n a m o n m o h w n a h t ,r o t c e H , ll a e v o b

a anywhere wa snoble ro rmorebrave ,and

e h t e c n i S . ) 8 6 : 1 8 9 1 ( ” s e ll i h c A , s k e e r G e h t f o n o i p m a h c r e t a e r g a e n o y l n o

. n a m e v a r b a s i r o t c e H t a h t d e t a t s y lr a e l c s a h n o tl i m a H , y r o t s e h t f o g n i n n i g e b

h

T e fris tcharacteirsitc o fHecto ri sbrave .Hi sbravery i sshown in the

o t s i y t u d s i H . e lt t a b e h t f o t n o r f e r o f e h t n i s d n a t s r o t c e H , r e d a e l e h t s A . r a w e ri t n e

e h t d n e f e

d wal lo fTroy from the Greek’ sattack .Before Hecto rwen tto the

d n a d e li m s e H . n o s s i h , x a n a y t s A d n a , e fi w s i h , e h c a m o r d n A t e m e h , d l e if e lt t a b

t h g if o t m i h r o f s a w t I . d i a s e h , d r a w o c a e b t o n d l u o c e H “ . y lt n e li s m e h t t a d e k o o l

) 1 7 : 1 8 9 1 , n o tl i m a H ( ” d l e if e lt t a b e h t f o t n o r f e r o f e h t n i s y a w l

a .Thus ,i tshow s

e H . r a w e h t m o r f k c a b p e t s t o n d l u o w e h t a h

t could no tbecoward ,and i ti shim

(39)
(40)
(41)

e h h g u o h tl A . e t a n o it c e f f a y ll a e r s i e h t a h t s w o h s t i , n o s s i h o t s e o d e h t a h w m o r F

n o s s i h t u o b a s e r a c o s l a e H . r e h t a f e h t s a e l o r s i h t e g r o f t o n s e o d e h , e lt t a b e h t n i s i

. e fi w s i h d n a

A sthe conslusion ,the descrtipiton o fHecto ri sbrave ,responsible and

e h h g u o h tl a y m n e n e s i h t s n i a g a t h g if o t y r e v a r b h g u o n e s a h e H . e t a n o it c e f f a

s a h e h , y o r T f o e c n ir P e h t s a , n e h T . m i h n a h t r e g n o rt s s i y m e n e s i h t a h t s w o n k

n i s d n a t s e h n e h w n w o h s s i y ti li b i s n o p s e r s i H . y rt n u o c s i h d n e f e d o t y ti li b i s n o p s e r

r f e r o f e h

t on to fbatlte ifeld to ifgh tagains tAchilles .However ,he i salso an

s i h e e s o t e l b a s i e h , r a w e h t d e n i o j r o t c e H e r o f e B . r e h t a f d n a d n a b s u h e t a n o it c e f f a

v E . n o s s i h d n a e fi

w eni nhi silmtied itme ,hetakest hechancet oprayf o rhiss on .

.

B TheDescripitonoft heTrojanWar .

e h t d n a k e e r G e h t n e e w t e b t h g u o f r a w y r a d n e g e l e h t f o e n o s i r a W n a j o r T

n o it p ir c s e d e h T . n a j o r

T oft hewari sdividedi ntot wopatrs;t heo irgin soft hewar

d n

a thewa ra tTroy.

r a w e h t f o s n i g i r o e h T

e h

T Trojan War ha s tisr oots i n t hemarirageo fPeleu sandTheits ,asea

-e h s , r e t a L . g n i d d e w e h t o t d e ti v n i n e e b t o n d a h d r o c s i D f o s s e d d o g e h T . h p m y n

e h S . e l b a t e h t o t n o e l p p a n e d l o g a g n i w o r h t y b g n i d d e w e h t n i e l b u o rt a s e s u a c

e ri a f e h t o t s g n o l e b e l p p a e h t t a h t d i a

s st .Thet hreegoddesses ;Hera ,Athena ,and

. t s e ri a f e h t s i o h w e s o o h c o t g n i s u f n o c a s i e r e h t , n e h T . e l p p a e h t h c a e r e ti d o r h p A

s ’ s ir a P , y ll a u t c A . e d g u j e h t e b o t , n a m l u fi t u a e b t s o m e h t , s ir a P s t c e l e s s u e Z

L . m i h o t r e f f o s s e d d o g e h t t a h w n o s d n e p e d e c i o h

(42)

e p o r u E d n a a i s A f o d r o l g n i e b g n o m a y a

l -Hera’ soffer ;being the braves tand

r o ir r a w t s e s i

w -Athena’ soffer ;and possessing the mos tbeautfiu lwoman in the

d lr o

w -Aphrodtie’ soffer”(Loomis ,1965 :81) .Pa ir schooses t hewoman and thi s

t a h t m i h s e s i m o r p e ti d o r h p A . ’ s ir a P f o t n e m e g d u J e h t‘ s a n w o n k n e e b s a h e c i o h c

. e fi w s i h e b d l u o w , s u a l e n e M f o e fi w , n e l e H

n o it it e p m o c o t e u d s n e p p a h r a W n a j o r T e h t , e v o b a n o it a n a l p x e e h t m o r F

tt a b a e v a h a r e H d n a e ti d o r h p A , a n e h t A . s e s s e d d o g g n o m

a le to be the fariest .

. e g d u j e h t , s ir a P r o f l ri g l u fi t u a e b t s o m e h t s r e f f o e ti d o r h p A , y l e t a n u tr o f n U

s i h s e r a p e r p s ir a P , e fi w s i h e b o t n e l e H s e s i m o r p e ti d o r h p A t a h t t c a f e h t g n i w o n K

a P s e v r e s s u a l e n e M , a tr a p S n I . n e l e H s e r u t p a c d n a a tr a p S f f o t e s o t e g a y o

v ir sa sa

s i h t n I . n e l e H t f e l e h d n a l a r e n u f e h t o t o g o t s a h s u a l e n e M , r e v e w o H . t s e u g l a y o r

b r e h s g n ir b d n a n e l e H s p a n d i k s ir a P , t n e m o

m ack t o Troy .Menelausi sourtaged

m i h p l e h o t ,r e h t o r b s i h , n o n m e m a g A s ll a c e h , r e t a L . n e l e H n e k a t d a h s ir a P t a h t

s e k a

t Helen back .Thi sstory i sthe root so fthe wa.r The abducitng o fHelen

e n i n f o e s u a c e h t s e m o c e

b -year swa.rAwomani st her eason o fTrojanWar .The

y b n e k a t s i ,s k e e r G e h t ,s u a l e n e M f o e fi w e s u a c e b r a w e h t n i e r a k e e r G d n a n a j o r T

. y o r T f o e c n ir

p Atlhoughthewomani st her eason ,bothAchille sandHecto rarei n

. r o ir r a w t a e r g a s a y t u d r i e h t o t e u d r a w e h t

y o r T t a r a W e h T

h , n e h T . s u a l e n e M s e h c a e r n e l e H f o g n i p p a n d i k e h

T ecallsGreekkingst o

. e fi w s i h r e v o c e r m i h p l e

h Hi sbrothe rAgamemnon, P irnceo fMycenae,l eadst he

n o it i d e p x

(43)
(44)
(45)
(46)
(47)
(48)

, n o tl i m a H ( ” .r o t c e H s u o ir o l g f o t f e l s a w t a h t l l a d e g g a r d e h y o r T f o s ll a w e h t

) 6 7 : 1 8 9 1

d e h

T ead o fHecto rmeans l ack o fpoweri n t heTrojan’ sside. They have

t w o N . y o r T f o r o ir r a w t s e v a r b d n a t s e g n o rt s e h t t s o

l he victory belong sto the

e r

G ek .Thevictory o fGreek i scompleted duet o t heexistenceo fAchilles i n t he

. y m r a

.

C TheSigni ifcanceo fAchille sandHectori nt heTrojanWar.

. e l o r t n a tr o p m i n a e v a h t a h t s r o ir r a w t a e r g o w t e r a e r e h t , r a W n a j o r T n I

. r o t c e H d n a s e ll i h c A e r a y e h

T As i tha sbeen explained previously ,Achillesi sa

m e h t f o h t o B . s n a j o r T f o r o ir r a w t a e r g a s i r o t c e H d n a s k e e r G f o r o ir r a w t a e r g

. y rt n u o c r i e h t r o f n o it u b ir t n o c h c u m e v i

g Inanalyzingt hesigni ifcanceo fAchille s

w tr o N y b r a w d n a n e m f o y r o e h t , r o t c e H d n

a ick i sappiled .However ,thei r

s w o ll o f s a d e n i a l p x e s i r a W n a j o r T n i e c n a c if i n g i s

.

1 TheSigniifcanceo fAchilles

e l p o e p s i h s d a e l e h , r a W n a j o r T n I . s n o d i m r y M f o e c n ir P a s i s e ll i h c A

r e u q n o c s i t n e m e v e i h c a t s ri f s i H . k e e r G e h t k c a tt a o t s n o d i m r y M m o r

f s thebeach

k e e r G m o r f s p i h s r e h t o e h t o s y o r T f

o beablet opul ldownatt hebeach .Then,t he

e s a b e h t s a t li u b e r a s t n e

t -camp .Here,t heexistenceo fAchillesi sveryi mpo trant .

o t s k e e r G e h t r o f d r a h s i ti , s e ll i h c A t u o h ti

W reacht hebeachandbulidat ent .

h W . y m r a e h t f o t ir i p s e h t p u e s ir o t t n a tr o p m i o s l a s i s e ll i h c

A liesomeo f

m e h t e c n i v n o c o t s e ir t e H . o ll o p A f o e c n e li t s e p e h t o t e u d d e ll i k s i y m r a s ’ k e e r G

t u o d l o h t o n d l u o c y e h t t a h t m e h t d l o t e H “ . e m o h l i a s d n a p u e v i g t o n n a c y e h t t a h t

t o b t s n i a g

(49)
(50)
(51)
(52)

d a b s i e h h g u o h tl A . y rt n u o c s i h r o f y r o t c i v s e v i

g -tempered ,hei sbraveenought o

h ti w s k e e r G e h T . s n a j o r T e h t t a e b o t s k e e r G e h t s d a e l n e v e e H . tl u a f s i h s s e f n o c

t r o f r e t s a s i d t a e r g a e r a s e ll i h c

A heTrojans .

.

2 TheSigniifcanceo fHector

a s i r o t c e

H P irnce o fTroy .In the Trojan War ,he i sthe leade ro fthe

t a e r g a s a h e H . s n a j o r T e h t r o f r o ir r a w t n a tr o p m i t s o m e h t s i e H . s n a j o r T

e h t e s n e f e d o t l a i c u r c y r e v s i r o t c e H f o e c n e t s i x e e h T . r a w e h t n i n o it u b ir t n o c

ll a w s ’ n a j o r

T s.

o t c e H , m a ir P f o n o s e h t s

A rha sa responsiblitiy to protec tno tonly hi s

n o e p o h r i e h t s y a l s n a j o r T n i e n o y r e v E . s n a j o r T e h t , e l p o e p s i h o s l a t u b y li m a f

. m i h e m a l b t o n s e o d r o t c e H , r a w e h t f o r o t c a f l a s u a c e h t s i s ir a P h g u o h tl A . r o t c e H

a b e h t f o t n o r f e r o f e h t n i e b o t t a h t s w o n k e

H tltei shisr esponsiblitiyast hep irnce .

. n o s s i h d n a e fi w s i h g n i v a e l s e d u l c n i y rt n u o c s i h r o f g n i h t y r e v e s k s ir e h , r e t a L

n a h t t n a tr o p m i e r o m s i e l p o e p s i h d n a y rt n u o c s i h f o y t e f a s e h t , r o t c e H r o F

. g n i h t y r e v e

o t c e

H ri st heonlyonewhoha sacapablitiyt o ifgh tagainstt heGreeks .He

s a

h powe rand srtategy a sthe chie tfain o fthe Trojans .D irving hi scar ,Hecto r

s a w t e m l e h g n i c n a l g s i H “ . e m it e n o n i m e h t s ll i k d n a s k n a r k e e r G e h t o t s e o g

w t n a ll a g e n o d n a e r e h w y r e v

e ariro ratfe ranothe rfel lbeneath hist erirble bronze

s i h r o f k e e r G e h t k c a tt a o t h g u o n e e v a r b s i e H ) 2 7 : 1 8 9 1 , n o tl i m a H ( ” .r a e p s

o t k c a b s k e e r G e h t e v ir d o t g n i d e e c c u s s i s n a j o r T e h t ,r o t c e H f o e s u a c e B . y rt n u o c

y o r T e h t n i g n i c i o j e r s i e r e h T . s p i h s ri e h

(53)
(54)

o n n a c s n a j o r T e h t , r o t c e H t u o h ti w t a h t s w o h s t I . s n a j o r

T tdefense thei rpeople .

. s k e e r G e h t y b d e t a e f e d s i s n a j o r T e h T

n i s y a l d n a m m o c e h T . s n a j o r T e h t f o e r u g if r e t n e c e h t s i r o t c e H , tr o h s n I

t s o m l a e r a y e h T . s n a j o r T e h t r o f y r o t c i v s n a e m d l e if e lt t a b e h t n i r o t c e H . m i h

l u f s s e c c u

s in making t he Greek sback t o thei rship .Wtihou tHecto ,r t heTrojan s

s a h r o ir r a w t a e r g r i e h t e s u a c e b s k e e r G e h t y b d e t a e f e d e r a y e h T . r e w o p r i e h t e s o l

. d e i d n e e

b A sthe conclusion ,the existence o fHecto ri svery signi ifcan tin the

o p s e r a s a h o h w y o r T f o e c n ir p e h t s i e h , t s ri F . r a

w nsiblet o protec thi scoun rty

r e w o p s a h e h , r e d a e l e h t s A . s n a j o r T e h t f o r e d a e l e h t s i e H , n e h T . e l p o e p s i h d n a

r o ir r a w t s e v a r b e h t o s l a s i e H . s p i h s r i e h t o t k c a b s k e e r G e h t e v ir d o t y g e t a rt s d n a

i a g a t h g if o t e l b a p a c s i o h w e n o y l n o e h t s i e H . n a j o r T f

o ns tAchilles .Atlhoughhe

. y rt n u o c s i h r o f f l e s m i h d e c if ir c a s s a h e h , s e ll i h c A y b d e ll i k s

i By confronitng

f o n o it a l p m e t n o c d n a n o it a e r c e h t r o f t n e g a e h t s i r o ir r a w e h t , y lt c e ri d h t a e d

. e fi l n i g n i n a e

m Thedead o fHecto rmeanst heend oft hewar .TheTrojan shave

(55)

2 4

V R E T P A H C

N O I S U L C N O C

o t s i t s ri f e h T . r a W n a j o r T e h T s ’ n o tl i m a H h ti d E s e z y l a n a s i s e h t s i h T

f o n o it p ir c s e d e h t t u o e r u g

if main characters .There are two main characters

e r a y e h T . s i s e h t s i h t n i d e z y l a n

a Achille sandHecto .r

. s k e e r G e h t f o r o ir r a w t a e r g a s i s e ll i h c

A Hei sbad-temperedand tisl ead s

d a b s i H . r a w e h t m o r f w a r d h ti w o t m i

h -tempered b irng him to be a man o f

, d n e ir f d e v o l e b s i h d e ll i k s a h o h w r o t c e H n o e g n e v e r s e k a t e H . e c n a e g n e v

h , r a w e h t n I .s u l c o rt a

P ei sabravemanwhohasabraveryt oconfron tanyone. Hi s

e H . r o t c e H t s n i a g a t h g if o t m i h s d a e l y r e v a r

b givest hevictoryf ort heGreek sby

. r o t c e H g n il li k

o t y r e v a r b h g u o n e s a h e H . e t a n o it c e f f a d n a e l b i s n o p s e r , e v a r b s i r o t c e H

. m i h n a h t r e g n o rt s s i y m e n e s i h t a h t s w o n k e h h g u o h tl a y m n e n e s i h t s n i a g a t h g if

s i H . y rt n u o c s i h d n e f e d o t y ti li b i s n o p s e r s a h e h , y o r T f o e c n ir P e h t s a , n e h T

t h g if o t d l e if e lt t a b f o t n o r f e r o f e h t n i s d n a t s e h n e h w n w o h s s i y ti li b i s n o p s e r

e r o f e B . r e h t a f d n a d n a b s u h e t a n o it c e f f a n a o s l a s i e h , r e v e w o H . s e ll i h c A t s n i a g a

e h t d e n i o j r o t c e

H war ,hei sablet oseehi swfieand hi sson. Even i nhi s ilmtied

. n o s s i h r o f y a r p o t e c n a h c a s a h e h , e m it

. r a W n a j o r T e h t f o n o it p ir c s e d e h t t u o e r u g if o t s i d n o c e s e h

T TrojanWa r

a d n a , y o rt t a r a w e h t ,r a w e h t f o s n i g ir o ; s tr a p e e r h t o t n i d e d i v i d s

i tfert hewar .

d n a , a r e H , a n e h t A s e s s e d d o g e h t n e e w t e b t s e t n o c e h t s i r a w e h t f o n i g ir o e h T

i d o r h p A s i r e n n i w e h T . t s e ri a f e h t e b o t e ti d o r h p

(56)

m o r f n e l e H s p a n d i k s ir a P , e r e h m o r F . e s i m o r p r e h s a n e l e H s e v i g e h s e s u a c e b

h T . s u a l e n e

M e kidnapping o fHelen makest he Greek sangry and t hey decide t o

k c a tt

a the Trojans .The wa ra tTroy happened fo ra long itme .There are some

v e t n a tr o p m

i ent shappen in t heTrojan War .Fristi st hequarre lbetweenAchilles

n e v ir d s i k e e r G e h t o s r a w e h t m o r f s w a r d h ti w s e ll i h c A , n e h T . n o n m e m a g A d n a

p u s e k a w s u l c o rt a P f o h t a e d e h T . s n a j o r T e h t n i s i y r o t c i v e h T . s p i h s r i e h t o t k c a b

’ k e e r G e h t o t s n r u t e r e h , r e t a L . n a j o r T e h t t s n i a g a t h g if o t ti ri p s s ’ s e ll i h c

A sarmy

v e r e k a t o

t engeon Hector .Nexti st hedeath o fHector .Hei skilled by Achilles .

y ll a n if s k e e r G e h T . e d i s s ’ n a j o r T e h t n i r e w o p f o k c a l s n a e m r o t c e H f o h t a e d e h T

. y r o t c i v r i e h t s t e g

o w t e r a e r e h t ,r a W n a j o r T n

I grea twariror stha thave an impo tran trole .

. r o t c e H d n a s e ll i h c A e r a y e h

T Achillesi st hecente r ifgureoft he Greek .Heha s

. r o t c e H y ll a i c e p s e s n a j o r T e h t t a e f e d o t y ti li b a p a c e h

t Wtih Achille sgone ,the

k c a l e r a y e h T . s n a j o r T e h t y b d e t a e f e d e r a s k e e r

G o fpowe rso they could be

.s n a j o r T e h t y b d e k c a tt a y li s a

e Thereturn of Achillesi n t hearmy mean svictory

h T . s k e e r G e h t r o

f e Greek winst hewa rand successes to defeat t heTrojans .A s

g e h t s A . s k e e r G e h t r o f e l o r t n e n i m o r p a s a h s e ll i h c A , n o i s u l c n o c e h

t rea twariror ,

d a b s i e h h g u o h tl A . y rt n u o c s i h r o f y r o t c i v s e v i g o t s d e e c c u s e

h -tempered ,he i s

ti m d a o t h g u o n e e v a r

b hisf autl .Heevenl eadst heGreekst obeatt heTrojans .The

a e r a s e ll i h c A h ti w s k e e r

G grea tdisaste rfort heTrojan sbecause he i s t he only

.r o t c e H l li k o t e l b a s i o h w e n

o

.s n a j o r T e h t f o e r u g if r e t n e c e h t s i r o t c e

H Heha spowert hati sonlys econd

.s e ll i h c A o

(57)

. p i h s r i e h t o t k c a b s k e e r G e h t g n i k a m n i l u f s s e c c u s t s o m l a e r a y e h T . s n a j o r T e h t

s k e e r G e h t y b d e t a e f e d e r a y e h T . r e w o p r i e h t e s o l s n a j o r T e h t , r o t c e H t u o h ti W

r o ir r a w t a e r g r i e h t e s u a c e

b ha sbeen died .The existence o fHecto ri s very

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r o f f l e s m i h d e c if ir c a s s a h e h , s e ll i h c A y b d e ll i k s i e h h g u o h tl A . s e ll i h c A t s n i a g a

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ti m d a o t e v a h s n a j o r T e h T , r o ir r a w t s e g n o rt

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