• Tidak ada hasil yang ditemukan

INTERPRETATION OF SEMIOTIC ON SHAUN THE SHEEP STOP MOTION ANIMATED WORDLESS CARTOON.

N/A
N/A
Protected

Academic year: 2017

Membagikan "INTERPRETATION OF SEMIOTIC ON SHAUN THE SHEEP STOP MOTION ANIMATED WORDLESS CARTOON."

Copied!
29
0
0

Teks penuh

(1)

INTERPRETATION OF SEMIOTICS ON

“SHAUN THE SHEEP”

STOP MOTION ANIMATED WORDLESS CARTOON

A THESIS

Submitted to the English Applied Linguistics Study Program in

Partial Fulfillment of the Requirements for the Degree of

Magister Humaniora

BY

YOHANI FITRI

Registration Number : 8116111023

ENGLISH APPLIED LINGUISTICS PROGRAM

POST GRADUATE SCHOOL

(2)
(3)
(4)
(5)
(6)

ABSTRACT

Yohani Fitri, 8116111023, Interpretation of Semiotic on Shaun the Sheep Stop Motion Animated Wordless Cartoon. Thesis: English Applied Linguistics Study Program, Post Graduate School, State University of Medan. 2015

(7)

ABSTRACT

Yohani Fitri, 8116111023, Interpretation of Semiotic on Shaun the sheep stop motion animated wordless cartoon. Thesis: English Applied Linguistics Study Program, Post Graduate School, State University of Medan. 2015

(8)

APPROVAL

This Thesis was examined on 15th April 2015 by The Board of Examiners

The Board of Examiners

Adviser 1 : Prof. Dr. Sumarsih, M.Pd NIP. 19581021 198303 2 002

Adviser 2 : Dr. I Wy Dirgeyasa Tangkas, M.Hum NIP. 19640422 199203 1 001

Examiner 1 : Prof. Amrin Saragih, M.A., Ph.D NIP. 19550113 198203 1 002

Examiner 2 : Prof. Dr. Busmin Gurning, M.Pd NIP. 19590713 198601 1 001

(9)

ACKNOWLEDGEMENT

As this thesis completed, first of all, the writer would like to express gratitude to ALLAH SWT for the opportunity and possibility for her to complete this thesis. Then, she appreciate sincerely to all those who have given her invaluable help, support, suggestion, motivation, encouragement and contribution to the successful completion of this thesis. In particular, she would like to thank to the following people.

She would like to express her gratitude to her first supervisor Prof. Dr. Sumarsih, M.Pd and her second supervisor Dr. I Wy Dirgeyasa Tangkas, M.Hum for their excellent advices and encouragement from the beginning up to the end of this thesis. She is also extremely grateful to the head of English Applied Linguistics Program, Prof. Dr. Busmin Gurning, M.Pd and the secretary Dr. Sri Minda Murni, M.S for their support and role in developing her as a researcher will never be forgotten. Her gratitude goes to Farid as an administration Staff of English Applied Linguistics Program for helping the researcher in completing and checking the documents. Her gratitude also goes to all lecturers for their valuable knowledge and instruction and librarians of the state University of Medan for leading some useful books and other sources that are needed in writing this thesis.

She would say thankful to her reviewers, Prof. Dr. Amrin Saragih, Ph.D, Prof. Dr. Busmin Gurning, M.Pd and Dr. Anni Hollila Pulungan, M.Hum for their suggestions, critics and advices. Without their excellent academic guidance, this study wouldn’t have been possible. Furthermore, special thanks to my best friends

(10)

mention one by one whose unconditional support always be remembered in finishing this thesis. And very special deep of gratitude directed to her beloved husband, Iryuha Tantawi, M.A, for his support and encouragement when it was needed most.

Finally, I express my deepest gratitude to my parents and family for their loves and motivations during the writing of this thesis.

Medan, April 2015 The writer,

(11)

TABLE OF CONTENTS

(12)

2.4 Some Factors Affecting Interpretation……… 28 CHAPTER IV : DATA ANALYSIS, FINDINGS, AND DISCUSSION 4.1 Data Analysis……… ... 45

4.1.1 The Students’ Interpretations…. ... 45

4.1.2 Students’ Interpretations in Gestulant categories……… 56

4.1.3 Types of Students’ Interpretation ………... 61

4.2 Findings………... 66

4.3 Discussion……… 67

CHAPTER V : CONCLUSION AND SUGGESTION 5.1 Conclusion……… ... 68

5.2 Suggestion…………. ... 68

REFERENCES……… 70

(13)

LIST OF TABLES

Pages

Table 1. Three Aspects of Signs in Peirce’s Semiotics………. 12

Table 2. Students’ Points Understanding………….……… 41

Table 3 The Students’ Indicators in interpreting the film…… ………. 42

Table 4. The students’ Interpretation Point Totals………. 42

Table 5. The Students’ point Totals……….……… 54

Table 6. The Category of Gesture in the Students’ Interpretation… ……. 61

(14)

LIST OF FIGURES

Pages

Figure 1. The relationship between the signifier

and the signified in Sausurean’s Semiotics……….. 9

Figure 2. The object and the concept in Sausurean’s Semiotics…………. 9 Figure 3. Peirce’s model of sign ……… 11 Figure 4. The processing of understanding language item

(15)

LIST OF EMOTICONS

Pages

(16)

LIST OF APPENDICES

Pages

Appendix A. The Episode of Loony Tic….……… 73

Appendix B. The Story of Loony Tic……….. 92

Appendix C. Students’ Interpretation on Loony Tic………. 94

Appendix D. Students’ Scores in Interpreting The Film……..………….. 110

(17)
(18)

CHAPTER I

INTRODUCTION

1.1 The Background of the Study

We know that language is a source of human life. Human expresses communication in the world of language and signs. Sign takes the form of words, images, gestures or objects. Language is the system of sign to communicate. The system of a sign in a language has arbitrary relation and meaning of a language object. Human uses the sign or symbol to communicate to other people who have the same feeling, idea, or desire (Cobley, 2001:5).

A symbol or a sign of a language is manifested by everyone in many forms. It is used such as in logo, slogan in advertisement, billboard, even in film. All of symbols or signs in that forms design meaning. The symbol or sign of the design gives a message or meaning to their viewers, readers, or users itself.

When we talk about film, so, it has a closer relationship with television as one of media environments, which offers people opportunities to select their entertainment. Therefore, television viewers are motivated to watch television in order to satisfy their various wants, needs and desires at the time. This does not mean that viewing behavior is always pushed by strong psychological drives but, for most of the time, that people watch television and, this applies to some extent even to the young or children, they do so for a reason. This reason may be as simple as to pass the time.

When children watch television, it can‟t be denied that cartoon is mostly

(19)

which is firstly viewed on TVRI and it becomes the favourite children cartoon in 1990s.

Due to the development of technology, cartoons are also having progress. From traditional cartoon until animated cartoon which are viewed by many television channels nowadays and Shaun the sheep, an animated cartoon, is one of the top ten cartoons mostly waited and watched by children in most all over the world today. It is viewed everyday in the afternoon on MNC TV.

Not like other cartoon, Shaun the Sheep is a British stop motion animated children‟s television series produced by Aardman Animations and commissioned

by the British Broadcasting Corporation (BBC). The episodes have many combination of slapstick in Aardman‟s recognizable animation style. There is no

spoken dialogue, even by human characters. In this way, it is reminiscent of silent comedy cartoon. Moreover, simple grunts, bleats, and signs are all used to add subtle expression to each character‟s moods and feelings.

Interpretation towards the film is not always the same for individuals. That‟s why people may have different interpretation toward the same object. It

can be influenced by the different level of education, economical status, family background, and many more. When the cartoon “Shaun the Sheep” is then

(20)

In the episode “Bull Vs Wool”, most children did not understand why

Bitzer and Timmy are chased by the Bull and the rest of them had interpreted to the colour of “Red” which made the Bull angry and chased Bitzer and Timmy.

Actually, in the story, Bitzer plays the Red wool by shaking it to Timmy and the Bull watches them. It is not true that because of the Red wool played by Bitzer makes the Bull angry but it is because of the Bitzer‟s action in shaking the wool.

In the episode of “The Coconut”, most children did not understand why

the two characters, the farmer and Bitzer tossed their glasses together after they succeed in cutting the coconuts. They did not understand why the characters do so. It actually relates to the western culture when they have succeeded in doing something and they will celebrate it by tossing their glasses and drinking together. What makes children interpret the meaning of signs in the story “Shaun

the Sheep” in such a way encourages the researcher to make a deep research on it. The researcher is interested in finding the children‟s interpretation toward the film

and find the factors of the children interpret the story in such a way.

(21)

Signs can take the form of words, images, sounds, odours, flavours, acts or object (Peirce,1931). (Saussure, 1966) divides a sign into two components – the signifier (the sound, image, or word) and the signified, which is the concept the signifier represents, or the meaning. In other words, signs can mean anything and they can mean different things to different people.

As well as Peirce (1931:24), one of the American Philosophers, also ever argued that interpreters have to supply part of the meanings of signs. He wrote that “a sign is something which stands to somebody for something in some respect

or capacity”. It means that Peirce considered semiotics important because

whatever we do, can be seen as a message.

Pierce categorized the patterns of meaning in signs as iconic, symbolic, and indexical. An iconic sign is one which is, in one or more respects, the same as the object signified; a symbol, as Pierce reminds us, originally meant something „thrown together‟ making a contact or convention; in a contemporary setting, a

symbol refers to conventional signs used, for instance, in speaking and writing (Lechte, 2000). An index is a sign physically linked to, or affected by, its object. For example, a cry for help may indicate someone in need. Similarly, a knock on the door may indicate that there is someone at the door.

As sign system are involved in the construction of meaning and film makes use of signs to convey its message, therefore this study attempt to investigate how well the children‟s understanding in interpreting the signs or

gestures from the cartoon film ”Shaun the Sheep.” The cartoon film “Shaun the

(22)

1.2 The Problems of the Study

In relation to the background of the study, there are some problems to be identified by the researcher:

1. How do the children interpret the “Shaun the Sheep” film in the Episode of Loony Tic?

2. What gestures do the children interpret well in the episode of Loony Tic? 3. What types of the children‟s interpretation do have in the Episode of

Loony Tic?

1.3 The Objectives of the Study

The researcher intends to find out the understanding of “Shaun the Sheep” stop motion animated cartoon. The objectives of the research are:

1. To find out how the children interpret the film “Shaun the Sheep” in the episode of “Loony Tic”.

2. To find out the gestures that the children interpret well toward the Episode of Loony Tic.

3. To find out types of interpretations that the children have in the Episode of Loony Tic.

1.4.The Scope of the Study

There are so many wordless cartoons which are shown on many television programs such as Bernard Bear, Oasis, and many more. But in this research, the scope of the study is limited on the story of “Shaun the Sheep” in the episode of

“Loony Tic” because this cartoon had won Oscar Award because of the character

(23)

being played in more than 170 countries since 2007. It was based on BBC Network on April 25, 2013.

1.5 The Significances of the Study

The findings of the research are expected to be useful for the readers both theoretically and practically in some aspects.

Theoretically the finding can be useful for enriching the theories on semiotics particularly for:

 Improving and widening the knowledge about semiotics and

interpretation.

Practically the finding can be useful for those who have focus on semiotics. Moreover, the ideas and the point of views of the finding can significantly be useful to be used for:

 Researchers as their review of literature in analyzing semiotics and

interpretation with different object.

 Students as their material references in understanding semiotics and

interpretation.

 Movie Audiences as materials for helping people especially children in

(24)
(25)

CHAPTER V

CONCLUSION AND SUGGESTION

5.1 Conclusion

Based on the discussion on chapter IV, the conclusions are drawn as the following:

1. There were 13.33% students could interpret the episode Loony Tic of Shaun the Sheep Film in the category of Skilled, 46.67% students were in the category of Developing and 40% students were in the category of need work.

2. From the students’ interpretations, there were 100% students could understand emblems, 40% students could understand affect display, 13.33% students could understand adaptor and 0% students could understand illustrator and regulator.

3. In writing the story, there were 73.33% students were included of Revelation Interpretation, and 26.67% students included of Art Interpretation for they interpreted based on the movements they understood or used in their social life.

5.2 Suggestion

Related to the conclusion, suggestions are stages as follow:

(26)

maker increase the verbal language so that the children in general are avoided from misinterpretation and they enjoy not only the funny things but also the lessons from the stories.

(27)

REFERENCES

Andersen , Christian & Bent. 2009. How to Analyse Comprehension in Print Advertising: Advertising Effect from a Peircean Perspective. Journal of Semiotics. Vol. 3, 79-114.

Aiello, Giorgia. 2006. Theoretical Advances in Critical Visual Analysis: Perception, Ideology, Mythologies, and Social Semiotics. Journal of Visual Literacy: Vol.26, No.2, 89-102

Barthes,Roland. 1964. Rhetoric of the Image. London: Sage Publications

Basman, C. 2002. The meaning of Interpretation. Journal of Interpretation Research. 7(1), 7-9

Beck, L and Cable, T. 1998. Interpretation for the 21st Century. London: Sagamore Publishing

Carolina Ravelo, Livia. 2013. Semiotic Analysis of Art Spiegelman’s Maus: A War Comic with an Open Ending. Journal of Applied Linguistics: Vol.1, No.2, 7-22

Chandler, D. 2002. Semiotics: The Basics. London: Routledge.

Cresswell, J. 1998. Qualitative inquiry and Research Design. USA: Sage Publication

Cobley, Paul. 2001. The Rouledge Companion to Semiotics and Linguistics. London: Penguin Books

Cunningham, D. 1992. Beyond educational psychology: Steps toward an educational semiotic. Educational Psychology Review. 4, 165-194.

Danesi, Marcel. 2004. Messages, Signs, and Meaning- A Basic TextBook in Semiotics and Communication Theory. Canada: Canadian Scholars Press Inc.

Deely, J. 1990. Basics of Semiotics. Indianapolis: Indiana University Press.

Eco, U. 1986. Semiotics and the philosophy of language. Bloomington:Indiana University Press.

(28)

Ham, S.H. 1992. Environmental Interpretation: A Practical Guide with Big Ideas and Small Budgets. Colorado: Fulcrum Publishing

Hasanah, Asri. 2010. Semiotics Analysis on Dagadu T-Shirt. Unpublished Thesis: Linguistics. Post Graduate Program. UIN Syarif Hidayatullah Jakarta Hernadi, P. 1989. The Rhetoric of Interpretation and the Interpretation of the

Rhetoric. USA: Duke University Press.

Gay, L.R. 2000. Education Research:Competences for Analysis and Application. New Jersey: Prentice-Hall, Inc.

Gibson, dkk. 1989. Organisasi dan Manajemen Prilaku, Jakarta:Penerbit Erlangga

Green, Jennifer. 2014. Finding Common Ground: Sign Language and Gesture Research in Australia. Australian Journal of Linguistics: Rouledge. Vol. 34, No.2, 185-192

Gunter, Barrie and Mc.Aleer, Jill. 1997. Children and Television. : London and New York : Routledge

Fiske, J. 1990. Introduction to communication, (2nd. ed.). London:Routledge. Fiske, J., & Hartley, J. 1978. Reading television (new accent). London: Routledge. Hendriyani , Ed Hollander , Leen d'Haenens & Johannes Beentjes. 2011. . Children's Television in Indonesia. Journal of Children and Media Publisher: Routledge. Vol.1, No.2

Hoopes, J. 1991. Peirce on signs. Chapel Hill: The Unviersity of North Carolina Press.

Herti Afriani, Susi. 2012. Islamic Beauty: Socio Semiotics Analysis of Facial Foam and Body Lotion Advertisement. Journal of Indonesian Islam: Vol.6, No.2

Lechte, J. 2000. Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. London: Routledge.

Messaris, P. 1994. Visual Literacy: Image, Mind & Reality. Boulder, CO:Westview Press.

McNeil, D. 1992. Hand and Mind: What Gesture Reveal about Thought. Chicago: University of Chicago Press.

(29)

Miles, Matthew B. and A. Michael Huberman. 1992. Qualitative Data Analysis. London:Sage

Mortelmans, Dimitri. 1998. Socio Semiotic Analysis of Print Advertisement for Luxury Products. Journal of Linguistics: Vol. 1, No.2, 181-206

Najafian, Maryam. 2011.The Words Behind Images: A Critical Social Semiotic Approach toward Analyzing Advertising. International Journal of Linguistics Vol.3, No.1:E47

Peirce, Charles Sanders.1931. Collected Papers (8 vols: vol. 1, Principles of Philosophy

Saussure, F. 1966. Course in General Linguistics. New York: Mc GrawHill. Sebeok, T. A. 1991. A sign is just a sign. Bloomington: Indiana UniversityPress. Sembiring, Novalina. 2011. The Interpretation on Advertisement Language of

Vocational High School on Billboard. Unpublished Thesis: English Applied Linguistics Study. Post Graduate Program. UNIMED

Stam, R., Burgoyne, R., & Flitterman-Lewis, S. 1992. New Vocabularies In Film Semiotics: Structuralism, Post-Structuralism And Beyond. New York: Routledge.

Tobin, Y. 1990. Semiotics and Linguistics. New York: Longman.

Turkcan, Burcin. 2013. Semiotic Approach to the Analysis of Children’s Drawings: Unpublished Disertation: Educational Science. Doctoral Program. Adelaide University

Gambar

Table  2.     Students’ Points Understanding………….……………………     41
Figure 1.   The relationship between the signifier      and the signified in Sausurean’s Semiotics…………………….

Referensi

Dokumen terkait

Tabel 1menunjukkan bahwa kuncup bunga stadia D1, D2 dan D3 pada ketiga kultivar dapat membentuk kalus pada media yang mengandung TDZ pada beberapa konsentrasi, dua minggu

[r]

Kembang Perairan (KKP) untuk Mengurangi Kadar Limbah Cair Organik dari Buangan Limbah Rumah Tangga di Wilayah Bogor” adalah sebagai tempat pengolahan limbah

[r]

Penelitian ini berhubungan dengan perangkat-perangkat gramatikal, seperti pronomina kosong, pronomina orang ketiga, pronomina posesif, pronomina definit dan

Tujuan dari penelitian ini adalah membangun sistem penunjang keputusan pemenang tender proyek untuk memperoleh hasil suatu informasi dan keputusan terhadap penawaran yang

Dikaitkan dengan usulan perubahan fungsi dan peruntukkan kawasan hutan yang dilakukan melalui penyusunan RTRW Provinsi, maka integrasi KLHS yang dilakukan di tengah bahkan di akhir

[r]