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BECOMING ANIMAL: CONTEMPORARY
ART IN THE ANIMAL KINGDOM (MIT
PRESS) FROM THE MIT PRESS
BECOMING ANIMAL: CONTEMPORARY ART IN THE
ANIMAL KINGDOM (MIT PRESS) FROM THE MIT PRESS
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BECOMING ANIMAL: CONTEMPORARY ART IN THE
ANIMAL KINGDOM (MIT PRESS) FROM THE MIT PRESS
In an age when scientists say they can no longer specify the exact difference between human and animal, living and dead, many contemporary artists have chosen to use animals in their work -- as the ultimate "other," as metaphor, as reflection. The attempt to discover what is animal, not surprisingly, leads to a greater understanding of what it means to be human. In Becoming Animal, 12 internationally known artists investigate the shifting boundaries between animal and human. Their explorations may be a barometer of things to come.The works included in Becoming Animal which accompanies an exhibit at MASS MoCA -- range from the aviary and cabinet of curiosities of Mark Dion to the gun--toting bird collages of Michael Oatman. Nicolas Lampert's machine-animal collages and Jane Alexander's corpse-like humanoids suggest a new landscape of alienation. Rachel Berwick's investigation of the last Galapagos tortoise from the island of Pinto and Brian Conley's humanized mating call of the Tungara frog question the divide between human and animal communication. Patricia Piccinini imagines a bodyguard for a bird on the edge of extinction and Ann-Sofi Siden recreates the bedroom -- and paranoia -- of psychologist Alice Fabian. Natalie Jeremijenko presents another installment in her ongoing Ooz, reverse-engineering the zoo, and Kathy High's installation of "trans-animals" remembers lab rats who have given their lives for science. Sam Easterson's videos allow us to see from the viewpoint of an aardvark, a tarantula, a tumbleweed; Motohiko Odani's films show a surrealistic genetically modified bestiary. Becoming Animal documents these works with eye-popping full-color images, taking us on a visual journey through an unknown world.
Sales Rank: #748397 in Books
Dimensions: 10.00" h x .75" w x 10.00" l, 2.29 pounds
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Nato Thompson is Chief Curator at the New York--based public arts institution Creative Time. He edited The Interventionists: Users' Manual for the Creative Disruption of Everyday Life and Becoming Animal (both published by the MIT Press) and curated the MASS MoCA exhibitions they accompanied.
Most helpful customer reviews
0 of 0 people found the following review helpful. entertaining and engaging nature
By Christopher Sullivan
inspired by. In particular, the haunting works of Jane Alexander and the playful nature of Kathy High struck a chord with me. I also enjoyed the reference to Joseph Beuys' work “How to Explain Pictures to a Dead Hare”, a bizarre but brilliant performance by one of my all-time favourite artists.
This book has taken pride of place on my bookshelf due to its entertaining and engaging nature. As well as being highly useful academically, it is also nice to just sit with it and look at the pictures.
BECOMING ANIMAL: CONTEMPORARY ART IN THE
ANIMAL KINGDOM (MIT PRESS) FROM THE MIT PRESS
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About the Author
Nato Thompson is Chief Curator at the New York--based public arts institution Creative Time. He edited The Interventionists: Users' Manual for the Creative Disruption of Everyday Life and Becoming Animal (both published by the MIT Press) and curated the MASS MoCA exhibitions they accompanied.
