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Amalia Dwi Utami, 2015

THE REPRESENTATION OF JOKO WIDODOS FIGURE IN THE JAKARTA POST Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

TABLE OF CONTENTS

PAGE OF APPROVAL ... i

PLAGIARISM DECLARATION ... ii

PREFACE ... iii

ACKNOWLEDGEMENTS ... iv

ABSTRACT ... v

TABLE OF CONTENTS ... vi

LIST OF TABLES ... ix

LIST OF FIGURES ... x

CHAPTER I INTRODUCTION ... 1

1.1 Background of the Research ... 1

1.2 Formulation of the Research ... 3

1.3 Purposes of the Research ... 4

1.4 Significance of the Research ... 4

1.5 Scope of the Research ... 4

1.6 Clarification of the Terms ... 5

1.7 Organisation of the Report ... 5

CHAPTER II THEORETICAL FOUNDATION ... 7

2.1 Representation ... 7

2.2 Critical Discourse Analysis ... 7

(2)

Amalia Dwi Utami, 2015

THE REPRESENTATION OF JOKO WIDODOS FIGURE IN THE JAKARTA POST Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

2.4 Discursive Strategies ... 10

2.4.1 Nomination Strategy ... 12

2.4.2 Predication Strategy ... 13

2.5 Simpson’s Model of Modality and Point of View ... 16

2.6 Media Discourse... 18

2.7 Previous Studies on Discourse Historical Approach ... 18

2.8 Concluding Remarks ... 20

CHAPTER III RESEARCH METHODOLOGY ... 21

3.1 Research Design ... 21

3.2 Data collection ... 21

3.3 Data Analysis ... 23

3.4 Concluding Remarks ... 24

CHAPTER IV FINDINGS AND DISCUSSIONS ... 25

4.1 Nomination Strategies ... 25

4.1.1 Deixis ... 26

4.1.2 Proper Names ... 29

4.1.3 Professional Anthroponyms ... 30

4.1.4 Synecdoches ... 31

4.2 Predication Strategies ... 32

4.2.1 Explicit Predicates ... 35

4.2.1.1 Positive Explicit Predicates ... 36

(3)

Amalia Dwi Utami, 2015

THE REPRESENTATION OF JOKO WIDODOS FIGURE IN THE JAKARTA POST Universitas Pendidikan Indonesia | repository.upi.edu | perpustakaan.upi.edu

4.2.2 Adjectives ... 46

4.3 Signification of the Representation ... 49

4.4 Concluding Remarks ... 53

CHAPTER V CONCLUSIONS AND SUGGESTIONS ... 54

5.1 Conclusions ... 54

5.2 Suggestions ... 55

REFERENCES ... 56

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