Materi Mata Kuliah PIM III Piano

MATERI

MATAKULIAH

PIM III

PIANO

Olex

:

F.Xlvgnur

Drnn

K.,

S.Po,

M.A.

JURUSAN

PENDIDII(AN

SENI

MUSIK

FAKULTAS BAHASA DAN

SENI

UNI\/ERSTTAS

NEG

ERI

YOGYAKARTA

Fingering, Phrasing, An n otations by

G.BAONAMICI

Etude

VI.

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Jr

r

Scales

in

both hands

.

DUVERNOY,Op.120

No.1

Alleglro vil'aee

3

I

'!a. *

IilEII\tr

STUDIE

Leise und sehr egal zu spielen

ar

R.Schumann OP.68-No'14'

117

Little

Prelude

No.

B

in

F

Major

Johann Sebastian Bach

1 685-1 750

12.

Bour6e

zhffifFtllt

A

study

in

contrasts

of

touch and independence

of

each hand.

vivace ,

fi0fit1bffi94{t'+'ffiiLLffrA

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{t

ra)

Little

Prelude

No

.

2

in

C

Major

Johann Sebastian Bach 1685-1 750

Moderato

No.SinFmaion

Vivace

(J = e6

-

1oo ₎

5.

Minlret

4:"bf't'tllt

A

study

in

phrasing and

in

balance-of tone

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Andante

sostenuto

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SONATINA

Op.36,No.3

i{

!s

^42

t* Itq

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r

2

L2

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2

ffiii:.ri

SONATINA

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rt

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2 (\9

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Da Capo

al jiiu

14

SONATINA

Op.55, No.z

Allegretto

Fricdrich

Kuhlau

64

5{st

2 2l I

n"t

.& _it

3s

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lt'

27

4

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tt

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t

l-

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e8

I

1:

r z3

r2ztzF.

t

Minuet

with

Yartations

The

rnelody mrusr be

simply

stated, tone clear

and

beautiful.

Gently

taper the tone

co

weak bcae

at slur

endings.

Variation

r

should

be

in

sirniler tempo,

smoorh

quiet

melwJy

singing

above softer quavers, ornaments

lightly

played.

Var. z

brighter

in

tempo

and

tone,

first

note

of

e,'

,,

lriplet

group to

_sing

out

_{above decorative}

notes;

L.

H.

ac-cenrs

marked

without

bu:,',':nE.

Var.

3

brilliant,but

still

sweet

in

tone:

notice that

L.

H.

partakes

of

the

melocl:

:

,'mpo indications

_{are approximatb}

for

_(a)

Theme

_{and Var.}

r;

(b)

Yar.

z;

(c)

Var.

.r

Moderato

semPti<',

ARNE

rTro-1778

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Canrille'Saint-Saens

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lailo

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t'1---t

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&fariage

Xl'sgnour

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Music

bv

Paul

de

SBNNEvILLE

and

otivier ToussAINT

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